Heures mystiques: Entrees, Offertoires, Offertoire funebre. By Leon Boellmann. E...(+)
Heures mystiques:
Entrees, Offertoires,
Offertoire funebre. By
Leon Boellmann. Edited by
Schauerte-Maubouet,
Helga. For Organ. Urtext
Edition (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
Edited by Gilbert M. Martin. Arranged by Gilbert M. Martin. For Organ solo. Gilb...(+)
Edited by Gilbert M.
Martin. Arranged by
Gilbert M. Martin. For
Organ solo. Gilbert M.
Martin an Organ Series.
Sacred. Level: Medium
Adult. 20 pages. Duration
11 min, 20 sec. Published
by Hinshaw Music Inc.
Composed by Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridg...(+)
Composed by Girolamo
Frescobaldi (1583-1643).
Edited by Christopher
Stembridge. This edition:
urtext edition.
Paperback.
Girolamo Frescobaldi.
Orgel-
und Clavierwerke 4 \|
BARENREITER URTEXT. New
edition. Performance
score ,
anthology. Baerenreiter
Verlag #BA08415.
Published
by Baerenreiter Verlag
Organ - Level 4 SKU: BA.BA11093 Composed by Martin Herchenroder. Stapled....(+)
Organ - Level 4
SKU:
BA.BA11093
Composed
by Martin Herchenroder.
Stapled. Performance
score. Composed
2008/2013. 19 pages.
Duration 12 hours.
Baerenreiter Verlag
#BA11093_00. Published by
Baerenreiter Verlag
(BA.BA11093).
ISBN
9790006565269. 30 x 23 cm
inches. Preface:
Herchenroder,
Martin.
“Tocc
ata and Lament†was
composed on commission in
2008 to inaugurate the
large new organ in the
Christ Church Cathedral,
Rochester, NY, USA. This
instrument is a detailed
reconstruction of a late
Baroque organ of 1776
from Vilnius in
Lithuania. The point of
departure – a
clash of contrasting eras
and musical cultures on
two continents –
already bodes excitement.
Martin Herchenröder, a
composer and professor of
music theory, has
incorporated these
contrasts in his roughly
eight-minute composition.
The result is a musical
idiom of rare
distinction, universal in
its musical resources and
alternating between tonal
triads and extremely
dissonant clusters. The
heart of the piece is a
dirge which, using the
Baroque doctrine of the
affections, relates to
Eastern European cultural
history in and around
Vilnius, a history marked
by the predations of
20th-Century
war.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to ...(+)
Preludes, Toccatas,
Fantasias and Fugues II /
Early Versions and
Variants to I (Volume 5)
and II (Volume 6).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Dietrich Kilian / Peter
Wollny. This edition:
urtext edition.
Paperback. Johann
Sebastian Bach. Organ
Works 6 | BARENREITER
URTEXT. Preludes,
Toccatas, Fantasias and
Fugues II / Early
Versions and Variants to
I (Volume 5) and II
(Volume 6). Performance
score, anthology.
Published by Baerenreiter
Verlag (BA.BA5266).
Organ SKU: HL.48184607 Composed by George Frideric Handel. Leduc. Baroque...(+)
Organ
SKU:
HL.48184607
Composed
by George Frideric
Handel. Leduc. Baroque.
Softcover. 80 pages.
Alphonse Leduc #AL27729.
Published by Alphonse
Leduc (HL.48184607).
UPC: 888680854096.
9.0x12.0x0.204
inches.
As one of
the most prolific
composers ever to have
lived G.F. Handel's
(1683-1759) catalogue is
extensive. Moreover,
being an organist
himself, his Organ works
are significant and
remain ever-popular to
this day. Handel's Organ
Concertos remain some of
his most popular and best
loved works and so, when
French organist, Marcel
Dupre (1886-1971)
compiled the series of
Handel's Organ Concertos,
it was well-received, and
to this day remains
popular with all
organists. The second
volume includes the
seventh-twelfth
concertos. In addition,
Dupre's annotations in
the Organ Concertos
comprise fingerings, and
a detailed preface in
French, English and
German. This compilation
of Handel's most loved
compositions for the
Organ cannot be missed by
aspiring performers of
the instrument..
Organ SKU: BR.EB-8628 Chorale Preludes of the Romantic to Songs of the...(+)
Organ
SKU:
BR.EB-8628
Chorale
Preludes of the Romantic
to Songs of the Ev.
Gesangbuches.
Composed by Klaus Uwe
Ludwig. Edited by Klaus
Uwe Ludwig. Solo
instruments; Softbound.
Edition Breitkopf.
hier preisen auf der
Erd offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era.
Romantic period.
Score. 104 pages.
Breitkopf and Haertel #EB
8628. Published by
Breitkopf and Haertel
(BR.EB-8628).
ISBN
9790004180433. 9 x 12
inches.
The
spotlight is not on
Brahms, Reger and
Karg-Elert, but on the
romantic organ composers
Otto Dienel, Theophil
Forchhammer, Max Gulbins,
Otto Heinermann, Karl
Hoyer, Wilhelm Kienzl,
Emil Magnus, Karl Piutti
and many others whose
works have recently begun
to attract greater
attention. The idea of
romanticism is extended
into the 20th century by
the inclusion of certain
other composers as well.
hier preisen auf der Erd
illustrates a
particularly fruitful
period in the history of
organ music while also
expanding the four-volume
collection in Ewigkeit
dich loben, which was
unable to take certain
interesting rediscoveries
into account at the time
of
compilation.
hier
preisen auf der Erd
offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era. Awarded the German
Music Edition Prize
1998.
Organ SKU: BR.EB-8629 Chorale Preludes of the Romantic to Songs of the...(+)
Organ
SKU:
BR.EB-8629
Chorale
Preludes of the Romantic
to Songs of the Ev.
Gesangbuches.
Composed by Klaus Uwe
Ludwig. Edited by Klaus
Uwe Ludwig. Solo
instruments; Softbound.
Edition Breitkopf.
hier preisen auf der
Erd offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era.
Romantic period.
Score. 96 pages.
Breitkopf and Haertel #EB
8629. Published by
Breitkopf and Haertel
(BR.EB-8629).
ISBN
9790004180518. 9 x 12
inches.
The
spotlight is not on
Brahms, Reger and
Karg-Elert, but on the
romantic organ composers
Otto Dienel, Theophil
Forchhammer, Max Gulbins,
Otto Heinermann, Karl
Hoyer, Wilhelm Kienzl,
Emil Magnus, Karl Piutti
and many others whose
works have recently begun
to attract greater
attention. The idea of
romanticism is extended
into the 20th century by
the inclusion of certain
other composers as well.
hier preisen auf der Erd
illustrates a
particularly fruitful
period in the history of
organ music while also
expanding the four-volume
collection in Ewigkeit
dich loben, which was
unable to take certain
interesting rediscoveries
into account at the time
of
compilation.
hier
preisen auf der Erd
offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era. Awarded the German
Music Edition Prize
1998.
Organ solo SKU: FZ.3288 Composed by Gaspard Corrette. Edited by Philippe ...(+)
Organ solo
SKU:
FZ.3288
Composed by
Gaspard Corrette. Edited
by Philippe Lescat, Jean
Saint-Arroman, Marcel
Degrutere. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Score.
Published by Anne Fuzeau
Productions - France
(FZ.3288).
ISBN
9790230632881. 22.00 x
31.00 cm
inches.
This
facsimile of an original
by Gaspard Corrette is
part of our French
classical music
collection. Edition :
Paris, Rouen, Foucault,
l'Auteur, 1703. In his
preface, Gaspard Corrette
gives valuable
indications about his
registrations, the touch
and character of the
pieces, and their
ornamentation. The
engraving is very fine.
Preface by: Philippe
Lescat: the life and
works of Gaspard
Corrette. Marcel
Degrutere: Gaspard
Corrette's organ. Jean
Saint-Arroman: on the
interpretation of the
score and the preface.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
By Guillaume-Gabriel Nivers. Edited by Jean Saint-Arroman, Philippe Lescat. Orga...(+)
By Guillaume-Gabriel
Nivers. Edited by Jean
Saint-Arroman, Philippe
Lescat. Organ solo. For
Organ. Facsimiles. La
Musique Francaise
Classique de 1650 a 1800.
Grade 0. 165 pages
Organ - Level 3 SKU: BA.BA01224 37 Präludien, Fugen, Fantasien und ...(+)
Organ - Level 3
SKU:
BA.BA01224
37
Präludien, Fugen,
Fantasien und Toccaten in
der Reihenfolge der
Tonarten. Viele
Kompositionen
manualiter. Edited by
Adolf Graf. Stapled.
Performance score,
anthology. 48 pages.
Baerenreiter Verlag
#BA01224_00. Published by
Baerenreiter Verlag
(BA.BA01224).
ISBN
9790006409242. 24 x 30.5
cm inches. Language:
German. Preface: Adolf
Graf.
37 Praludien,
Fugen, Fantasien und
Toccaten in der
Reihenfolge der Tonarten.
Viele Kompositionen
manualiter.