By David Karp. For Piano. Composers In Focus. Book 2 contains plenty of rhythmic...(+)
By David Karp. For Piano.
Composers In Focus. Book
2 contains plenty of
rhythmic bounce; Winter
Rag; Autumn Rag; Peasant
Dance; and Cool Beat
Blues; set against some
more lyrical selections:
January Song; May
Afternoon; Swan on a
Lake; and several others,
some with unusual time
signatures, all written
in Karp's unique style.
Also includes: Lullaby;
Blue Tune. Level: Early
Intermediate/Intermediate
. Book. Published by The
FJH Music Company Inc.
(Piano Solo). By Peter Ilyich Tchaikovsky (1840-1893). Edited by Polina Vajdman....(+)
(Piano Solo). By Peter
Ilyich Tchaikovsky
(1840-1893). Edited by
Polina Vajdman. For piano
solo. This edition:
HN616. Piano
(Harpsichord), 2-hands.
Henle Music Folios.
Pages: VII and 66. SMP
Level 10 (Advanced).
Urtext edition-paper
bound. 74 pages.
Published by G. Henle
Verlag
Piano SKU: HL.14032607 Composed by Joby Talbot. Music Sales America. 20th...(+)
Piano
SKU:
HL.14032607
Composed
by Joby Talbot. Music
Sales America. 20th
Century. Book
[Softcover]. Composed
2005. 72 pages. Chester
Music #CH69718. Published
by Chester Music
(HL.14032607).
ISBN
9781846091599.
9.0x12.0x0.285
inches.
A
collection of solo Piano
arrangements of the
pieces from Once Around
The Sun, Joby Talbot's
musical journey through
one year. Jointly
commissioned by Classic
FM and The PRS Foundation
For New Music, this
exquisite set of mood
pieces was inspired by
the personal changes and
experiences across the
year, creating something
of a diary of the
composer's
creativity.
The Seasons, OP. 37bis Piano seul [Partition + Accès audio] - Intermédiaire/avancé Schirmer
Edited and recorded by Alexandre Dossin. By Alexandre Dossin. By Peter Ilyich Tc...(+)
Edited and recorded by
Alexandre Dossin. By
Alexandre Dossin. By
Peter Ilyich Tchaikovsky
(1840-1893). Edited by
Alexandre Dossin.
Schirmer Performance
Editions. Classical.
Softcover Audio Online.
72 pages. Published by G.
Schirmer
New music
(post-2000). Score.
Composed 2016/17/20. 12
pages. Duration 8'.
Breitkopf and Haertel #EB
9253. Published by
Breitkopf and Haertel
(BR.EB-9253).
ISBN
9790004185537. 9 x 12
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Piano SKU: HL.14025816 By Arthur D. Walker. By Richard Wagner. Music Sale...(+)
Piano
SKU:
HL.14025816
By Arthur
D. Walker. By Richard
Wagner. Music Sales
America. Opera or
Operetta. Book
[Softcover]. Music Sales
#NOV100205. Published by
Music Sales
(HL.14025816).
Richard
Wagner's
Polonaise for Piano, edited by
Arthur D. Walker.
Editorial note:
This Polonaise and
Trio in D major for Piano
solo was probably written
as an excercise when
Wagner was studying under
Theodor Weinlig in
1830.
Wagner
described to Edward
Dannreuther much later in
his life the teaching
methods of Weinlig (Grove
I, iv, 347; Musical
Times, January 1973, Page
26) The pencil
corrections on the
autograph, part of which
is reproduced in the
above-mentioned issue of
The Musical Times, may be
in Weinlig's hand. The
Polonaise was rejected by
Wagner, the Trio
transformed into a Piano
duet, and a new Polonaise
for Piano duetwas
composed.
Piano SKU: HL.51481223 Composed by Ludwig van Beethoven. Edited by Murray...(+)
Piano
SKU:
HL.51481223
Composed
by Ludwig van Beethoven.
Edited by Murray Perahia
and Norbert Gertsch.
Henle Music Folios.
Classical. Softcover. 34
pages. G. Henle #HN1223.
Published by G. Henle
(HL.51481223).
UPC:
888680991654.
9.0x12.0x0.12
inches.
“The
farewell / Vienna, May 4,
1809 / on the departure
of his Imperial Highness
the revered Archduke
Rudolph†–
Beethoven added this
inscription to the
manuscript of this
sonata. It is today know
by its French title les
Adieux and numbers
amongst the composer's
best-loved piano works.
The first movement of the
sonata was presumably
written directly before
the archduke hurriedly
left Vienna. Rudolph and
other members of the
imperial family fled to
Hungary to avoid having
to endure the French
troops' siege and
conquest. On his return
in January 1810,
Beethoven was able to
present him with the
complete sonata, having
written not only the
“farewell,â€
but also
“absence†and
“return.â€.
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