Stand Upon the Rock!. ((with O Rocks, Don't Fall on Me)). By Rollo Dilworth. SATB. Henry Leck Creating Artistry. 16 pages. Published by Hal Leonard

(2.2+1.2+1.2/4.0.0.0,hp,s tr,T solo)

SKU: TM.04746SET

Composed by Francesco Paolo Tosti. Set Type: C. Set of parts. Lucks Music Library #A8865. Published by Lucks Music Library (TM.04746SET).

Arranged for Pavarotti and Carreras; score in set. Key of G.

(2.2+1.2+1.2/4.0.0.0,hp,s tr,T solo)

SKU: TM.04746XSC

Composed by Francesco Paolo Tosti. Score. Lucks Music Library #A8865. Published by Lucks Music Library (TM.04746XSC).

Arranged for Pavarotti and Carreras; score in set. Key of G.

Orchestra Soli SATTB, Coro SSATTBB, Ob, 2 Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 4

SKU: CA.4066050

Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Franz Schubert. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. D 950. 216 pages. Duration 50 minutes. Carus Verlag #4066050. Published by Carus Verlag (CA.4066050).

ISBN 9790007294533. Key: E flat major. Latin.

Schubertâ?? s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?¢,A large-scale work now arranged for smaller choirs â?¢,13 winds of the original version reduced to 7 instrumentsâ?¢,Voca l scores and choral scores of the original version can still be usedâ?¢,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000.

By Everett Titcomb. For S(T) solo, SATB choir, Organ (Piano). Modern. Published by Edition Peters.

Soloists, Choir, Orchestra (2Sg-S-solo,Sg-T-solo,Mix Choir-SATB,Orch)

SKU: BA.BA09092-90

A Symphony-Cantata after Texts from the Holy Scriptures. Composed by Felix Bartholdy Mendelssohn. Edited by John Michael Cooper. Arranged by Felix Bartholdy Mendelssohn. This edition: urtext edition. Paperback. Barenreiter Urtext. Vocal Score. Opus 52, MWV A 18. Baerenreiter Verlag #BA09092_90. Published by Baerenreiter Verlag (BA.BA09092-90).

ISBN 9790006565801. 27 x 19 cm inches. Text Language: German, English. Preface: John Michael Cooper. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.

Piano reduction by the composer.

By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal solo (flute 1and2, oboe, clarinet 1and2, bassoon, F horn 1/2and3, trumpet 1/2and3, trombone 1and2, trombone 3/tuba, percussion 1and2/3and4, rhythm, harp, violin 1and2, viola, cello, string bass)

Soloists, Orchestra (2Sg-S-solo,Sg-A-solo,Sg- T-solo,Orch)

SKU: BA.BA10721-90

Oratorio in two Parts. Composed by George Frideric Handel. Edited by Michael Pacholke. Arranged by Christopher Sokolowski. This edition: urtext edition. Paperback. Barenreiter Urtext. Rome 1707. Vocal Score. HWV 46A. Baerenreiter Verlag #BA10721_90. Published by Baerenreiter Verlag (BA.BA10721-90).

ISBN 9790006568680. 27 x 19 cm inches. Text Language: Italian. Preface: Annette Landgraf. Text: Pamphili, Benedetto.

Handel composed his first Italian oratorioLa Bellezza ravveduta nel trionfo del Tempo e del DisingannoHWV 46a in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili who also commissioned this work.

Disinganno (Illumination) and Tempo (Time) try to get the young, beautiful and frivolous Bellezza (Beauty) to recognise the true values of life and to act accordingly. The audience accompanies Bellezza in her spiritual development, in which she increasingly distances herself from Piacere (Pleasure) and listens more and more to Tempo and Disinganno.

The oratorio contains some of the most beautiful music Handel ever composed. This includes the enchanting ariaLascia la spina, in which he uses the music of the sarabande from the operaAlmira, composed in Hamburg in 1704, and which then achieved immortal fame inRinaldo(1711) asLascia ch'io pianga.

Soli SSAATB, Coro SSA(A)T(T)B, Fl, 2 Ob, Fg, 2 Tr, 2 (3) Vl, Va, Vc, Bc

SKU: CA.5527803

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music. Vocal score. HWV 278. Duration 24 minutes. Carus Verlag #CV 55.278/03. Published by Carus Verlag (CA.5527803).

ISBN 9790007188528. Language: English.

Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527919

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf. Set of Orchestra Parts. Composed 1713. HWV 279. Duration 17 minutes. Carus Verlag #5527900. Published by Carus Verlag (CA.5527919).

ISBN 9790007293062. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.
Score and parts available separately - see item CA.5527900.

(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. G-Moll (G minor). German t Part Cantatas, Trinity

(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. G-Moll (G minor). German t Part: cello/double bass Cantatas, Trinity

(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. G-Moll (G minor). German t Part Cantatas, Trinity

(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. G-Moll (G minor). German t Part: viola Cantatas, Trinity

(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. G-Moll (G minor). German t set of instrumental parts (except strings) Cantatas, Trinity

(Cantata for 25th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Anselm Hartinger. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo. Stuttgart Urtext Edition. German t. Vocal Score. Cantatas, End of the church year.

(0.0.0.0/4.0.0.0,TTBB chorus)

SKU: TM.02908SC

Composed by Franz Schubert. Score. Published by Lucks Music Library (TM.02908SC).

Chorus sold as separate T, T, B, B parts. Night Song in the Forest; German-J. G. Seidl.

(0.0.0.0/4.0.0.0,TTBB chorus)

SKU: TM.02908SET

Composed by Franz Schubert. Set of parts. Published by Lucks Music Library (TM.02908SET).

Chorus sold as separate T, T, B, B parts. Night Song in the Forest; German-J. G. Seidl.

(2+1.2+1.2.4/4.2+2.3.1,ti mp,perc,2hp,str,vocal soli,SATB chorus,small chorus)

SKU: TM.04544SC

Composed by Hector Berlioz. Score. Lucks Music Library #A2567. Published by Lucks Music Library (TM.04544SC).

Chorus I = S, A. Chorus II = T, B. Piano not in chorus. Please specify quantity for each voice when ordering - voices sold separately. Coro Piccolo available upon request. Not included in Chorus I and Chorus II parts. Coro Piccolo = ATB Soli & ATB small Chorus.

Soloists, Mixed choir (SATB), Orchestra (Sg-S-solo,2Sg-A-solo,2Sg -T-solo,2Sg-B-solo,mixed choir-SATB,2Ob,2bassoon,2 V,Va,Bc(Vc,Basso,harpsich ord))

SKU: BA.BA11311-90

Composed by George Frideric Handel. Edited by Felix Schroeder. Arranged by Andreas Kohs and Walter Heinz Bernstein. This edition: urtext edition. Paperback. Barenreiter Urtext. Vocal Score. HWV 48. Baerenreiter Verlag #BA11311_90. Published by Baerenreiter Verlag (BA.BA11311-90).

ISBN 9790006574469. 27 x 19 cm inches. Language: German. Preface: Schütz, Gudula. Text: Barthold Heinrich Brockes.

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitledDer fur die Sunde der Welt gemarterte und sterbende Jesus(The Story of Jesus, Suffering and Dying for the Sins of the World). Handel's affinity to opera is evident in the musical realisation of the emphatic text as he creates a synthesis between traditional Protestant church music and the depiction of human passion in the manner of opera seria.

This edition is based on the corresponding volume of theHalle Handel Edition(BA 4021). The full score, parts and vocal score have been newly engraved. The piano reduction has been simplified and brought up to today's standards, thus making it much more manageable to play.

(2+1.2+1.2.4/4.2+2.3.1,ti mp,perc,2hp,str,vocal soli,SATB chorus,small chorus)

SKU: TM.04544SET

Composed by Hector Berlioz. Set Type: A. Set of parts. Lucks Music Library #A2567. Published by Lucks Music Library (TM.04544SET).

Chorus I = S, A. Chorus II = T, B. Piano not in chorus. Please specify quantity for each voice when ordering - voices sold separately. Coro Piccolo available upon request. Not included in Chorus I and Chorus II parts. Coro Piccolo = ATB Soli & ATB small Chorus.

(2.2.2.2/2.2.3.0,timp,hp, str,T solo)

SKU: TM.03156SET

Composed by Ernest Chausson. Set Type: D. Set of parts. Lucks Music Library #A8317. Published by Lucks Music Library (TM.03156SET).

Medium tenor voice, Starts in Key of F. For High Voice see #02497.

(2.2.2.2/2.2.3.0,timp,hp, str,high T solo)

SKU: TM.02497SET

Composed by Ernest Chausson. Set Type: D. Set of parts. Lucks Music Library #A8038. Published by Lucks Music Library (TM.02497SET).

Starts in Key of G. Tenor in Treble clef. For Medium Voice see #03156.