Dettingen Te Deum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt P...(+)
(Dettinger Te Deum). By
George Frideric Handel
(1685-1759). Edited by
Benedikt Poensgen. For
Soli ATB, SSATB choir, 2
oboes, bassoon, 3
trumpets, timpani, 2
violin, viola, basso
continuo. This edition:
Paperbound. Praise and
thanks. Full score.
Language: English/German.
Composed 1743. HWV 283.
144 pages. Duration 40
min. Published by Carus
Verlag
Missa Sancti Aloysii Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: ur...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii in B. SSA MH 257.
Latin Masses. Full score.
Composed 1777. MH 257. 56
pages. Duration 30
minutes. Published by
Carus Verlag
(CA.5425700).
Missa Sancti Aloysii Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: ur...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii in B. SSA MH 257.
Latin Masses. Complete
orchestral parts.
Composed 1777. MH 257.
Duration 30 minutes.
Published by Carus Verlag
(CA.5425719).
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Petite Messe solennelle Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur d'étude / Miniature] Carus Verlag
By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SATB, SATB Choi...(+)
By Gioachino Rossini
(1792-1868). Edited by
Klaus Doge. For Soli
SATB, SATB Choir, 2
Pianos, Armo. This
edition: paperbound.
Score available
separately - see item
CA.4065000. Latin Masses.
Level 3. Study score.
Language: Latin. Composed
1863. 184 pages. Duration
90 min. Published by
Carus Verlag
Missa Sancti Gabrielis Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2...(+)
By Michael Haydn
(1737-1806). Edited by
Biba, Otto. For SATB
Soli, SATB Choir, 2
Violin, 2 Trumpet,
[Timpani], Basso
Continuo. Full score
available separately -
see item CA.9100900.
Church music of the
Viennese Classical.
Choral score. Language:
Latin. Composed
1760/1768. 16 pages
Dialogus von der Geburt Christi Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Weihnachtsoratorium in drei Teilen). By Reinhard Keiser (1674-1739). Edited by ...(+)
(Weihnachtsoratorium in
drei Teilen). By Reinhard
Keiser (1674-1739).
Edited by Christine
Blanken. For Soli SATB,
SSAATTBB Choir, 3
Contrabassons, Timpani, 3
Oboes, 3 Bassoon, 2
Violin, Viola, Basso
Continuo. This edition:
paperbound. Full score
available separately -
see item CA.1038600.
Oratorios; Use during
church year: Christmas.
Piano/Vocal score.
Language: German. 48
pages. Duration 40 min.
Published by Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Amanda Babington.
Arranged by Andreas Kohs.
For alto voice solo,
tenor voice solo, bass
voice solo, SSATB choir,
piano reduction. This
edition: urtext edition.
Paperback. Level 3. Vocal
score. HWV 283. Published
by Baerenreiter Verlag
Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Galaxy Music Corporation
Composed by Ralph Vaughan Williams (1872-1958). 20th Century and British. Vocal ...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
20th Century and British.
Vocal score. 40 pages.
Galaxy Music Corporation
#1.5038. Published by
Galaxy Music Corporation
Messa per il Santissimo Natale Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Weihnachtsmesse). Composed by Giovanni Ristori Giovanni Ristori. Edited by Chri...(+)
(Weihnachtsmesse).
Composed by Giovanni
Ristori Giovanni Ristori.
Edited by Christoph Koop.
For SATB vocal soli, SATB
choir, 2 oboes, 2 horn da
caccia, 2 trumpets, 2
violins, viola, basso
continuo (timpani). This
edition: Paperbound.
Score available
separately - see item
CA.2704400. Latin Masses,
Christmas. Vocal score.
Language: Latin. 72
pages. Duration 36
minutes. Published by
Carus Verlag
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2...(+)
By Michael Haydn
(1737-1806). Edited by
Biba, Otto. For SATB
Soli, SATB Choir, 2
Violin, 2 Trumpet,
[Timpani], Basso
Continuo. This edition:
paperbound. Church music
of the Viennese
Classical. Score.
Language: Latin. Composed
1760/1768. 48 pages
Missa pro defunctis (Requiem) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732111 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732111
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Violin 1.
Sacred vocal music,
Requiem. Part. Duration
48 minutes. Carus Verlag
#CV 27.321/11. Published
by Carus Verlag
(CA.2732111).
ISBN
M-007-25435-3.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Missa Sancti Jacobi in B Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
By Johann Ernst Eberlin (1702-1762). Edited by Armin Kircher. For Soli SATB, SAT...(+)
By Johann Ernst Eberlin
(1702-1762). Edited by
Armin Kircher. For Soli
SATB, SATB Choir, Organ.
This edition: Paperbound.
Masses, Latin. Full
score. Language: Latin.
24 pages. Published by
Carus Verlag
By Heinrich Schutz (1585-1672). Edited by Graulich, Gunter. Arranged by Paul Hor...(+)
By Heinrich Schutz
(1585-1672). Edited by
Graulich, Gunter.
Arranged by Paul Horn.
For SATB/SATB
Favorit-Chor
(Antiphonal/Chamber
Choir), [8 Instruements],
Basso Continuo. This
edition: paperbound. SWV
463. Psalms, German,
Psalms, Latin; Stuttgart
Urtext editions;
Occasions: Praise and
thanks, Psalms; Use
during chuch year: Easter
and Eastertide. Level 3.
Score. Language:
German/Latin. Composed
1650-51. 8 pages.
Duration 3 min
(Nelson-Messe). By Franz Joseph Haydn (1732-1809). Edited by Hochstein, Wolfgang...(+)
(Nelson-Messe). By Franz
Joseph Haydn (1732-1809).
Edited by Hochstein,
Wolfgang. For Soprano
solo voice, Alto solo
voice, Tenor solo voice,
Bass solo voice, SATB
chorus, 3 clarinets,
timpani, 2 violins,
viola, cello/contrabass,
organ, [flute, 2 oboes, 2
clarinets, bassoon, 2
horns]. This edition:
paperbound. Hob. XXII:11.
Full score available
separately - see item
CA.4060900. Masses,
Latin. Study score.
Language: Latin. Composed
1798. 216 pages. Duration
40 min
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Werner Neumann. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/36. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05020_01.
Published by Baerenreiter
Verlag (BA.BA05020-01).
ISBN 9790006461813. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed circa
1758-1760. MH 15.
Duration 30 minutes.
Carus Verlag #CV
50.305/19. Published by
Carus Verlag
(CA.5030519).
ISBN
9790007145477. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
parts available
separately - see item
CA.5030500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed circa 1758-1760.
MH 15. 24 pages. Duration
30 minutes. Carus Verlag
#CV 50.305/49. Published
by Carus Verlag
(CA.5030549).
ISBN
9790007223762. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
part available separately
- see item
CA.5030500.
Missa in honorem Sanctae Ursulae Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Set de Parties séparées] Carus Verlag
Chiemsee-Messe. Composed by Michael Haydn (1737-1806). Edited by Armin Ki...(+)
Chiemsee-Messe.
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Stae
Ursulae/Chiemsee MH 546.
Latin Masses. Complete
orchestral parts.
Composed 1793. MH 546.
Duration 40 minutes.
Published by Carus Verlag
(CA.5454619).