Messe in C-Dur (Mass in C major) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
By Ludwig van Beethoven (1770-1827). Edited by Ernst Herttrich. For Soli SATB, S...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Ernst Herttrich. For Soli
SATB, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, Basso (cello,
double bass, organ). Full
score available
separately - see item
CA.4068800. Latin Masses.
Piano/Vocal score.
Language: Latin. 86. 80
pages. Duration 50 min.
Published by Carus Verlag
By Heinrich von Herzogenberg (1843-1900) and Heinrich von Herzogenberg. Edited b...(+)
By Heinrich von
Herzogenberg (1843-1900)
and Heinrich von
Herzogenberg. Edited by
Bernd Wiechert. For Soli
SATB, SATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 3 Bassoon, 4
Horn, 2 Trumpets, 3
Trombones, Tuba, Timpani,
2 Violins, Viola, Cello,
Contrabass, [Organ]. This
edition: paperbound. Full
score available
separately - see item
CA.2702000. Latin Masses.
Level 3. Piano/Vocal
score. Language: Latin.
87. 112 pages. Duration
60 min. Published by
Carus Verlag
By Antonio Salieri (1750-1825). Edited by Kelber, Rudolf. For SATB Soli, SATB Ch...(+)
By Antonio Salieri
(1750-1825). Edited by
Kelber, Rudolf. For SATB
Soli, SATB Choir, 2
Flutes, 2 Oboes, 2
Bassoons, 2 Horns, 2
Contrabassoons, Timpani,
2 Violins, Viola, Basso
Continuo. This edition:
paperbound. Full score
available separately -
see item CA.4094200.
Passions; Use during
church year: Lent and
Passiontide, Holy Week.
Piano/Vocal score.
Language: Latin. Composed
1776. 160 pages. Duration
105 min
(Vesperpsalm). By Johann Adolf Hasse (1699-1783). Edited by Hochstein, Wolfgang....(+)
(Vesperpsalm). By Johann
Adolf Hasse (1699-1783).
Edited by Hochstein,
Wolfgang. Arranged by
Wolfgang Hochstein. For
Soli SSA, SATB Choir, 2
Flutes, 2 Oboes, 2
Violins, Viola, Basso
continuo. Full score
available separately -
see item CA.4097000.
Cantatas; Occasions:
Psalms, Daily hours.
Piano/Vocal score.
Language: Latin. Composed
1737-1756 (?). 36 pages.
Duration 25 min
Elias (Elijah) (Elie) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Ein Oratorium nach Worten des Alten Testaments). By Felix Bartholdy Mendelssohn...(+)
(Ein Oratorium nach
Worten des Alten
Testaments). By Felix
Bartholdy Mendelssohn
(1809-1847). Edited by R.
Larry Todd. For Soli
SATB, SATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 4
Horn, 2 Trumpets, 3
Trombones, Oficleide,
Timpani, 2 Violins,
Viola, Cello, Contrabass,
Organ. This edition:
paperbound. Score
available separately -
see item CA.4013001.
Oratorios; Stuttgart
Urtext Editions; Psalms.
Level 4. Piano/Vocal
score. Language:
German/English;
Performance Language:
German. Composed
1844-1846. 70. 200 pages.
Duration 130 min.
Published by Carus Verlag
By Gottfried August Homilius. Edited by Uwe Wolf. For Soli SSATB, SATB Choir, 2 ...(+)
By Gottfried August
Homilius. Edited by Uwe
Wolf. For Soli SSATB,
SATB Choir, 2 Horns, 2
Flutes, 2 Oboes, 2
Bassoons, 2 Violins,
Viola, Basso continuo.
This edition: paperbound.
HoWV I.4. Full score
available separately -
see item CA.3710300.
Piano/Vocal score.
Language: German. 128
pages. Duration 119 min
(Version Hellmann/Glockner). By Johann Sebastian Bach (1685-1750). Edited by Glo...(+)
(Version
Hellmann/Glockner). By
Johann Sebastian Bach
(1685-1750). Edited by
Glockner, Andreas.
Arranged by Diethard
Hellmann. For SAT soli,
SATB choir, 2 flutes, 2
oboes (2 oboe d'amore), 2
violins, viola, viola da
gamba, basso continuo (2
lutes). BWV 247. Full
score available
separately - see item
CA.3124700. Oratorios,
Passions; Stuttgart
Urtext editions; Use
during church year: Lent
and Passiontide, Holy
Week. Piano/Vocal score.
Language: German.
Composed 1723/1964/2001.
64 pages. Duration 75 min
(Kantate zum Ratswechsel in Muhlhausen). By Johann Sebastian Bach (1685-1750). E...(+)
(Kantate zum Ratswechsel
in Muhlhausen). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Bassoon, 2 Flutes,
Strings, Organ solo. This
edition: paperbound. BWV
71. Full score available
separately - see item
CA.3107100. Cantatas;
Stuttgart Urtext
editions; Occasions:
Praise and thanks. Level
3. Piano/Vocal score.
Language: German/English.
Composed 1708. 40 pages.
Duration 20 min
Elias (Elijah) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
Ein Oratorium nach Worten des Alten Testaments. By Felix Mendelssohn. Edited by ...(+)
Ein Oratorium nach Worten
des Alten Testaments. By
Felix Mendelssohn. Edited
by Todd, R. Larry. For
Soli SATB, SATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 4
Horn, 2 Trumpets, 3
Trombones, Oficleide,
Timpani, 2 Violins,
Viola, Cello, Contrabass,
Organ. Full score
available separately -
see item CA.4013001.
Oratorios; Stuttgart
Urtext editions;
Occasions: Psalms.
Piano/Vocal score.
Language: German/English.
Composed 1844-1846. 70.
208 pages. Duration 130
min. Published by Carus
Verlag (German import).
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Pietro Zappala. For Soli S...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Pietro Zappala.
For Soli SSATB, SATB
Choir, 2 Flutes, 2 Oboes,
2 Clarinets, 2 Bassoons,
2 Horns, 2 Trumpets,
Timpani, 2 Violins,
Viola, Cello/Contrabass.
This edition: paperbound.
Full score available
separately - see item
CA.4048300. Mass
Sections; Stuttgart
Urtext editions; Use
during church year:
Christmas. Level 3.
Piano/Vocal score.
Language: Latin. Composed
1822. 56 pages. Duration
21 min. Published by
Carus Verlag
(Fassung IV). By Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. Arra...(+)
(Fassung IV). By Johann
Sebastian Bach
(1685-1750). Edited by
Peter Wollny. Arranged by
Paul Horn. For Soli
SATBB, SATB Choir, 2
Flutes, 2 Oboes/Oboe
d'Amore, Oboe d'Amore,
Viola da Gamba, 2
Violins, Viola, Basso
continuo. This edition:
paperbound. BWV 245. Full
score available
separately - see item
CA.3124500. Oratorios,
Passions; Stuttgart
Urtext editions; Use
during church year: Lent
and Passiontide.
Piano/Vocal score.
Language: German/English.
Composed 1749. 184 pages.
Duration 120 min
Der Tod Jesu (La mort de Jesus) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
By Karl Heinrich Graun (1704-1759). Edited by Herbert Lolkes. For Soli SSTB, SAT...(+)
By Karl Heinrich Graun
(1704-1759). Edited by
Herbert Lolkes. For Soli
SSTB, SATB Choir, 2
Flutes, 2 Oboes, 2
Bassoons, 2 Violins,
Viola, Basso continuo.
This edition: paperbound.
Full score available
separately - see item
CA.1037900. Passions;
Occasions: Stations of
the Cross (7 words).
Piano/Vocal score.
Language: German.
Composed 1755. 96 pages.
Duration 85 min
By Carl Philipp Emanuel Bach (1714-1788). For Soli SATB, SATB Choir, 2 Flutes, 2...(+)
By Carl Philipp Emanuel
Bach (1714-1788). For
Soli SATB, SATB Choir, 2
Flutes, 2 Oboes, Bassoon,
2 Horns, 2 Violins,
Viola, Basso continuo [3
Trumpets, Timpani]. This
edition: paperbound. Wq
215. Full score available
separately - see item
CA.3321500. Magnificat;
Use during church year:
Christmas. Level 3.
Piano/Vocal score.
Language: Latin. Composed
1749. 80 pages. Duration
42 min
(Kantate zum Reformationsfest). By Johann Sebastian Bach (1685-1750). Edited by ...(+)
(Kantate zum
Reformationsfest). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SAB, SATB Choir, [2
Flutes], 2 Oboes, 2
Horns, Timpani, Strings,
Organ. This edition:
paperbound. BWV 79. Full
score available
separately - see item
CA.3107900. Cantatas,
Psalms, German; Stuttgart
Urtext editions;
Occasions: Praise and
thanks; Use during chuch
year: Special Days,
Reformation day. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1725 (?). 32
pages. Duration 17 min
By Johann Adolf Hasse (1699-1783). For Soli SSAATTB, SATB Choir, 2 Horns, 2 Flut...(+)
By Johann Adolf Hasse
(1699-1783). For Soli
SSAATTB, SATB Choir, 2
Horns, 2 Flutes, 2 Oboes,
Strings, Basso continuo.
This edition: paperbound.
Full score available
separately - see item
CA.5070900. Piano/Vocal
score. Language: Latin.
Composed 1763/64. 64
pages. Duration 42 min
By Felix Bartholdy Mendelssohn. Edited by Todd, R. Larry. For Soli SATB, SATB/SA...(+)
By Felix Bartholdy
Mendelssohn. Edited by
Todd, R. Larry. For Soli
SATB, SATB/SATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Cello,
Contrabass, Organ, Harp.
Full score available
separately - see item
CA.4007500. Psalms,
German; Stuttgart Urtext
editions; Occasions:
Praise and thanks,
Psalms; Use during church
year: Easter and
Eastertide. Piano/Vocal
score. Language:
German/English. Composed
1843. 91. 16 pages.
Duration 8 min. Published
by Carus Verlag (German
import).
Cantata for the Feast of St. Michael. By Johann Sebastian Bach. Edited by Marian...(+)
Cantata for the Feast of
St. Michael. By Johann
Sebastian Bach. Edited by
Marianne Helms. Arranged
by Wernhard, Eike. For
Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed Choir-SATB, Flute,
Oboe (3), Trumpet (3),
Strings, Basso continuo.
Piano Reduction/Vocal
Score; Urtext Edition.
BWV 130. Published by
Baerenreiter-Ausgaben
(German import). (BA10130
90)
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Vocal
score. Composed 1716. BWV
162. 24 pages. Duration
18 minutes. Carus Verlag
#CV 31.162/03. Published
by Carus Verlag
(CA.3116203).
ISBN
9790007171544. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score
available separately -
see item CA.3116200.
Les Troyens Soli, choeur mixte et accompagnement [Vocal Score] Barenreiter
Grand Opera en cinq actes. By Hector Berlioz. Edited by Hugh Macdonald. Arranged...(+)
Grand Opera en cinq
actes. By Hector Berlioz.
Edited by Hugh Macdonald.
Arranged by Wernhard,
Eike. For Soprano solo
(3), Mezzo-soprano solo
(2), Alto solo, Tenor
solo (4), Baritone solo
(2), Bass solo (7), Mixed
Choir-SSTTBB, Piano
Fl-Picc, Flute (2)/
Piccolo, Oboe (2),
Clarinet (b flat) (2),
Bassoon (4), Horn (4),
Trumpet (2), Cornet (2),
Trombone (3), Ophicleide/
Tuba, Kettledrum, Drums,
6/ Harp (8), Strings -
Buhnenmusik: Oboe (3),
Trombone (3), Saxhorns
(9), Kettledrum, Drums.
Piano Reduction/Vocal
Score; Urtext Edition
(hard bound). Holoman
133. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006506484.
Composed by Ottorino Respighi (1879-1936). Edited by Christine Haustein. For can...(+)
Composed by Ottorino
Respighi (1879-1936).
Edited by Christine
Haustein. For cantor
(vocal solo), SATB choir
divisi, orchestra (2
flutes (flute piccolo),
oboe, english horn, 2
bassoons, triangle, piano
4-hands). Christmas. Full
score. Language: Italian.
72 pages. Duration 24
minutes. Published by
Carus Verlag
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/92. Published by
Carus Verlag
(CA.2380192).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/93. Published by
Carus Verlag
(CA.2380193).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.