By Samuel R. Hazo. Arranged by Will Rapp, Michael Sweeney. Esprit (Marching Band). Size 6.75x10.5 inches. Published by Hal Leonard.

By Samuel R. Hazo. (Score and Parts). MusicWorks Grade 3. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

Band Agogo Bells, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet, Tuba and more. - Grade 3

SKU: CF.CPS256F

Composed by Chris Campbell. Full score. 21 pages. Carl Fischer Music #CPS256F. Published by Carl Fischer Music (CF.CPS256F).

ISBN 9781491159729. UPC: 680160918317.

As the title suggests, there should be a tongue-in-cheek aspect to the performance of this piece with the idea that it doesn't take itself too seriously. Close attention should be paid to staccato notes, making sure not to play them too short and clipped, keeping in mind that a staccato quarter note should have the length of an eighth note and not the length of a sixteenth note. Although the piece is a march, it needn't conform to any strict interpretation of what a march should be. Some of the tongued eighth-note passages may need to be double-tongued, depending on tempo, using the Dig-A-Duck method. For instance at m. 34 the repeated eighth notes might be tongued dig-a-da-duck, dig-a-duck, da dot dot. Slurred eighth-note passages should follow the curve of the line, getting slightly louder as notes ascend and slightly softer as they descend. Measure 39 through m. 51 will have a somewhat chaotic feel, so go with the flow! The sparsely orchestrated passage at m. 68 is understated--perhaps a little spacey in keeping with our theme--and not to be overplayed until the crescendo at m. 88, when we return to business as usual. Trumpets show off again (rarely a problem for trumpet players) on the D. S. back to m. 6. On the Coda, another disjointed-sounding theme, again departing from any strict interpretation of a march--again, making sure that the staccatos are not too clipped--is followed by a repeat of the main theme, this time layered. Care should be taken to balance the entrances of the layered instrument groups as they enter. An exuberant final four measures puts the cherry on top. Percussion can play out for the most part, very little subtlety required. Overall, this piece is meant to be FUN, for both the performers and the audience!.
As the title suggests, there should be a tongue-in-cheek aspect to the performance of this piece with the idea that it doesn't take itself too seriously. Close attention should be paid to staccato notes, making surenot to play them too short and clipped, keeping in mind that a staccato quarter note should have the length of an eighth note and not the length of a sixteenth note. Although the piece is a march, it needn't conform toany strict interpretation of what a march should be. Some of the tongued eighth-note passages may need to be double-tongued, depending on tempo, using the Dig-A-Duck method. For instance at m. 34the repeated eighth notes might be tongued dig-a-da-duck, dig-a-duck, da dot dot. Slurred eighth-note passages should follow the curve of the line, getting slightly louder as notes ascend and slightly softeras they descend. Measure 39 through m. 51 will have a somewhat chaotic feel, so go with the flow!The sparsely orchestrated passage at m. 68 is understated—perhap s a little spacey in keeping with our theme—and not to be overplayed until the crescendo at m. 88, when we return to business as usual. Trumpets show off again (rarely a problem for trumpet players) on the D. S. back to m. 6. On the Coda, another disjointed-sounding theme, again departing from any strict interpretation of a march—again, making sure that the staccatos are not too clipped—is followed by a repeat of the main theme, this time layered. Care should be taken to balance the entrances of the layered instrument groups as they enter.An exuberant final four measures puts the cherry on top. Percussion can play out for the most part, very little subtlety required. Overall, this piece is meant to be FUN, for both the performers and the audience!

Romance for Violin and Orchestra. By Ralph Vaughan Williams. (Study Score). Schott. Size 5.25x7.5 inches. 24 pages. Published by Eulenburg London (Schott).

By Dubois, Theodore. Edited by Schauerte-Maubouet, Helga. For Organ. Playing Score; Collection; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).

A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chichester Composed by L. J. White Alleluia Composed by William Boyce Author Of Life Divine Composed by Cecilia Mcdowall Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard Brightest And Best Composed by Malcolm Archer Christ Is The World's True Light Composed by W. K. Stanton Christ The Lord Is Risen Again Composed by Richard Shephard Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach Come Down, O Love Divine Composed by Hilary Tadman-robins Plainsong: Creator Of The Stars Arranged by John Scott Drop, Drop Slow Tears Composed by Kerry Andrew Evening Service In C Composed by Frank Henry Shera Fairest Lord Jesus Composed by Martin How Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard God Be In My Head Composed by Armstrong Gibbs God In Mine Eternity Composed by Alan Bullard God So Loved The World Composed by Alan Bullard God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt Hark, The Glad Sound Composed by David Thorne Harvest Carol Composed by Ian Ray He Is Risen Composed by Cecil Cope Hide Not Thy Face Composed by Richard Farrant see all... Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith Hosanna To The Son Of David Composed by Georg Philipp Telemann Irish Blessing Composed by Bob Chilcott Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart Lamb Of God (Agnus Dei) Composed by Samuel Webbe Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury Like The Murmur Of The Dove's Song Composed by Alan Smith Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn Magnificat And Nunc Dimittis In C Composed by F. H. Shera Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard O For A Closer Walk With God Composed by Charles Villiers Stanford O God Of Mercy Composed by Simon Lole O God, Your Goodness Composed by Ludwig Van Beethoven O Praise God In His Holiness Composed by John Weldon Panis Angelicus Composed by Cesar Auguste Franck Peace Between Nations Composed by Christopher Wiggins Pie Jesu Composed by Gabriel Faure Praise To The Trinity Composed by Hildegard Of Bingen Psalm 150 Composed by Bob Chilcott Rejoice In The Lord Always Composed by Christopher Wiggins Shout For Joy Composed by African Traditional; Arranged by Alan Bullard Star Of Wonder Composed by Alan Bullard The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley The Heavens Sing Praises To God Composed by Ludwig Van Beethoven The Lord Ascendeth Composed by Michael Praetorius The Lord Bless You And Keep You Composed by John Rutter The Lord's My Shepherd Composed by Bob Chilcott The Peace Of God Composed by Alan Bullard The True And Living Bread Composed by David Blackwell There Is No Rose Composed by Andrew Smith Thou Visitest The Earth Composed by Maurice Greene To Be A Pilgrim Composed by Nick Burt Were You There? Composed by American Spiritual; Arranged by Peter Hunt Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard Wondrous Cross Composed by Philip Wilby The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press

By Ralph Vaughan Williams. For Full Score (Newly Engraved). Published by Oxford University Press.

Violin & mixed choir (SATB) - Easy to Moderately Difficult

SKU: OU.9780193528208

Composed by Ralph Vaughan Williams. Arranged by Paul Drayton. Secular Choral - Mixed Voices. Secular. Vocal score. 28 pages. Duration 15'. Oxford University Press #9780193528208. Published by Oxford University Press (OU.9780193528208).

ISBN 9780193528208. 11 x 9 inches.

For violin and mixed choir This innovative and imaginative choral arrangement of The Lark Ascending has the original solo violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the original orchestration is based) and combines this with wordless vocal lines and vocal solos.

Jazz Ensemble - Grade 5

SKU: KN.62033S

Composed by Fred Sturm. Jazz Summit. Kendor Music Inc #62033S. Published by Kendor Music Inc (KN.62033S).

UPC: 822795620337.

Commi ssioned by the Gates Chili High School Jazz Ensemble in Rochester (NY), this winning original alternates between a Latin and straight 8th-note feel, and draws from the ascending melodic minor scale and its related modes for source material. It's a sophisticated chart with moderate range demands and notated rhythm section parts. Soloists can navigate the 16-measure solo using just a single scale over hip jazz chords. Duration 6:55.

Score Only. By Rob Smith. Boosey and Hawkes Concert Band. 34 pages. Published by Boosey & Hawkes.

Jazz Ensemble standard jazz ensemble - Grade 5

SKU: KN.62033

Composed by Fred Sturm. Jazz Summit. Latin/Straight 8th. Score and set of parts. Duration 6 minutes, 55 seconds. Kendor Music Inc #62033. Published by Kendor Music Inc (KN.62033).

UPC: 822795620337.

Commi ssioned by the Gates Chili High School Jazz Ensemble in Rochester (NY), this winning original alternates between a Latin and straight 8th-note feel, and draws from the ascending melodic minor scale and its related modes for source material. It's a sophisticated chart with moderate range demands and notated rhythm section parts. Soloists can navigate the 16-measure solo using just a single scale over hip jazz chords. Duration 6:55.

Violin and Piano

SKU: AP.36-60710008

For Violin and Piano. Composed by Ralph Vaughan Williams/ Inspired by a poem of George Meredith. Violin. Master String Series. Book. LudwigMasters Publications #36-60710008. Published by LudwigMasters Publications (AP.36-60710008).

ISBN 9798888522028. UPC: 676737624248. English.

Ralph Vaughan Williams, ever fond of poetry, found creative impetus for his beautiful romance The Lark Ascending, IRV 39, in an 1881 poem by George Meredith. Marie Pauline Hall, to whom the work was dedicated, gave the first performance of the original violin and piano version, here presented in a Masters reprint edition, at Shirehampton Public Hall on December 15, 1920, beside pianist Geoffrey Mendham. After World War I, the composer expanded the work for soloist and full orchestra. This has become the version most familiar to listeners. The violin, lifting its silvery tones above the stage, captures the soaring nature of Meredith's couplet: Till lost on his aerial rings/In light, and then the fancy sings. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

By George Meredith, Linda Spevacek. (SSA). Choral. Festival. Size 6.8x10.5 inches. 16 pages. Published by Hal Leonard.

Score and Parts. By Rob Smith. (Score and Parts). Boosey and Hawkes Concert Band. Published by Boosey and Hawkes.

Composed by Judith Weir (1954-). Music Sales America. Sacred. Book [Softcover]. 28 pages. Novello and Co Ltd. #MUSNOV290585. Published by Novello and Co Ltd. (HL.14002240). 0.5

Composed by Gwyneth W. Walker (1947-). Secular. Published by E.C. Schirmer Publishing (EC.8247).

The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instruments. Fake Book. Softcover. 432 pages. Published by Hal Leonard

Piano

SKU: HL.278745

Piano Solo. Composed by Frederick Viner. Music Sales America. Classical. Softcover. 8 pages. Duration 300 seconds. University of York Music Press #M570368143. Published by University of York Music Press (HL.278745).

Herz an Herz, as the title implies (heart to heart), is a love duet. Two distinct voices, characterised through their respective male and female vocal registers, negotiate a warm, heartfelt melody through a loosely strophic form. Initially the voices sing in turn, each section - or verse - led predominantly by one. Each time their lines entwine, virtuosic flourishes ascend the keyboard, interrupting to render them silent again. It is only after one particularly tumultuous episode that the true duet appears: Out of the murky resonances of the lowest “A” emerges the throbbing chords and impassioned vocal lines from Wagner’s famous duet, O sink hernieder, Nacht der Liebefrom the second act of Tristan und Isolde. The 'singers', now reconciled, come together for one final verse before a fleeting memory of the beginning gently ushers in the end of the piece. Herz an Herz was awarded 1st prize in William Howard's Love Song Composing Competition and was premiered on 26th April 2017 at Hoxton Hall, London, by William Howard.

SATB choir, piano

SKU: LO.10-5693L

Composed by Pepper Choplin. Choral. Sacred Anthem, Ascension, Eastertide. Lorenz Publishing Company #10/5693L. Published by Lorenz Publishing Company (LO.10-5693L).

ISBN 9780787776930.

With a fanfare style introduction, the words Glory! He is lifted up to ascend to Heaven's glory! ring out in celebration. This anthem is a wonderful option for Ascension Sunday or throughout Eastertide. The original words and music from Pepper Choplin are met with a section incorporating hymn tune WYE VALLEY and additional text based on Look, Ye Saints. The orchestral accompaniment is a spectacular addition to this celebratory anthem.

SATB choir and piano

SKU: BC.75306

Composed by Dmitri Stepanovich Bortniansky. Choral Music. Sacred. Octavo. Published by Bourne Music (BC.75306).

SATB choir and organ, with optional congregation and brass quartet - Early Intermediate

SKU: MN.60-6350

Composed by David M. Cherwien. 21st Century, Praise/Thanksgiving, Stewardship. Choral score. MorningStar Music Publishers #60-6350. Published by MorningStar Music Publishers (MN.60-6350).

UPC: 688670663505. English.

Unexpected progressions and various textures provide ever-present interest in this anthem of praise. The descant allows the tenors to ascend along with the sopranos. The optional brass and congregation parts give the work added density and loftiness. Reproducible part for optional Congregation included. Reproducible instrumental parts include: Two Trumpets in Bb or C, Two Trombones, Horn in F [substitute for Trombone I].

For the Great Highland Bagpipe and Organ. Arranged by Timothy Cummings. For Bagpipe, Organ, C Instrument, and Bb Instrument. Instrumental. Sacred. Level: Easy/Medium. 8 pages. Published by GIA Publications.

SAB choir, assembly, keyboard accompaniment, 3 trumpets

SKU: GI.G-007978

Arranged by Marek Rachelski. Lent 2 Year B, advent 1 Year B, lent 1 Year B, easter 7 Year B. Sacred. Octavo. GIA Publications #007978. Published by GIA Publications (GI.G-007978).

(Dynamic Arrangements for Easter). By Dave Clark and J. Daniel Smith. Arranged by J. Daniel Smith. For SATB choir or unison choir. This edition: Paperback. Musical. Inspirational and Sacred. Book. 108 pages. Duration 36 minutes. Published by Lillenas Publishing Company

(11 Colorful Songs for Elementary Pianists). Composed by Dennis Alexander. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. Five-Star Series. Recital. Elementary. 24 pages. Published by Alfred Music

Concert Band - Grade 1.5

SKU: AP.45973S

Composed by Vince Gassi. Concert Band; Performance Music Ensemble; Single Titles. Challenger Band Series. Score. 8 pages. Duration 2:50. Alfred Music #00-45973S. Published by Alfred Music (AP.45973S).

UPC: 038081525617. English.

Energy, impulse, ascension. Motifs (avatars) harbor energy, generate impulse, and ascend. The avatars in this new work do precisely that. Themes and harmonies soar, rhythms propel, energy issues forth---engaging, energizing, and exciting the young musicians in your band. (2:50).