Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
Roll of Honour Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125214-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125214-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Score Only.
Composed 2012. 40 pages.
De Haske Publications
#DHP 1125214-120.
Published by De Haske
Publications
(BT.DHP-1125214-120).
9x12 inches.
English-German-French-Dut
ch.
On a war
memorial in the Dutch
village of Wons is
engraved a list of names
to honour the fallen in
World War II. This is the
basis for the name of
this piece. However, this
composition was written
for everyone who has made
Wons what it is today: a
pretty place near to Lake
IJssel with a
comfortable way of life.
The piece begins with a
celebratory introduction
in which the village is
presented to the
listener. There follows a
delightful rhythmic and
high-tempo theme that
reflects the happiness,
innocence and carefree
atmosphere before the
war. Now we hear a moody,
fragmented theme
depicting soldiers
shooting. This is brought
to a close with dissonant
clusters of
sound,intoning the
dreadful tragedy of the
war. The ensuing quiet
gives way to a calm
middle section in a minor
key that portrays both
frustration and
consolation. The fast
tempo of the beginning
returns, this time in the
form of a victory march.
We hear freedom being
celebrated. We hear the
previous happy, innocent
and carefree themes, too.
There follows a festive,
martial theme, a tribute
to the village, before
the piece closes with
sounds of celebration.
Op de gedenksteen
in het Friese dorp Wons
staat een erelijst (roll
of honour) gegraveerd ter
nagedachtenis aan de
gevallenen van de Tweede
Wereldoorlog. De titel
van dit werk verwijst
naar deze lijst. Deze
compositie is echter
tevens geschreven voor
alle mensen die Wons
hebben gemaakt tot wat
het nu is: een prachtig
dorpje vlak bij het
IJsselmeer waar het
prettig toeven is. De
compositie begint met een
statige inleiding, waarin
het dorp zich presenteert
aan de luisteraar. Dan
klinkt een aansprekend
ritmisch thema in een
snel tempo dat de
vrolijkheid,
onbevangenheid en
onbezorgdheid van voor de
oorlog uitstraalt. Dit
gaat over in een melodie
in mineur, die het
naderendeoorlogsgevaar
aankondigt. Dan is er een
grillig thema met stops
waarin het schieten van
de soldaten te horen is.
Dit eindigt in enkele
dissonante clusters die
het tragische dieptepunt
van de oorlog
accentueren. De
daaropvolgende stilte
lost op in een gedragen
middendeel in mineur
waaruit enerzijds
verdriet en anderzijds
troost spreekt. Dan komt
het snelle tempo van het
begin weer terug, ditmaal
in de vorm van een
vreugdemars. De vrijheid
wordt gevierd. Ook het
thema van de vrolijkheid,
onbevangenheid en
onbezorgdheid is weer te
horen. Er volgt nu een
statig martiaal thema,
een eerbetoon aan het
dorp, waarna het werk
wordt afgesloten met
feestelijke klanken.
Auf einem
Gedenkstein im
niederländischen Dorf
Wons ist eine Namensliste
zu Ehren der Gefallenen
im Zweiten Weltkrieg
eingraviert. Auf diese
bezieht sich der Titel
des Werkes, der
wörtlich übersetzt
‘Ehrenliste’
bedeutet. Diese
Komposition wurde jedoch
für alle Menschen
geschrieben, die Wons zu
dem gemacht haben, was es
heute ist: ein schöner
Ort nahe des
IJsselmeeres, in dem es
sich gut leben lässt.
Das Werk beginnt mit
einer feierlichen
Einleitung, in welcher
sich das Dorf dem
Zuhörer
präsentiert. Dann
erklingt ein reizvolles
rhythmisches und
temporeiches Thema, das
die Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit vor dem
Krieg ausstrahlt. Dieses
geht in eine
Moll-Melodieüber,
welche von der nahenden
Kriegsgefahr kündet.
Dann erklingt ein
launenhaftes Thema mit
Unterbrechungen, in dem
das Schießen der
Soldaten zu hören ist.
Dieses endet in einigen
dissonanten Clustern, die
den tragischen Tiefpunkt
des Krieges betonen. Die
darauffolgende Stille
löst sich in einen
ruhigen Mittelteil in
Moll auf, aus dem
einerseits Verdruss und
andererseits Trost
spricht. Dann kehrt das
schnelle Tempo des
Anfangs zurück, dieses
Mal in der Form eines
Freudenmarsches. Die
Freiheit wird gefeiert.
Auch das Thema der
Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit ist wieder
zu hören. Nun folgt
ein feierliches,
martialisches Thema, eine
Ehrerbietung an das Dorf,
bevor das Werk mit
festlichen Klängen
endet.
Roll of Honour Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125214-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125214-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125214-020. Published by
De Haske Publications
(BT.DHP-1125214-020).
9x12 inches.
English-German-French-Dut
ch.
On a war
memorial in the Dutch
village of Wons is
engraved a list of names
to honour the fallen in
World War II. This is the
basis for the name of
this piece. However, this
composition was written
for everyone who has made
Wons what it is today: a
pretty place near to Lake
IJssel with a
comfortable way of life.
The piece begins with a
celebratory introduction
in which the village is
presented to the
listener. There follows a
delightful rhythmic and
high-tempo theme that
reflects the happiness,
innocence and carefree
atmosphere before the
war. Now we hear a moody,
fragmented theme
depicting soldiers
shooting. This is brought
to a close with dissonant
clusters of
sound,intoning the
dreadful tragedy of the
war. The ensuing quiet
gives way to a calm
middle section in a minor
key that portrays both
frustration and
consolation. The fast
tempo of the beginning
returns, this time in the
form of a victory march.
We hear freedom being
celebrated. We hear the
previous happy, innocent
and carefree themes, too.
There follows a festive,
martial theme, a tribute
to the village, before
the piece closes with
sounds of celebration.
Op de gedenksteen
in het Friese dorp Wons
staat een erelijst (roll
of honour) gegraveerd ter
nagedachtenis aan de
gevallenen van de Tweede
Wereldoorlog. De titel
van dit werk verwijst
naar deze lijst. Deze
compositie is echter
tevens geschreven voor
alle mensen die Wons
hebben gemaakt tot wat
het nu is: een prachtig
dorpje vlak bij het
IJsselmeer waar het
prettig toeven is. De
compositie begint met een
statige inleiding, waarin
het dorp zich presenteert
aan de luisteraar. Dan
klinkt een aansprekend
ritmisch thema in een
snel tempo dat de
vrolijkheid,
onbevangenheid en
onbezorgdheid van voor de
oorlog uitstraalt. Dit
gaat over in een melodie
in mineur, die het
naderendeoorlogsgevaar
aankondigt. Dan is er een
grillig thema met stops
waarin het schieten van
de soldaten te horen is.
Dit eindigt in enkele
dissonante clusters die
het tragische dieptepunt
van de oorlog
accentueren. De
daaropvolgende stilte
lost op in een gedragen
middendeel in mineur
waaruit enerzijds
verdriet en anderzijds
troost spreekt. Dan komt
het snelle tempo van het
begin weer terug, ditmaal
in de vorm van een
vreugdemars. De vrijheid
wordt gevierd. Ook het
thema van de vrolijkheid,
onbevangenheid en
onbezorgdheid is weer te
horen. Er volgt nu een
statig martiaal thema,
een eerbetoon aan het
dorp, waarna het werk
wordt afgesloten met
feestelijke klanken.
Auf einem
Gedenkstein im
niederländischen Dorf
Wons ist eine Namensliste
zu Ehren der Gefallenen
im Zweiten Weltkrieg
eingraviert. Auf diese
bezieht sich der Titel
des Werkes, der
wörtlich übersetzt
‘Ehrenliste’
bedeutet. Diese
Komposition wurde jedoch
für alle Menschen
geschrieben, die Wons zu
dem gemacht haben, was es
heute ist: ein schöner
Ort nahe des
IJsselmeeres, in dem es
sich gut leben lässt.
Das Werk beginnt mit
einer feierlichen
Einleitung, in welcher
sich das Dorf dem
Zuhörer
präsentiert. Dann
erklingt ein reizvolles
rhythmisches und
temporeiches Thema, das
die Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit vor dem
Krieg ausstrahlt. Dieses
geht in eine
Moll-Melodieüber,
welche von der nahenden
Kriegsgefahr kündet.
Dann erklingt ein
launenhaftes Thema mit
Unterbrechungen, in dem
das Schießen der
Soldaten zu hören ist.
Dieses endet in einigen
dissonanten Clustern, die
den tragischen Tiefpunkt
des Krieges betonen. Die
darauffolgende Stille
löst sich in einen
ruhigen Mittelteil in
Moll auf, aus dem
einerseits Verdruss und
andererseits Trost
spricht. Dann kehrt das
schnelle Tempo des
Anfangs zurück, dieses
Mal in der Form eines
Freudenmarsches. Die
Freiheit wird gefeiert.
Auch das Thema der
Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit ist wieder
zu hören. Nun folgt
ein feierliches,
martialisches Thema, eine
Ehrerbietung an das Dorf,
bevor das Werk mit
festlichen Klängen
endet.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Violoncello. Secular
choral music. Single
Part, Cello. Op. 112. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.395/14. Published by
Carus Verlag
(CA.1039514).
ISBN
9790007245368. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke. 1x
10.395/21 flute 1, 1x
10.395/22 flute 2, 1x
10.395/23 oboe 1, 1x
10.395/24 oboe 2, 1x
10.395/25 clarinet 1, 1x
10.395/26 clarinet 2, 1x
10.395/27 bassoon 1, 1x
10.395/28 bassoon 2, 1x
10.395/31 horn 1, 1x
10.395/32 horn 2, 1x
10.395/33 horn 3, 1x
10.39. Harmony parts.
Secular choral music. Set
of Orchestra Parts. Op.
112. Duration 8 minutes.
Carus Verlag #CV
10.395/09. Published by
Carus Verlag
(CA.1039509).
ISBN
9790007245320. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and parts available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Secular choral music.
Choral Score. Op. 112. 8
pages. Duration 8
minutes. Carus Verlag #CV
10.395/05. Published by
Carus Verlag
(CA.1039505).
ISBN
9790007188139. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Violin 2. Secular choral
music. Single Part,
Violin 2. Op. 112. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.395/12. Published by
Carus Verlag
(CA.1039512).
ISBN
9790007245344. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Violin 1. Secular choral
music. Single Part,
Violin 1. Op. 112. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.395/11. Published by
Carus Verlag
(CA.1039511).
ISBN
9790007245337. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Secular choral music.
Full score. Op. 112. 44
pages. Duration 8
minutes. Carus Verlag #CV
10.395/00. Published by
Carus Verlag
(CA.1039500).
ISBN
9790007188115. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and
corrected.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Double bass. Secular
choral music. Single
Part, Double Bass. Op.
112. 4 pages. Duration 8
minutes. Carus Verlag #CV
10.395/15. Published by
Carus Verlag
(CA.1039515).
ISBN
9790007245375. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Secular choral music.
Vocal score. Op. 112. 20
pages. Duration 8
minutes. Carus Verlag #CV
10.395/03. Published by
Carus Verlag
(CA.1039503).
ISBN
9790007188122. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Complete orchestral
parts. Secular choral
music. Set of Orchestra
Parts. Op. 112. Duration
8 minutes. Carus Verlag
#CV 10.395/19. Published
by Carus Verlag
(CA.1039519).
ISBN
9790007245382. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and parts available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Viola. Secular choral
music. Single Part,
Viola. Op. 112. 4 pages.
Duration 8 minutes. Carus
Verlag #CV 10.395/13.
Published by Carus Verlag
(CA.1039513).
ISBN
9790007245351. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
(Solo Settings for Classical and Fingerstyle Guitar). By Mark Johnstone. For Gui...(+)
(Solo Settings for
Classical and Fingerstyle
Guitar). By Mark
Johnstone. For Guitar
(Classical). Spiral,
Solos. Christmas.
Beginning-Intermediate.
Book. 64 pages. Published
by Mel Bay Publications,
Inc Textbook Christmas
11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven s...(+)
11 Miniaturen. Composed
by
Claus Kuhnl. Edition
Breitkopf.
In these eleven short
piano
pieces, the composer
follows
the cue of such
modern-day
masters as Olivier
Messiaen,
Karlheinz Stockhausen,
Helmut
Lachenmann and Nicolaus
A.
Huber.
Pedagogical. Breitkopf
and
Haertel #EB-9175.
Published
by Breitkopf and Haertel
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-27.
Published by Breitkopf
and Haertel
(BR.OB-14670-27).
ISBN
9790004337967. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-23.
Published by Breitkopf
and Haertel
(BR.OB-14670-23).
ISBN
9790004337950. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-16.
Published by Breitkopf
and Haertel
(BR.OB-14670-16).
ISBN
9790004337936. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-19.
Published by Breitkopf
and Haertel
(BR.OB-14670-19).
ISBN
9790004337943. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Chorus (with soloists) and orchestra (choir: SATB - 2.2.2.2. - 4.2.0.0. - timp -...(+)
Chorus (with soloists)
and orchestra (choir:
SATB - 2.2.2.2. -
4.2.0.0. - timp - str)
SKU:
BR.CHB-14670-02
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Classical period. Choral
score. 12 pages. Duration
10'. Breitkopf and
Haertel #ChB 14670-02.
Published by Breitkopf
and Haertel
(BR.CHB-14670-02).
ISBN 9790004412466.
7.5 x 10.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-15.
Published by Breitkopf
and Haertel
(BR.OB-14670-15).
ISBN
9790004337929. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Piano - easy to intermediate SKU: M7.ART-42166 18 romantische Klaviers...(+)
Piano - easy to
intermediate
SKU:
M7.ART-42166
18
romantische
Klavierstücke für
Kinder, Jugendliche &
Erwachsene. Composed
by Theresia Prelog. Score
with online audio files.
56 pages. MDS (Music
Distribution Services)
#ART 42166. Published by
MDS (Music Distribution
Services) (M7.ART-42166).
ISBN
9783866421660.
Der
Nachfolgeband 'Flowing
Piano Songs' von Theresia
Prelog bietet 18 leichte
bis mittelleichte,
romantische
Klavierstücke für
Herz und Sinne. Die
gefühlvollen
Kompositionen eignen sich
hervorragend als
Ergänzung und
Auflockerung zu einer
klassischen Klavierschule
und wenden sich an
Spielerinnen und Spieler
ab dem 3. und 4.
Unterrichtsjahr und jeder
Altersstufe. Beim Spielen
von 'Flowing Piano Songs'
besteht die
Möglichkeit für ein
paar kostbare Augenblicke
alles andere hinter sich
zu lassen und sich dem
Dahinfließen der Musik
voll und ganz hinzugeben.
Körper, Geist und
Seele entspannen sich und
tanken neue Energie.
Hinter jedem Stück
steht zugleich ein
bestimmter technischer
und musikalischer Aspekt,
der beim Spielen ganz
unbewusst und mühelos
geübt wird, auch wenn
das klangliche Erlebnis
im Vordergrund steht.
Trainiert werden unter
anderem die
Geläufigkeit in
schnellen melodischen
Figuren, die
Differenzierung des
Anschlages zwischen
Melodie und Begleitung,
erste Verzierungen, das
Ablösen der Hände
sowie die Entwicklung des
Gefühls für eine
musikalische Phrase. Die
Tempobezeichnungen und
Metronomangaben sind
lediglich Richtwerte und
können nach
persönlichem Geschmack
angepasst werden. Die
Hörbeispiele dienen
als Lernhilfe und sind
auch als 'Soundtrack'
für unterwegs ein
wahrer Genuss. Wir
wünschen viele
entspannende Momente mit
den 'Flowing Piano
Songs'.