Pomp And Circumstance * Masterpiece Edition composed by Edward Elgar (1857-1934). Arranged by Russ Lombardi. For piano solo. Solo. Masterpiece Edition series. Classical. Intermediate. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

By Edward Elgar, Jean Joseph Mouret. Arranged by Michael Story. By Edward Elgar, Jean Joseph Mouret / arr. Michael Story. For Concert Band. Concert Band. Belwin Young Band. Level: 2 (Easy) (grade 2). Conductor Score and Parts. 157 pages. Duration 3:28. Published by Alfred Publishing.

Pomp and Circumstance * Easy Favorite composed by Edward Elgar (1857-1934). Arranged by Steven Paul. For easy piano solo. Solo. Easy Favorite series. Classical. Easy. Sheet Music. Text Language: English. 2 pages. Published by Santorella Publications

By Edward Elgar. Arranged by Merle J. Isaac. Elgar / arr. Isaac. For Concert Band. Concert Band. Level: 2 (Easy) (grade 2). Conductor Score

Piano - easy to intermediate

SKU: HL.49018409

Piano Solo. Composed by Edward Elgar. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Edition Schott. Classical, March. Op. 39/1. 10 pages. Schott Music #ED09885. Published by Schott Music (HL.49018409).

ISBN 9790001175654. UPC: 841886016361. 9.25x12.0x0.045 inches.

A 'Last Night of the Proms' without this march - unthinkable! 'Pomp and Circumstance Military March No. 1' with its middle section, the hymn-like 'Land of Hope and Glory' by Edward Elgar (1857-1934), belongs to the finale of the London music event like the Radetzky March usually played as last piece to the New Year's Concert of the Vienna Philharmonic Orchestra. The fame and popularity of the other four military marches composed by Elgar between 1901 and 1907 fade in comparison to this secret national anthem of Great Britain (although strongly rivalled by 'Rule, Britannia!'). It is, indeed, an equally rousing and catchy piece of music, and the catchy tune in the middle has just become a classical 'hit'. Thanks to the present edition, all those who do not have a large symphony orchestra at home can now play this rousing march by themselves.

By Edward Elgar (1857-1934). Arranged by Mark Williams. Concert Band. Concert Band. Challenger Band Series. Form: March. Graduation; Romantic. Grade 1.5. Conductor Score and Parts. 120 pages

Violin and piano - Level 1

SKU: LM.26026

Classical. Score. Editions Henry Lemoine #26026. Published by Editions Henry Lemoine (LM.26026).

ISBN 9790230960267.

ANON YME : By an by - BACH : Choral (Passion selon St Jean) - BARTOK : Danse du gardien de cochons - BEETHOVEN : Marmotte (Lied) - BRAHMS : Serenade inutile (Lied) - BRITTEN : Air irlandais - DVORAK : Melodie tzigane - ELGAR : Marche (Pomp and Circumstance, n. 1) - HAYDN : Une histoire tres courante! (Lied) - JOPLIN : The Entertainer (Ragtime, extrait) - MAHLER : Lied (extrait du Cor merveilleux de l'enfant) - MOZART : La petite fileuse (Lied) - SCHOENBERG : Salutations (Lied) - SCHUBERT : Les fleurs du meunier (Lied) - SCHUMANN : Le Paradis et la Peri (choeur des Houris).

By Robert Schultz And Tina Faigen. For Piano. Robert Schultz Piano Library. Works include: Pachelbel's Canon in D; Elgar's Pomp and Circumstance, and the Wedding March from Mendelssohn, among others. Level: Elementary - Intermediate. Book. Published by The FJH Music Company Inc.

By Edward Elgar. For 2 Trumpet, Horn, Trombone, Tuba. Classical. Sheet Music. Published by Chester Music.

By Sir Edward Elgar. Arranged by John W. Schaum. For Piano. Piano Solo. Level: Intermediate (grade IV). Sheet. 8 pages. Published by Alfred Publishing.

By Edward Elgar (1857-1934). Arranged by Ton von Grevenbroek. For concert band. Classic Arrangement series. Grade 3. Score and set of parts. Duration 6 minutes, 5 seconds. Published by Molenaar Edition

By Edward Elgar. Arranged by Eric Osterling. Basic Band I. Size 8.5x11 inches. Published by Hal Leonard.

Arranged by Michael Sweeney. Essential Elements - Concert Band, Artist Level (Grade 1.5). Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

Pomp and Circumstance, No. 4 arranged by Fred M. Hubbell. For Young Concert Band. Easy. Score and set of parts. Published by MSB Publishing

Voice, guitar and bass tablature

SKU: LM.PB754

By Deus. By Deus. Album. Pop, jazz. Score. Bookmakers International #PB754. Published by Bookmakers International (LM.PB754).

ISBN 9790231307542.

When she comes down - Oh your God - Eternal Woman - Favourite Game - Slow - The Architect - Is a Robot - Smokers Reflect - The Vanishing of Maria Schneider - Popular Culture - 7 Days, 7 Weeks - If you don't get what you want - Cold Sun of Circumstance.

(March nr. 1). By Edward Elgar (1857-1934). Arranged by Marco Tamanini. For Concert Band. Grade 4. Full score and set of parts. Duration 7:00

Piano - Level 2

SKU: LM.26419

Composed by Hans Gunter Heumann. Classical. Score and CD. Editions Henry Lemoine #26419. Published by Editions Henry Lemoine (LM.26419).

ISBN 9790230964197.

BIZE T : Les Toreadors (Carmen) - BEETHOVEN : Concerto pour piano n. 3 Op.37 (theme du 2e mvt) - ELGAR : Land of Hope and Glory (Pomp and Circumstance) - GIORDANI : Caro mio ben - HAENDEL : Rigaudon - LLOYD WEBBER : Memory (Cats) - OFFENBACH : Barcarolle (Contes d'Hoffmann) - Cancan (Orphee aux enfers) - PACHELBEL : Canon - PUCCINI : E Lucevan le stelle (Tosca) - SCHUBERT : Serenade (Chant du cygne) - Valse Op.18a - STRAUSS (fils) : Valse de l'Empereur - TCHAIKOVSKI : Concerto pour piano n. 1 Op.23 (theme du 1e mvt) - TRADITIONNEL : Midnight Special - The House of the Rising Sun.

Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc

SKU: CA.5526109

Composed by George Frideric Handel. Edited by Alon Schab. Set of Orchestra Parts. Composed 1727. HWV 261. Duration 12 minutes. Carus Verlag #5526109. Published by Carus Verlag (CA.5526109).

ISBN 9790007310981. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. My heart is inditing was probably played at the end of the coronation ceremony in London's Westminster Abbey. For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc

SKU: CA.5526103

Composed by George Frideric Handel. Edited by Alon Schab. Vocal score. Composed 1727. HWV 261. Duration 12 minutes. Carus Verlag #5526103. Published by Carus Verlag (CA.5526103).

ISBN 9790007252106. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. My heart is inditing was probably played at the end of the coronation ceremony in London's Westminster Abbey. For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

Coro SAATB, 2 Vl, Va, Bc, 2 Ob

SKU: CA.5525911

Composed by George Frideric Handel. Edited by Alon Schab. Composed 1727. HWV 259. Duration 8 minutes. Carus Verlag #5525911. Published by Carus Verlag (CA.5525911).

ISBN 9790007311070. English.

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices. Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.