Great Themes Of The Romantic Era composed by Various. Arranged by Alexander Cole...(+)
Great Themes Of The
Romantic Era composed by
Various. Arranged by
Alexander Cole and Steven
Paul. For easy piano.
This edition: Paperback.
Collection. Classical.
Book. Text Language:
English. 48 pages.
Published by Santorella
Publications
Allegro appassionato (Cello and Orchestra Full Score). By Camille Saint-Saens (1...(+)
Allegro appassionato
(Cello and Orchestra Full
Score). By Camille
Saint-Saens (1835-1921)
and Camille Saint-Sa.
Edited by Maria Kliegel.
For Cello, Orchestra.
Concertino (Chamber
Orchestra). Score. 28
pages. Schott Music
#CON253. Published by
Schott Music
Passion Oratorio
(Oratorio for Good
Friday]) - Urtext.
Composed by Friedrich
Schneider. Edited by Nick
Pfefferkorn. Choir;
Softcover.
Partitur-Bibliothek
(Score Library).
Passion Music After
Bach
Oratorio/passion;
Romantic. Full score. 184
pages. Duration 60'.
Breitkopf and Haertel #PB
32004. Published by
Breitkopf and Haertel
(BR.PB-32004).
ISBN
9790004215838. 10 x 12.5
inches.
This
Passion oratorio
Gethsemane und Golgatha
was composed in the
astonishingly short
period from 22 to 28 July
1838 on a text by the
evangelist Wilhelm
Schuber, a close friend
of Friedrich Schneider's.
The premiere took place
on Good Friday, 29 March
1839, in the Dessau
Castle and City Church
under the composer's
direction. Contemporary
reviews rank the curious
work ... with respect to
the form, in line with
the Passions of the great
J. S. Bach, constructed
with such pious meaning
and high art [...] and
then get rather similarly
carried away in effusive
statements. The composer
himself took utmost
control of how his work
was to be used and also
most effectively involved
the listening
congregation in the
performances by using for
the chorales melodies
that were sufficiently
familiar from the worship
service. At the same
time, Schneider points
out that the work was to
be performed only in an
ecclesiastical context.
Purely as a Passion
oratorio, Gethsemane und
Golgatha fits in between
the Johann Sebastian Bach
Passions and Carl Loewe's
Das Suhnopfer des neuen
Bundes.
Chorus (with soloists) and piano (solos: SABar - choir: SATB - 2.2.2.2 - 2.2.3.0...(+)
Chorus (with soloists)
and piano (solos: SABar -
choir: SATB - 2.2.2.2 -
2.2.3.0 - Pk - Str - Org)
SKU: BR.EB-32004
Passion Oratorio
(Oratorio for Good
Friday]) - Urtext.
Composed by Friedrich
Schneider. Edited by Nick
Pfefferkorn. Choir;
Softcover. Edition
Breitkopf.
Passion
Music After Bach
Oratorio/passion;
Romantic. Piano/Vocal
Score. 96 pages. Duration
60'. Breitkopf and
Haertel #EB 32004.
Published by Breitkopf
and Haertel
(BR.EB-32004).
ISBN
9790004186305. 7.5 x 10.5
inches.
This
Passion oratorio
Gethsemane und Golgatha
was composed in the
astonishingly short
period from 22 to 28 July
1838 on a text by the
evangelist Wilhelm
Schuber, a close friend
of Friedrich Schneider's.
The premiere took place
on Good Friday, 29 March
1839, in the Dessau
Castle and City Church
under the composer's
direction. Contemporary
reviews rank the curious
work ... with respect to
the form, in line with
the Passions of the great
J. S. Bach, constructed
with such pious meaning
and high art [...] and
then get rather similarly
carried away in effusive
statements. The composer
himself took utmost
control of how his work
was to be used and also
most effectively involved
the listening
congregation in the
performances by using for
the chorales melodies
that were sufficiently
familiar from the worship
service. At the same
time, Schneider points
out that the work was to
be performed only in an
ecclesiastical context.
Purely as a Passion
oratorio, Gethsemane und
Golgatha fits in between
the Johann Sebastian Bach
Passions and Carl Loewe's
Das Suhnopfer des neuen
Bundes.
By Josef Gabriel Rheinberger. Edited by Theill, Han. For SATB Choir, Organ. Occa...(+)
By Josef Gabriel
Rheinberger. Edited by
Theill, Han. For SATB
Choir, Organ. Occasions:
Stations of the Cross (7
words); Use during church
year: Lent and
Passiontide. Score.
Language: German.
Composed 1867. 46. 16
pages. Duration 14 min.
Published by Carus Verlag
(German import).
Voice(s) with various inst. SKU: BR.CHB-5310-02 The Burial of Christ(+)
Voice(s) with various
inst.
SKU:
BR.CHB-5310-02
The
Burial of Christ.
Composed by Sigfrid
Karg-Elert. Voice;
stapled. Chor-Bibliothek
(Choral Library). During
his middle creative
period, Karg-Elert
developed his own,
unmistakable choral
style. His few choral
works, which stem from
the years 1912 and 1913,
unquestionably belong to
his major works from this
period. Cantata; Early
modern; Late-romantic.
Choral score. 8 pages.
Breitkopf and Haertel
#ChB 5310-02. Published
by Breitkopf and Haertel
(BR.CHB-5310-02).
ISBN
9790004412305. 7.5 x 10.5
inches.
German.
Oliver
Hilmes's four new
editions of Karg-Elert's
most substantial choral
works are being published
with the same consistency
and compactness shown by
Karg-Elert when he wrote
them in 1912/13. The
reception of Karg-Elert's
works, which has been
quite strong in the organ
domain, now obtains
decisive impulses in a
new direction. Joining
the previously published
choral canzonas
Benedictus Op. 82 No. 1
and Vom Himmel hoch Op.
82 No. 2 are Naher, mein
Gott, zu dir Op. 81 and
the Passion Canzona Op.
84. Particularly charming
is the unique
instrumental color with
which Karg-Elert
sensitively enhances the
choral sound in each work
of this little
group.,,Die eminent
wichtige Neuausgabe der
Choralkanzonen wird
hoffentlich diesen
grandiosen Kompositionen
Karg-Elerts endlich die
Stellung zukommen lassen,
die sie im Bereich von
Musik in der Kirche
eigentlich seit ihrer
Entstehung verdient
hatten. (Jorg Stodthoff,
Forum
Kichenmusik)
Durin
g his middle creative
period, Karg-Elert
developed his own,
unmistakable choral
style. His few choral
works, which stem from
the years 1912 and 1913,
unquestionably belong to
his major works from this
period.
Chorus with inst. SKU: BR.PB-5390 The Burial of Christ. Composed b...(+)
Chorus with inst.
SKU:
BR.PB-5390
The
Burial of Christ.
Composed by Sigfrid
Karg-Elert. Choir;
Softcover.
Partitur-Bibliothek
(Score Library).
During his middle
creative period,
Karg-Elert developed his
own, unmistakable choral
style. His few choral
works, which stem from
the years 1912 and 1913,
unquestionably belong to
his major works from this
period.
Cantata;
Early modern;
Late-romantic. Score and
parts. 32 pages.
Breitkopf and Haertel #PB
5390. Published by
Breitkopf and Haertel
(BR.PB-5390).
ISBN
9790004211236. 9 x 12
inches.
German.
Oliver
Hilmes's four new
editions of Karg-Elert's
most substantial choral
works are being published
with the same consistency
and compactness shown by
Karg-Elert when he wrote
them in 1912/13. The
reception of Karg-Elert's
works, which has been
quite strong in the organ
domain, now obtains
decisive impulses in a
new direction. Joining
the previously published
choral canzonas
Benedictus Op. 82 No. 1
and Vom Himmel hoch Op.
82 No. 2 are Naher, mein
Gott, zu dir Op. 81 and
the Passion Canzona Op.
84. Particularly charming
is the unique
instrumental color with
which Karg-Elert
sensitively enhances the
choral sound in each work
of this little
group.,,Die eminent
wichtige Neuausgabe der
Choralkanzonen wird
hoffentlich diesen
grandiosen Kompositionen
Karg-Elerts endlich die
Stellung zukommen lassen,
die sie im Bereich von
Musik in der Kirche
eigentlich seit ihrer
Entstehung verdient
hatten. (Jorg Stodthoff,
Forum
Kichenmusik)
Durin
g his middle creative
period, Karg-Elert
developed his own,
unmistakable choral
style. His few choral
works, which stem from
the years 1912 and 1913,
unquestionably belong to
his major works from this
period.
(Score) SKU: HL.49003135 An Anthology of Listening Material for GCSE M...(+)
(Score)
SKU:
HL.49003135
An
Anthology of Listening
Material for GCSE
Music. Composed by
Bruce Cole and David
Bowman. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical,
Collection. Score. 200
pages. Schott Music
#ED12351. Published by
Schott Music
(HL.49003135).
ISBN
9780946535132. UPC:
884088991623.
8.25x11.75x0.436 inches.
English.
This
anthology of 72 music
examples, consisting of
the Teacher's Manual,
Pupil's Questions, Music
Book and two recordings
on CD or cassettes, is
intended to provide
comprehensive resource
materials for the
listening component of
the GCSE music
syllabuses. The extracts
have been selected
especially to illustrate
the periods, styles and
rudiments of music
encompassed within the
syllabuses, and the four
components of the
publication produced to
ensure maximum assistance
to the teacher in the
classroom. Selected
contents: MUSIC IN THE
LATE RENAISSANCE O quam
gloriosum est regnum * T.
Morley: MUSIC IN THE
BAROQUE ERA: H. Purcell:
Hark, each tree (from Ode
for St Cecilia's Day) *
A. Vivaldi: Second
Allegro (from Op. 3 No.
11) * G.F. Handel: Lascia
ch'io * J.S. Bach:
Erschienen ist der
herrliche Tag (BWV 629) *
F. Couperin: Le
Petit-Rein MUSIC IN THE
ROMANTIC PERIOD: F.
Schubert: Am Meer (from
Schwanengesang) * H.
Berlioz: Un Bal (from
Symphonie fantastique) *
F. Chopin: Mazurka (Op. 7
No. 5) * R. Schumann:
Fantasiestuck (Op. 73 No.
1) * R. Wagner: Prelude
(to Tristan and Isolde) *
R. Strauss: Epilog (from
Till Eulenspiegels
lustige Streiche) * MUSIC
IN THE TWENTIETH CENTURY:
B. Bartok: Third movement
(from Sonata for two
Pianos and Percussion) *
K. Stockhausen: Zyklus *
C. Berberian: Stripsody *
JAZZ AND POP: F. Molton:
Peace in the Valley * Bix
Beiderbecke and his Gang:
Jazz Me Blues * The
Platters: Only You * E.
Fitzgerald: Mack the
Knife * S. Getz and A.
Gilberto: The Girl From
Ipanema and more.
By Johannes Brahms (1833-1897). Edited by Carol Bell and Digby Bell. For Piano. ...(+)
By Johannes Brahms
(1833-1897). Edited by
Carol Bell and Digby
Bell. For Piano. Duet or
Duo; Masterworks; Piano
Duet (1 Piano, 4 Hands).
Alfred Masterwork
Edition. Masterwork;
Romantic. Early Advanced;
Late Intermediate. Book.
96 pages. Published by
Alfred Music Publishing
Cello SKU: HL.48022430 Cello and Piano. Composed by Kimmo Hakola. ...(+)
Cello
SKU:
HL.48022430
Cello
and Piano. Composed
by Kimmo Hakola. Boosey &
Hawkes Chamber Music.
Classical. Softcover. Hal
Leonard #M550096387.
Published by Hal Leonard
(HL.48022430).
A passionate,
fiery work written for
the 2010 Turku Cello
Competition. Although a
virtuoso piece in grand
Romantic style, it also
includes a twinkle of
humour.
Cello and Piano SKU: FG.55009-638-7 Composed by Kimmo Hakola. Published b...(+)
Cello and Piano
SKU:
FG.55009-638-7
Composed by Kimmo Hakola.
Published by Fennica
Gehrman (FG.55009-638-7).
ISBN
979-0-55009-638-7.
A passionate, fiery work
written for the 2010
Turku Cello Competition.
Although a virtuoso piece
in grand Romantic style,
it includes a twinkle of
humour.
Smart PianoSoft. Performed by Jose Carreras, Placido Domingo, Luciano Pavarotti....(+)
Smart PianoSoft.
Performed by Jose
Carreras, Placido
Domingo, Luciano
Pavarotti. Pianosoft
Sync. Floppy disk only.
Size 5x5 inches.
Published by Yamaha.
Organ (solos: SSAATTBBB - choir: SSAATTBB - 2.2.2.2 - 4.2.3.0.oph - timp - org -...(+)
Organ (solos: SSAATTBBB -
choir: SSAATTBB - 2.2.2.2
- 4.2.3.0.oph - timp -
org - str)
SKU:
BR.OB-5311-11
Oratorio - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Christian Martin Schmidt.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Music text of the
Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time
Oratorio/passion;
Romantic. Part. 28 pages.
Duration 160'. Breitkopf
and Haertel #OB 5311-11.
Published by Breitkopf
and Haertel
(BR.OB-5311-11).
ISBN
9790004339954. 10 x 12.5
inches.
The new
Breitkopf Urtext edition
presents the music text
of the Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time. Moreover, the
bilingual piano-vocal
score contains the
first-ever correct
underlay of the English
vocal text which William
Bartholomew worked out in
close collaboration with
Mendelssohn.,,Diese
vorbildliche Ausgabe
erscheint sicher nicht
zufallig rechtzeitig vor
dem Mendelsohnjahr 2009.
(Rainer Goede,
Kirchenkunst)
Musi
c text of the Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time.
Chorus (with soloists) and piano (solos: STTBarBBB - choir: SSAATTBB - 2(picc).1...(+)
Chorus (with soloists)
and piano (solos:
STTBarBBB - choir:
SSAATTBB - 2(picc).1.cor
ang.2.2. - 2.2.2flhn.3.0.
- timp - hp - org/harm -
str)
SKU:
BR.EB-1920
The
Childhood of Christ -
Sacral Trilogy.
Composed by Hector
Berlioz. Choir;
Softbound. Edition
Breitkopf.
Oratorio/passion;
Romantic. Piano/Vocal
Score. 164 pages.
Duration 95'. Breitkopf
and Haertel #EB 1920.
Published by Breitkopf
and Haertel (BR.EB-1920).
ISBN 9790004160718.
7.5 x 10.5 inches. French
/ German /
English.
Chorus (with soloists)
and orchestra (solos:
STBB - choir: SATTBB -
2.2.2.2 - 2.2.3.0 - timp
- str)
SKU:
BR.PB-685
Unfinished
Oratorio. Composed by
Felix Bartholdy
Mendelssohn. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
Oratorio/passion;
Romantic. Full score. 68
pages. Duration 19'.
Breitkopf and Haertel #PB
685. Published by
Breitkopf and Haertel
(BR.PB-685).
Chorus (with soloists)
and orchestra (solos:
SSMezAATB - choir:
SSAATTBB - 2.2.2.2. -
4.2.3.0. - timp - str)
SKU: BR.CHB-301-94
Fairy Tale after a
Poem by Moritz Horn.
Composed by Robert
Schumann. Choir; stapled.
Chor-Bibliothek (Choral
Library).
Piano vocal
score by the
composer
In late
March 1851, Robert
Schumann was sent a copy
of the fairy tale Der
Rose Pilgerfahrt. He
was so inspired by Moritz
Horn's text that he
immediately composed the
piano score.
Oratorio/passion;
Romantic. Chorus part. 12
pages. Duration 66'.
Breitkopf and Haertel
#ChB 301-94. Published by
Breitkopf and Haertel
(BR.CHB-301-94).
ISBN
9790004400920. 6.5 x 9.5
inches.
Simultaneou
sly, he corresponded with
the poet about cuts and
revisions of the
libretto, and, towards
the end of the year, even
let himself be persuaded
by friends to orchestrate
it. Der Rose Pilgerfahrt
was given its first
performances in
Dusseldorf and Leipzig in
February and March 1852
in this full-scored
version before being
printed in late
1852.
Piano vocal
score by the composerIn
late March 1851, Robert
Schumann was sent a copy
of the fairy tale Der
Rose Pilgerfahrt. He was
so inspired by Moritz
Horn's text that he
immediately composed the
piano score.
Oratorio - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Christian Martin Schmidt.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Music text of the
Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time
Oratorio/passion;
Romantic. Part. 56 pages.
Duration 160'. Breitkopf
and Haertel #OB 5311-16.
Published by Breitkopf
and Haertel
(BR.OB-5311-16).
ISBN
9790004339848. 10 x 12.5
inches.
The new
Breitkopf Urtext edition
presents the music text
of the Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time. Moreover, the
bilingual piano-vocal
score contains the
first-ever correct
underlay of the English
vocal text which William
Bartholomew worked out in
close collaboration with
Mendelssohn.,,Diese
vorbildliche Ausgabe
erscheint sicher nicht
zufallig rechtzeitig vor
dem Mendelsohnjahr 2009.
(Rainer Goede,
Kirchenkunst)
Musi
c text of the Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time.
Chorus (with soloists)
and orchestra (solos:
SSMezAATB - choir:
SSAATTBB - 2.2.2.2. -
4.2.3.0. - timp - str)
SKU: BR.CHB-301-85
Fairy Tale after a
Poem by Moritz Horn.
Composed by Robert
Schumann. Choir; stapled.
Chor-Bibliothek (Choral
Library).
Piano vocal
score by the
composer
In late
March 1851, Robert
Schumann was sent a copy
of the fairy tale Der
Rose Pilgerfahrt. He
was so inspired by Moritz
Horn's text that he
immediately composed the
piano score.
Oratorio/passion;
Romantic. Choral part. 12
pages. Duration 66'.
Breitkopf and Haertel
#ChB 301-85. Published by
Breitkopf and Haertel
(BR.CHB-301-85).
ISBN
9790004400890. 6.5 x 9.5
inches.
Simultaneou
sly, he corresponded with
the poet about cuts and
revisions of the
libretto, and, towards
the end of the year, even
let himself be persuaded
by friends to orchestrate
it. Der Rose Pilgerfahrt
was given its first
performances in
Dusseldorf and Leipzig in
February and March 1852
in this full-scored
version before being
printed in late
1852.
Piano vocal
score by the composerIn
late March 1851, Robert
Schumann was sent a copy
of the fairy tale Der
Rose Pilgerfahrt. He was
so inspired by Moritz
Horn's text that he
immediately composed the
piano score.
Oratorio - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Christian Martin Schmidt.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Music text of the
Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time
Oratorio/passion;
Romantic. Part. 48 pages.
Duration 160'. Breitkopf
and Haertel #OB 5311-27.
Published by Breitkopf
and Haertel
(BR.OB-5311-27).
ISBN
9790004339879. 10 x 12.5
inches.
The new
Breitkopf Urtext edition
presents the music text
of the Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time. Moreover, the
bilingual piano-vocal
score contains the
first-ever correct
underlay of the English
vocal text which William
Bartholomew worked out in
close collaboration with
Mendelssohn.,,Diese
vorbildliche Ausgabe
erscheint sicher nicht
zufallig rechtzeitig vor
dem Mendelsohnjahr 2009.
(Rainer Goede,
Kirchenkunst)
Musi
c text of the Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time.
Oratorio - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Christian Martin Schmidt.
Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Music text of the
Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time
Oratorio/passion;
Romantic. Set of parts.
388 pages. Duration 160'.
Breitkopf and Haertel #OB
5311-30. Published by
Breitkopf and Haertel
(BR.OB-5311-30).
ISBN
9790004339886. 10 x 12.5
inches.
The new
Breitkopf Urtext edition
presents the music text
of the Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time. Moreover, the
bilingual piano-vocal
score contains the
first-ever correct
underlay of the English
vocal text which William
Bartholomew worked out in
close collaboration with
Mendelssohn.,,Diese
vorbildliche Ausgabe
erscheint sicher nicht
zufallig rechtzeitig vor
dem Mendelsohnjahr 2009.
(Rainer Goede,
Kirchenkunst)
Musi
c text of the Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time.
Chorus (with soloists)
and orchestra (solos:
SSMezAATB - choir:
SSAATTBB - 2.2.2.2. -
4.2.3.0. - timp - str)
SKU: BR.CHB-301-88
Fairy Tale after a
Poem by Moritz Horn.
Composed by Robert
Schumann. Choir; stapled.
Chor-Bibliothek (Choral
Library).
Piano vocal
score by the
composer
In late
March 1851, Robert
Schumann was sent a copy
of the fairy tale Der
Rose Pilgerfahrt. He
was so inspired by Moritz
Horn's text that he
immediately composed the
piano score.
Oratorio/passion;
Romantic. Alto part. 12
pages. Duration 66'.
Breitkopf and Haertel
#ChB 301-88. Published by
Breitkopf and Haertel
(BR.CHB-301-88).
ISBN
9790004400906. 6.5 x 9.5
inches.
Simultaneou
sly, he corresponded with
the poet about cuts and
revisions of the
libretto, and, towards
the end of the year, even
let himself be persuaded
by friends to orchestrate
it. Der Rose Pilgerfahrt
was given its first
performances in
Dusseldorf and Leipzig in
February and March 1852
in this full-scored
version before being
printed in late
1852.
Piano vocal
score by the composerIn
late March 1851, Robert
Schumann was sent a copy
of the fairy tale Der
Rose Pilgerfahrt. He was
so inspired by Moritz
Horn's text that he
immediately composed the
piano score.
Chorus (with soloists)
and orchestra (solos:
SATBB - choir: SATB -
2.2.2.2. - 2.2.4.1. -
timp - str)
SKU:
BR.PB-32025
Oratorio - Urtext.
Composed by Friedrich
Schneider. Edited by Nick
Pfefferkorn. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
Oratorio/passion;
Romantic. Full score. 504
pages. Duration 130'.
Breitkopf and Haertel #PB
32025. Published by
Breitkopf and Haertel
(BR.PB-32025).
ISBN
9790004215135. 10 x 12.5
inches.
Successful
from the outsetFriedrich
Schneider's second
oratorio Das Weltgericht
was an immediate success
at its 1820 premiere in
Leipzig. The initial
triumph of the work,
which the appearance of
Mendelssohn's oratorio
Paulus only gradually
diminished, helped the
new type of choral
oratorio to its
breakthrough. To this day
the work has been
considered the high point
of the German oratorio
genre between Haydn and
Mendelssohn as where the
storyline is essentially
borne by the choir. With
the appearance of this
Urtext edition taken over
from the catalogue of the
Pfefferkorn music
publishers, the Last
Judgment is once again
fully available. Also for
sale in addition to the
score is the very
playable piano reduction
prepared by the composer
himself.
Oratorio - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Christian Martin Schmidt.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Music text of the
Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time
Oratorio/passion;
Romantic. Part. 56 pages.
Duration 160'. Breitkopf
and Haertel #OB 5311-15.
Published by Breitkopf
and Haertel
(BR.OB-5311-15).
ISBN
9790004339831. 10 x 12.5
inches.
The new
Breitkopf Urtext edition
presents the music text
of the Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time. Moreover, the
bilingual piano-vocal
score contains the
first-ever correct
underlay of the English
vocal text which William
Bartholomew worked out in
close collaboration with
Mendelssohn.,,Diese
vorbildliche Ausgabe
erscheint sicher nicht
zufallig rechtzeitig vor
dem Mendelsohnjahr 2009.
(Rainer Goede,
Kirchenkunst)
Musi
c text of the Leipziger
Mendelssohn-Ausgabe,
which was able to take
into consideration the
newly accessible
autograph score for the
first time.