Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Piano - Easy-Intermediate SKU: YM.GTP01098166 Keyboard. Arranged Classic....(+)
Piano - Easy-Intermediate
SKU:
YM.GTP01098166
Keyboard. Arranged
Classic. Score. Yamaha
Music Media #GTP01098166.
Published by Yamaha Music
Media (YM.GTP01098166).
ISBN
9784636981667.
Ther
e are many music sheet
books available for
children, but not many
for adults who have just
started playing the
piano. The Otona Piano
series is designed for
those adults who are
beginner piano players.
Here is a great
piano collection for
those who want to take
their piano playing to
the next level! It is
also a great selection
for live
performances!
Piano - easy SKU: HL.49045386 50 Popular Classics in Easy Arrangements...(+)
Piano - easy
SKU:
HL.49045386
50
Popular Classics in Easy
Arrangements.
Composed by Various.
Arranged by Barrie Carson
Turner. This edition:
Saddle stitching. Sheet
music. Piano. Diese neue
Sammlung prasentiert die
50 beliebtesten
klassischen Stucke in
leichten Bearbeitungen
fur Klavier. Classical.
Softcover. 88 pages.
Schott Music #ED13860.
Published by Schott Music
(HL.49045386).
ISBN
9781847614193. UPC:
888680671457.
9.0x12.0x0.25 inches.
English.
The 50
most popular classical
pieces in easy
arrangements. This new
collection presents 50
popular classical pieces
in easy arrangements for
piano. Taking the concept
of the 'playlist' from
the world of digital
music streaming this book
presents a carefully
chosen collection of the
world's favorite
classical pieces for
today's student and
amateur musicians.
Featuring many of the
most popular works from
the classical repertoire,
this offers hours of
enjoyable music making.
Contents: Adagietto, from
Symphony No. 5 (Mahler)
• Air, BWV 1068
(Bach) • Piano
Concerto No. 23, Andante
(Mozart) • The Blue
Danube (J Strauss II)
• Canon (Pachelbel)
• Clair de Lune
(Debussy) • Chanson
de Matin (Elgar) •
Chorus of the Hebrew
Slaves (Verdi) •
The Dance of the Little
Swans (Tchaikovsky)
• Dance of the
Blessed Spirits (Gluck)
• Danse Macabre
(Saint-Saens) • The
Pearl Fishers' Duet
(Bizet) • Emperor
Concerto, 2nd mvt.
(Beethoven) •
Flower Duet (Delibes)
• Gavotte (Grieg)
• Gymnopedie No. 1
(Satie) • Habanera
(Bizet) • Halleluja
Chorus (Handel) •
Hornpipe, Water Music
(Handel) •
Impromptu, Op. 90, No. 3
(Schubert) •
Intermezzo (Mascagni)
• Jerusalem (Parry)
• Jupiter (Holst)
• Intermezzo
(Sibelius) •
Liebestraume No. 3
(Liszt) • Menuet
(Ravel) • Menuetto,
Symphony No. 104 (Haydn)
• Meditation
(Massenet) •
Morning (Grieg) •
Ode to Joy (Beethoven)
• Nessun Dorma
(Puccini) • Nimrod
(Elgar) • Nocturne,
Op. 9, No. 2 (Chopin)
• Non piu andrai
(Mozart) • O Mio
Babbino Caro (Puccini)
• Dance of the
Sugar Plum Fairy
(Tchaikovsky) •
Prelude to the Afternoon
of a Faun (Debussy)
• Ride of the
Valkyries (Wagner)
• Spring, from the
Four Seasons (Vivaldi)
• Symphony No. 1,
4th mvt. (Brahms) •
The Old Castle
(Mussorgsky) • The
Swan (Saint-Saens)
• The Trout
(Schubert) •
Traumerei (Schumann)
• Toreador Song
(Bizet) • Violin
Concerto, Andante
(Mendelssohn) •
Vltava (Smetana) •
Waltz from Coppelia
(Delibes) • When I
Am Laid in Earth
(Purcell) • Waltz
in A-flat, Op. 39, No. 15
(Brahms).
Edited by Amy Appleby. Music Sales America. Baroque and Classical Period. Set of...(+)
Edited by Amy Appleby.
Music Sales America.
Baroque and Classical
Period. Set of
performance parts
(includes separate
pull-out violin part,
softcover). With solo
part and piano
accompaniment (spiral
bound). 237 pages. Music
Sales #AM948882.
Published by Music Sales
Celtic / Irish, Perfect binding, World. Sacred. Book and online audio. 108 pag...(+)
Celtic / Irish, Perfect
binding, World. Sacred.
Book
and online audio. 108
pages.
Mel Bay Publications, Inc
#31036M. Published by Mel
Bay
Publications, Inc
Arranged by Denes Agay. Book. Published by Music Sales. (YK21103) These famili...(+)
Arranged by Denes Agay.
Book. Published by Music
Sales. (YK21103)
These familiar melodies
in easy arrangements
include Fascination,
Moscow Nights, waltzes by
Strauss, and over 65 more
favorite pieces; themes;
and folk, popular, and
standard songs. The
variety is both appealing
and educational.
Composed by
William Grant Still.
Arranged by Todd Parrish.
Set of Score and Parts.
10+2+24+16+10+10+16
pages. Carl Fischer Music
#AS144. Published by Carl
Fischer Music (CF.AS144).
ISBN 9781491160602.
UPC:
680160919192.
Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
Full Orchestra, this
slightly abridged version
for String Orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
Full Orchestra, this
slightly abridged version
for String Orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the
“Dean of African
American
Composersâ€, William
Grant Still’s
illustrious career
contained many
ground-breaking
achievements. Following
the massive success of
his critically
acclaimedSymphony No. 1,
the Afro-American
Symphony (1930),
Still’s Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled
“Song of a New
Raceâ€, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still’s vision of
an increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harppart, honoring the
legacy of one of
America’s greatest
composers.
Arranged by Artem Vassiliev. For Violin. This edition: ED13168. Schott Master Pl...(+)
Arranged by Artem
Vassiliev. For Violin.
This edition: ED13168.
Schott Master Play-Along
Series. 12 favourite
works from the Classical
era, with authentic
orchestral backing
tracks. Play Along.
Collection and Play-Along
CD. 28 pages. Published
by Schott Music.
Composed by Various. Arranged by Peter Lavender. Music Sales America. Baroque an...(+)
Composed by Various.
Arranged by Peter
Lavender. Music Sales
America. Baroque and
Classical Period. Fake
book (softcover). With
melody line (no
accompaniment included)
and chord names. 128
pages. Music Sales
#AM92350. Published by
Music Sales
(230 Selected Technical and Orchestral Studies for Oboe and English horn). Edite...(+)
(230 Selected Technical
and Orchestral Studies
for Oboe and English
horn). Edited by Albert
Andraud. For Oboe.
Woodwind Solos and
Ensembles - Oboe
Method/Studies. Southern
Music. Instructional,
Studies and Classical.
Collection. 200 pages.
Southern Music Company
#B412. Published by
Southern Music Company
Composed by
William Grant Still.
Arranged by Todd Parrish.
Full score. 16 pages.
Carl Fischer Music
#AS144F. Published by
Carl Fischer Music
(CF.AS144F).
ISBN
9781491160893. UPC:
680160919499.
Often
referred to as the Dean
of African-American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
first symphony,
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the
“Dean of
African-American
Composers,†William
Grant Still’s
illustrious career
contained many
ground-breaking
achievements. Following
the massive success of
his critically
acclaimedfirst symphony,
Afro-American Symphony
(1930), Still’s
Symphony No. 2 was
premiered in 1937 by the
Philadelphia Orchestra
under the direction of
conductor Leopold
Stokowski. The work,
subtitled “Song of
a New Race,â€
infuses elements of blues
and jazz into the
classical form, creating
a uniquely blended sound
to reflect Still’s
vision of an increasingly
diverse American culture.
Slow, dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harppart, honoring the
legacy of one of
America’s greatest
composers.
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
3 Work Stages, 2
Versions, 1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Part. 14
pages. Duration 35'.
Breitkopf and Haertel #OB
5542-16. Published by
Breitkopf and Haertel
(BR.OB-5542-16).
ISBN
9790004341728. 10 x 12.5
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
3 Work Stages, 2
Versions, 1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Part. 12
pages. Duration 35'.
Breitkopf and Haertel #OB
5542-15. Published by
Breitkopf and Haertel
(BR.OB-5542-15).
ISBN
9790004341711. 10 x 12.5
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
Classical Highlights Orchestre à Cordes [Conducteur et Parties séparées] - Débutant De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very
easy
SKU:
BT.DHP-1094713-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 24
pages. De Haske
Publications #DHP
1094713-070. Published by
De Haske Publications
(BT.DHP-1094713-070).
ISBN 9789043131919.
9x12 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Classical
Highlights is a
collection of six
arrangements of classical
themes dating from 17th
to 19th century. The
parts have been kept easy
and attractive; at the
same time they stay close
to the
original.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Classical
Highlights is een
verzameling arrangementen
van klassieke
thema’s die
dateren uit de 17e tot en
met de 19e eeuw. De
partijen zijn eenvoudig
en aantrekkelijk
geschreven:
tegelijkertijd blijven de
arrangementen dicht bij
het origineel.
Die De Haske
String Orchestra
Series bietet
attraktive, speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Classical
Highlights enthält
Bearbeitungen von sechs
klassischen Themen aus
der Zeitspanne vom 17.
bis zum 19. Jahrhundert.
Die Stimmen wurden
einfach und ansprechend
gestaltet und sinddoch
zugleich getreu dem
Original. Die Ausgabe
enthält ein
Rigaudon von Henry
Purcell, das berühmte
Menuett aus der
Feuerwerksmusik
von Händel, ein
Andante von Haydn
(das Thema mit dem
berühmten
Paukenschlag), das Thema
aus Beethovens
Violinkonzert,
Das große Tor von
Kiew aus Bilder
einer Ausstellung von
Modest Mussorgsky und
schließlich noch
España von
Waldteufel und Chabrier.
De Haske
String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Classical
Highlights è una
pubblicazione che
raccoglie sei
arrangiamenti di grandi
temi classici del XVII e
XIX secolo. Brani
motivanti e facilmente
accessibili, che rendono
onore
all‘originale.Tracc
e Demo:1. Rigaudon2.
Minuet3. Andante4.
Allegro5. Great Gate of
Kiev6. EspanaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
3 Work Stages, 2
Versions, 1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Part. 10
pages. Duration 35'.
Breitkopf and Haertel #OB
5542-26. Published by
Breitkopf and Haertel
(BR.OB-5542-26).
ISBN
9790004341742. 10 x 12.5
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
3
Work Stages, 2 Versions,
1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Study Score.
80 pages. Duration 35'.
Breitkopf and Haertel #PB
5566-07. Published by
Breitkopf and Haertel
(BR.PB-5566-07).
ISBN
9790004213766. 6.5 x 9
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
3 Work Stages, 2
Versions, 1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Set of parts.
92 pages. Duration 35'.
Breitkopf and Haertel #OB
5542-30. Published by
Breitkopf and Haertel
(BR.OB-5542-30).
ISBN
9790004341759. 10 x 12.5
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
3 Work Stages, 2
Versions, 1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Part. 14
pages. Duration 35'.
Breitkopf and Haertel #OB
5542-19. Published by
Breitkopf and Haertel
(BR.OB-5542-19).
ISBN
9790004341735. 10 x 12.5
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin in C. Quartet...(+)
By Various. Arranged by
Daniel Kelley. For Flute
or Oboe or Violin in C.
Quartets. Intermediate
Music for Four.
Classical. Level:
Intermediate. Part 1.
Published by Last Resort
Music Publishing.