C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and guitar chord chart. Gospel and worship. Series: Hal Leonard Fake Books. 295 pages. 9x12 inches. Published by Hal Leonard.

Performed by Various. Easy Guitar (Simplified arrangements for guitar). With notes and tablature. Size 9x12 inches. 400 pages. Published by Hal Leonard.

Guitar - very easy

SKU: HL.49005329

Guitar. Edited by Ludwig Andersen. Arranged by Walter Lutz and Willi Draths. This edition: Plastic cover. Paperback. Edition Schott. Classical. Melody Line (with Chords). 168 pages. Schott Music #ED5000. Published by Schott Music (HL.49005329).

ISBN 9783795740009. UPC: 073999172874. 4.75x7.25x0.46 inches. German.

Diese Standard-Sammlung von 203 der schonsten und bekanntesten Volks-, Wander-, Trink- und Scherzlieder gehort in jeden Wander-Rucksack und die Hand eines jeden, der Freude am Singen hat. Zu dieser Sammlung ist auch ein Textbuchlein erhaltlich (ISBN 3-7957-3000-7).

By Dizzy Gillespie Big Band. Edited by Jeffrey Sultanof. Arranged by Mary Lou Williams. For jazz big band (voice, 2 alto saxophones, 2 tenor saxophones, baritone saxophone, 5 trumpets (tpt 5 featured solo), 3 trombones, piano, bass, drums). Ranges: Trumpet 1 to C6, Trombone 1 to Ab4, Voice: Bb3 to Dd5, key of Eb. Swing. Difficult. Score and parts. Published by Jazz Lines Publications

By John Loesberg (Editor). Irish, Ballad, Folk, Celtic. Sheet Music. Melody line, lyrics, and chords. 68 pages. Published by Ossian Publications.

(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1322. Published by Hal Leonard

(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords (Guitar). Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1320. Published by Hal Leonard

For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard

Composed by Various. Transcontinental Music Folios. Jewish. Softcover Audio Online. Transcontinental Music #994023. Published by Transcontinental Music

(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. Book only. 64 pages. Hal Leonard #WM1319. Published by Hal Leonard

(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1321. Published by Hal Leonard

(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. 64 pages. Hal Leonard #WM1348. Published by Hal Leonard

By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1311. Published by Hal Leonard

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*) - grade 5

SKU: CN.R10004

Composed by John Ireland. Band Music. Score and parts. Duration 10:30. Published by G & M Brand Music Publishers (CN.R10004).

A slow introduction gives way to the chirpy theme which is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. Restlessness leads to a tranquillo presented by the flute and clarinet, weaving a flowing counterpoint around the melody until the original slow introduction returns. A triumphant recapitulation of the main theme brings this wonderful piece to an end.

Originally composed for Brass Band in 1934 Comedy Overture is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's Fingal's Cave - in other words, a miniature Tone Poem). The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work These Things Shall Be (1936-1937). We are fortunate therefore to have both Comedy Overture and A Downland Suite (1932) written for band medium at this time. As with Maritime Overture (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of Comedy, sometimes appearing in inverted form, and sometimes in major forms as well. The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a perfect resolution in the fourth or the fifth. The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major. Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of Piccadilly. (Much of the material in Comedy was re-conceived by Ireland for orchestra and published two years later under the title A London Overture.) The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section. Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third. Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure. This leads to virtually a full recapitulation of the chirpy brilliante, with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.

By Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For Big Band. Swing. Advanced. Full score and set of parts. Published by Jazz Lines Publications

By John Loesberg (Editor). Irish, Ballad, Folk, Celtic. Melody line, lyrics, and chords. 100 pages. Published by Ossian Publications.

50 Classics. Composed by various artists and composers. This edition: Easy Hits Guitar TAB. Book; Guitar Mixed Folio; Guitar TAB. Alfred's Easy. Love; Pop; Standard. 144 pages. Published by Alfred Music (AP.45245).

Composed by Andrew D. Gordon. Arranged by Andrew D. Gordon. The Blues Play-A- Long and Solos Collection Beginner Series. Blues. Book/digital audio. ADG Productions #ADG197. Published by ADG Productions

C Instruments

SKU: BT.VOLMB604

Book Only. Composed 2015. 104 pages. Volonte e Co #VOLMB604. Published by Volonte e Co (BT.VOLMB604).

ISBN 9788863886030. International.

A bumper collection of 50 international standards with melody line and lyrics for C Instruments.

For voice and guitar. Format: easy guitar/vocal songbook. With leadsheet notation (chords and melody), lyrics, strum and pick patterns and chord names. Gospel. 128 pages. 9x12 inches. Published by Hal Leonard.