SATB choir and piano or full orchestra (Orchestra Parts include: Two Flutes, Two Oboes, Two Clarinets in B-flat, Two Bassoons, Four Horns in F, Three Trumpets in B-flat, Two Tenor Trombones, Bass Trombone, Tuba, Timpani, Harp, and Strings) - Early Intermediate

SKU: MN.50-4069

Composed by Terre Johnson. Easter Vigil, Funeral. MorningStar Music Publishers #50-4069. Published by MorningStar Music Publishers (MN.50-4069).

UPC: 688670540691. English. Psalm 42:1-2; 43:3-4.

A flowing and soothing setting of Psalm 42. Appropriate for use in Easter Vigil services or many other times throughout the year.

Bass Drum, Chimes, Glockenspiel, Percussion, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Spring Coil, Tam-tam, Vibraphone, Wind Chimes

SKU: PR.11440986S

Composed by William Kraft. Full score. With Standard notation. 27 pages. Duration 10 minutes. Theodore Presser Company #114-40986S. Published by Theodore Presser Company (PR.11440986S).

UPC: 680160014651.

Here I have adapted a standard musical form to a contemporary medium. The concertino is a small concerto: a one-movement work that draws upon the basic principles of the concerto form - two bodies of sound which at times compete, contrast, or act together. The piece explores the musical possibilities of Roto-toms. The sound of these drums is a cross between a tom-tom and a timpani, and their pitch is changed by rotating the drum. During the course of the work, the various effects used include pitch and fingernail glissandi; playing on the rims; and playing on the heads with fingers, brushes, timpani sticks, wood mallets or rattan. Harmonics on the octave and the fourth above the fundamental pitch are produced by the drums when weights (in this case, small pitched cymbales called crotales) are placed in the center of the drum heads. In return the drum itself acts a resonator for the crotales, which also have a fundamental pitch when played on the face and a partial a fifth above when played on the center dome. The opening section of the concertino introduces a motive, played by the soloist, while the ensemble sustains a bowed chord on the vibraphone. Following this cadenza-like introduction, the piece gradually moves into a bright 6/8 tempo that is characterized by constant sixteenth notes in all parts. After a brief period of interaction, the ensemble continues its sixteenth notes patterns and the soloist plays and improvised solo. Next, an interlude is presented by the ensemble which leads to a dramatic recapitulation by the soloist of the motivic material. A thematically-derived coda concludes the work. Encounters VI, commissioned by Remo Belli, is dedicated to Jennifer Kraft, the composer's daughter. The premiere performance took place in 1976 at the MENC National Convention in Atlantic City, New Jersey, and was performed by the Temple University Percussion Ensemble conducted by Glenn Steele. --William Kraft.

Solo voices, orchestra (2 Soprano Voice Solo, Mezzo-Soprano Voice Solo, Alto Voice Solo, Bass Voice Solo, 2 recorder-A, Fl, 2 Ob, bassoon, 2 Hn, Str, Continuo)

SKU: BA.BA04058

Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 22. Complete edition, Score. HWV 25. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA04058_00. Published by Baerenreiter Verlag (BA.BA04058).

ISBN 9790006495672. 33.1 x 25.6 cm inches. Text Language: Italian. Nicola Francesco Haym.

“ Tolomeo ” was Handel’s last opera for the Royal Academy of Music in London . Composed between March and 19 April 1728, it was premiered on 30 April. Handel revived the opera several times further: in 1730 in an extensive revision, with seven performances, and in 1733 with four performances.
The historical background is the dispute between Cleopatra III and her younger son Ptolemaio X Alexander I ( Tolomeo ). In 110 BC Cleopatra drove Tolomeo out of Egypt . She died, irreconciled to him, in 101 BC.

The new vocal score is based on the “Halle Handel Edition” (vol. II/20), published in 2000. The main part contains the version from the premiere. The extensive appendix also enables later versions to be performed.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soprano Saxophone & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-56040

Composed by John G. Mortimer. Score and parts. Duration 21'14. Editions Marc Reift #EMR 56040. Published by Editions Marc Reift (MA.EMR-56040).

1. A Day In Edinburgh / 2. Cinderella / 3. Creatures Of Legend / 4. Dances From Olden Times.

Violin (VIOLIN SOLO)

SKU: HL.50487759

(1986). Composed by Laszlo Tihanyi. EMB. Score Only. Composed 1997. Duration 11'. Editio Musica Budapest #Z14099. Published by Editio Musica Budapest (HL.50487759).

ISBN 9790080140994. A/4 inches. Hungarian, English. Laszlo Tihanyi.

The piece was composed at the request of violinist Eszter Perenyi, my colleague at the Ferenc Liszt Academy of Music, and was several times amond the optional pieces of the yearly violin competition for students. It was inspired by the famous 63rd poem of Catullus that tells the story of Attis: the hero of the Greek mythology arrives at the Mount Ida in Frygia, to the invitation of the goddess Cybele, and becomes her lover. The Gallas, certitude priests of Cybele chase him into delirious dance, by the end of which he castrates himself. On waking from his paralysed dream he entreats in vain for his virility and freedom to Cybele, he will remain servant of the goddess for eternity. My work tells the story in four parts: 1) Attis' ecstasy 2) Dance of the Gallas 3) Attis' dream 4) Attis' entreaty. The Catullian galliambic metric that first appears in the 'prologue' of the piece, becomes the organisational principle of almost all musical aspects of it. (Hungaroton HCD 32484).

Score and Parts Concert Band; Drums; Fanfare Band; String Ensemble (Score & Parts) - Grade 1

SKU: HL.4008941

Flex 4 (Concert Band, Fanfare Band, String Ensemble, Drums) Set. Composed by Otto M. Schwarz. Symphonic Dimensions. Concert, Concert Band. Softcover. Duration 201 seconds. Hal Leonard #SDP286-24-302. Published by Hal Leonard (HL.4008941).

UPC: 196288281689.

Immer se yourself in Otto M. Schwarz's poignant choral piece, “Unforgettable”, a moving composition that celebrates the memory of our departed loved ones. The captivating melody of the first part captivates listeners, while the middle section surprises with a stirring atmosphere. More than a somber farewell, this composition also recalls the beautiful times we shared together. The concluding section gracefully echoes the theme of the beginning. 'Unforgettable' is not just a piece that tugs at the heartstrings; it's a tribute to life and the memories that will accompany us forever.

(Everything You Need to Play Electric Guitar Today!). By Ron Manus and L.C. Harnsberger. This edition: Book, Enhanced CD, DVD, Software, 3/4 Size Electric Guitar, Portable Amplifier, Gig Bag, Electronic Tuner and Guitar Picks. Guitar Method or Supplement. Kid's Guitar Course. Published by Alfred Music (

Organ

SKU: HL.48184701

Composed by Marcel Dupre. Leduc. Post-1900. Softcover. 32 pages. Alphonse Leduc #AL27836. Published by Alphonse Leduc (HL.48184701).

UPC: 888680840761. 9.0x12.0x0.094 inches.

“Comp osed in 1942, Titelouze?s tombstone by Marcel Dupré is a set of sixteen chorals for Organ. Based on liturgical rhythms, these chorals are rated easy and medium in term of difficulty. This musical memorial to Jehan Titelouze, an organist who lived at the period of the Spanish Armada (16th century), is a pedagogical work with melody mainly based on Gregorian music. These sixteen studies, all very different and very progressive are: 1. Creator Alme Siderum (3 voices ? manuals only) 2. Jesu Redemptor Omnium (3 voices ? manuals only) 3. A solis Ortus Cardine (3 voices) 4. Audi Benigne Conditor (3 voice) 5. Te Lucis Ante Terminum (4 voices) 6. Coelestis Urbs Jerusalem (4 voices) 7. As Regias Agni Dapes (4 voices) 8. Veni Creator Spiritus (4 voices) 9. Vexilla Regis (4 voices) 10. Pange Lingua (3 voices) 11. Ave Maris Stella (4 voices) 12. Iste Confessor (4 voices) 13. Lucis Creator Optime (4 voices) 14. Ut Queant Laxis (5 voices) 15. Te Splendor et Virtus (5 voices) 16. Placare Christe Servullis (Toccata) Each choral of this set is really colourful and can be considered a masterpiece.”.

(A Group Study Course in Modern Music Production Using Audio Technology (Student's Book)). Composed by Brian Laakso. This edition: Student's Book. Book; Books and DVDs; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. 101 Series. 160 pages. Published by Alfred Music

Drum Kit

SKU: BT.SINF455

Composed by Matteo Santi. Method. Book Only. 98 pages. Sinfonica #SINF455. Published by Sinfonica (BT.SINF455).

ISBN 9788884003621. Italian.

Vol. 2
Nel corso dei tre capitoli analizzeremo argomenti di lettura, tecnica e coordinazione di media difficolt gi iniziate a studiare nel 1° volume.
Esercizi con difficolt progressiva con esempi intuitivi di coordinazione stilistica. Buondivertimento.

Trombone and 1 other inst. (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp. str)

SKU: BR.EB-33001

Urtext. Composed by Christian Gottlieb Muller. Edited by Nick Pfefferkorn. Arranged by Gunter (KA) Ludwig. Solo instruments; stapled. Edition Breitkopf. Romantic period. Piano reduction. 32 pages. Duration 15'. Breitkopf and Haertel #EB 33001. Published by Breitkopf and Haertel (BR.EB-33001).

ISBN 9790004186800. 9 x 12 inches.

The present Concertino in E-flat major , Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was first reviewed by the critic Gottfried Wilhelm Fink (1783-1846) in the Leipzig Allgemeine Musikalische Zeitung (AMZ), issue no. 38, September 1832. The critic discussed the work in detail, calling it a milestone of the trombone literature, ... its public performance should thus be determined by only true masters. The rest, however, may wish to utilize it, in silence, that is not overheard by expectant listeners, to strive with it to strengthen their powers.... The Concertino 's premiere can be dated to 1828, with Queisser himself as soloist, and the composer conducting. Queisser repeatedly performed the Concertino up to 1843. The work was published under catalogue number 5227 in 1832 by Breitkopf & Hartel. Sometime in the 1940s the work was lost to sight and no performances known to come from then. Together with the Concertino , Op. 4, later composed by Ferdinand David, Muller's contribution to this genre is among the most often played and most demanding of the trombone literature. The score includes, besides a preface detailing the work's genesis and reception history, also facsimile pages to round out the edition. You may browse our piano vocal score here.

SATB/opt. Acoustic Guitar/Cello Acoustic Guitar; Cello; Choral (SATB/GUITAR/CELLO)

SKU: HL.365864

Composed by Heather Sorenson. Shawnee Sacred. General Worship, Sacred. Octavo. 12 pages. Duration 280 seconds. Published by Shawnee Press (HL.365864).

UPC: 840126962369. 6.75x10.5x0.055 inches. Colossians 1:27, I Timothy 6:19, James 2:5, Romans 11:33-36.

This song written during the maelstrom of a global pandemic is an important testament to the human spirit's resiliance and God's promises. Written in a confident ballad style, the story of God's faithfulness unfolds with clarity and honesty. An inspiring melody carries the fragile message, gaining confidence with each repetition. A treasured truth for troubled times, this song will bless your people.

Orchestra (Study Score)

SKU: HL.51489061

Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9061. Published by G. Henle (HL.51489061).

UPC: 840126932836. 6.75x9.5x0.22 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
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