Piano SKU: HL.50401070 Piano Solo. By Alfred Cortot. By R. Schuman...(+)
Piano
SKU:
HL.50401070
Piano
Solo. By Alfred
Cortot. By R. Schumann.
Edited by Alfred Cortot.
Piano Large Works.
Classical, Romantic.
Score Only. Composed
1984. Editions Salabert
#SLB3917. Published by
Editions Salabert
(HL.50401070).
Piano SKU: HL.50401090 Piano Solo. By Alfred Cortot. By R. Schuman...(+)
Piano
SKU:
HL.50401090
Piano
Solo. By Alfred
Cortot. By R. Schumann.
Edited by Alfred Cortot.
Piano Large Works.
Classical, Romantic.
Softcover. Composed 1984.
Editions Salabert
#SLB3915. Published by
Editions Salabert
(HL.50401090).
Trombone Octet - advanced SKU: CY.CC2710 Composed by Franz Schubert. Arra...(+)
Trombone Octet - advanced
SKU: CY.CC2710
Composed by Franz
Schubert. Arranged by
Randall Malmstrom.
Austrian Romantic. Score
and parts. Published by
Cherry Classics
(CY.CC2710).
Schubert's
delightful lyrical and
bouncy Scherzo from
Symphony No. 9 (The Great
C major) has been
arranged for 8-part
Trombone Ensemble by
Randall Malmstrom.
Arguably Schubert's
greatest symphonic work,
the Great C major is
almost an hour in length,
bursting with melody from
every corner. Malmstrom's
arrangement of the
complete Scherzo movement
really works and is
appropriate for advanced
performers.
Saxophone SKU: HL.48181012 For Alto Saxophone and Piano. Composed ...(+)
Saxophone
SKU:
HL.48181012
For
Alto Saxophone and
Piano. Composed by
Paul Dukas. Leduc.
Classical. CD only. 6
pages. Alphonse Leduc
#AL19995. Published by
Alphonse Leduc
(HL.48181012).
UPC:
888680878733.
9.0x12.0x0.048
inches.
French
composer, Paul Dukas
(1865-1935) is best known
for his orchestral piece,
The Sorcerer's
Apprentice. However, his
catalogue represents many
other significant works
by the composer,
including Alla Gitana for
alto saxophone and piano.
Composed in 1909, Alla
Gitana was originally a
selection of vocal
studies. However, Marcel
Mule's transcription for
alto saxophone has made
this delightful work more
accessible. Dukas
reflects the French
romantic style in Alla
Gitana through uses of
flourishing semiquavers,
lyrical melodies and
chromaticism. For all
aspiring, advanced
saxophonists, Dukas' Alla
Gitana is an exquisite
addition to the
repertoire.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Full score.
Composed 1856. Op. 4. 112
pages. Duration 45
minutes. Carus Verlag #CV
27.060/00. Published by
Carus Verlag
(CA.2706000).
ISBN
9790007181697. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Complete orchestral
parts. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Set of Orchestra
Parts. Composed 1856. Op.
4. Duration 45 minutes.
Carus Verlag #CV
27.060/19. Published by
Carus Verlag
(CA.2706019).
ISBN
9790007199784. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
parts available
separately - see item
CA.2706000.
Vocal and Piano SKU: HL.14002489 Composed by Sir Granville Bantock. Music...(+)
Vocal and Piano
SKU:
HL.14002489
Composed
by Sir Granville Bantock.
Music Sales America.
Classical. Book
[Softcover]. Music Sales
#NOV271000. Published by
Music Sales
(HL.14002489).
Yung
-Yang is a song
for medium Voice with
Piano accompaniment. It
is based on a ninth
century Chinese text,
which was translated into
English in 1916 by
Launcelot
Cranmer-Byng, and
set to music in
1919.
Sir
Granville Bantock
(1868-1946) was a British
composer, conductor and
educator. He channelled
his energetic and
creative personality into
many musical projects,
championing the works of
Jean Sibelius, founding
the City of Birmingham
Symphony Orchestra, and
composing many splendid
classical pieces. Viewed
by his contemporaries as
out-of-date, his music is
now being appreciated as
one of the last great
contributions from
theEnglish Romantic
movement.
Choral; Orchestra; Vocal Solo (Study Score) SKU: HL.49045992 Lieder De...(+)
Choral; Orchestra; Vocal
Solo (Study Score)
SKU: HL.49045992
Lieder Der
Verganglichkeit.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Sheet
music. Study Score.
Classical, Song Cycle.
Softcover. Composed
2004-2005/2007. 156
pages. Duration 3300
seconds. Schott Music
#ED22969. Published by
Schott Music
(HL.49045992).
ISBN
9790001203708. UPC:
842819100218.
8.0x11.5x0.418 inches.
German. Lieder Der
Verganglichkeit 3
Soloists (SMezBar), Mixed
Choir and Orchestra Study
Score.
The form of
this work is not so much
based on the classical
symphony, but is closer
to a song cycle structure
which has now grown
toinclude 13 movements
for choir and orchestra.
The Romantic
characteristics and form
of the 8th Symphony are
both reminiscent of
Gustav Mahlers choral
symphonic works and his
Lied von der Erde.
Krzysztof Penderecki here
extends and augments his
expressive musical
material, for example
through cluster
techniques and glissandi,
possibilities which he
has been systematically
exploring since the
1950s. He has compiled
the texts from poetry by
Eichendorff, Rilke,
Brecht, Kraus, Hesse,
Goethe, Bethge and von
Arnim on the theme of
forests and trees, which
has long been close to
his heart as demonstrated
by his private arboretum
near Luslavice ('my
personal Ithaca')
containing over 1500
species of trees.
Composed by Edward Elgar (1857-1934). Original Works, Variations. Reprint Source...(+)
Composed by Edward Elgar
(1857-1934). Original
Works, Variations.
Reprint Source: London:
Novello and Co., 1899.
Plate 10815.
Post-Romantic, English.
Study score (paperback).
Composed 1899. 130 pages.
Duration 32 minutes.
Published by Petrucci
Library Press (SA.41267).
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violoncello. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Cello. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/14. Published by
Carus Verlag
(CA.2706014).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Choral Score.
Composed 1856. Op. 4. 20
pages. Duration 45
minutes. Carus Verlag #CV
27.060/05. Published by
Carus Verlag
(CA.2706005).
ISBN
9790007187095. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score
available separately -
see item CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Organ. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Organ. Composed 1856. Op.
4. 32 pages. Duration 45
minutes. Carus Verlag #CV
27.060/49. Published by
Carus Verlag
(CA.2706049).
ISBN
9790007199791. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Trumpet SKU: HL.48182143 Composed by Paul Rougnon. Leduc. Classical. Soft...(+)
Trumpet
SKU:
HL.48182143
Composed
by Paul Rougnon. Leduc.
Classical. Softcover. 7
pages. Alphonse Leduc
#AL23100. Published by
Alphonse Leduc
(HL.48182143).
UPC:
888680834999. 9x12
inches.
“Fren
ch composer, pianist and
teacher, Paul Rougnon
(1846-1934) studied at
the Paris Conservatoire
under many prolific
musicians of the time,
including César
Franck. Rougnon's
composition catalogue is
extensive, with many
works remaining popular
to this day, including
his First Concert Solo
for Trumpet or Cornet and
Piano. The date of
composition is unknown,
however Rougnon's First
Concert Solo displays
characteristics of early,
French romantic music,
such as chromaticism,
flourishing semiquaver
passages, complex rhythms
and extensive use of
performance directions.
For all advanced,
aspiring Trumpet and
Cornet players, Rougnon
provides an alternative,
exciting performance
work.&rdquo.
Piano SKU: PA.H07911 Fur Klavier. Composed by Luboš Fišer. S...(+)
Piano
SKU:
PA.H07911
Fur
Klavier. Composed by
Luboš Fišer.
Stapled. Performance
score. With Text
Language:
Czech/German/English.
Editio Baerenreiter Praha
#H07911_00. Published by
Editio Baerenreiter Praha
(PA.H07911).
ISBN
9790260104457. 31 x 23.5
cm inches.
Lubos
Fiser (1935-1999) was one
of the most talented
Czech composers of his
generation. Born in
Prague, he studied at the
Prague Conservatoire from
1952-1956 and then at the
Academy of Music. He was
known to the public for
his many film scores but
it was his other
compositions, many of
them written under
difficult political
conditions, which mark
him out as a composer of
significance.
Fise
r's eight piano sonatas
have a special place in
his oeuvre. Fiser
subsequently eliminated
his second sonata (1956)
from his compositional
repertoire. From the
third sonata onwards
(1960), subtitled
Fantasia, the composer
wrote a two-movement
composition, in which he
continued to incorporate
as his fundamental
musical device the
confrontation of sharp
contrasts in tempo and
mood. Beginning with his
fourth sonata
(1962-1964), Fiser
created a single-movement
work in an expressive,
formally focused
composition which betrays
a progression towards
greater compactness of
musical shape in a
concise yet effective
musical testimony. The
fifth sonata was written
in 1974, the sixth sonata
in 1978. The seventh
sonata from 1985 was
dedicated to Frantisek
Maxian, the eighth sonata
was written in
1995.
Piano Sonata
No.1 was written in 1955.
Fiser worked on it during
his last year at the
Prague Conservatoire
under the supervision of
Emil Hlobil. The piece is
one of Fiser's early
works which still respect
a traditional
compositional approach.
Unlike his major and late
piano sonatas, this
sonata has three
movements, each
representing the
traditional
Classical-Romantic form.
The sonata was premiered
by Fiser's fellow-student
and friend Antonin
Jemelik in Theatre D34 on
30 January
1956.
The new
setting for this piece is
based on the single
edition to date (SNKLHU,
1957); only with regard
to a few inconsistencies
in the score was it
necessary to consult the
composer's manuscript
(kept at the National
Museum - Czech Museum of
Music, acquisition number
297/2006).
Piano (4 hands) (Piano For 2 Players) - easy to intermediate SKU: HL.49043954...(+)
Piano (4 hands) (Piano
For 2 Players) - easy to
intermediate
SKU:
HL.49043954
Original works from
the Classical to the
Modern era. Edited by
Monika Twelsiek. This
edition: Saddle
stitching. Sheet music.
Piano Duet. Leichte
vierhandige originale
Klavierwerke, einige in
der Bearbeitung
bedeutender Zeitgenossen.
Die fruhesten Werke
stammen aus dem 18.
Jahrhundert, die jungsten
aus unserer Zeit.
Softcover. 86 pages.
Schott Music #ED21684.
Published by Schott Music
(HL.49043954).
ISBN
9783795748265. UPC:
841886021105.
9.25x12.0x0.386
inches.
This
'treasure chest' contains
- in chronological order
- easy original piano
pieces by classical
composers, some of them
arranged as duets by
well-known
contemporaries. The
earliest pieces are from
the 18th Century,
stylistically they range
from Classical to
Romantic, through to
Jazz, Rock and Pop. The
collection also features
an improvisatory piece
with partly graphic
notation. All of the
pieces are approachable
and even the sometimes
more demanding Secondo
parts are well within the
range of piano students
and amateur players.
Comic
Opera in One Act.
Composed by Jacques
Offenbach. BH Stage
Works. Classical,
Contemporary, Opera,
Romantic. 88 pages. Bote
& Bock #M202510865.
Published by Bote & Bock
(HL.48014395).
Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major.
Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Vocal score.
Composed 1856. Op. 4. 60
pages. Duration 45
minutes. Carus Verlag #CV
27.060/03. Published by
Carus Verlag
(CA.2706003).
ISBN
9790007187088. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score
available separately -
see item CA.2706000.
111 Little and Very Easy Original Classical Piano Pieces for Piano. Compo...(+)
111 Little and Very
Easy Original Classical
Piano Pieces for
Piano. Composed by
Various. Edited by Hans
Gunter Heumann. Piano.
Softcover. 112 pages.
Schott Music #ED22601.
Published by Schott Music
(HL.49045292).
Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F).
ISBN
9781491153239. UPC:
680160910731.
Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .