Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str) ...(+)
Double bass and orchestra
(solo: db - 0.2.0.1(ad
lib.) - 2.0.0.0 - harps -
str)
SKU:
BR.PB-15144
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Early
classical; Classical.
Study Score. Duration
20'. Breitkopf and
Haertel #PB 15144.
Published by Breitkopf
and Haertel
(BR.PB-15144).
ISBN
9790004215968. 6.5 x 9
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Composed by Rosephanye
Powell. Arranged by
Rosephanye Powell and
William Powell. Gentry
Publications. Concert.
Octavo. 20 pages. Gentry
Publications #JG2527.
Published by Gentry
Publications (HL.275027).
UPC: 888680742195.
6.75x10.5x0.036
inches.
Composed
originally for treble
choir, this piece has
been one of the most
popular selections in the
Gentry catalog. Directors
have been begging for an
SATB voicing for years,
and it is finally here.
The title is the message,
one of hope and
resiliency. The gospel
style writing includes a
soloist, call and
response lines, and
builds to a glorious
ending. This selection
works in church and
school. Easy to medium in
difficulty.
Master Class Series Online Video Access Included. Musicians Institute Press. ...(+)
Master Class Series
Online
Video Access Included.
Musicians Institute
Press.
DJ, Technique. Softcover
Video Online. 96 pages.
Published by Musicians
Institute Press
Composed by Allan Alexander and Jessica Walsh. Saddle stitch. Celtic/Mandolin In...(+)
Composed by Allan
Alexander and Jessica
Walsh. Saddle stitch.
Celtic/Mandolin
Instruction. Book and
Downloadable audio.
Duration 70 minutes.
Published by ADG
Productions
Performed by The Rolling Stones. Fakebook for voice and C instrument. With vocal...(+)
Performed by The Rolling
Stones. Fakebook for
voice and C instrument.
With vocal melody, chord
names, color photos,
discography, selected
riffs (guitar tab) and
introductory text. 431
pages. Published by
Alfred Publishing.
String Quartet SKU: BR.PB-5708 Urtext. Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5708
Urtext. Composed
by Joachim Raff. Edited
by Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5708. Published by
Breitkopf and Haertel
(BR.PB-5708).
ISBN
9790004216453. 6.5 x 9
inches.
When his
musical triad op. 192 was
created in the winter of
1873/74, Raff was one of
Germany's most successful
composers and the central
artistic authority in the
Hessian spa, royal
residence and imperial
city of Wiesbaden. With
op. 192, Raff cultivated
his reputation as an
erudite composer who was
a master of contrapuntal
forms. By the time the
string quartets were
composed, he had already
established himself as
one of the most prolific
and versatile suite
composers of the 19th
century, as is evident
here in the various suite
conceptions: Opus 192 No.
1 (in C minor), as Suite
in the ancient style, has
with Baroque labels
stylized dance movements
follow one another. Die
schone Mullerin [The Fair
Maid of the Mill] op. 192
No. 2 (in D major), on
the other hand,
interprets the suite as a
sequence of chapters in a
musical narrative and
thus becomes probably the
first tone poem in string
quartet scoring. In the
third quartet (in C
major), of which Raff the
artist was proudest,
other genre designations
mix in among the dance
movements, and with its
free succession of
different movement types,
not usual for a sonata,
it preserves structural
openness. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
III: Debutto di Gelsomina nel numero del 'ciufile' SKU: HL.50603658 Fo...(+)
III: Debutto di Gelsomina
nel numero del 'ciufile'
SKU: HL.50603658
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142174. Published by
Ricordi (HL.50603658).
ISBN 9781705127797.
UPC:
840126952254.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
Piano Solo SKU: AP.36-M161091 Composed by Georges Bizet. Performance Musi...(+)
Piano Solo
SKU:
AP.36-M161091
Composed by Georges
Bizet. Performance Music
Ensemble; Solo Piano.
Ludwig Masters. Score and
Part(s). 40 pages.
LudwigMasters
Publications #36-M161091.
Published by
LudwigMasters
Publications
(AP.36-M161091).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Beate Angelika
Kraus. Choir; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Classical. Full
score. 256 pages.
Duration 65'. Breitkopf
and Haertel #PB 14619.
Published by Breitkopf
and Haertel
(BR.PB-14619).
ISBN
9790004214947. 10 x 12.5
inches.
Since 2001
the Ninth has been
included in UNESCO's
Memory of the World
Register. Beethoven was
preoccupied with his
unique work for many
years, since at least
1815, and still shortly
before his death,
according to the highly
complex source situation.
The work will now finally
be available as an
edition produced from the
new Beethoven Complete
Edition in time for the
2020 anniversary year
commemorating the
composer's 250th
birthday. Not all
doubtful cases can be
clarified, not all gaps
closed, but numerous
aspects have been further
illuminated in this
edition. New findings and
source evaluations taken
into account here,
appear, for instance,
pertaining to the work's
title, the tradition of
the metronome
indications, the
contrabassoon part, and
the underlying vocal text
in the finale, as well as
in the original rendering
of the sforzato and forte
markings. The edition is
to be considered,
according to its editor
Beate Angelika Kraus, as
a contribution to the
understanding of a work
in which there is a
discrepancy between its
significance in musical
life and the critical
appreciation of its
musical text..
6 Play-Along Clarinet
Trios. Composed by
Bart Bakker. Edited by
Bart Bakker. De Haske
Play-Along Book. Play
Along. Softcover with CD.
Composed 2007. 40 pages.
De Haske Publications
#1074312. Published by De
Haske Publications
(HL.44007194).
ISBN
9789043127691. UPC:
884088216009.
9.0x12.0x0.135 inches.
English-German-French-Dut
ch.
Just like the
Fun for... series, these
books are ideal for
anyone who plays in an
ensemble or takes
clarinet lessons. The six
appealing modern pieces
are perfect for the
instruments and can be
used very flexibly. They
are suitable for everyone
who has been playing for
two to two and a half
years.
Concert band - advanced SKU: HL.49012057 From the opera Der Mond. ...(+)
Concert band - advanced
SKU: HL.49012057
From the opera Der
Mond. Composed by
Carl Orff. Arranged by
Hermann Regner. This
edition: Saddle
stitching. Sheet music.
Schott Harmonie Serie
(Concert Band).
Classical. Score. 68
pages. Duration 11'.
Schott Music #SHS 1017.
Published by Schott Music
(HL.49012057).
ISBN
9790001113212.
8.25x11.75x0.259
inches.
Carl Orff
wrote his little
world-theatre Der Mond
[The Moon], based on old
fables, between 1936 and
1938. The score written
for actors who sing, a
narrator and large
orchestra, also contains
parts important for wind
band. Four scenes have
been selected for the
present arrangements
which are best performed
on different sets of
instruments. The
arranger, Hermann Regner
(born 1928), worked very
closely with Carl Orff
for many years. This work
is sure to be a success
in concerts for bands at
an advanced
level.
2 Fl. (2.
auch Picc.) * 2 Ob. * Fg.
- Klar. in Es * 3 Klar.
in B * B.-Klar. * 2
Altsax. * 2 Tenorsax. *
Baritonsax. in B - 4 Hr.
* 3 Trp. * 3 Pos. * 2
Flhr. * Tenhr. * Bar.
(Euph.) * 2 Tb. - Kb. -
Zither (ossia Keyb.) - P.
S. (Glsp. * Xyl. * Trgl.
* Beck. * hg. Beck. *
Tamt. * kl. Tr. * Ruhrtr.
* Schellentr. * gr. Tr. *
Ratsche) (4 Spieler).
Composed by Joni
Mitchell. Arranged by
John Leavitt. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Classic Pop;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-48394. Published by
Alfred Music (AP.48394).
UPC: 038081552170.
English.
Recorded
and performed by more
than fifty artists in the
fifty-plus years since
its initial release, this
Joni Mitchell song has
become an enduring
meditation on the
shifting perspective that
comes with time. The
melody passes generously
from part to part across
a shimmering palette of
choral harmonies. John
Leavitt provides a piano
accompaniment that adds
texture and color while
fully supporting the
voices.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Flute Quartet SKU: IS.FQ6572EM Composed by Alex Christiaens. Woodwinds - ...(+)
Flute Quartet
SKU:
IS.FQ6572EM
Composed
by Alex Christiaens.
Woodwinds - Flute.
Metropolis Music
Publishers #FQ6572EM.
Published by Metropolis
Music Publishers
(IS.FQ6572EM).
ISBN
9790365065721.
Alex
Christiaens was born in
1957and started courses
on solfège, piano,
music theory and music
history at the
conservatorium of
Hasselt. After his
secondary education
(Latin-Greek), he was
awarded a Master degree
in translation and
started to work for a
Flemish bank. Since then,
he has been living in
Leuven. Music remained an
important part of his
life. After having
finished the piano course
at the conservatorium of
Leuven, he continued his
musical journey by
completing the organ
course with Peter
Breugelmans, the harmony
and composition course
with Erika Budai and the
clarinet course with Bart
Van den Bosch. He
regularly performed in
public, not only as a
soloist but also as the
accompanist of singers,
choirs and
instrumentalists. Since
many years, he has been
active as an organist in
Leuven and has been
singing in the choir
Tourdion under the
leadership of Rik
Ghesquière. He started
composing as part of the
harmony course. Most of
his compositions are
short works written for
piano or solo instruments
with accompaniment .
Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano
SKU:
BR.EB-9413
Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches.
For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme.
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15152
Urtext. Composed
by Edvard Grieg. Edited
by Ernst-Gunter
Heinemann. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Full score. 108
pages. Duration 30'.
Breitkopf and Haertel #PB
15152. Published by
Breitkopf and Haertel
(BR.PB-15152).
ISBN
9790004215579. 10 x 12.5
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Baritone; Piano - difficult SKU: HL.49045081 For Baritone and Piano (G...(+)
Baritone; Piano -
difficult
SKU:
HL.49045081
For
Baritone and Piano
(German). Composed by
Joerg Widmann. This
edition: Saddle
stitching. Sheet music.
Vocal Solo. Classical.
Octavo. Composed
2013/2015. 90 pages.
Duration 40'. Schott
Music #ED22327. Published
by Schott Music
(HL.49045081).
ISBN
9790001121552.
9.0x12.0x0.265 inches.
German. Author: Heinrich
Heine ; Clemens
Brentano.
Over the
years, I have
periodically composed a
number of (unpublished)
lieder, but have only now
created my first
'official' lieder cycle
for Christian Gerhaher
and his accompanist
Gerold Huber. Unfamiliar
poetry from the
collection Des Knaben
Wunderhorn [The Boy's
Magic Horn] together with
poems by Klabund,
Brentano and Hartling
form an essential element
of this work - radically
simple and genuine texts,
profoundly touching the
heart. Jorg Widmann.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, basso continuo.
Warb E 14. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 38.104/14.
Published by Carus Verlag
(CA.3810414).
ISBN
9790007215101. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Violine 2 SKU: CA.3124512 Version IV. Composed by Johann Sebastian...(+)
Violine 2
SKU:
CA.3124512
Version
IV. Composed by
Johann Sebastian Bach.
Edited by Peter Wollny.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Johannespassion 1749.
Innovative practice aids,
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide.
Individual part. Composed
1749. BWV 245. 28 pages.
Duration 120 minutes.
Carus Verlag #CV
31.245/12. Published by
Carus Verlag
(CA.3124512).
ISBN
9790007211394. Language:
German/English.
Wit
h the unfinished revision
(1739) as an appendix.
The St. John Passion
ranks among the great
vocal works from Bach's
Leipzig years. In
contrast to his other
large-scale choral works,
however, Bach never gave
this work a definitive
final form. Rather, for
every performance he made
numerous changes. All
previous editions of the
St. John Passion have
combined readings from
various layers of
sources. The wish often
expressed by conductors
to perform an authentic
version is made possible
for the first time with
the present edition in
this fourth and final
version which was
performed under Bach's
direction in 1749. At the
same time, with the aid
of the appendix it is
possible to perform the
work in the traditional
mixed version.. Score and
part available separately
- see item
CA.3124500.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Peter
Hauschild. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
Hauschild combines
source criticism with the
demands of performance
practice, while keeping
the Critical Notes brief
(it goes without saying
that they are in the
score). His editorial
emendations can thus be
checked immediately.
Symphony; Classical. Full
score. 80 pages. Duration
27'. Breitkopf and
Haertel #PB 5238.
Published by Breitkopf
and Haertel (BR.PB-5238).
ISBN 9790004210000. 10
x 12.5
inches.
Ludwig van
Beethoven composed his
Eighth Symphony op. 93 in
1811/1812. As a
consequence of the
wartime upheavals of
those years, the world
premiere of the work did
not take place until 27
February 1814 in Vienna
under the composer's
direction.Hauschilds new
edition is based on all
the major primary
sources. With masterful
expertise, Hauschild
combines source criticism
with the demands of
performance practice,
while keeping the
Critical Notes brief (it
goes without saying that
they are in the score).
His editorial emendations
can thus be checked
immediately. Whoever
seeks more about how the
Breitkopf new edition
differs from other
available editions will
also find this
information quickly and
easily.
Hauschild
combines source criticism
with the demands of
performance practice,
while keeping the
Critical Notes brief (it
goes without saying that
they are in the score).
His editorial emendations
can thus be checked
immediately.
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
15143-12. Published by
Breitkopf and Haertel
(BR.OB-15143-12).
ISBN
9790004342169. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
(A compilation of the best ever Grade 2 violin pieces ever selected by the major...(+)
(A compilation of the
best ever Grade 2 violin
pieces ever selected by
the major examination
boards). Edited by
Jessica O'Leary. For
Violin. Book; CD; String
- Violin Studies or
Collection. Faber
Edition: Best of Grade
Series. Grade 2.
Published by Faber Music
Voiceplay Voix d'Enfants [Partition + CD] Oxford University Press
(22 Songs for Young Children). By Alison Street; Linda Bance. For Songs for 3-5s...(+)
(22 Songs for Young
Children). By Alison
Street; Linda Bance. For
Songs for 3-5s. Song
Book. Voiceworks.
Voiceworks. Pack
(leader's book, CD,
children's book). 64
pages