Auffuhrungsmaterial nach der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Heinrich Besseler. For Violin Solo. Single Part. BWV 1049. Published by Baerenreiter-Ausgaben (German import). (BA5204 77)

(Fruhfassung). By Johann Sebastian Bach (1685-1750). Edited by Andreas Glockner. Neue Bach-Ausgabe, Serie II Band 5b. Contrabass; Complete Edition (cloth bound). BWV 244b

Composed by Johann Sebastian Bach (1685-1750). Edited by Gerhard Braun. For Flute. Universal Querfloten Edition. Full score (study). Standard notation. BWV 1013, 1033. Universal Edition #UE018023. Published by Universal Edition

Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo - Grade 3

SKU: CA.3111105

3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Was Mein Gott Will, Das Gscheh Allzeit. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1725. BWV 111. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.111/05. Published by Carus Verlag (CA.3111105).

ISBN 9790007048198. Key: A minor. Language: German/English. Text: von Preussen, Albrecht. Text: Albrecht von Preussen.

Score available separately - see item CA.3111100.

(str,vn solo)

SKU: TM.06428SET

Composed by Johann Sebastian Bach. Set Type: B. Set of parts. Lucks Music Library #A1244. Published by Lucks Music Library (TM.06428SET).

Key of C, sol in set.

Early Version. By Johann Sebastian Bach. Edited by Glockner, Andreas. Arranged by Focke, Martin. For Mixed Choir (SATB), Organ, Orchestra. Piano Reduction/Vocal Score; Urtext Edition (paperbound). BWV 244b. Published by Baerenreiter-Ausgaben (German import). (BA5099 90)

SSAM choir - Level 2

SKU: CA.316450

Composed by Johann Sebastian Bach. Separate edition with choral collection. Sacred vocal music. Full score. BWV. Duration 2 minutes. Carus Verlag #CV 03.164/50. Published by Carus Verlag (CA.316450).

ISBN 9790007154332. Key: B flat major. Language: German.

Viola 2 (solos: SATB - choir: SATB - 0.0.0.0 - 0.0.corn.3.0 - str(va divided) - bc)

SKU: BR.OB-4504-20

Easter Sunday. Composed by Johann Sebastian Bach. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Part. 4 pages. Duration 22'. Breitkopf and Haertel #OB 4504-20. Published by Breitkopf and Haertel (BR.OB-4504-20).

ISBN 9790004312445. 9 x 12 inches.

Arranged for Guitar Solo. Composed by Johann Sebastian Bach (1685-1750). Arranged by Tadashi Sasaki. Guitar Solo. Classical. Softcover. 104 pages. Zen-On #ZN238505. Published by Zen-On (HL.50499244). 0.57

(BWV 565). By Johann Sebastian Bach (1685-1750). Arranged by Victor LÌ_pez. Orchestra. Full Orchestra; Masterworks; Part(s); Score. Belwin Concert Full Orchestra. Form: Fugue; Toccata. Baroque; Masterwork Arrangement. Grade 4.5. 218 pages. Published by Belwin Publishing

SATB vocal soli, SATB choir, [trumpet], oboe, 2 violins, viola, basso continuo - Level 3

SKU: CA.3118511

Cantata for the 4th Sunday after Trinity (Weimar version). Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Barmherziges Herze. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1715. BWV 185. 4 pages. Duration 16 minutes. Carus Verlag #CV 31.185/11. Published by Carus Verlag (CA.3118511).

ISBN 9790007050603. Key: F sharp minor. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Score available separately - see item CA.3118500.

Chorus (with soloists) and piano (solos: ATB - choir: SATB - 0.0.0.0. - 0.1.0.0. - str - bc)

SKU: BR.EB-7090

25th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Bernhard Todt. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 16 pages. Duration 15'. Breitkopf and Haertel #EB 7090. Published by Breitkopf and Haertel (BR.EB-7090).

ISBN 9790004172445. 7.5 x 10.5 inches. German.

(str,vn solo)

SKU: TM.06428SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A1244. Published by Lucks Music Library (TM.06428SC).

Key of C, sol in set.

Composed by Alexandre Sorel. Classical. Score and CD. 111 pages. Paul Beuscher #BESTPIA1. Published by Paul Beuscher (LM.BESTPIA1).

Piano

SKU: BT.PBBESTPIA1

Composed by Alexandre Sorel. Classical. Score with CD. Composed 2014. 111 pages. Paul Beuscher #PBBESTPIA1. Published by Paul Beuscher (BT.PBBESTPIA1).

ISBN 9782824400433.

HAEN DEL : Rigaudon - GRIEG : Arietta, extr. des Pièces lyriques Op.12 - MOZART : Valse favorite KV606 - Mc DOWELL : Pour une rose sauvage, extr. des Woodland Sketches - MA KAPAR : Berceuse - GLINKA : Polka - COUPERIN : L'Epineuse, extr. du VIe Ordre - BACH : Musette en ré majeur BWV anh.126 - ANONYME : Marche du Petit Livre d'Anna Magdalena Bach - FUCHS : Douce Consolation Op.47 n°11 - SCHUMANN : Premier Chagrin, extr. de l'Album pour la jeunesse Op.68 - GURLITT : Petites Fleurs Op.205 - SPINDLER : Chanson sans paroles - HUMMEL : Ecossaise Op.52 n°5 - MOUSSORGSKI : Une larme - CHOPIN : Mazurka Op.67 n°2 - SCHUBERT : Valse n°6 Op.18 D145 - BEETHOVEN : Bagatelle Op.119 n°1 - SATIE :Gymnopédie n°1 - MENDELSSOHN : Chant du gondolier Op.30 n°6 - BACH : Invention 2 voix n°4 BWV 775 - FAURE : Pièce brève Op.84 n°5 - MOZART : Fantaisie en ré mineur K.397 - CHOPIN : Prélude Op.28 n°6 - DEBUSSY : Doctor Gradus ad Parnassum, extr. des Children's Corner - SCRIABINE : Prélude Op.22 n°3 - SCHUMANN : L'Enfant s'endort, extr. des Scènes d'enfants Op.15 - LISZT : Consolation n°3 - DEBUSSY : Première Arabesque - BACH : Concerto italien BWV971, 2e mouvement.

Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, Va, Vne, Bc - Level 3

SKU: CA.3120805

Hunting Cantata. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Choral Score. Composed 1713. BWV 208. 8 pages. Duration 38 minutes. Carus Verlag #3120800. Published by Carus Verlag (CA.3120805).

ISBN 9790007244552. German/English. Text: Franck, Salomo.

A joyful dispute of the gods is how Johann Sebastian Bach's librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weissenfels, now generally known as the Hunting Cantata BWV 208. The work was probably first performed with the composer present on 23 February 1713, Duke Christian's 31st birthday. On that occasion the choir may have numbered just four soloists, but it can of course be larger. Bach also went on to perform this colorful and varied work, comprising 15 short movements, several times.

As the cantata begins with a recitative, there is an opportunity to precede it with an instrumental movement. A suitable piece is the opening movement of the 1st Brandenburg Concerto BWV 1046 with its hunting horn sounds, which Bach also used later in other works such as the church cantata BWV 52. The edition includes this movement from BWV 1046a (the oldest version) as a performance suggestion.

Orchestra Soli ATB, Coro SATB, 2 Ob, Tl, 3 Vl conc., 3 Va conc., 3 Vc conc., 2 Vl, Va, Bc

SKU: CA.3117407

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Study score. Composed 1729. BWV 174. 68 pages. Duration 23 minutes. Carus Verlag #CV 31.174/07. Published by Carus Verlag (CA.3117407).

ISBN 9790007244996. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2441100

Ascension oratorio. Composed by Johann Sebastian Bach. This edition: Paperbound. Oratorios. German title: Himmelfahrtoratorium Faksimile. Oratorios. Facsimile. Composed 1735. BWV 11. 40 pages. Duration 32 minutes. Carus Verlag #CV 24.411/00. Published by Carus Verlag (CA.2441100).

ISBN 9790007108953. Key: D major. Language: German.

Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger.

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3103607

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Advent, Christmas. Study score. Composed 1731. BWV 36. 52 pages. Duration 31 minutes. Carus Verlag #CV 31.036/07. Published by Carus Verlag (CA.3103607).

ISBN 9790007244910. Language: German/English.

Bac h's well-known church cantata Schwingt freudig euch empor BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be traced back to a secular birthday cantata from 1725. The text is now revised to render the events of Advent - the rejoicing of the opening chorus, the loving veneration and the warm-hearted welcome of the three solo arias retained from the original cantata now all apply to the Messiah, who, as once in Jerusalem, should find a place in the hearts of the faithful. However, their unmistakeable Advent character derives from the fact that Bach contrasts the four festive settings from the secular cantata with three strophes from Luther's Advent chorale, Nun komm, der Heiden Heiland, thus at the same time giving a voice to the Mystery of God made man. Score available separately - see item CA.3103600.