For voice (lyrics and chords only). Je chante. Pop / Jazz. Score. Published by Paul Beuscher

compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 224 pages. Published by Mel Bay Publications, Inc.

Composed by Alain Bashung. For voice, piano or guitar (with diagrams). Album. Pop / Jazz. Score. 208 pages. Published by Editions Henry Lemoine

Edited by Paul Stewart Cranford. Arranged by Melissa Emmons and Brenda Stubbert. For Fiddle. Perfect binding, Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 72 pages. Published by Cranford Publication

Organ. By Fred Bock. Fred Bock Music Company. Size 9.3x12 inches. Published by Fred Bock Music Company. tophit

By Various. Edited by Nicholas. For mezzo-soprano, piano. Published by C.F. Peters.

Concert Band (Score) - Grade 2

SKU: HL.4007730

Composed by Robert Buckley. MusicWorks Grade 2. Concert, Patriotic. Softcover. 24 pages. Duration 215 seconds. Published by Hal Leonard (HL.4007730).

UPC: 196288085140. 9.0x12.0x0.071 inches.

The rich heritage of French-Canadian folk music dates back several centuries. Robert has chosen three of these songs to create a musical portrait of this colorful culture. The opening piece is the jaunty and dance-like Monsieur Lecure, followed by the hauntingly beautiful Blanche Comme la Neige. The piece concludes with the spirited march Vive la Canadienne!, which features a drum break and builds to an exciting, rousing finish. The creative use of harmonizations, key changes and dynamic contrasts gives this piece a sophisticated sound and intensity of a much more advanced piece. Dur: 3:35.

(Voice and Piano)

SKU: HL.48186452

Composed by Gabriel Faure. Leduc. Softcover. 47 pages. Alphonse Leduc #AL30692. Published by Alphonse Leduc (HL.48186452).

UPC: 888680828363. 9.0x12.0x0.192 inches.

Widely acclaimed by music lovers for over a century, Selected Songs of Gabriel Faure (1845-1924) are here collected into an anthology, complete with an audio version in the form of a download card. Excerpted from the 1st collection published in 1879, Au bord de l?eau and Ici bas bestow an aura of internal reverie on Sully Prudhomme?s simple poems, made palpable by the harmonic refinement and vocal fluidity that constitutes the very essence of Faurean charm. Several vocal pages selected in the 2nd volume (1897) continue to be favourites: Les Roses d?Ispahan restored to their dreamy stillness, Les Berceaux whose oscillation evokes the swaying of boats, and the very nostalgic Clair de lune in which Verlaine?s words, set to music for the first time, inspired Faure to write what would become one of his masterpieces: La Bonne Chanson. From this cycle, drunk on lovelorn lyricism, the collection retains Puisque l?aube grandit, an exalted melody if there ever was one, and La lune blanche luit dans les bois, a nocturnal landscape in F sharp major ? two pearls that distil the same mystery of solace..

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1165715-010

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2016. De Haske Publications #DHP 1165715-010. Published by De Haske Publications (BT.DHP-1165715-010).

English-German-French- Dutch.

The White Stone was commissioned by the band of the catholic parish of Dossenheim on the occasion of the 1250th anniversary of the town of Dossenheim near Heidelberg, Germany. The work is named after a high peak (White Stone) in the east of the town. Throughout the piece the composer uses the tune ‘How lovely you are, my Dossenheim’ in different forms and shapes, and musically he depicts the history and landscapes of this idyllic town. A challenging and versatile concert work with lots of beautiful melodies as well as rhythmical and energetic sequences.

The White Stone werd geschreven in opdracht van de Musikkapelle der katholischen Pfarrgemein-de Dossenheim, ter gelegenheid van het 1250-jarig bestaan van deze plaats, dicht bij Heidelberg, Duitsland. De titel van het werk verwijst naar ‘der Weiße Stein’, een berg in het Odenwald ten oosten van Dossenheim. De componist heeft de melodie van Wie schön bist du, mein Dossenheim in diverse vormen en gedaanten verwerkt. Hiermee worden de geschiedenis en het landschap van deze idyllische plaats treffend verklankt. Dit uitdagende en veelzijdige concertwerk bevat prachtige melodieën evenals ritmisch energieke passages.

The White Stone wurde von der Musikkapelle der katholischen Pfarrgemeinde Dossenheim aus Anlass der 1250-Jahr-Feier der Stadt Dossenheim bei Heidelberg in Auftrag gegeben. Das Werk ist nach dem Weißen Stein“ benannt, einem hohen Berg, der sich östlich von Dossenheim befindet. Der Kompo-nist verwendet im gesamten Stück das Lied Wie schön bist du, mein Dossenheim“ auf unterschiedli-che Art und Weise und beschreibt auf musikalische Weise die Geschichte und Landschaft dieser idyl-lischen Stadt. Ein anspruchsvolles und vielseitiges Konzertstück mit zahlreichen wunderschönen Me-lodien sowie mit rhythmischen und schwungvollen Sequenzen.

The White Stone fut commandé par l’orchestre de la paroisse catholique de Dossenheim l’occasion du 1250ème anniversaire de cette ville située près de Heidelberg en Allemagne. L’œuvre a pris son nom d’un haut sommet (white stone, « pierre blanche ») l’est de la ville. Pendant la pièce entière, le compositeur utilise la mélodie « Que tu es magnifique, mon Dossenheim » dans de différentes formes, et dépeint l’histoire et le paysage de cette ville idyllique en musique. Une œuvre de concert stimulante et variée qui comprend aussi bien des mélodies magnifiques que des séquences rythmiques et énergiques.

By Thierry Masson / Henri Nafilyan. For piano. Classical. CD. Published by Editions Henry Lemoine

SKU: CA.914700

Composed by Gabriel Faure. Contemporary Choir Music. Secular choral music. Full score. Carus Verlag #CV 09.147/00. Published by Carus Verlag (CA.914700).

ISBN 9790007144913.

In the 1880s Fauré discovered the poetry of Paul Verlaine, which found its expression in the song cycle La Bonne Chanson (1892/93), upon which the present transcription of La Lune blanche is based. In this cycle Fauré pursued the plan to condense the songs into a cycle through thematic development. The cycle entitled Mirages was composed in 1919. In the last song, Danseuse, Fauré reduces the music to a bare rhythmic ostinato, which is maintained with slight alterations throughout the entire song. The frequent clashes of seconds in the harmony have not been softened in the transcription, for they lend the music a certain painful expression.

By Erkki Melartin (1875-1937). Edited by Matti Tuloisela. For Voice, Piano. Album. Published by Fennica Gehrman

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1165715-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2016. De Haske Publications #DHP 1165715-140. Published by De Haske Publications (BT.DHP-1165715-140).

English-German-French- Dutch.

The White Stone was commissioned by the band of the catholic parish of Dossenheim on the occasion of the 1250th anniversary of the town of Dossenheim near Heidelberg, Germany. The work is named after a high peak (White Stone) in the east of the town. Throughout the piece the composer uses the tune ‘How lovely you are, my Dossenheim’ in different forms and shapes, and musically he depicts the history and landscapes of this idyllic town. A challenging and versatile concert work with lots of beautiful melodies as well as rhythmical and energetic sequences.

The White Stone werd geschreven in opdracht van de Musikkapelle der katholischen Pfarrgemein-de Dossenheim, ter gelegenheid van het 1250-jarig bestaan van deze plaats, dicht bij Heidelberg, Duitsland. De titel van het werk verwijst naar ‘der Weiße Stein’, een berg in het Odenwald ten oosten van Dossenheim. De componist heeft de melodie van Wie schön bist du, mein Dossenheim in diverse vormen en gedaanten verwerkt. Hiermee worden de geschiedenis en het landschap van deze idyllische plaats treffend verklankt. Dit uitdagende en veelzijdige concertwerk bevat prachtige melodieën evenals ritmisch energieke passages.

The White Stone wurde von der Musikkapelle der katholischen Pfarrgemeinde Dossenheim aus Anlass der 1250-Jahr-Feier der Stadt Dossenheim bei Heidelberg in Auftrag gegeben. Das Werk ist nach dem Weißen Stein“ benannt, einem hohen Berg, der sich östlich von Dossenheim befindet. Der Kompo-nist verwendet im gesamten Stück das Lied Wie schön bist du, mein Dossenheim“ auf unterschiedli-che Art und Weise und beschreibt auf musikalische Weise die Geschichte und Landschaft dieser idyl-lischen Stadt. Ein anspruchsvolles und vielseitiges Konzertstück mit zahlreichen wunderschönen Me-lodien sowie mit rhythmischen und schwungvollen Sequenzen.

The White Stone fut commandé par l’orchestre de la paroisse catholique de Dossenheim l’occasion du 1250ème anniversaire de cette ville située près de Heidelberg en Allemagne. L’œuvre a pris son nom d’un haut sommet (white stone, « pierre blanche ») l’est de la ville. Pendant la pièce entière, le compositeur utilise la mélodie « Que tu es magnifique, mon Dossenheim » dans de différentes formes, et dépeint l’histoire et le paysage de cette ville idyllique en musique. Une œuvre de concert stimulante et variée qui comprend aussi bien des mélodies magnifiques que des séquences rythmiques et énergiques.

By Beatrice Quoniam / Vincent Charrier. For keyboard. Pop / Jazz. Score. 60 pages. Published by Editions Henry Lemoine

With Diction Coach and Accompaniment Audio Online G. Schirmer Opera Anthology. Edited by Robert L. Larsen. Vocal Collection. Opera, Classical. Softcover Audio Online. 288 pages. Published by G. Schirmer

Chamber Music Clarinet 1, Clarinet 2, Piano

SKU: CF.CY3336

Composed by Marga Richter. Set of Score and Parts. With Standard notation. 20+16 pages. Carl Fischer Music #CY3336. Published by Carl Fischer Music (CF.CY3336).

ISBN 9780825881565. UPC: 798408081560.

Havin g travelled to Tucson, Arizona for the premiere of another of her works, Richter was captivated by the beauty of the Sonoran Desert. When commissioned by the Drucker Trio (Stanley and Naomi Drucker, clarinettists, and Blanche Abram, pianist), it was this scene that she wanted to capture musically. According to Richter, The rich but disembodied timbre of the clarinets (in this case, both in A), especially when combined with the sonorousness of the piano, seemed to be the ideal combination of instruments for such a piece..

Arias for Mezzo-Soprano. Composed by Various. Vocal Collection. Opera, Classical. Softcover Audio Online. 60 pages. G. Schirmer #ED4404. Published by G. Schirmer