Choral (SSA Choir)

SKU: HL.158171

Composed by Billy Higgins and W. Benton Overstreet. Arranged by Kirby Shaw. Jazz Chorals. Show Choir, Swing, Vocal Jazz. Octavo. Duration 140 seconds. Published by Hal Leonard (HL.158171).

UPC: 888680611804. 6.75x10.5x0.029 inches.

Here's a throwback tune all the way back to the jazz age! Your choir will love recreating the Gatsby-esque look and sound of the 1920s with this quick two-step change-of-pace!

Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with opt. flute, clarinet, F horn, tuba and vibes - Grade 1

SKU: KN.63280S

(based on the chord changes to ' 'S Wonderful' by George Gershwin). Composed by Carl Strommen. Jazz Quest. Kendor Music Inc #63280S. Published by Kendor Music Inc (KN.63280S).

UPC: 822795632804.

Chamber Music 2 Piano, 4 Hands

SKU: PR.140401200

For Two Pianos. Composed by Gerald Levinson. Premiered by DUO Stephanie & Saar, piano; Blue Sky Gallery, Portland, OR. Contemporary. Set of performance scores. With Standard notation. Composed 2015. 24+24 pages. Duration 8 minutes. Theodore Presser Company #140-40120. Published by Theodore Presser Company (PR.140401200).

UPC: 680160638710. 9 x 12 inches.

Composed in 2015, RINGING CHANGES is in part derived from the fourth movement of Levinson’s Time and the Bell... The essence of that movement is a constantly evolving perpetual-motion single line in fluidly changing rhythmic groupings, and in shifting modes inspired both by Balinese gamelan and North Indian ragas (both authentic and invented), which is now developed in counterpoint. Another version of the original movement also forms the centerpiece of the solo piano work, Ragamalika.

Choral (ShowTrax CD)

SKU: HL.158173

Composed by Billy Higgins and W. Benton Overstreet. Arranged by Kirby Shaw. Jazz Chorals. Show Choir, Swing, Vocal Jazz. CD only. Published by Hal Leonard (HL.158173).

UPC: 888680611828. 5x5 inches.

Here's a throwback tune all the way back to the jazz age! Your choir will love recreating the “Gatsby-esque&rdquo ; look and sound of the 1920s with this quick two-step change-of-pace!

Jazz Classics with Easy Changes. (Jazz Play-Along Volume 6). By Various. For E, C Instruments, B-flat Instruments. Jazz Play Along. Play Along. Softcover with CD. 60 pages. Published by Hal Leonard

Based on the chord changes to Blue Bossa by Kenny Dorham. Composed by Peter Blair. Jazz Quest Series Grade 1. Bossa. Score and Parts. Kendor Music Inc #QJK2301. Published by Kendor Music Inc

(Over 150 Standards with Professionally Altered Chords). Arranged by Frank Mantooth. For C Instruments. Lead Sheets: Melody line, lyrics and chord symbols. Softcover. 320 pages. Published by Hal Leonard

(from Aspects of Love). By Andrew Lloyd Webber, Don Black, Charles Hart. Arranged by Ed Lojeski. (SAB). Pop Choral Series. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.

Choral (SAB Choir)

SKU: HL.158170

Composed by Billy Higgins and W. Benton Overstreet. Arranged by Kirby Shaw. Jazz Chorals. Show Choir, Swing, Vocal Jazz. Octavo. Duration 140 seconds. Published by Hal Leonard (HL.158170).

UPC: 888680611798. 6.75x10.5x0.024 inches.

Here's a throwback tune all the way back to the jazz age! Your choir will love recreating the Gatsby-esque look and sound of the 1920s with this quick two-step change-of-pace!

Composed by Ottakar Sevcik (1852-1934). Edited by Jaroslav Foltyn. For violin. Stapled. Level 3. Performance score. Opus 8. Published by Baerenreiter Verlag

SKU: WD.080689501098

Composed by Bradley Knight. Arranged by Bradley Knight. Choral, cantatas. Eastertide. Accompaniment DVD. Word Music #080689501098. Published by Word Music (WD.080689501098).

UPC: 080689501098.

We have reason to rejoice today! the tomb is empty, our hearts are full! from the passionate spirit and extraordinary talent of bradley knight comes redeemed...the gospel changes everything, a one-of-a-kind worship experience for easter and beyond. brimming with the most recent electrifying worship songs from writers glenn packiam, ben fielding, reuben morgan, meredith andrews, benji cowart, louie giglio, darlene zschech and jason ingram, bradley brings his unique blend of powerhouse vocal arranging and orchestration to every selection. ideally suited for an easter morning celebration, the musical can be presented in its entirety or smaller worship packages throughout the year. a stunning accompaniment dvd and accessible stem mixes are available to enhance your worship programming. bradley has also included his personal worship-leading narration - including a from-the-heart invitation sequence - which you can modify to the unique worship environment of your church. this easter... join us in shouting out the good news that jesus is risen, and he is alive in us!

Composed by Andrew Lloyd Webber, lyrics by Charles Hart, Don Black, arranged by Ed Lojeski. Octavo for SATB chorus and piano accompaniment. With chord names. Choral. Series: Hal Leonard Pop Choral Series. 8 pages. Published by Hal Leonard.

By Barry Galbraith. Published by Jamey Aebersold Jazz. (BG5DS) Contains 10 finger/transcribed solos based on "standard" chord changes by the great Barry Galbraith. Recording contains Mark Slifstein playing the transcribed solos with Milt Hinton on Bass and Barry comping behind you. Turn off the Slifstein channel and solo with Barry and Milt comping! Turn off the other channel and comp with Milt behind Mark. You can also listen to both channels and simply enjoy the trio!

By Bruce Arnold. For Guitar (Electric). rhythm/backup. Funk. Level: Beginning-Intermediate. Book/CD Set. Size 9x11.75. 72 pages. Published by Mel Bay Publications, Inc.

Complete Jazz Keyboard Method: Intermediate Jazz Keyboard. (Intermediate Jazz Keyboard). For keyboard. Keyboard/Piano; Method/Instruction. National Keyboard Workshop Book - Approved Curriculum. Instructional, Method, Jazz and Play Along. Intermediate. Instructional book and examples/accompaniment CD. Leadsheet notation, instructional text and standard notation. 96 pages. Published by Alfred Music Publishing

Jazz Ensemble - Grade 5

SKU: KN.62785S

Composed by John Fedchock. Jazz Summit. Kendor Music Inc #62785S. Published by Kendor Music Inc (KN.62785S).

UPC: 822795627855.

Commi ssioned by the New York University Jazz Ensemble, this medium uptempo foray with abstract overtones features solos by tenor and piano. The opening unison brass soli, joined by saxophone counterpoint, leads to an energetic exchange between the sections, followed by the tenor sax solo over contemporary harmonies. After exciting exchanges between soloist and ensemble, the band takes over with an intense interlude leading to a piano solo over more traditional changes. The final shout chorus brings the band to its peak, leading to a final vamp that slowly builds to a powerful finish. Rhythm section parts are partially notated with chords cued. Duration 9:15.

By Gabriel Jackson. For SATB choir (with divisions), a cappella. This edition: NH29. Mixed Voices. New Horizons. Sacred Choral Leaflet. Vocal score. 16 pages. Duration 7'

By John Fedchock. For jazz ensemble. Jazz Summit Series. Medium Up-Tempo Swing. Advanced. Score and Set of Parts. Duration 9:15. Published by Kendor Music Inc

Choral Hand Clap, Hand Drum, Violin, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9563

Great and Fiery Force. Composed by Michael John Trotta. Hidegard Von Bingen transcribed by Michael John Trotta. Mjts. With Standard notation. 24 pages. Duration 4 minutes, 41 seconds. Carl Fischer Music #CM9563. Published by Carl Fischer Music (CF.CM9563).

ISBN 9781491153635. UPC: 680160911134. 6.75 x 10.5 inches. Key: G minor. Latin, English. Hidegard Von Bingen transcribed by Michael John Trotta.

Trotta's composition is an energetic reimagining of timeless text and tune from the 12th century poet, composer, and philosopher Hildegard of Bingen. The marriage of the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works) creates an entirely new work that expresses themes of empowerment. There is a reflective sense of the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.
This commissioned work for womens choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women’s choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment.An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish.I am the great and fiery force,That breathes life into all things:I am what awakens and supports lifeAnd enkindles all living thingsI am the great and fiery force,That breathes life into all things:Everything in the cosmosIs encircled with my wisdom.I am the beauty in the fields,The force, that moves like a graceful windI shine in the waters, and burn in the sun,Glimmering in the stars.Caritas abundat in omnia (Grace abounds for everyone)[Liber Divinorum Operum (The Book of Divine Works), I.I.2].

(Fundamental chord progressions and modes) Written by Bruce Emery. Instructional book for guitar. 86 pages. Published by Skeptical Guitarist Publications.

SKU: HL.49007813

Improvisation - Interpretation - Komposition. Composed by Herbert Henck. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 224 pages. Schott Music #ED 8152. Published by Schott Music (HL.49007813).

ISBN 9783795702670. 7.0x9.75x0.665 inches. German.

Improvisati on, Interpretation und Komposition sind drei grundlegende Bereiche des musikalischen Lebens, die vielfaltig voneinander abhangig sind und sich standig durchdringen.Dieses Buch sammelt und verarbeitet Erfahrungen aus uber einem Jahrzehnt. Seine Absicht ist nicht, eine Einfuhrung in den Bereich zeitgenossischer Pianistik zu geben oder ein Lehrwerk zu sein, obwohl es auch hierzu taugen mag; eher schon zielt es darauf, die Vielschichtigkeit der behandelten Themen zu verdeutlichen und auf die kunstlerische Notwendigkeit selbststandig zu suchender Wege und eigenverantwortlicher Entscheidungen hinzuweisen.