By Johann Sebastian Bach. Edited by Werner Breig. For Harpsichord Solo, strings....(+)
By Johann Sebastian Bach.
Edited by Werner Breig.
For Harpsichord Solo,
strings. Piano
Reduction/Vocal Score;
Urtext Edition. BWV 1052.
Duration 22'. Published
by Baerenreiter-Ausgaben
(German import). (BA5224
90)
By Johann Sebastian Bach. For Harpsichord Solo, strings. Piano Reduction/Vocal S...(+)
By Johann Sebastian Bach.
For Harpsichord Solo,
strings. Piano
Reduction/Vocal Score;
Urtext Edition. BWV 1055.
Duration 20. Published by
Baerenreiter-Ausgaben
(German import). (BA5227
90)
Concerto in G harpsichord, violin, viola, cello (string orchestra) - Facile Furore Verlag
By Wilhelmine Von Bayreuth. Edited by Irene Hegen. For harpsichord, violin, viol...(+)
By Wilhelmine Von
Bayreuth. Edited by Irene
Hegen. For harpsichord,
violin, viola, cello
(string orchestra). First
Publication. Level:
beginning. Full score.
Composed 1734. Published
by Furore-Verlag (German
import).
Edition for Viola and Harpsichord. By Johann Sebastian Bach. Edited by Ernst-Gun...(+)
Edition for Viola and
Harpsichord. By Johann
Sebastian Bach. Edited by
Ernst-Gunter Heinemann.
Viola. Pages: Score = IV
and 56 * Va Part = 19.
Edition for Viola and
harpsichord-paper bound.
Published by G. Henle.
Harpsichord SKU: HL.14020226 Composed by Elizabeth Maconchy. Music Sales ...(+)
Harpsichord
SKU:
HL.14020226
Composed
by Elizabeth Maconchy.
Music Sales America.
Classical. Book
[Softcover]. Composed
2002. 16 pages. Chester
Music #CH55112. Published
by Chester Music
(HL.14020226).
8.25x11.75x0.077
inches.
A
Harpsichord is a musical
instrument played by
means of a keyboard. It
produces sound by
plucking a string when a
key is pressed. The
instrument was widely
used in Renaissance and
Baroque music. During the
late 18th century,it
gradually disappeared
from the musical scene
with the rise of the
Piano. In the 20th
century, it made a
resurgence, being used in
historically informed
performances of older
music, in new
(contemporary)
compositions, and
inpopular
culture.
This piece
is perfect for anyone who
wants to discover this
unique instrument.
Composed in 1966 by
Elizabeth
Maconchy the upbeat
allegro of
Notebook For
Harpsichord
takesapproximately 8
minutes to
perform.
By Johann Sebastian Bach. Arranged by Bach Gesellschaft Editionwaldersee, Paul G...(+)
By Johann Sebastian Bach.
Arranged by Bach
Gesellschaft
Editionwaldersee, Paul
Graf Von (1831-1906),
Editor. For strings, soli
harpsichords(3). This
edition: solo part
(harpsichord 1). Reprint
source: Breitkopf and
Hartel. German: Baroque.
Composed c1735-40.
Duration 15 minutes.
Published by Edwin F.
Kalmus.
Edited by Emer Buckley. For Harpsichord. This edition: Facsimile. Fac-Similes En...(+)
Edited by Emer Buckley.
For Harpsichord. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. 16 pages.
Published by Anne Fuzeau
Productions - France
By Johann Sebastian Bach (1685-1750). Arranged by Bach Gesellschaft Ausgabe Wald...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Bach Gesellschaft Ausgabe
Waldersee, Paul Graf Von
(1831-1906), Editor. For
strings, soli
harpsichords(3). German:
Baroque. Set of parts.
Composed c1735-40.
Duration 15 minutes
Harpsichord SKU: HL.50600807 Harpsichord 1 and 2 Part. Composed by...(+)
Harpsichord
SKU:
HL.50600807
Harpsichord 1 and 2
Part. Composed by
Carl Philipp Emanuel
Bach. Piano. Classical.
Softcover. 55 pages.
Sikorski #SIK1440CEMB.
Published by Sikorski
(HL.50600807).
Suites, Partitas, Sonatas. Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
Suites, Partitas,
Sonatas.
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Siebe Henstra. Arranged
by
Gustav Leonhardt. This
edition: Urtext edition.
Transcribed for
harpsichord.
Collection. Published by
Baerenreiter Verlag
Composed by
Rhian Samuel. Octavo.
Stainer & Bell Ltd.
#Y231. Published by
Stainer & Bell Ltd.
(ST.Y231).
ISBN
9790220221767.
Writ
ten for harpsichordist
Jane Chapman, and clearly
inspired by her
virtuosity, Copper
Ribbons is a
fantasy-movement of
throbbing tremolandi and
scrunchy arpeggiated
chords that both support
and intrude upon a
recitative-like 'line' of
elusive, questioning
melody. Exploiting the
instruments rich variety
of tone colours with a
Debussian passion for
texture and timbre, the
composer here creates a
miniature tone-poem,
which sustains to its
closing bars a sense of
mystery and suggestion.
The work may stand alone,
or as a pair with its
companion-piece Silver
Threads, which should
precede it.
(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer B...(+)
(Manuscrit autographe,
1702). By Bernardo
Pasquini (1637-1710).
Edited by Emer Buckley.
For Harpsichord solo.
This edition: Facsimile.
Collection Dominantes.
Score. 264 pages.
Published by Anne Fuzeau
Productions - France
(for Cembalo or Harpsichord). By Hermann Schroeder (1904-1984). For Harpsichord,...(+)
(for Cembalo or
Harpsichord). By Hermann
Schroeder (1904-1984).
For Harpsichord, Cembalo.
Schott. Softcover. 12
pages. Schott Music
#ED20936. Published by
Schott Music
Harpsichord SKU: HL.48188014 Composed by Francois Couperin. Leduc. Baroqu...(+)
Harpsichord
SKU:
HL.48188014
Composed
by Francois Couperin.
Leduc. Baroque.
Softcover. 140 pages.
Heugel and Cie #HE31972.
Published by Heugel and
Cie (HL.48188014).
UPC: 888680844363.
9.0x12.0x0.39
inches.
â??Harpsic
hord work - Volume 4,
LP.24 by Francois
Couperin is the fourth in
a series of 4 volumes of
suites for Harpsichord.
Published in 1930, three
years before Couperin?s
death, when he was very
ill, this volume
initially presented some
small mistakes and some
white pages. It features
seven Ordres, from the
20th to the 27th, with a
total of 43 pieces. For
upper-intermediate
players, this volume was
edited by Kenneth
Gilbert. François
Couperin was a very
famous French composer
who played the
Harpsichord, the Organ.
Coming from a famous
family of musicians, he
was nicknamed ?Couperin
le Grand?
(â?â??Couperin the
Greatâ?â??).â?.
Harpsichord SKU: FG.55011-764-8 Composed by Esa Pietilä. Classical, co...(+)
Harpsichord
SKU:
FG.55011-764-8
Composed by Esa
Pietilä. Classical,
contemporary. Book.
Fennica Gehrman
#55011-764-8. Published
by Fennica Gehrman
(FG.55011-764-8).
ISBN
9790550117648.
The
title of Esa
Pietilä’s solo
harpsichord work Fata
morgana (2019) refers to
a special weather
con-dition, which creates
illusory effect of
mirage-like fairy
castle-like monuments in
the horizon of the sea.
The piece brings forth
the frightening bass
sonority on double
manual, full size
harpsichord and the
brightness on the treble
and makes a dialogue out
of them. “I got
fasci-nated by the
sonority, character and
power of the low register
sound on the instrument,
es-pecially when used in
non-traditional way and
found some kind of
especially delightful and
outlandish cluster-mud
and airy glimmering
things which seem to play
together, the com-poser
describes. The challenges
of the piece lie in
rhythmical ideas, which
are surprisingly
multi-faceted and in the
short, improvised
section.
Duration: c.
6’
Esa
Pietilän
soolo-cembalolle tehdyn
sävellyksen otsikko
Fata morgana (2019)
viittaa erityisen
sääil-miön
aiheuttamaan
illusatoriseen
kangastuksen tapaiseen
efektiin, joka tuo esiin
satulinnojen kaltaisten
rakennelmien
ilmaantumisen meren
horisonttiin. Sävellys
tuo esiin cembalon
bas-sorekisterin
pelottavuuden sekä
diskantin kirkkauden ja
käy niillä
vuoropuhelua. Haltioiduin
cembalon alarekisterin
erityisestä soinnista,
karakteerista ja
voimasta, jos sitä
käyttää hyvinkin
ei-perinteisesti.
Löysin myös
erityisen hauskasti
soivaa klusteri-mutaa ja
ilmavaa kimallusta, jotka
sointuvat yhteen,
Pietilä kuvaa
sävellystään.
Kappaleen haasteena ovat
rytmisesti
yllät-tävät ja
monitahoiset ideat
sekä lyhyt
improvisaatiojakso.
ISBN 9790006505623. 31
x 24.3 cm inches.
Preface: Denis
Herlin.
‘Once
again the French
musicologist Denis
Herlin, who mastered the
harpsichord under the
tutelage of such keyboard
legends as Kenneth
Gilbert and Huguette
Dreyfus, has presented an
exemplary edition of a
classic from the
harpsichord
repertoire.’ (Jury
of the German Music
Edition Prize on BA
10844)
Bärenrei
ter presents Book II of
Couperin’s
“Pièces de
clavecinâ€, first
published in 1717, In
addition the eight
preludes and one
allemande from his
treatise
“L’Art de
toucher le
clavecin†are
included in the appendix.
For the first time Denis
Herlin has evaluated the
many later impressions of
the original print, most
of which he unearthed
himself in international
libraries. By preserving
the essential features of
the original print while
largely dispensing with
disruptive page-turns
within the pieces, the
volume brings modern
performers close to the
special sound of this
music. Rounding off this
pioneering new edition
are an extensive
Foreword, notes on
historical performance
practice, a comprehensive
glossary, facsimile pages
and a detailed Critical
Commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
