The Binding of the Wolf Ensemble de cuivres [Conducteur] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000149-130 Composed by Torstein Aagaard-...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000149-130
Composed by Torstein
Aagaard-Nilsen. Score
Only. 34 pages. Gobelin
Music Publications #GOB
000149-130. Published by
Gobelin Music
Publications
(BT.GOB-000149-130).
This piece was
commissioned by
Nordhordland Brass
Seminar in 1990 and
written for a youth
band.
The title
referes to a story from
norse mythology.
“The Binding of the
Wolf” is not a
programmatic piece of
music, but I felt that
there was a kind of
coherence between the
music and the dramatic
story:
“...The
wolf Fenrir was one of
the demonic offspring of
Loki, and as he grew up
in Asgard among the gods,
he became so huge and
fierce that only Tyr was
willing to feed him. It
was decided that he must
be bound, and Odin in his
wisdom caused the cunning
dwarfs to forge a chain
which could not be
broken. It was made
from the invisible and
yet potent powers ofthe
world, such as the roots
of a mountain, the noise
of a moving cat, the
breath of a fish.
When completed, this
chain seemed to be no
more than a silken cord,
but the wolf refused to
let it be laid upon him
unless one of the gods
would put a hand between
his jaws as a pledge that
it was harmless. Only
Tyr was prepared to do
this, and when the wolf
found that the chain was
unbreakable, the gods
rejoiced, but Tyr lost
his hand. The binding
of the wolf may be seen
as a means of protecting
the world of men, as well
as that of the gods, from
destruction. The
story of the god losing
his hand appears to be
one of the fundamental
myths of nothern
Europe...”.
The Binding of the Wolf Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000149-030 Composed by Torstein Aagaard-...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000149-030
Composed by Torstein
Aagaard-Nilsen. Set
(Score & Parts). 58
pages. Gobelin Music
Publications #GOB
000149-030. Published by
Gobelin Music
Publications
(BT.GOB-000149-030).
This piece was
commissioned by
Nordhordland Brass
Seminar in 1990 and
written for a youth
band.
The title
referes to a story from
norse mythology.
“The Binding of the
Wolf” is not a
programmatic piece of
music, but I felt that
there was a kind of
coherence between the
music and the dramatic
story:
“...The
wolf Fenrir was one of
the demonic offspring of
Loki, and as he grew up
in Asgard among the gods,
he became so huge and
fierce that only Tyr was
willing to feed him. It
was decided that he must
be bound, and Odin in his
wisdom caused the cunning
dwarfs to forge a chain
which could not be
broken. It was made
from the invisible and
yet potent powers ofthe
world, such as the roots
of a mountain, the noise
of a moving cat, the
breath of a fish.
When completed, this
chain seemed to be no
more than a silken cord,
but the wolf refused to
let it be laid upon him
unless one of the gods
would put a hand between
his jaws as a pledge that
it was harmless. Only
Tyr was prepared to do
this, and when the wolf
found that the chain was
unbreakable, the gods
rejoiced, but Tyr lost
his hand. The binding
of the wolf may be seen
as a means of protecting
the world of men, as well
as that of the gods, from
destruction. The
story of the god losing
his hand appears to be
one of the fundamental
myths of nothern
Europe...”.
Piano. Composed by
Frederic Chopin. Edited
by Norbert Mü and
llemann. Arranged by
Hans-Martin Theopold.
Sheet Music. Paperbound.
Henle Music Folios.
Revised edition of HN
279. Detailed critical
commentary available for
download free-of-charge.
Classical. Softcover. 128
pages. G. Henle #HN886.
Published by G. Henle
(HL.51480886).
ISBN
9790201808864. UPC:
888680924942.
9.25x12.25x0.399
inches.
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Music post-1945; New
music (post-2000). New
Media. 16 pages.
Breitkopf and Haertel
#BHM 7817. Published by
Breitkopf and Haertel
(BR.BHM-7817).
ISBN
9790004650431. 5.5 x 5
inches.
We have
travelled very far to
record this last DVD of
the Lachenmann
Perspectives: In March
2015, the rehearsals of
Kontrakadenz [Contra
Cadence] took place in
the Casa da Musica in
Porto, Portugal, under
the direction of Lothar
Zagrosek. Sectional
rehearsals had already
familiarized musicians of
the Orquestra Sinfonica
do Porto with the most
important playing
techniques. Together with
Helmut Lachenmann, these
were then further
consolidated, specific
noise sounds with, for
instance, table tennis
balls, spinning metal
discs, and water-filled
zinc tubs were thoroughly
elaborated. For SCHREIBEN
[Writing], we then
followed Lachenmann to
San Sebastian in February
2016. There, with the
Orquesta Sinfonica de
Musikene under the
direction of Arturo
Tamayo, we had in front
of the camera a student
orchestra, motivated,
though still not
experienced with the
music of Lachenmann. What
the composer also
explains in the
interview, becomes very
clear in the rehearsals:
how the starting point of
the piece, the idea of
writing, is picked up and
implemented for each
instrument individually.
The rehearsals of both
pieces were predominantly
in English - so the films
are mostly without
subtitles. (Wiebke
Popel)
In 2015/16
I travelled across Europe
with cameraman Michael
Zimmer to document a
total of nine orchestral
rehearsals of and with
[meaning rehearsals of
music by HL, conducted by
HL? OR?] Helmut
Lachenmann in the course
of Lachenmann
Perspectives, a project
of the Musik der
Jahrhunderte. This DVD
series is the filmic
result of these
journeys.
Clothbound Piano (Piano solo) - L7, L8 SKU: HL.51480887 Piano Clothbou...(+)
Clothbound Piano (Piano
solo) - L7, L8
SKU:
HL.51480887
Piano
Clothbound Score.
Composed by Frederic
Chopin. Edited by Norbert
Mü and llemann. Arranged
by Hans-Martin Theopold.
Sheet Music. Clothbound.
Henle Music Folios.
Revised edition of HN
279. Detailed critical
commentary available for
download free-of-charge.
Classical, Romantic.
Hardcover. 128 pages. G.
Henle #HN887. Published
by G. Henle
(HL.51480887).
ISBN
9790201808871. UPC:
888680924928.
9.25x12.5x0.553
inches.
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
By Lloyd Larson. For SAB choir and piano (with optional orchestration (conga)). ...(+)
By Lloyd Larson. For SAB
choir and piano (with
optional orchestration
(conga)). Sacred Anthem,
Eastertide, General,
Lent, Trinity Sunday.
Octavo. Published by
Lorenz Publishing Company
Orchestra SKU: LO.30-2786L Composed by Lloyd Larson. Arranged by Brant Ad...(+)
Orchestra
SKU:
LO.30-2786L
Composed
by Lloyd Larson. Arranged
by Brant Adams. Choral.
Sacred Anthem, General,
Holy Week, Lent.
Orchestral score and
parts. Lorenz Publishing
Company #30/2786L.
Published by Lorenz
Publishing Company
(LO.30-2786L).
UPC:
000308130751.
Jesus
' lordship over nature as
well as the people is
underscored beautifully
in this anthem concerning
His life and ministry. A
gentle, lightly
syncopated musical style
provides a buoyant
support for the
meaningful choral lines.
Multiple accompaniment
options make this
wonderful piece from
Lloyd Larson suitable for
any time of year. (From
the cantata Who Do You
Say That I Am?,
SATB--55/1145L;
SAB--55/1146L)
Instrumentation: 2 Fl,
Ob, 2 Cl, Bsn, 2 Hn, 3
Tpt, 2 Tbn, Tba, Timp, 2
Perc, Harp, Pno, 2 Vln,
Vla, Cello, Bass.
Choral TBB choir, piano SKU: CF.CM9778 Composed by Noah Reese. Duration 2...(+)
Choral TBB choir, piano
SKU: CF.CM9778
Composed by Noah Reese.
Duration 2 minutes, 2
seconds. Carl Fischer
Music #CM9778. Published
by Carl Fischer Music
(CF.CM9778).
ISBN
9781491164495. UPC:
680160923403. Key: D
major. Latin. Traditional
Latin.
The text of
Exsultate Justi in Domino
compels the singer to
sing with gladness and
joy. Many choral
compositions feature this
text and it is often used
in religious settings on
feast days such as Easter
and All Saints Day. The
joyful conversation of
the text is especially
apparent in the middle
section of this piece, as
each phrase with one
voice part, followed by
the other voice part
quickly echo and join
together for the end of
the phrase.With a chorus
as catchy as this,
students and teachers
alike will likely find
the melody playing over
and over in their heads
long after the
concert!Latin vowels are
pure, meaning there are
no diphthongs:A=AWÂ
 E=EH Â
 I=EE  Â
O=OH (with AW color)Â
U=OOUPPER CASE syllables
should receive more
stress than those that
are lower
case.Exsultate Â
    Â
    Â
   justiÂ
   Â
in  Â
 Domino,EHk-zool-TAW-t
eh  YOO-stee een
DOH-mee-nohRejoice, you
righteous ones, in the
Lord, Alleluia!aw-leh-
LOO-yawPraise the
Lord! Rectos Â
   Â
 decet  Â
    Â
Â
 collaudatio.REHK-tohs
  DEH-chehtÂ
Â
KOH-lAWoo-DAW-tsee-ohIt
is fitting for the
upright ones to give
praise. ConfiteminiÂ
   Â
    Â
    Â
  Â
 Domino,KOHN-fee-TEH-m
ee-nee Â
DOH-mee-nohAcknowledge
the Lord,Cantate Â
    Â
   Â
 hodie,  Â
  Â
canticum  Â
    Â
Â
 novum.kawn-TAW-tehÂ
 OH-dee-ehÂ
KAWN-tee-koom
NOH-voomSing a new song
to him today. from
Psalm 32:11; Psalm 33:
1-3.
Concert Band - Grade 1 SKU: BT.DHP-1002045-721 Composed by Jacob De Haan....(+)
Concert Band - Grade 1
SKU:
BT.DHP-1002045-721
Composed by Jacob De
Haan. First Class. Part.
Composed 2000. 16 pages.
De Haske Publications
#DHP 1002045-721.
Published by De Haske
Publications
(BT.DHP-1002045-721).
ISBN
9789043109512.
As
the name suggests, the
series First Class
contains compositions for
the first group lessons
which, despite their easy
grade, are first class
pieces! First Class
offers numerous
possibilities for
ensemble playing.
Specialattention is given
to the range of each
part, so that as many
different instruments as
possible can play the
pieces together. This
means almost any
combination of
instruments is possible,
from a quartet to a full
concert band. Allpieces
also contain optional
percussion parts. In
Concert is a collection
of small pieces composed
by Jacob de Haan. As the
title indicates, this
part of the First Class
series can be used to
make up a concert
program. Withmelodious
titles such as March
Along, Beetle Blues, and
House Party, success is
something you can count
on! Contents: March Along
· Beetle Blues ·
House Party · Quick
Time · Slow Motion
· Czardas ·
Farmhouse Rock · Soul
Ballad ·English Waltz
· Sunny Samba ·
Rhythm & Blues · Close
Finish
In
Concert is de eerste
verzameling in de serie
First Class. De
twaalf zeer verschillende
composities zijn in de
lichste
moeilijkheidsgraad
geschreven. Al na een
paar maanden kunnen de
jongste muzikanten zo al
primamet elkaar
musiceren.
Inhoud:March Along,
Beetle Blues, House
Party, Quick Time, Slow
Motion, Czardas,
Farmhouse Rock, Soul
Ballad, English Waltz,
Sunny Samba, Rythem &
Blues en Close
Finish.
Der
Serienname First
Class spricht für
sich: Einerseits sind die
Werke in dieser Serie
für das erste
Zusammenspiel
geschrieben, andererseits
sind sie bei aller
Einfachkeit doch sehr gut
komponiert, also einfach
'Klasse'! Die Serie
First Class bietet
durch ihr spezielles
Konzept unendlich
Möglichkeiten des
Zusammenspiels. Die Art
und Weise der
Instrumentierung
ermöglicht, mit zwei
oder mehreren gleichen,
aber auch mit
unterschiedlichen
Instrumenten
zusammenzuspielen. Nach
Belieben kann das
Ensemble durch
Schlaginstrumente
ergänzt werden. Das
Prinzip ist sehr einfach:
Man schaut, welche
Instrumente zur
Verfügung stehen und
sucht danach die
Stimmenhefte aus
derdazugehörigen Liste
aus.First Class in
Concert - Jacob de
HaanIn Concert
ist die erste Sammlung
der Serie First
Class. Die zwölf
ganz unterschiedlichen
Stücke sind in
leichtestem
Schwierigkeitsgrad
geschrieben. Bereits nach
ein paar Monaten
Spielerfahrung können
damit die jüngsten
Musiker miteinander
klangvoll musizieren.
La serie First
Class propone
pubblicazioni per
principianti
particolarmente adatte
alle lezioni di gruppo.
In First Class
viene data grande
importanza
all’estensione
delle parti, rendendo
possibile
l’esecuzione da
parte di molti strumenti
diversi. In questo modo,
si può utilizzare
qualsiasi combinazione di
strumenti: dal quartetto
fino alla orchestra di
fiati. Tutti i brani
contengono le parti
opzionali per percussioni
e dato che sono pensati
per musicisti
principianti, non
contengono ritmi o
tecniche complesse.
(Authentic Guitar TAB). For Guitar. This edition: Authentic Guitar TAB. Artis...(+)
(Authentic Guitar TAB).
For
Guitar. This edition:
Authentic Guitar TAB.
Artist/Personality;
Authentic
Guitar TAB; Book; Guitar
Personality; Guitar TAB.
Guitar TAB Anthology.
Pop/Rock. 88 pages.
Published
by Alfred Music
Publishing
Piano (Piano Solo) SKU: HL.51481526 Piano Solo without fingering. ...(+)
Piano (Piano Solo)
SKU: HL.51481526
Piano Solo without
fingering. Composed
by Johann Sebastian Bach.
Edited by Ullrich
Scheideler. Henle Music
Folios. Classical.
Softcover. 31 pages. G.
Henle #HN1526. Published
by G. Henle
(HL.51481526).
UPC:
196288278719.
9.0x12.0x0.116
inches.
In 1735
Bach published the
Italian Concerto,
presented here in a
revised separate edition,
together with the French
Overture in the second
part of his âClavier
Ãbungâ. The two
works were intended to
respectively exemplify
the Italian and French
styles. Thus, the
âConcertoâ
unmistakably imitates an
Italian solo concerto,
using only the means of
the harpsichord. Tutti
and solo passages can be
heard as well as the
dynamic gradations of the
sound layers, which Bach
explicitly marked with
piano and forte.
Energetic outer movements
frame an Andante, in
which a melancholy
cantilena unfolds over
unadorned chords. For the
revision of this Bach
classic, editor Ullrich
Scheideler also
evaluated, in addition to
the prints, early
manuscript copies which
allowed interesting
conclusions about the
lost autograph.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano (Piano Solo) SKU: HL.51480526 Piano Solo Fingerings by Ekaterina...(+)
Piano (Piano Solo)
SKU: HL.51480526
Piano Solo Fingerings
by Ekaterina
Derzhavina. Composed
by Johann Sebastian Bach.
Edited by Ullrich
Scheideler. Henle Music
Folios. Classical.
Softcover. 31 pages. G.
Henle #HN526. Published
by G. Henle
(HL.51480526).
UPC:
196288278733.
9.0x12.0x0.119
inches.
In 1735
Bach published the
Italian Concerto,
presented here in a
revised separate edition,
together with the French
Overture in the second
part of his âClavier
Ãbungâ. The two
works were intended to
respectively exemplify
the Italian and French
styles. Thus, the
âConcertoâ
unmistakably imitates an
Italian solo concerto,
using only the means of
the harpsichord. Tutti
and solo passages can be
heard as well as the
dynamic gradations of the
sound layers, which Bach
explicitly marked with
piano and forte.
Energetic outer movements
frame an Andante, in
which a melancholy
cantilena unfolds over
unadorned chords. For the
revision of this Bach
classic, editor Ullrich
Scheideler also
evaluated, in addition to
the prints, early
manuscript copies which
allowed interesting
conclusions about the
lost autograph.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Composed by Joseph Gregorio. Advanced/Collegiate. Advent, 21st Century, Marian...(+)
Composed by Joseph
Gregorio.
Advanced/Collegiate.
Advent,
21st Century, Marian.
Piano/choral score. E.C.
Schirmer Publishing
#8490.
Published by E.C.
Schirmer
Publishing
Jewish Music. Arranged by Robert Schultz. Piano - Easy Piano Collection; Piano S...(+)
Jewish Music. Arranged by
Robert Schultz. Piano -
Easy Piano Collection;
Piano Supplemental.
Jewish Heritage. Book. 72
pages. Alfred Music
#00-AF9803. Published by
Alfred Music
Bass Clarinet and Orchestra SKU: HL.14001122 Composed by Asbjorn Schaathu...(+)
Bass Clarinet and
Orchestra
SKU:
HL.14001122
Composed
by Asbjorn Schaathun.
Music Sales America.
Classical. Score. Music
Sales #KP00663. Published
by Music Sales
(HL.14001122).
ISBN
9788759855669.
Danish.
ACTIONS,
INTERPOLATIONS AND
ANALYSES, symphonies for
bass-clarinet and large
ensemble (1987-90), is
what is commonly termed a
work in progress. So far
Schaathun has completed
three of five parts. The
is the composer's first
large-scale attempt to
investigate possible
connections between
ostensibly unrelated
material. Explained in
simple terms, it involves
taking two of Schaathun's
own type of texture
(composed by means of
different techniques) and
letting them rotate
around a familiar musical
object (in this case a
short excerpt from
Stravinskij's Symphonies
of Wind instruments in
which he employs the
famous frozen chords). In
the course of the piece
the elements takes over
various characteristics
from one another and the
form progresses from
fairly clear-cut textures
to a situation where the
various textures are
superimposed, creating a
dramatic flow. On a more
advanced level, the piece
is about trying to
mediate between different
musical textures as
metaphors for the
different levels of the
sound itself. One of the
main questions in this
context is; What is size
in music? Is it possible
to take a small
chord(i.e. narrow
register, few
instruments, simple tone
colours) and then blow it
up (wide register, many
instruments, advanced
mixtures) in such a way
that the listener still
perceives it as the same
chord? You have simply
moved closer to the
sound. At any rate, when
Schaathun composed the
piece, he himself
travellig into the sound,
as if were viewing a
texture from a distance.
He then recomposed the
same situation and drew
closer, and then
recompose it a third time
and simply get close
enough to discover the
world of sounds that thus
emerged. A world of
sounds capable of
travelling at a
tremendous speed...
However, like all
concertos, the piece is
of course about the
individual and his
relationship to his
surroundings (society).
Schaathun has often
pondered on the reason
for this preoccupation
wih solo concertos. The
answer derives from his
firm conviction that
nothing would ever happen
if it weren't for the
initiative, the Action,
of the individual.
Shenandoah Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Shenandoah Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Volume 1. For
String Quartet.
Composed by Gene Milford.
This edition: Latham
Music. Quartet; Solo
Small Ensembles; String -
Quartet. LudwigMasters -
Latham Music. Book.
LudwigMasters
Publications
#36-52703614. Published
by LudwigMasters
Publications
(AP.36-52703614).
ISBN
9781581069761. UPC:
654690687517.
English.
This
collection of folk songs
from Latin America
(Mexico, Costa Rica and
Guatemala) are meant to
expand young player's
knowledge of music from
other cultures or give
them pride in the music
of their own heritage.
The music is mostly in
1st position with only
Violin 1 and Violoncello
wandering briefly into
other positions. Players
will use pizzicato and a
variety of bowing
styles.
Naci en la Cumbre (I
was Born on the Mountain)
is a traditional
Guatemalan folk
song.
Vuela,
suspiro (Fly, My Sighs)
is a traditional Costa
Rican folk song.
Ay! Tituy is a
traditional folk song
from Costa Rica.
La Cucaracha (The
Cockroach) is a
traditional Spanish song,
also trendy in Latin
America. It is about a
cockroach who can't walk.
The song came to
symbolize the Mexican
Revolution (1910-20) and
Pancho
Villa.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.