SATB Chorus, & Piano SKU: SU.96010060 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010060
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010060. Published by
Subito Music Corporation
(SU.96010060).
Instrumentation
: SATB Chorus, &
Piano Duration:
3:30' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010061 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010061
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010061. Published by
Subito Music Corporation
(SU.96010061).
Instrumentation
: SATB Chorus, &
Piano Duration:
5' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.T
As a
matter of practicality,
when I was first asked to
write a piece for the New
York Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Massthat I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.
Like a bolt of
lightning, divine
intervention interceded
whereupon I instantly
realized that he needed a
piece to wake up the
audience, not another
Kyrie. I took a breath
and spontaneously began
to talk through and
improvise the concept of
a piece that became the
basis for Taxi.
At that moment I was
clueless as to what kind
of piece I would write
but it appeared to be a
good idea at the time.
David's reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and ... as a matter
of practicality, I
happily agreed.
-- Joe Gianono
Note: Taxi, Noise, and
Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010062
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010062. Published by
Subito Music Corporation
(SU.96010062).
Instrumentation
: SATB Chorus, &
Piano Duration:
4' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
Composed by
Gloria Shayne and Noel
Regney. Arranged by Craig
Courtney. Sacred Choral.
Christmas, General
Worship, Sacred. CD.
Duration 290 seconds.
Published by Hal Leonard
(HL.275499).
UPC:
888680744373.
5.0x5.0x0.185 inches. I
John 1:1, John 1:14,
Matthew 2:3, Psalm
94:9.
This
Christmas standard is one
of the most recorded
holiday songs of our
time. This arrangement
awakens the beloved song
to new possibilities,
dressing it in a
sophisticated suit of
traditional choral
elements and light jazz.
The creative crescendo of
the original song unfolds
verse by verse as the
news of the Christ
Child's birth goes from
the shepherd boy to the
people everywhere. The
call and response format
is maintained but
refreshed by shimmering
chords and creative
counterpoint. A study in
choral color, don't miss
the opportunity of
sharing this wonderful
Christmas classic with
your audience. Score and
Parts for full orchestra
(fl 1-2, ob/eng hn, cl
1-2, bn, hn 1-2, tpt
1/flugel, tpt 2-3, tbn
1-2, perc 1-3, hp, pno,
dm, b, vn 1-2, va, vc,
db) and for a small combo
(asx, pno, perc 1-3, dm,
gtr, b) each available as
a digital download.
By Various.
Ukulele. Pop, Rock.
Softcover. 176 pages.
Published by Hal Leonard
(HL.142050).
ISBN
9781495011252. UPC:
888680047191.
9.0x12.0x0.4
inches.
With just 4
chords, you can play 50
hot songs on your
ukulele! Songs include:
Brown Eyed Girl •
Do Wah Diddy Diddy
• Forever &
Always • Hey Ya!
• Ho Hey • I
Love a Rainy Night
• If I Had
$1,000,000 •
Jessie's Girl • Let
It Be • One Love
• Please Mr.
Postman • Stand by
Me • Toes •
With or Without You
• and many
more.
By Adrian Hopkins. Arranged by Matt Cowe. The Little Black Songbook. Pop and Roc...(+)
By Adrian Hopkins.
Arranged by Matt Cowe.
The Little Black
Songbook. Pop and Rock.
Book Only. 192 pages.
Wise Publications
#MUSAM999680. Published
by Wise Publications
By George Gershwin, Ira Gershwin. For Piano/Vocal/Chords. This edition: Piano/Vo...(+)
By George Gershwin, Ira
Gershwin. For
Piano/Vocal/Chords. This
edition:
Piano/Vocal/Chords.
Personality Book.
Broadway. Book. 260
pages. Published by
Alfred Publishing.
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vo...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Hit
the Keys!. Funk. 272
pages. Published by
Alfred Music Publishing
Piano, Voix [Partition] - Facile Alfred Publishing
(Easy Piano). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collec...(+)
(Easy Piano). Arranged by
Dan Coates. For Piano.
Book; Piano - Easy Piano
Collection; Piano
Supplemental. Top 50.
Broadway. Easy Piano. 208
pages. Published by
Alfred Music Publishing
Choral Hand Clap, Hand Drum, Violin, alto 1, alto 2, soprano 1, soprano 2 SKU...(+)
Choral Hand Clap, Hand
Drum, Violin, alto 1,
alto 2, soprano 1,
soprano 2
SKU:
CF.CM9563
Great
and Fiery Force.
Composed by Michael John
Trotta. Hidegard Von
Bingen transcribed by
Michael John Trotta.
Mjts. With Standard
notation. 24 pages.
Duration 4 minutes, 41
seconds. Carl Fischer
Music #CM9563. Published
by Carl Fischer Music
(CF.CM9563).
ISBN
9781491153635. UPC:
680160911134. 6.75 x 10.5
inches. Key: G minor.
Latin, English. Hidegard
Von Bingen transcribed by
Michael John
Trotta.
Trotta's
composition is an
energetic reimagining of
timeless text and tune
from the 12th century
poet, composer, and
philosopher Hildegard of
Bingen. The marriage of
the chant Caritas Abundat
with a text taken from
Liber Divinorum Operum
(The Book of Divine
Works) creates an
entirely new work that
expresses themes of
empowerment. There is a
reflective sense of the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than
oneself. This
commissioned work for
womens choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
womenas choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
womenas choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
women's choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
women's choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas Abundat
with a text taken from
Liber Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
women’s choir is
an energetic reimagining
of a timeless text and
tune from the
twelfth-century poet,
composer and philosopher
Hildegard of Bingen. The
text was selected as a
reflection of the
students' desire to
express the empowerment
that comes from singing
in a choir, especially
the power of belonging to
a group united for a
purpose greater than
oneself.This piece
marries the chant Caritas
Abundat with a text taken
from Liber Divinorum
Operum (The Book of
Divine Works), creating
an entirely new work that
expresses themes of
empowerment.An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish.I am the
great and fiery
force,That breathes life
into all things:I am what
awakens and supports
lifeAnd enkindles all
living thingsI am the
great and fiery
force,That breathes life
into all
things:Everything in the
cosmosIs encircled with
my wisdom.I am the beauty
in the fields,The force,
that moves like a
graceful windI shine in
the waters, and burn in
the sun,Glimmering in the
stars.Caritas abundat in
omnia (Grace abounds for
everyone)[Liber Divinorum
Operum (The Book of
Divine Works),
I.I.2].
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vo...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords.
Standard. 564 pages.
Published by Alfred Music
Publishing
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
(Ten Years of Popular Hits Arranged for EASY PIANO). Arranged by Dan Coates. For...(+)
(Ten Years of Popular
Hits Arranged for EASY
PIANO). Arranged by Dan
Coates. For Piano. Piano
- Easy Piano Collection;
Piano Supplemental;
Sing-Along. Decade by
Decade. Nostalgia; Pop.
Easy Piano. Book. 144
pages
Guitare notes et tablatures [Fake Book] - Intermédiaire Hal Leonard
For voice and guitar chords. Format: fake book (spiral bound). With guitar chord...(+)
For voice and guitar
chords. Format: fake book
(spiral bound). With
guitar chord diagrams,
vocal melody and guitar
tablature (of vocal
melody only). Series: Hal
Leonard Fake Books. 344
pages. 9x12 inches.
Published by Hal Leonard.
Guitare notes et tablatures [Partition] - Intermédiaire Hal Leonard
For guitar and voice. Format: guitar tablature songbook. With guitar tablature, ...(+)
For guitar and voice.
Format: guitar tablature
songbook. With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names,
guitar chord diagrams and
guitar notation legend.
Rock and pop rock. 1024
pages. 8.5x11 inches.
Published by Hal Leonard.
Piano / keyboard (KEYB+DISK) - easy to intermediate SKU: HL.49034895 T...(+)
Piano / keyboard
(KEYB+DISK) - easy to
intermediate
SKU:
HL.49034895
The
best of the charts.
Composed by Top. Arranged
by Uwe Bye. This edition:
Saddle stitching. Sheet
music with MIDI-floppy
disk. Edition Schott.
Edition with
MIDI-Diskette. 60 pages.
Schott Music #MF 2038-01.
Published by Schott Music
(HL.49034895).
ISBN
9790001139557.
Wied
er ein neuer Band der
Erfolgsreihe! Was gerade
im Radio lauft, kommt bei
Schott schon aus der
Notenpresse. Diesmal sind
die neusten Hits von Nena
(Willst Du mit mir gehn),
Coldplay (Speed of
sound), Joana Zimmer (I
believe), Backstreet Boys
(Incomplete), Wir sind
Helden (Nur ein Wort) und
Green Day (Wake me up
when September ends)
enthalten. Wie gewohnt
bieten wir wahlweise eine
Ausgabe mit MIDI-Diskette
(MF 2038-01) und eine
ohne MIDI-Diskette (MF
2038) an.
(TTBB). By Various. Arranged by Nicholas Hare. For Choral (TTBB). Music Sales Am...(+)
(TTBB). By Various.
Arranged by Nicholas
Hare. For Choral (TTBB).
Music Sales America.
Softcover. 48 pages.
Novello and Co Ltd.
#NOV072457. Published by
Novello and Co Ltd.
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer