Composed by Sonja Poorman. Choir Secular. 2-Part Choir. Choral Octavo. Choral Designs. Secular. 12 pages. Published by Alfred Music

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Performance score, anthology. Opus 2. Published by Baerenreiter Verlag (BA.BA10859).

(10 Festive Arrangements for 2-Part Voices (Kit)). Composed by Sally K. Albrecht, Jay Althouse, Lynn Shaw Bailey, Andy Beck, Michael Clawson, Mary Donnelly, Brian Fisher, Greg Gilpin, Ruth Morris Gray, Donald Moore, Ruth Elaine Schram, and George L. O. Strid. This edition: CD Kit. Book; Classroom/Pre-School; Enhanced CD; General Music and Classroom Publications; Reproducible. Two-Gether We Sing. Christmas; Secular; Winter. 80 pages. Published by Alfred Music

Arranged by Jean Anne Shafferman. For Choir. (2-Part (any combination)). Choral Octavo. Level: Level 2 (grade L2). Choral Octavo. 12 pages. Published by Alfred Publishing.

An introduction to position playing. Composed by Gabriel Koeppen. This edition: Saddle stitching. Sheet music. String. Lagenspiel einmal ganz anders - mit motivierenden Duetten in popularer Stilistik, die einfach Spass machen. In dieser Neuausgabe wurde das ursprunglich zweibandige Werk zusammengefasst und neu geordnet. Classical, Contemporary. Performance score. 60 pages. Schott Music #ED 21396. Published by Schott Music

By Jay Althouse. For Choir. (SAB). Choral Octavo. Choral Designs. Gospel; Sacred; Secular; Spiritual. Choral Octavo. 12 pages. Published by Alfred Publishing.

Voice & Piano

SKU: SU.96020100

For Voice & Piano. Vocal/Choral, Solo Voice. Accompanied by piano. Piano Vocal Score. Subito Music Corporation #96020100. Published by Subito Music Corporation (SU.96020100).

Japan Songs was originally conceived as a song cycle for Voice, Shakuhachi & Piano Trio. In 2019, Kyo-Shin-An Arts asked six beloved composers to each write one song. All six said yes, the premiere was scheduled, and the journey began. When the first rehearsal at long last arrived, in November 2020, we realized we had not commissioned a song cycle but rather a collection of independent gems. Each song captures the personality and style of its creator as well as the deep emotional impact of the pandemic during which it was written. 1. Autumn Mountains by Victoria Bond 2. Eight Thousand Spears by Paul Moravec 3. Not A Trace by James Matheson 4. Praying for Love by Aleksandra Vrebalov 5. In the blink of an eye… by Jay Reise 6. Tree of Pearls by Douglas J. Cuomo Japan Songs can be performed separately, together, and in any order, either as chamber music with piano trio and shakuhachi or in the piano-vocal version. Performers are also welcome to substitute flute for the shakuhachi. Scores and parts for the Piano Trio and Shakuhachi versions are available separately.Voice & Piano Composed: 2020 Published by: Subito Music Publishing.

Composed by Shayla Blake. Choral. General, Graduation. Octavo. Lorenz Publishing Company #15/3478H. Published by Lorenz Publishing Company (LO.15-3478H).

By Jay Althouse. For Choir. (SATB). Choral Octavo. Choral Designs. Gospel; Sacred; Secular; Spiritual. Choral Octavo. 12 pages. Published by Alfred Publishing.

String quartet

SKU: FG.042-07924-9

Composed by Eero Hameenniemi. Score. Published by Fennica Gehrman (FG.042-07924-9).

ISBN 979-0-042-07924-9.

Hameenniemi's quartet (1989) is in four independent movements. Although harmonic and melodic elements bind the movements together, each one is infused with its own internal energy, and the composer has interposed slow contrasting material into the faster and livelier parts. The multiple layers of psychological meaning in this work make it a demanding and worthwhile challenge.

SKU: HL.1117962

Lewitt Audio. Microphone. Hal Leonard #LCT1040US. Published by Hal Leonard (HL.1117962).

UPC: 847986002228. 9.5x20.0x17.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Imagine getting the perfect sound every time. Like a painter who uses his color palette, the LCT 1040 gives you the power to create the sound you envision. •Record with premium sound from high-end components and 1″ true condenser capsule •Create the perfect sound for different vocalists and instruments using 4 all-analog tube characteristics and a crystal-clear FET circuit •Adjust all settings from your sweetspot via the remote control A wide range of outstanding tube tones developed in close cooperation with world-renowned engineers and producers. •Clear - Tube works at technical optimum •Warm - Smooth and pleasant high-end •Dark - Tamed highs for bright sources •Saturated - Rich harmonics and subtle compression Together, these 100% all-analog tube characteristics are designed to cover all applications and styles recorded in the studio - from the finest violin to roaring Rock voices. They are the result of LEWITT's close cooperation with industry professionals and the global audio community. Extra punch and precision with the blendable FET circuit. Tweak your sound to perfection. You can dial in the FET circuit via the Circuit control whenever you're looking for that extra punch or precision for your voice or instrument. Tweak all settings from your sweetspot via the remote control Set up the LCT 1040 in the recording room where the artist performs. Detach the remote control from the PSU and connect them via your standard 3-pin XLR cable. Now you can finetune your sound from your sweetspot via the remote control, ensuring a smooth-running session. Seamless polar pattern control to get exactly what you want. Set the directivity with the seamless polar pattern control of the LCT 1040, giving you exactly what you were looking for. Additionally, you can also freely define the front of the mic depending on your recording scenario using the Default/Reverse flip switch. Two XLR outputs for full flexibility in post-production. To prepare you for all possible scenarios, the LCT 1040 features two XLR outputs with Neutrik connectors. •The Mix output delivers the ratio set with the Circuit control, a combination of the tube and FET circuit. •The FET output delivers 100% pure FET independent from the Circuit control. Shock mount with carbon fiber elements and quick release mechanism •Quick release mechanisms for the microphone and the adjustment of the angle. •Carbon fiber elements support efficient decoupling of the microphone. •The microphone can be turned by 360 degrees when inside the shock mount. Dual-layer magnetic pop filter for clean recordings. The high-performance magnetic pop filter of the LCT 1040 protects your capsule from unwanted plosives and moisture. Its double-layer desig.

String quartet

SKU: FG.042-08253-9

Composed by Eero Hameenniemi. Parts. Published by Fennica Gehrman (FG.042-08253-9).

ISBN 979-0-042-08253-9.

Hameenniemi's quartet (1989) is in four independent movements. Although harmonic and melodic elements bind the movements together, each one is infused with its own internal energy, and the composer has interposed slow contrasting material into the faster and livelier parts. The multiple layers of psychological meaning in this work make it a demanding and worthwhile challenge.

By Balint Karosi. For trumpet and organ. 24 pages. Published by Concordia Publishing House

By Antonin Dvorak (1841-1904). For cantata (solo voices - soprano, alto, tenor, bass, mixed choir, piano). Vocal music. Czech title: Stabat Mater op. 58. Classical. Piano reduction. Publication language: Czech/German/English/Fren ch -- Text Lyrics: Latin. Published by Editio Baerenreiter Praha

Urtext. Composed by Camillo Schumann (1872-1976). Edited by Antje Wissemann. Breitkopf and Haertel #EB 8979. Published by Breitkopf and Haertel

String orchestra

SKU: BO.B.3292

Composed by Jordi Cervello. Instrumental Sets. Duration 17:35. Published by Editorial de Musica Boileau (BO.B.3292).

English comments:
This is the definitive version of Biogenesis, a piece that Cervello had written in 1976, together with his friend Jorge Wagensberg, and which was awarded the First Prize at the Spanish Ministry for Education and Science's Permanent Composition and Musical Research Competition. The new version was made at 1984-85 Lux et umbra is written for a string group consisting of four first and four second violins, three violas, three cellos and a double bass. The conceptual battle between darkness and light is represented by the instability between the notes B and C, and by the compartmentation of the group of fifteen strings into divisi that provide an independent arrangement for each instrument, thus bestowing great substance upon the texture of the music. A cello cadence emerges from a slow and straightforward beginning. A process of contrasts then begins, culminating in a molto vivace passage of a scherzando nature, which alludes to the Baroque concerti grossi. The music once again plays with chiaroscuro until reaching its climax, from which point the conclusion slowly begins, establishing itself in the high register until fading away. The work was first performed at Barcelona's Palau de la Musica by the English Chamber Orchestra, directed by Enrique Garcia Asensio, in 1987. That same year, in the newspaper El Pais, the observations of the composer and critic Francesc Taverna-Bech paid tribute to the work's intelligence as regards the use of and search for instrumental resources (in this case, string instruments, about which Cervello knows a great deal), the skill involved in endowing the lyrical line with tension, and a singular touch that confers formal essence upon the musical discourse. In La Vanguardia, Jordi Llovet wrote that this is a work in which, as is the case with most of Cervello's compositions, the listener finds something covertly religious, a mysterious secret, a transcendence linked to the origins of communication requiring more than a single being, which provides excitement. In 1990, when the Orquesta de Granada (Orchestra of Granada) performed the work at Barcelona's Grec festival, the critic Cesar Calmell opined, in the same newspaper, that inch by inch, surely and imperturbably, Cervello built up a perfect world that reflects the image of the craftsman who, so astonished at the delights of his trade, is unable to do anything but turn the very backdrop of tragedy into something pleasant. Lux et umbra was recorded by the Orchestra Estatal of the Hermitage, conducted by Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Music critic

Comentari os del Espanol:
Se trata de la version definitiva de Biogenesis, obra que habia escrito en 1976 en colaboracion con su amigo Jorge Wagensberg y que obtuvo el Primer Premio, en el ano de su creacion, en el Concurso Permanente de Composicion e Investigacion Musical del Ministerio de Educacion y Ciencia. La nueva version fue realizada en 1984-85. Lux et umbra esta escrita para un grupo de cuerda integrado por cuatro primeros violines, cuatro segundos, tres violas, tres violoncelos y un contrabajo. El combate filosofico entre la oscuridad y la luz lo lleva a cabo la inestabilidad entre las notas si y do y la compartimentacion del grupo de quince cuerdas en unos divisi que llegan a una escritura independiente para cada instrumento, otorgando una gran importancia a la textura sonora. De un principio lento y descarnado emerge una cadencia del violonchelo. A continuacion da comienzo un proceso de contrastes que culmina en un pasaje molto vivace de caracter scherzando que alude a los concerti grossi del barroco. La musica juega de nuevo con el claroscuro hasta llegar a la cumbre sonora iniciando el final lentamente que se instala en el registro agudo hasta desvanecerse. La estreno en el Palau de la Musica de Barcelona la English Chamber Orchestra en el ano 1987 bajo la direccion de Enrique Garcia Asensio. Ese mismo ano, en el periodico El Pais, el compositor y critico Francesc Taverna-Bech reconocia en sus comentarios la inteligencia en el uso y la busqueda de los recursos instrumentales -en este caso la cuerda, de la que Cervello es profundo conocedor-, la destreza para revestir de tension la linea lirica y un tacto particular para conferir entidad formal al discurso sonoro. Jordi Llovet, en La Vanguardia, escribia que en esta obra, se encuentra, como en la mayor parte de la produccion de Cervello, algo secretamente religioso, un arcano misterioso, una trascendencia vinculada a los origenes de la comunicacion impracticable con el ser unico que resulta apasionante. En el ano 1990, cuando la Orquesta de Granada la toco en el Grec de Barcelona, era el critico Cesar Calmell quien, en el mismo periodico consideraba que Cervello construyo palmo a palmo, segura e imperturbablemente, un mundo perfecto que refleja la imagen del artesano que, de tan admirado con las delicias de su oficio, no puede hacer otra cosa que convertir en agradable el fondo mismo de la tragedia. Lux et umbra esta grabada por la Orquesta Estatal del Hermitage, dirigida por Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Critico musical.

Choir Secular (2-Part choir)

SKU: AP.48999

Composed by George L.O. Strid and Mary Donnelly. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Secular. Choral Octavo. 12 pages. Alfred Music #00-48999. Published by Alfred Music (AP.48999).

UPC: 038081563237. English.

This is the time when Christmas comes and all the world is filled with cheer. It's a bright holiday fanfare, designed especially for developing choirs. Not exclusively a partner song, but you'll love hearing how the two independent lines fit together. To enhance the fun, George and Mary sprinkle familiar carol fragments throughout. Our festive SoundTrax features glockenspiel on the optional C-instrument part. It's an opener, it's a closer, it's a theme for the entire concert!

Suite for Orchestra (2001). Composed by Michael Nyman. Music Sales America. Classical. Softcover. 90 pages. Chester Music #CH81334. Published by Chester Music (HL.238313).

Composed by Jerry Estes. For 3-part mixed choir and piano. Concert. Octavo. Published by Heritage Music Press