Piano - intermediate SKU: HL.49008100 Composed by Barbara Heller. This ed...(+)
Piano - intermediate
SKU: HL.49008100
Composed by Barbara
Heller. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Composed 1984.
12 pages. Duration 15'.
Schott Music #ED 8620.
Published by Schott Music
(HL.49008100).
ISBN
9790001115490.
Scar
let Letters was composed
in 1984 on commission of
the pianist and
harpsichordist Franzpeter
Goebels (1920-1988) on
the occasion of the 300th
birth day of Domenico
Scarlatti. The original
working title 'Lettere
scarlattine' is a
concealed homage to the
Italian composer. The
compositional material is
limited to the tones D,
E, C, Es (= S, spoken
'Es' = E flat in German
notation) and A, derived
from the musical letters
of Domenico Scarlatti's
name, and the tones B (=
B flat in German nota
tion) and H (= B
natural), the initials of
my name. With 7 tones and
7 parts, this music is a
sort of story about my
imaginary encounter with
the composer Domenico
Scarlatti who was then
one of my favourite
composers. Sometimes I
also used compositional
means which I discovered
in the sonatas of
Scarlatti, such as quick
6/8 figures, afterbeat
octaves and repetitions
of short motifs. I tried
to translatethe clarity,
brightness and
cheerfulness, the
astounding modulations
and the pianistic
brilliance of his music
into my compositional
language.Barbara
HellerThe piece was
recorded on CD by the
American pianist Deborah
Richards (WERGO 6610-02).
First performance: 31.
October 1987
International Festival of
Women Composers, Unna;
Rosario Marciano,
piano.
Organ SKU: HL.49044122 Composed by Bertold Hummel. This edition: Saddle s...(+)
Organ
SKU:
HL.49044122
Composed
by Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 1989.
Op. 91a. 48 pages.
Duration 26'. Schott
Music #ED21546. Published
by Schott Music
(HL.49044122).
ISBN
9790001191234.
12.0x8.75x0.42
inches.
The
three-movement piece
refers to Bruckner's
music in different ways:
in the first movement,
Hummel used the initials
A-B and the beginning of
the main theme from
Symphony No. 8; in the
second movement, the
first four tones of the
'Adagio' from Symphony
No. 9 play a major role,
and the third movement, a
toccata-like finale, gets
its life from further
tone sequences and motifs
of Bruckner. The work
ends in a majestic
climax. This piece is a
rather demanding, yet
rewarding piece for any
interpreter, and its
performance in the church
is extremely
effective.
Hora Est Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1196115-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1196115-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2019. De Haske
Publications #DHP
1196115-020. Published by
De Haske Publications
(BT.DHP-1196115-020).
English-German-French-
Dutch.
Hora
Est! (Latin for
‘it is
time!’) was
composed to bid adieu to
Sjoerd de Boer’s
following forty years as
conductor of the Chr.
Fanfare Band, based in
the town of Wjelsryp in
the Netherlands. In the
Netherlands, this small
phrase, hora est, is
traditionally said upon
awarding a university
doctorate at graduation
ceremonies. The
composition was written
with Sjoerd de Boer
firmly in mind, mirroring
various aspects of his
life. The main motif of
the work consists of
three notes, forming his
initials: S (Eb) D B. At
a certain point, the
music is interrupted by a
thunderstorm and heavy
rain (forever a bad omen:
the debut for this work
took place a day after
such a deluge, but
fortunately their
open-air concert was met
with clear blue skies.)
The fanfare then plays an
Italianesque march, with
the motif of de
Boer’s initials
interwoven throughout.
The work re-uses this
motif twice towards the
end of the piece as one
might expect, by the
saxophones to create a
festive, driven and
virtuosic atmosphere.
Finally, the work comes
to an end with the
initials motif played
across the ensemble in
complete unison. The
powerful closing chords
symbolise a fond farewell
to de Boer: a driven and
extremely capable
conductor whose musical
mark on Concordia will be
felt for years to come.
Hora Est! is
suitable as a contest
piece and would be a
definite highlight for
any upcoming
concert.
Hora
Est! is gecomponeerd
ter gelegenheid van het
afscheid van Sjoerd de
Boer als dirigent van
Chr. Fanfarekorps
Concordia uit Wjelsryp
(Friesland), na maar
liefst veertig jaar.
Hora Est! is
Latijn voor ‘Het is
tijd!’. Het
zinnetje wordt
traditioneel uitgesproken
bij een promotie tot
doctor op de
universiteit, op het
moment dat de
vastgestelde tijd voor
verdediging van het
proefschrift om is. De
pedel komt dan binnen en
stampt met zijn staf op
de grond terwijl hij deze
woorden roept. In dat
opzicht verwijst de titel
naar de voormalige
universiteitsstad
Franeker, de woonplaats
van Sjoerd en de stad
waar hij jaren lang
leraar muziek was aan de
christelijke
scholengemeenschap.
Anderzijds verwijst de
titel naar zijn afscheid
van Concordia: ‘Het
is tijd!’.
Hora Est Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1196115-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1196115-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2019. 40 pages. De Haske
Publications #DHP
1196115-120. Published by
De Haske Publications
(BT.DHP-1196115-120).
English-German-French-
Dutch.
Hora
Est! (Latin for
‘it is
time!’) was
composed to bid adieu to
Sjoerd de Boer’s
following forty years as
conductor of the Chr.
Fanfare Band, based in
the town of Wjelsryp in
the Netherlands. In the
Netherlands, this small
phrase, hora est, is
traditionally said upon
awarding a university
doctorate at graduation
ceremonies. The
composition was written
with Sjoerd de Boer
firmly in mind, mirroring
various aspects of his
life. The main motif of
the work consists of
three notes, forming his
initials: S (Eb) D B. At
a certain point, the
music is interrupted by a
thunderstorm and heavy
rain (forever a bad omen:
the debut for this work
took place a day after
such a deluge, but
fortunately their
open-air concert was met
with clear blue skies.)
The fanfare then plays an
Italianesque march, with
the motif of de
Boer’s initials
interwoven throughout.
The work re-uses this
motif twice towards the
end of the piece as one
might expect, by the
saxophones to create a
festive, driven and
virtuosic atmosphere.
Finally, the work comes
to an end with the
initials motif played
across the ensemble in
complete unison. The
powerful closing chords
symbolise a fond farewell
to de Boer: a driven and
extremely capable
conductor whose musical
mark on Concordia will be
felt for years to come.
Hora Est! is
suitable as a contest
piece and would be a
definite highlight for
any upcoming
concert.
Hora
Est! is gecomponeerd
ter gelegenheid van het
afscheid van Sjoerd de
Boer als dirigent van
Chr. Fanfarekorps
Concordia uit Wjelsryp
(Friesland), na maar
liefst veertig jaar.
Hora Est! is
Latijn voor ‘Het is
tijd!’. Het
zinnetje wordt
traditioneel uitgesproken
bij een promotie tot
doctor op de
universiteit, op het
moment dat de
vastgestelde tijd voor
verdediging van het
proefschrift om is. De
pedel komt dan binnen en
stampt met zijn staf op
de grond terwijl hij deze
woorden roept. In dat
opzicht verwijst de titel
naar de voormalige
universiteitsstad
Franeker, de woonplaats
van Sjoerd en de stad
waar hij jaren lang
leraar muziek was aan de
christelijke
scholengemeenschap.
Anderzijds verwijst de
titel naar zijn afscheid
van Concordia: ‘Het
is tijd!’.
Castle Creek Orchestre d'harmonie Theodore Presser Co.
Band Concert Band SKU: PR.465000110 Composed by Dan Welcher. Arranged by ...(+)
Band Concert Band
SKU:
PR.465000110
Composed
by Dan Welcher. Arranged
by Paul Bissell. Large
Score. With Standard
notation. Composed 1989.
Duration 5 minutes.
Theodore Presser Company
#465-00011. Published by
Theodore Presser Company
(PR.465000110).
ISBN
9781598062090. UPC:
680160575442.
Castl
e Creek was written by
Dan Welcher in
celebration of the Aspen
Music Festival's 40th
anniversary, and served
as a special tribute to
the Festival's longtime
President, Gordon Hardy.
Castle Creek itself is a
tributary of the Roaring
Fork River on which the
Aspen Music Festival
campus (as well as
Hardy's home) is built.
Gordon's initials
(G.A.H.) are used as the
musical basis for the
fanfare, which is
centered on the ascending
pitches G, A and B, and
reflects the upward
motion and positivity of
the Aspen Music Festival
itself. For advanced
players. Duration:
5'. Program Note by
the ComposerThere is no
“secret
program†or hidden
meaning in this lively,
five-minute work: it was
intended as a celebration
of the 40th anniversary
of the Aspen Music
Festival, and as a
special tribute to the
Festival’s
longtime President,
Gordon Hardy. The title
CASTLE CREEK refers to a
tributary of the Roaring
Fork River on which the
Aspen Music Festival
campus (as well as Mr.
Hardy’s home) is
built.The work pays
homage to Gordon Hardy by
utilizing his initials
(“G.A.H.â€) as
a musical motive: the
three letters correspond
to the pitches G, A, and
B). This three-note group
forms the basis of the
fanfare that opens the
work, and it also serves
as an ostinato, a bass
line, and a general means
of organizing the
work’s tonal
centers. Because the
three notes are in
ascending order, the
ever-upward direction of
the Aspen Music Festival
and the positive energy
of Gordon Hardy are
readily evident.The
athletic fanfare that
begins the work (marked
“noble, but
energeticâ€) is
scored for brass and
percussion alone, and may
be played as a separate
piece. The rest of the
ensemble joins at the
conclusion of the
fanfare, and a spirited
tune in 9/8 issues from
the woodwinds. After this
is given a thorough
workout, a middle section
in faster 3/4 time
provides machine-like
energy. Perhaps it is the
energy of the Festival,
in high gear. At the
height of this, the music
of the fanfare returns in
broad open notes in the
brass, with the machine
still pulsing in support.
The overture ends in a
burst of motion, with the
three-note motive in its
highest transposition.My
colleague and former
student Paul Bissell made
this excellent
transcription from the
orchestral original.
Composed by Antonin
Dvorak. Edited by
Jonáš Hájek.
This edition: urtext
edition. Paperback.
Score, Set of parts. Opus
40. Baerenreiter Verlag
#BA11564_00. Published by
Baerenreiter Verlag
(BA.BA11564).
ISBN
9790260109148. 31 x 24.3
cm inches. Key: B-flat
major. Preface: David R.
Beveridge.
The
discovery of a lost
source to AntonÃn
Dvorák's
â??Nocturneâ? in B
major op. 40 provides new
insights into the genesis
of the composition and
the composer's intended
final form of this
lyrical little piece for
string
orchestra.
The
musical material of what
was later to be named
â??Nocturneâ? was
initially elaborated in
the String Quartet in E
minor; subsequently it
was used in the original
version of the String
Quintet in G major as its
second movement. However
Dvorák then extracted
it again, expanding and
editing it afresh. The
final result was the
â??Nocturneâ? for
string orchestra (two
violins, viola,
violoncello, double
bass). The first edition
was published by Bote and
Bock in 1883.
The
authorized second copy of
the work that had served
as a template for the
first printing was
discovered by the editor
Jonáš Hájek in a
privately owned
collection. This enabled
him to resolve the
several ambiguities
caused by the existence
of multiple versions and
to unveil the authentic
â??Nocturneâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Move to the Groove Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125260-010 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125260-010
Composed by Peter Kleine
Schaars. Applause Series.
Original Light Music. Set
(Score & Parts). Composed
2011. De Haske
Publications #DHP
1125260-010. Published by
De Haske Publications
(BT.DHP-1125260-010).
9x12 inches.
English-German-French-Dut
ch.
In this
three-part piece, Peter
Kleine Schaars uses the
initials of the German
concert band association
otherwise known as the
Bund Deutscher
Blasmusikverbände
(BDB). With
‘B’ equating
to a B flat, various
themes based on this
sequence of notes follow
one another: a funky
fanfare, a comical waltz
and a soulful set in a
Mowtown style. With this
much variety your
audience will soon be in
the groove!
B, D
en B? Dat zijn de
initialen van de Bund
Deutscher
Blasmusikverbände, de
opdrachtgever van dit
werk! Maar we vinden deze
letters natuurlijk ook
terug op de notenbalk.
Peter Kleine Schaars
gebruikte ze in deze
driedelige compositieals
volgt: Bes-D-Bes. U hoort
achtereenvolgens een
funky fanfare, een
komische wals en een
‘motownachtigeâ€
™ soul. Voer uw publiek
mee in diverse
‘grooves’
met deze compositie vol
afwisseling!
Peter
Kleine Schaars verwendete
in dieser dreiteiligen
Komposition die Initialen
seines Auftraggebers, dem
Bund Deutscher
Blasmusikverbände
(BDB). Auf dieser
Tonfolge beruhend
erklingen nacheinander
eine funkige Fanfare, ein
komischer Walzer und ein
souliger Satz im
Motown-Stil“. Viel
Abwechslung, die das
Publikum sich bald im
Groove“ bewegen
lässt!
Per questo brano
in tre movimenti, Peter
Kleine Schaars ha
utilizzato le iniziali
della societ
commissionante, la Bund
Deutscher
Blasmusikverbaende (BDB).
Una sequenza melodica che
si sviluppa attorno alle
tre note BDB (vale a dire
si-re-si), in uno stile
quasi funky, per
proseguire con un valzer
molto particolare, e poi
terminare con un motivo
soul & blues. Un brano
che delizier il vostro
pubblico.
Move to the Groove Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125260-140 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125260-140
Composed by Peter Kleine
Schaars. Applause Series.
Original Light Music.
Score Only. Composed
2011. 24 pages. De Haske
Publications #DHP
1125260-140. Published by
De Haske Publications
(BT.DHP-1125260-140).
9x12 inches.
English-German-French-Dut
ch.
In this
three-part piece, Peter
Kleine Schaars uses the
initials of the German
concert band association
otherwise known as the
Bund Deutscher
Blasmusikverbände
(BDB). With
‘B’ equating
to a B flat, various
themes based on this
sequence of notes follow
one another: a funky
fanfare, a comical waltz
and a soulful set in a
Mowtown style. With this
much variety your
audience will soon be in
the groove!
B, D
en B? Dat zijn de
initialen van de Bund
Deutscher
Blasmusikverbände, de
opdrachtgever van dit
werk! Maar we vinden deze
letters natuurlijk ook
terug op de notenbalk.
Peter Kleine Schaars
gebruikte ze in deze
driedelige compositieals
volgt: Bes-D-Bes. U hoort
achtereenvolgens een
funky fanfare, een
komische wals en een
‘motownachtigeâ€
™ soul. Voer uw publiek
mee in diverse
‘grooves’
met deze compositie vol
afwisseling!
Peter
Kleine Schaars verwendete
in dieser dreiteiligen
Komposition die Initialen
seines Auftraggebers, dem
Bund Deutscher
Blasmusikverbände
(BDB). Auf dieser
Tonfolge beruhend
erklingen nacheinander
eine funkige Fanfare, ein
komischer Walzer und ein
souliger Satz im
Motown-Stil“. Viel
Abwechslung, die das
Publikum sich bald im
Groove“ bewegen
lässt!
Per questo brano
in tre movimenti, Peter
Kleine Schaars ha
utilizzato le iniziali
della societ
commissionante, la Bund
Deutscher
Blasmusikverbaende (BDB).
Una sequenza melodica che
si sviluppa attorno alle
tre note BDB (vale a dire
si-re-si), in uno stile
quasi funky, per
proseguire con un valzer
molto particolare, e poi
terminare con un motivo
soul & blues. Un brano
che delizier il vostro
pubblico.
Wind
set. Composed by
Pjotr Iljitsch
Tschaikowsky. Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Set of parts. 78 pages.
Duration 32'. Breitkopf
and Haertel #OB 4960-30.
Published by Breitkopf
and Haertel
(BR.OB-4960-30).
ISBN
9790004326848. 10 x 12.5
inches.
The roller
coaster of opinions -
worthless, absolutely
unplayable (claims
Nikolaj Rubinstein,
basically Tchaikovsky's
desired pianist for his
Concerto in B flat
minor); brilliant,
magnificent (Hans von
Bulow, then first
performer and dedicatee
of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
2.2.2.2. - 4.2.3.0. -
timp - str)
SKU:
BR.PB-4960
Composed
by Pjotr Iljitsch
Tschaikowsky. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Full
score. 120 pages.
Duration 32'. Breitkopf
and Haertel #PB 4960.
Published by Breitkopf
and Haertel (BR.PB-4960).
ISBN 9790004207451. 10
x 12.5 inches.
The
roller coaster of
opinions - worthless,
absolutely unplayable
(claims Nikolaj
Rubinstein, basically
Tchaikovsky's desired
pianist for his Concerto
in B flat minor);
brilliant, magnificent
(Hans von Bulow, then
first performer and
dedicatee of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
Composed by Pjotr
Iljitsch Tschaikowsky.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 8 pages. Duration
32'. Breitkopf and
Haertel #OB 4960-23.
Published by Breitkopf
and Haertel
(BR.OB-4960-23).
ISBN
9790004326824. 10 x 12.5
inches.
The roller
coaster of opinions -
worthless, absolutely
unplayable (claims
Nikolaj Rubinstein,
basically Tchaikovsky's
desired pianist for his
Concerto in B flat
minor); brilliant,
magnificent (Hans von
Bulow, then first
performer and dedicatee
of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
Composed by Pjotr
Iljitsch Tschaikowsky.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 8 pages. Duration
32'. Breitkopf and
Haertel #OB 4960-27.
Published by Breitkopf
and Haertel
(BR.OB-4960-27).
ISBN
9790004326831. 10 x 12.5
inches.
The roller
coaster of opinions -
worthless, absolutely
unplayable (claims
Nikolaj Rubinstein,
basically Tchaikovsky's
desired pianist for his
Concerto in B flat
minor); brilliant,
magnificent (Hans von
Bulow, then first
performer and dedicatee
of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
Composed by Pjotr
Iljitsch Tschaikowsky.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 8 pages. Duration
32'. Breitkopf and
Haertel #OB 4960-19.
Published by Breitkopf
and Haertel
(BR.OB-4960-19).
ISBN
9790004326817. 10 x 12.5
inches.
The roller
coaster of opinions -
worthless, absolutely
unplayable (claims
Nikolaj Rubinstein,
basically Tchaikovsky's
desired pianist for his
Concerto in B flat
minor); brilliant,
magnificent (Hans von
Bulow, then first
performer and dedicatee
of the work) -
demonstrates the work's
initially ambivalent
reception. Tchaikovsky's
Piano Concerto No.1 is
one of the most powerful
and popular compositions
of the classical music
repertoire altogether;
and it is also quite
unconventional and runs
counter to the norms of
the time. Though it may
seem strange to us today,
let us recall that during
his lifetime, Tchaikovsky
was regarded disputable
abroad (and especially in
Germany), was considered
an ultra-modern Russian
composer, and was even
accused of being a
musical nihilist and
primitivist. But one
glance at the score of
the piano concerto
suffices to reveal its
truly amazing character
...
Missa Sancti Aloysii Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: ur...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii in B. SSA MH 257.
Latin Masses. Full score.
Composed 1777. MH 257. 56
pages. Duration 30
minutes. Published by
Carus Verlag
(CA.5425700).
Missa Sancti Aloysii Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: ur...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii in B. SSA MH 257.
Latin Masses. Complete
orchestral parts.
Composed 1777. MH 257.
Duration 30 minutes.
Published by Carus Verlag
(CA.5425719).
Effortless Mastery Instruments Sib, Mib, Do et Bass clef [Partition + CD] Jamey Aebersold Jazz
Effortless Mastery by Kenny Werner. For any C, Eb, Bb, bass instrument or voice....(+)
Effortless Mastery by
Kenny Werner. For any C,
Eb, Bb, bass instrument
or voice. This edition:
paperback. Deals with
practice and performance
hinderances and ways to
let creative powers
flow.. Beginner,
intermediate, advanced.
Book and CD. 196 pages.
Published by Jamey
Aebersold jazz
Solo organ SKU: OU.9780193572973 Composed by Howard Skempton. Oxford Univ...(+)
Solo organ
SKU:
OU.9780193572973
Composed by Howard
Skempton. Oxford
University Press
#9780193572973. Published
by Oxford University
Press (OU.9780193572973).
ISBN 9780193572973. 12
x 9 inches.
This is
the second of two books
of preludes and fugues
for solo organ by Howard
Skempton. Each book
comprises 25 pairs of
preludes and fugues based
around the 24 major and
minor keys with an
additional entry in each
book employing the notes
B-A-C-H and the initials
of the composer as the
thematic material.
Solo organ SKU: OU.9780193572959 Composed by Howard Skempton. Oxford Univ...(+)
Solo organ
SKU:
OU.9780193572959
Composed by Howard
Skempton. Oxford
University Press
#9780193572959. Published
by Oxford University
Press (OU.9780193572959).
ISBN 9780193572959. 12
x 9 inches.
This is
the first of two books of
preludes and fugues for
solo organ by Howard
Skempton. Each book
comprises 25 pairs of
preludes and fugues based
around the 24 major and
minor keys with an
additional entry in each
book employing the notes
B-A-C-H and the initials
of the composer as the
thematic material.
Concert band SKU: PR.16500099F For Band. Composed by Dan Welcher. ...(+)
Concert band
SKU:
PR.16500099F
For
Band. Composed by Dan
Welcher. Arranged by Paul
Bissell. Contemporary.
Full score. With Standard
notation. Duration 5
minutes. Theodore Presser
Company #165-00099F.
Published by Theodore
Presser Company
(PR.16500099F).
UPC:
680160637423.
Castl
e Creek was written by
Dan Welcher in
celebration of the Aspen
Music Festival's 40th
anniversary, and served
as a special tribute to
the Festival's longtime
President, Gordon Hardy.
Castle Creek itself is a
tributary of the Roaring
Fork River on which the
Aspen Music Festival
campus (as well as
Hardy's home) is built.
Gordon's initials
(G.A.H.) are used as the
musical basis for the
fanfare, which is
centered on the ascending
pitches G, A and B, and
reflects the upward
motion and positivity of
the Aspen Music Festival
itself. For advanced
players.
Band concert band SKU: PR.165000990 For Band. Composed by Dan Welc...(+)
Band concert band
SKU:
PR.165000990
For
Band. Composed by Dan
Welcher. Arranged by Paul
Bissell. Contemporary.
Full score. With Standard
notation. Duration 5
minutes. Theodore Presser
Company #165-00099.
Published by Theodore
Presser Company
(PR.165000990).
UPC:
680160637416.
Castl
e Creek was written by
Dan Welcher in
celebration of the Aspen
Music Festival's 40th
anniversary, and served
as a special tribute to
the Festival's longtime
President, Gordon Hardy.
Castle Creek itself is a
tributary of the Roaring
Fork River on which the
Aspen Music Festival
campus (as well as
Hardy's home) is built.
Gordon's initials
(G.A.H.) are used as the
musical basis for the
fanfare, which is
centered on the ascending
pitches G, A and B, and
reflects the upward
motion and positivity of
the Aspen Music Festival
itself. For advanced
players.
Composed
by Adolphus Hailstork.
Full score. Duration 8
minutes. Theodore Presser
Company #116-40110S.
Published by Theodore
Presser Company
(PR.11640110S).
UPC:
680160682744.
The
Essay for Strings was
written in 1986 in memory
of Glenn Hull, a
colleague and the choir
director at Norfolk State
University during my
early years there. His
sudden passing was a
shock, and I expressed my
sadness in this work. It
was premiered that year
by the NSU orchestra at
their Winter concert. In
w000, after
conductor-composer
Coleridge Taylor
Perkinson gave the work
its second performance in
Chicago (with the
ensemble of the Center
For Black Music
Reasearch), I decided to
add it to my catalog of
orchestra works. The
designation Essay refers
to the fact that the
piece is based on one
idea (like a literary
essay). In this case the
musical idea (or motive)
is made from the initials
of my deceased friend,
Glenn Hull (G and H in
music are represented by
the pitches G and
B-natural). These two
notes are sounded
throughout the work in
tribute to him.
Concert band - Grade 4-5 SKU: P2.W0004 Composed by James Grant. Published...(+)
Concert band - Grade 4-5
SKU: P2.W0004
Composed by James Grant.
Published by Potenza
Music (P2.W0004).
Tribute: Those
Who Serve, scored for
Grade 4/5 band, is
dedicated to the bravery,
heroism and sacrifice of
First Responders. The
music is based on an
earlier work for
orchestra, called
Tribute, commissioned by
conductor Michael
Gagliardo and the Etowah
Youth Symphony Orchestra
to commemorate the events
of September 11, 2001. I
composed the original
Tribute in the spring of
2002 while in residence
at Copland House in
Cortlandt Manor, NY,
where Aaron Copland lived
and worked the last
thirty years of his life.
With gratitude to Copland
House and as my own
tribute to Mr. Copland,
the orchestral version of
Tribute opened and closed
with the composer's
initials A.C. featured in
the strings as major
chords on A and C.
Mercifully, the current
version for band has been
transposed up a half-step
to the key of B-flat. A
central section in D-flat
features robust quotes
from Copland's Fanfare
for the Common Man, a
work that is at the
spiritual core of
Tribute: Those Who
Serve.Tribute: Those Who
Serve invites us to pause
and reflect on the daily
acts of valor exhibited
by the many First
Responders in our local
communities--law
enforcement officials,
firefighters, search and
rescue teams, emergency
medical technicians and
citizen volunteers, to
name but a few. My hope
is that Tribute: Those
Who Serve will inspire
community and school
bands nationwide to hold
events to honor the brave
women and men who serve
with consummate
commitment and
determination in our
local communities,
selflessly standing tall
in times of local and
national crisis.