Sing Low Chorale TTBB TTBB, Piano Novello & Co Ltd.
Sacred Music for Lower Voices. By Barry Rose. Edited by Barry Rose. The Novello ...(+)
Sacred Music for Lower
Voices. By Barry Rose.
Edited by Barry Rose. The
Novello Choral Programme.
Sacred. Book [Softcover].
152 pages. Novello and Co
Ltd. #MUSNOV381000.
Published by Novello and
Co Ltd.
(Choral Collection). By Hans Leo Hassler (1564-1612), Michael Praetorius (1571-1...(+)
(Choral Collection). By
Hans Leo Hassler
(1564-1612), Michael
Praetorius (1571-1621),
and Johannes Eccard.
Edited by Philip Lawson.
For Choral (SATB A
CAPPELLA COLLECTION). De
Haske Choral Music. 32
pages. Published by De
Haske Publications
SATB choir and Piano - Early Intermediate SKU: MN.50-0086 Composed by Mic...(+)
SATB choir and Piano -
Early Intermediate
SKU: MN.50-0086
Composed by Michael
Larkin. Advent, 21st
Century. MorningStar
Music Publishers
#50-0086. Published by
MorningStar Music
Publishers (MN.50-0086).
UPC: 688670500862.
English.
This text
found in the 1978
Lutheran Book of Worship
has been given a new tune
by the composer until the
fourth stanza when the
tune PICARDY takes over
for a majestic ending,
using the text King of
Kings, yet born of Mary
from a different source.
Accessible unison and
SATB writing with a few
brief places where men's
voices and women's voices
sing alone. Duration:
4:00.
Guitar - very easy SKU: M7.DUX-849 In die Welt der klassischen Gitarre...(+)
Guitar - very easy
SKU: M7.DUX-849
In die Welt der
klassischen Gitarre.
Composed by Michael
Langer. Score with online
audio files. 96 pages.
Edition Dux Verlag #DUX
849. Published by Edition
Dux Verlag (M7.DUX-849).
ISBN 9783868490084.
German.
Nach dem
erfolgreichen Abschluss
einer elementaren
Gitarrenschule, also ab
dem Zeitpunkt, wo
zweistimmiges Spiel und
erste einfache
Akkordzerlegungen keine
Hürden mehr
darstellen, soll dieses
Buch ein inspirierender
Begleiter beim Eintauchen
in die Gitarrenliteratur
sein. Neben Meisterwerken
aus der Renaissance,
Barock, Klassik und
Romantik finden
Lieblingsstücke der
populären
Gitarrenliteratur von
Jürg Kindle, Gerard
Montreuil, Horst
Großnick, Klaus
Schindler, Cees Hartog,
Jorge Cardoso, Germano
Cavazolli, Maria
Linnemann und Fabian Payr
Berücksichtigung.
Recorder SKU: GI.G-M585 Composed by James Froseth. Band Method. Do It! Mu...(+)
Recorder
SKU:
GI.G-M585
Composed by
James Froseth. Band
Method. Do It! Music
Education. CD only. GIA
Publications #M585.
Published by GIA
Publications (GI.G-M585).
English.
This
major band method by
James O. Frosethhas it
all:* Artist performers
set musical standards in
sound with more than 80
great performanceson CD
for every instrument, and
one CD lasts for the
entire book! Performers
include Michael Henoch
(Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert Blaser
(Cleveland State
University), Brian Bowman
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton
(LA percussion recording
artist and clinician),
Donald Sinta, Richard
Beene, Bryan Kennedy,
Debra Chodacki, Fritz
Kaenzig (University of
Michigan), Kristin Beene
(Toledo Symphony
Orchestra), and Jean
Moorehead Libs (Plymouth
Symphony Orchestra).*
Professional studio
backgrounds capture the
rich diversity of
American music culture
with a repertoire of
American, Latin American,
African, European, and
Far Eastern styles.*
Music of other times
includes 12th-century
conductus, 15th-century
Dance of the Bouffons,
16th-century French
branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll.* The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical.* Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture.* A unique
Rhythmic Pattern
Dictionary allows
students to “look
it up†and
“listen up.â€*
An individualized format
allows students to
progress at different
rates with a
“themeand-variation
†format.* Ear
training and
improvisation are
integral parts of the
lesson format.* A 550+
page teacher's resource
edition and musical score
provides options galore,
including a double CD
with “listen and
play†exercises for
group instruction,
supplementary exercises
for technical
development, and resource
material for
improvisation and
composition. All the
resources needed for
teaching to the National
Standards for Music are
provided. (Coordinates
with rhythm flashcards)*
Book 2 features
innovative but optional
use of world percussion
instruments, as developed
by percussion educator
Steve Houghton.
By Various Composers. Piano/Vocal/Chords Songbook (Arrangements for piano and vo...(+)
By Various Composers.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 288 pages.
Published by Hal Leonard.
99 Traditional Pieces. Composed by Pete Cooper. Arranged by Pete Cooper. This ed...(+)
99 Traditional Pieces.
Composed by Pete Cooper.
Arranged by Pete Cooper.
This edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
Diese Ausgabe enthalt 99
traditionelle englische
Geigenmelodien. Der Band
ist versehen mit Akkorden
und Hinweisen zur
Bogenfuhrung. Ausserdem
ist ihm eine CD von Pete
Cooper beigelegt. Folk,
Classical, English.
Edition/Softcover with
CD. 12758. 68 pages.
Schott Music #ED12758.
Published by Schott Music
Oratorio in two
Parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. Arranged by
Christopher Sokolowski.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Rome
1707. Vocal Score. HWV
46A. Baerenreiter Verlag
#BA10721_90. Published by
Baerenreiter Verlag
(BA.BA10721-90).
ISBN
9790006568680. 27 x 19 cm
inches. Text Language:
Italian. Preface: Annette
Landgraf. Text: Pamphili,
Benedetto.
Handel
composed his first
Italian oratorioLa
Bellezza ravveduta nel
trionfo del Tempo e del
DisingannoHWV 46a in
1707. It is based on an
allegorical moral
libretto written by
Cardinal Benedetto
Pamphili who also
commissioned this
work.
Disinganno
(Illumination) and Tempo
(Time) try to get the
young, beautiful and
frivolous Bellezza
(Beauty) to recognise the
true values of life and
to act accordingly. The
audience accompanies
Bellezza in her spiritual
development, in which she
increasingly distances
herself from Piacere
(Pleasure) and listens
more and more to Tempo
and
Disinganno.
The
oratorio contains some of
the most beautiful music
Handel ever composed.
This includes the
enchanting ariaLascia la
spina, in which he uses
the music of the
sarabande from the
operaAlmira, composed in
Hamburg in 1704, and
which then achieved
immortal fame
inRinaldo(1711) asLascia
ch'io pianga.