Play Films and Shows Piano seul [Partition + CD] - Intermédiaire De Haske Publications
Piano - intermediate SKU: BT.DHP-1135484-400 De Haske Piano Play-Along...(+)
Piano - intermediate
SKU:
BT.DHP-1135484-400
De Haske Piano
Play-Along Volume 1.
De Haske Piano Play Along
Series.
TV-Film-Musical-Show.
Book with CD. Composed
2014. 52 pages. De Haske
Publications #DHP
1135484-400. Published by
De Haske Publications
(BT.DHP-1135484-400).
ISBN 9789043136044.
9x12 inches.
English-German-French-Dut
ch.
This is a new
book in the brand new De
Haske Piano Play Along
series! Nine favourite
songs especially arranged
for piano and keyboard
players, theres also
separate vocal lines and
guitar chord diagrams so
that singers and
guitarists can easily
joinin, too. The
accompanying audio CD
contains quality
recordings that exactly
match the printed music
featuring two versions of
each tune: a full demo
performance for
listening, and a separate
play-along track that
allows the keyboard
player to takethe
spotlight!
Uw
favoriete songs uit de
film- en showwereld komen
tot leven in Play
Films and Shows!
Mit PLAY FILMS
and SHOWS präsentiert
De Haske die erste
Ausgabe der brandneuen DE
HASKE PIANO PLAY-ALONG
Serie. Die acht
Lieblingssongs, die
speziell für Klavier-
und Keyboardspieler
arrangiert und mit
separater Melodiestimme
und
Gitarrenakkordenausgestat
tet sind, können mit
Hilfe der beiliegenden
Audio-CD von
Tastenkünstlern
alleine oder mit
Begleitinstrumenten
problemlos einstudiert
werden. Die CD enthält
qualitativ hochwertige
Demo-Versionen aller
Titel zum Anhören
sowie
Begleitstimmenfür ein
authentisches
Bühnen-Feeling.
Inha
lt: Bellaâ??s Lullaby /
Circle Of Life / Defying
Gravity / He´s A
Pirate / My Favorite
Things / Tomorrow / We
Are The Champions / A
Whole New World /
You´ve Got A Friend In
Me
Sommaire:
Bella´s Lullaby
â?¢ Circle of Life
â?¢ Defying Gravity
� He´s a Pirate
â?¢ My Favorite Things
â?¢ Tomorrow â?¢ We
Are the Champions â?¢
AWhole New World â?¢
You´ve Got a Friend in
Me.
Ampliate
il vostro repertorio con
questa nuova
pubblicazione dedicata al
pianoforte.
Paint Me Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano
SKU: CF.CM9585
Composed by Debra Morton.
Fold. Performance Score.
12 pages. Duration 2
minutes, 59 seconds. Carl
Fischer Music #CM9585.
Published by Carl Fischer
Music (CF.CM9585).
ISBN 9781491154076.
UPC: 680160912575. 6.875
x 10.5 inches. Key: G
major. English.
Original.
Good
friends see the best in
us. They tend to downplay
our faults while
applauding our strengths.
In short, they encourage
us to be the best we can
be, maybe even a little
more. The text of
Paint Me was
born out of the desire to
be that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me
to music, I tried to let
the cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so dont
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint
MeA was born out of
the desire to be that
person my best friend
thinks I am. To Mary Jo,
my sister and best
friend. May I really be
that person you see and
love. In setting the text
of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so donat
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
apainta the words, as
well as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me
was born out of the
desire to be that person
my best friend thinks I
am. To Mary Jo, my sister
and best friend. May I
really be that person you
see and love. In setting
the text of Paint
Me to music, I tried
to let the cadence of the
words dictate the rhythm
of the music. Use rubato,
word stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was born
out of the desire to be
that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was
born out of the desire to
be that person my best
friend thinks I am.To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love.In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so
don’t be afraid to
let the interior part of
a phrase move along,
while relaxing the
beginning and ending. I
would recommend a
straight tone as opposed
to vibrato for the held
notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
“paint†the
words, as well as making
every idea
understood.Enjoy adding
the color and shading to
make this piece of art
your own.
Choral SATB Choir and Piano SKU: CF.CM9787 Composed by Coty Raven Morris....(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9787
Composed by
Coty Raven Morris.
Arranged by Saleel Menon.
Duration 3:45. Carl
Fischer Music #CM9787.
Published by Carl Fischer
Music (CF.CM9787).
ISBN 9781491164587.
UPC: 680160923496. Key: D
major. English.
Original.
The text
for the first voicing
(SSA) of this piece came
to me in the fall of 2020
while teaching at Crosby
High School in Crosby,
Texas. My students,
though enthusiastic to be
back in Choir, were
struggling to cope with
the civil unrest around
them, in addition to the
pandemic. When
considering how I could
help them navigate this
time, I realized that
they were in need of some
sort of consistency, of
feeling grounded in
themselves. As weÂ
focused on building of
community and
citizenship, this text
and tune came to mind,
each phrase highlighting
an element of personal
and community wellness.I
lead with my
spirit keeping love in
the circle around me.
(Social)Expressing my
spirit
(Occupational)Loving what
I can see and cannot see,
I'll take care of the
vessel I am in
(Physical)I love with me
that's under the skin
(Emotional)Taking care of
my mind
(Intellectual)Envisioning
the me I want to be
(Spiritual)I had the
honor of collaborating
with composer/educator
Saleel Menon to create
the beautiful piano
accompaniment and SATB
setting.Who I Want To Be
opens with a solo
functioning as a mantra
throughout the tune. As
the piece continues,
voices join in unison and
harmony to emphasize the
intent.When the repeats
in mm. 48–51
occur, invite students to
share some of their own
mantras and affirmations,
or feel free to borrow
from the words my
students in the Crosby HS
choir inspired me to
write:Allow yourself
graceI am persistentI am
fragile, not brokenYou
are worthyI am worthyI
know that your success is
not my demise!The only
validation I need is my
ownI believe in myselfI
see youIt’s okay
to not be okayBreatheI
love and I am
lovedPrepare yourself for
not only a powerful
performance, but a
rewarding experience and
conversations with your
students.THIS is the
piece you want stuck in
your students’
heads!~CRM.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Composed by
Evan Ramos. 8 pages.
Duration 0:01:35. Carl
Fischer Music #CM9698.
Published by Carl Fischer
Music (CF.CM9698).
ISBN 9781491159996.
UPC: 680160918591. Key:
Ab major. Latin.
Traditional
Latin.
O Magnum
Mysterium is a setting of
a Latin sacred text
written for Christmas.
The text depicts the
extraordinary occurring
among the ordinary: God
coming to earth as a tiny
baby, and animals in a
lowly stable being the
first to witness his
arrival. Adding dynamic
contrast
(crescendo/decrescendo)
on every phrase and
singing legato (smoothly)
with a gentle choral tone
will reflect the wonder
and awe the original text
and this setting attempt
to communicate. Original
Latin Text: English
Translation: O magnum
mysterium, O great
mystery, Et admirabile
sacramentum, And
wonderful sacrament, Ut
animalia viderunt That
animals should see
Dominum natum the newborn
Lord jacentem in
praesepio. Lying in a
manger. O magnum
mysterium. Amen. O great
mystery. Amen. General
Latin Pronunciation
Guidelines: 1. There are
only five pure vowel
sounds in Latin: A = AH
E=EH I = EE O = AW U = OO
2. Strive to flip all R's
as if singing in Italian.
Latin Pronunciation
(accented syllables are
UPPER CASE): aw MAH-nyoom
mee-STEHR-yoom,* eht
ahd-mee-RAH-bee-leh
sah-krah-MEHN-toom, oot
ah-nee-MAH-lee-ah
vee-DEHR-oont
DAW-mee-noom NAH-toom,
yah-CHEHN-tehm een
preh-SEH-pee-aw. aw
MAH-nyoom mee-STEHR-yoom.
AH-mehn. *The word
mysterium in this piece
is a three-syllable
rather than a
four-syllable word. This
can be accomplished by
pronouncing the last
syllable ium as yoom
rather than ee-oom. O
Magnum Mysterium is a
setting of a Latin sacred
text written for
Christmas. The text
depicts the extraordinary
occurring among the
ordinary: God coming to
earth as a tiny baby, and
animals in a lowly stable
being the first to
witness his arrival.
Adding dynamic contrast
(crescendo/decrescendo)
on every phrase and
singing legato (smoothly)
with a gentle choral tone
will reflect the wonder
and awe the original text
and this setting attempt
to communicate.Original
Latin Text: English
Translation:O magnum
mysterium, O great
mystery,Et admirabile
sacramentum, And
wonderful sacrament,Ut
animalia viderunt That
animals should seeDominum
natum the newborn
Lordjacentem in
praesepio. Lying in a
manger.O magnum
mysterium. Amen. O great
mystery. Amen.General
Latin Pronunciation
Guidelines:1. There are
only five pure vowel
sounds in Latin:A = AH
E=EH I = EE O = AW U =
OO2. Strive to flip all
R’s as if singing
in Italian.Latin
Pronunciation (accented
syllables are UPPER
CASE):aw MAH-nyoom
mee-STEHR-yoom,*eht
ahd-mee-RAH-bee-leh
sah-krah-MEHN-toom,oot
ah-nee-MAH-lee-ah
vee-DEHR-oontDAW-mee-noom
NAH-toom,yah-CHEHN-tehm
een preh-SEH-pee-aw.aw
MAH-nyoom mee-STEHR-yoom.
AH-mehn.*The word
“mysteriumâ€
in this piece is a
three-syllable rather
than a four-syllable
word. This can be
accomplished by
pronouncing the last
syllable
“ium†as
“yoom†rather
than
“ee-oomâ€.
101 Popular Songs for Accordion composed by Various. Arranged by Jay Latulippe. ...(+)
101 Popular Songs for
Accordion composed by
Various. Arranged by Jay
Latulippe. For accordion.
This edition: Paperback.
Collection. Popular.
Book. Text Language:
English. 192 pages.
Published by Santorella
Publications
101 Popular Songs for Guitar composed by Various. Arranged by Jay Latulippe. For...(+)
101 Popular Songs for
Guitar composed by
Various. Arranged by Jay
Latulippe. For guitar.
This edition: Paperback.
Collection. Popular.
Book. Text Language:
English; Standard
notation, tablature,
chords and lyrics. 192
pages. Published by
Santorella Publications
Nora's Dance Piano seul [Conducteur] Theodore Presser Co.
Chamber Music Piano SKU: PR.140401310 Composed by Nora Holt. Edited by La...(+)
Chamber Music Piano
SKU: PR.140401310
Composed by Nora Holt.
Edited by Lara Downes.
Sws. Score. 8 pages.
Duration 2 minutes.
Theodore Presser Company
#140-40131. Published by
Theodore Presser Company
(PR.140401310).
ISBN
9781491134153. UPC:
680160684250. 9 x 12
inches. Key: G
major.
NORA’
S DANCE is a
jazz-influenced rag from
1921, and among the only
surviving compositions by
Nora Douglas Holt. A
charming and exciting
work rejuvenated by Lara
Downes’ 2021
recording for the Rising
Sun label, the rag is
both a fun 2 minutes for
pianists and audiences,
and also a fascinating
time capsule. Composed
several years after Scott
Joplin’s death,
and several years before
the Charleston pervaded
popular music,
NORA’S DANCE
blossoms with the energy
and jazz harmony starting
to emerge as The Roaring
20’s, using
ragtime and stride as the
seed for pianistic
style. My own life in
music has been driven by
a quest to find strong
female role models,
trails to follow,
shoulders to stand on. In
Nora Douglas Holt, I find
an inspiring example of
creativity, independence,
and resilience –
with a dash of
troublemaking. She was a
free spirit, a force of
nature, and she lived a
fascinating and eventful
life on her own terms.
She reinvented herself
through five marriages
and at least as many
careers. From her
beginnings at the piano
at age four, she explored
many avenues of musical
expression –
performing, composing,
music journalism,
broadcasting, teaching
– all with
inventiveness, style, and
zeal.She made the most of
the Roaring ’20s,
as an artist, socialite,
jetsetter, muse, and
patroness of the Harlem
Renaissance. In 1921 she
started an independent
arts journal called
“Music and
Poetry,†where the
charming piano solo
Nora’s Dance was
first published. I think
the piece captures
beautifully, in a little
under 2 minutes, the
energy and excitement of
those heady years.In
1926, Nora left New York
to travel the world,
performing in nightclubs
throughout Europe and
Asia. She put her
belongings in storage
before she left, and when
she came back she
discovered that many of
her things had been
stolen, including more
than 200 of her musical
compositions. She never
composed again.When the
Depression hit, she moved
out to Los Angeles, where
she studied music
education at USC, taught
music in the LA public
schools, and opened her
own beauty salon. She
returned to New York in
the ’40s and
worked as a music critic
for several major
newspapers, then launched
yet another career, this
time in broadcasting. Her
popular radio concert
series “Nora
Holt’s Concert
Showcase†broadcast
to New York’s
classical music audience,
with a focus on Black
composers and
performers.Ahead of her
time, larger than life,
full of ideas…. I
am so pleased to
introduce you to the
feisty and free spirited
Nora Douglas Holt!
Choral SSAA choir SKU: CF.CM9616 Composed by John Ratledge. Fold. Jbc. Pe...(+)
Choral SSAA choir
SKU:
CF.CM9616
Composed by
John Ratledge. Fold. Jbc.
Performance. 12 pages.
Duration 4 minutes, 2
seconds. Carl Fischer
Music #CM9616. Published
by Carl Fischer Music
(CF.CM9616).
ISBN
9781491156711. UPC:
680160915255. 6.875 x
10.5 inches. Key: C
major. English. Thomas
Troeger.
This SSAA
work, originally written
for SATB voices
celebrates the tenth
anniversary of the
Masterworks Community
Chorale in Newnan,
Georgia. The
inspirational text is
Somewhere I Have Never
Traveled, a text by the
Yale Theologian, Thomas
Troeger. Somewhere I Have
Never Traveled has
potential for building
tone and creating a
panorama of colors, while
at the same time creating
emotional soundscapes,
all through a delightful
text that creates a
dreamlike
innocence. It has been
a joy to re-voice this
original SATB composition
for SSAA voices and to
collaborate with Heather
Orr at Montgomery High
School. In July 2014, my
dear friend Kathy Bizarth
commissioned me to
compose a new work
celebrating the tenth
anniversary of the
Masterworks Community
Chorale in Newnan,
Georgia. It was in
September when we agreed
on the inspirational
text, Somewhere I Have
Never Traveled, a text by
the Yale Theologian,
Thomas Troeger. I moved
to Italy in January for a
sabbatical, and in
February, I spent four
days composing the piece
at the Palazzo Bassi
Brugnatelli, a dear
friend's villa in
Robbiate, Italy.
Interestingly enough, the
middle part of the piece
(mm. 30-39) and end of
the piece came first (mm.
40-62). Completed in
Conegliano in late
February, this
composition is very
special to me as it was
the first composition I
wrote after my mother
died, and it was also
composed for a dear
friend. I have a profound
connection to what I hope
will be a deeply
inspirational composition
to those who sing it.
Somewhere I Have Never
Traveled has real
potential for building
tone and creating a
panorama of colors, while
at the same time creating
emotional soundscapes,
all through a delightful
text that creates a
dreamlike innocence.
Somewhere I have never
traveled is the place I
want to be... (Me
too.). It has been a
joy to re-voice this
original SATB composition
for SSAA voices and to
collaborate with Heather
Orr at Montgomery High
School. In July 2014, my
dear friend Kathy Bizarth
commissioned me to
compose a new work
celebrating the tenth
anniversary of the
Masterworks Community
Chorale in Newnan,
Georgia. It was in
September when we agreed
on the inspirational
text, Somewhere I Have
Never Traveled, a text by
the Yale Theologian,
Thomas Troeger. I moved
to Italy in January for a
sabbatical, and in
February, I spent four
days composing the piece
at the Palazzo Bassi
Brugnatelli, a dear
friend’s villa in
Robbiate, Italy.
Interestingly enough, the
middle part of the piece
(mm. 30-39) and end of
the piece came first (mm.
40-62). Completed in
Conegliano in late
February, this
composition is very
special to me as it was
the first composition I
wrote after my mother
died, and it was also
composed for a dear
friend. I have a profound
connection to what I hope
will be a deeply
inspirational composition
to those who sing
it.Somewhere I Have Never
Traveled has real
potential for building
tone and creating a
panorama of colors, while
at the same time creating
emotional soundscapes,
all through a delightful
text that creates a
dreamlike
innocence.Somewhere I
have never traveled is
the place I want to be...
(Me too.).
SKU: AP.6-843440 Expanded Edition. Composed by John Fahey. Textboo...(+)
SKU: AP.6-843440
Expanded Edition.
Composed by John Fahey.
Textbook - General. Dover
Edition. Book. Dover
Publications #06-843440.
Published by Dover
Publications
(AP.6-843440).
ISBN
9780486843445. UPC:
800759843442.
English.
The Father
of the Delta Blues,
Charley Patton
(c.1891--1934) was born
and raised amid
Mississippi's cotton
plantations. During the
1920s he was the first of
the region's great stars,
performing for packed
houses throughout the
South and making popular
recordings in New York
City. His music---ranging
from blues and ballads to
ragtime and gospel---is
distinctive for his
gravely, high-energy
singing and the
propulsive beat of his
guitar. Patton possessed
a lively stage presence,
originating many of the
guitar-playing antics now
associated with Jimi
Hendrix and other
latter-day musicians. His
influence, among both his
contemporaries and
subsequent blues artists,
is incalculable.
Noted guitarist
John Fahey presents a
textual and musicological
examination of Charley
Patton's music. This new
edition of the original
1970 publication is
enhanced by Fahey's notes
from the GRAMMY
award-winning,
out-of-print boxed set,
Screamin' and Hollerin'
the Blues: The Worlds of
Charley Patton. Available
for the first time
outside the set, Fahey's
reconsideration on
Patton's music offers
fresh perspectives and
key corrections of the
historical record.
Violin SKU: HL.49047398 Solo Violin. Composed by Dominique Le Gend...(+)
Violin
SKU:
HL.49047398
Solo
Violin. Composed by
Dominique Le Gendre.
String Solo. Classical.
Softcover. 8 pages.
Duration 300 seconds.
Schott Music #ED14165.
Published by Schott Music
(HL.49047398).
ISBN
9798350127898. UPC:
842819121244.
9.0x12.0x0.061
inches.
This work
for solo violin was
commissioned by American
Violinist Wendy Case for
her CD of works for solo
violin by living
composers titled The
Tiger and The Clover
released in February 2022
by the label Blue
Griffin. Just as Wendy
proposed this new work, I
heard the news that the
Polish poet Adam
Zagajewski who I had met
through mutual friends,
had died. I had long
admired his essays that
thoughtfully and with
grace and ease, merged
the past with the present
in the way that only a
poet can, lifting the
reader onto a plain of
images, thoughts and
words that conjure
seamless journeys through
time, space and the
imagination. His essays
often refer to the music
of Bach and I found
myself writing this piece
inhabited by the physical
pleasure of playing
Bach's suites for Lute
transposed for the
guitar. The piece
revolves around a simple
repetitive semiquaver
motif playing with the
Aeolian mode starting on
G. The motif ascends and
descends playing with and
against the low G string
to extend itself away
from the home mode, then
returning and gradually
extending into quavers to
reach the key of E major
while hinting at A minor.
The repetitive nature of
the piece invites the
player to explore
variations in sound
quality and dynamics and
to enjoy the effect of
the notes playing against
each other as they rise
and fall away but always
maintain a constant tempo
and rhythm.
Voice and Piano. By Marc Blitzstein. Arranged by Leonard Lehman. Boosey and Hawk...(+)
Voice and Piano. By Marc
Blitzstein. Arranged by
Leonard Lehman. Boosey
and Hawkes Voice. Book
only. Size 9x12 inches.
156 pages. Published by
Boosey and Hawkes.
Flute SKU: SP.TS162 Composed by Jonathon Robbins. Arranged by Jonathon Ro...(+)
Flute
SKU:
SP.TS162
Composed by
Jonathon Robbins.
Arranged by Jonathon
Robbins. Collection;
Ethnic. Book and CD.
Santorella Publications
#TS162. Published by
Santorella Publications
(SP.TS162).
ISBN
9781585600120. UPC:
649571101626.
The
music of Latin America is
as rich, diverse and
stimulating as its unique
culture. European,
African and Indian
influences have blended
to create energetic
rhythms and intriguing
melodies that break away
from their traditional
origins, creating a sound
that is distinctly Latin.
Discover the allure of
passionate and dynamic
music. Latin Favorites
For Flute published by
Santorella Publications
has it all. Each book in
the series includes a
piano with Latin
percussion accompaniment
CD. This Santorella
Publication is arranged
and edited by Jonathon
Robbins in accommodating
keys for trumpet,
clarinet, flute, alto
saxophone and trombone. A
piano accompaniment book
is available and sold
separately. Includes:
Ados Muchachos (Farewell
Boys) - Adios Vida Mia -
Alla en el Rancho Grande
(My Ranch) - Amapola
(Pretty Little Poppy) -
Amor - Besame Mucho -
Brazil (Aquarela Do
Brasil) - Camnito (Little
Lane) - Cose, Cose, Cose
- Cuando Calienta El Sol
(Love Me with All Your
Heart) - Cuantu Le Gusta
(La Parranda) -
Cu-Cu-Rru-Cu-Cu, Paloma
(Coo Coo Roo Coo Coo,
Paloma) - El Cumbancho
(Rumba Guaracha) -
Granada (Fantasia
Espanola) Guadalajara
(Cancion Tipica de
Jalisco) - Historia de un
Amor (The Story of Love)
- Maria Elena - Mas Que
Nada (Say No More) - Mi
Rival (My Rival) -
Perfidia - Quizas,
Quizas, Quizas (Perhaps,
Perhaps, Perhaps) - Rico
Vacilon - Siempre en Mi
Corazon (Always in My
Heart) - Solamente Una
Vez (You Belong to My
Heart) - Tico-Tico
(Tico-Tico No Fuba) -
Tres Palabras (Without
You).
Trombone SKU: SP.TS164 Composed by Jonathon Robbins. Arranged by Jonathon...(+)
Trombone
SKU:
SP.TS164
Composed by
Jonathon Robbins.
Arranged by Jonathon
Robbins. Collection;
Ethnic. Book and CD.
Santorella Publications
#TS164. Published by
Santorella Publications
(SP.TS164).
ISBN
9781585600144. UPC:
649571101640.
The
music of Latin America is
as rich, diverse and
stimulating as its unique
culture. European,
African and Indian
influences have blended
to create energetic
rhythms and intriguing
melodies that break away
from their traditional
origins, creating a sound
that is distinctly Latin.
Discover the allure of
passionate and dynamic
music. Latin Favorites
For Trombone published by
Santorella Publications
has it all. Each book
includes a piano with
Latin percussion
accompaniment CD. This
Santorella Publication is
arranged and edited by
Jonathon Robbins in
accommodating keys for
trumpet, clarinet, flute,
alto saxophone and
trombone. A piano
accompaniment book is
available and sold
separately. Includes:
Ados Muchachos (Farewell
Boys) - Adios Vida Mia -
Alla en el Rancho Grande
(My Ranch) - Amapola
(Pretty Little Poppy) -
Amor - Besame Mucho -
Brazil (Aquarela Do
Brasil) - Camnito (Little
Lane) - Cose, Cose, Cose
- Cuando Calienta El Sol
(Love Me with All Your
Heart) - Cuantu Le Gusta
(La Parranda) -
Cu-Cu-Rru-Cu-Cu, Paloma
(Coo Coo Roo Coo Coo,
Paloma) - El Cumbancho
(Rumba Guaracha) -
Granada (Fantasia
Espanola) Guadalajara
(Cancion Tipica de
Jalisco) - Historia de un
Amor (The Story of Love)
- Maria Elena - Mas Que
Nada (Say No More) - Mi
Rival (My Rival) -
Perfidia - Quizas,
Quizas, Quizas (Perhaps,
Perhaps, Perhaps) - Rico
Vacilon - Siempre en Mi
Corazon (Always in My
Heart) - Solamente Una
Vez (You Belong to My
Heart) - Tico-Tico
(Tico-Tico No Fuba) -
Tres Palabras (Without
You).
Trumpet SKU: SP.TS161 Composed by Jonathon Robbins. Arranged by Jonathon ...(+)
Trumpet
SKU:
SP.TS161
Composed by
Jonathon Robbins.
Arranged by Jonathon
Robbins. Collection;
Ethnic. Book and CD.
Santorella Publications
#TS161. Published by
Santorella Publications
(SP.TS161).
ISBN
9781585600113. UPC:
649571101619.
The
music of Latin America is
as rich, diverse and
stimulating as its unique
culture. European,
African and Indian
influences have blended
to create energetic
rhythms and intriguing
melodies that break away
from their traditional
origins, creating a sound
that is distinctly Latin.
Discover the allure of
passionate and dynamic
music. Latin Favorites
For Trumpet published by
Santorella Publications
has it all. Each book in
the series includes a
piano with Latin
percussion accompaniment
CD. This Santorella
Publication is arranged
and edited by Jonathon
Robbins in accommodating
keys for trumpet,
clarinet, flute, alto
saxophone and trombone. A
piano accompaniment book
is available and sold
separately. Includes:
Ados Muchachos (Farewell
Boys) - Adios Vida Mia -
Alla en el Rancho Grande
(My Ranch) - Amapola
(Pretty Little Poppy) -
Amor - Besame Mucho -
Brazil (Aquarela Do
Brasil) - Camnito (Little
Lane) - Cose, Cose, Cose
- Cuando Calienta El Sol
(Love Me with All Your
Heart) - Cuantu Le Gusta
(La Parranda) -
Cu-Cu-Rru-Cu-Cu, Paloma
(Coo Coo Roo Coo Coo,
Paloma) - El Cumbancho
(Rumba Guaracha) -
Granada (Fantasia
Espanola) Guadalajara
(Cancion Tipica de
Jalisco) - Historia de un
Amor (The Story of Love)
- Maria Elena - Mas Que
Nada (Say No More) - Mi
Rival (My Rival) -
Perfidia - Quizas,
Quizas, Quizas (Perhaps,
Perhaps, Perhaps) - Rico
Vacilon - Siempre en Mi
Corazon (Always in My
Heart) - Solamente Una
Vez (You Belong to My
Heart) - Tico-Tico
(Tico-Tico No Fuba) -
Tres Palabras (Without
You).
Clarinet SKU: SP.TS160 Composed by Jonathon Robbins. Arranged by Jonathon...(+)
Clarinet
SKU:
SP.TS160
Composed by
Jonathon Robbins.
Arranged by Jonathon
Robbins. Collection;
Ethnic. Book and CD.
Santorella Publications
#TS160. Published by
Santorella Publications
(SP.TS160).
ISBN
9781585600106. UPC:
649571101602.
The
music of Latin America is
as rich, diverse and
stimulating as its unique
culture. European,
African and Indian
influences have blended
to create energetic
rhythms and intriguing
melodies that break away
from their traditional
origins, creating a sound
that is distinctly Latin.
Discover the allure of
passionate and dynamic
music. Latin Favorites
For Clarinet published by
Santorella Publications
has it all. Each book in
the series includes a
piano with Latin
percussion accompaniment
CD. This Santorella
Publication is arranged
and edited by Jonathon
Robbins in accommodating
keys for trumpet,
clarinet, flute, alto
saxophone and trombone. A
piano accompaniment book
is available and sold
separately. Includes:
Ados Muchachos (Farewell
Boys) - Adios Vida Mia -
Alla en el Rancho Grande
(My Ranch) - Amapola
(Pretty Little Poppy) -
Amor - Besame Mucho -
Brazil (Aquarela Do
Brasil) - Camnito (Little
Lane) - Cose, Cose, Cose
- Cuando Calienta El Sol
(Love Me with All Your
Heart) - Cuantu Le Gusta
(La Parranda) -
Cu-Cu-Rru-Cu-Cu, Paloma
(Coo Coo Roo Coo Coo,
Paloma) - El Cumbancho
(Rumba Guaracha) -
Granada (Fantasia
Espanola) Guadalajara
(Cancion Tipica de
Jalisco) - Historia de un
Amor (The Story of Love)
- Maria Elena - Mas Que
Nada (Say No More) - Mi
Rival (My Rival) -
Perfidia - Quizas,
Quizas, Quizas (Perhaps,
Perhaps, Perhaps) - Rico
Vacilon - Siempre en Mi
Corazon (Always in My
Heart) - Solamente Una
Vez (You Belong to My
Heart) - Tico-Tico
(Tico-Tico No Fuba) -
Tres Palabras (Without
You).