SATB Choir with duet

SKU: WD.080689011276

Arranged by Gary Rhodes. Choral. Sacred Anthem. Octavo. Duration 3'36. Word Music #080689011276. Published by Word Music (WD.080689011276).

UPC: 080689011276. Orchestrated by Michael Lawrence.

Gary Rhodes' arrangement of Jesus, Priceless Treasure is a quiet yet eloquent proclamation that gives us assurance that in the midst of the storms of our lives, Jesus is our one true hope! While the demonstration recording features a male/female duet with choir, this arrangement also works very well as an accessible choir-only piece.

Piano

SKU: HL.49046121

For Piano Without Black Keys. Composed by Xuntian He. Piano Solo. Classical. Softcover. 60 pages. Duration 1500 seconds. Schott Music #ED23065. Published by Schott Music (HL.49046121).

In his compositions, Xuntian He does not want to be shackled by any cultural or academic tradition. Committed to his indivudual style, he explores in Priceless Wealth Is in Thee what surprising melodic and rhythmic structures are possible on the piano when play is reduced to using the white keys alone.

Composed by Johan Sebastian Bach. Vocal Score. Music Sales America. Baroque. 58 pages. Music Sales #NOV070029. Published by Music Sales

By Johann Sebastian Bach. (SATB). Choral Collection. Size 6.8x10.5 inches. 12 pages. Published by G Schirmer, Inc.

Vocal Score. By Giovanni Battista Pergolesi. Arranged by F Degrada. (SA). Choral Large Works. Size 8x11 inches. 58 pages. Published by Ricordi.

Composed by Giovanni Battista Pergolesi (1710-1736). Edited by Malcolm Bruno; Caroline Ritchie. This edition: urtext edition. Paperback. Score. Published by Baerenreiter Verlag (BA.BA8958).

Composed by Giovanni Battista Pergolesi (1710-1736). Edited by Malcolm Bruno; Caroline Ritchie. This edition: urtext edition. Paperback. Vocal score. Published by Baerenreiter Verlag (BA.BA8958-90).

Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score

SKU: AP.36-A793402

Arranged by Unico Wilhelm Van wassenaer and ed./arr. by Fritz Rikko. String Orchestra. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A793402. Published by LudwigMasters Publications (AP.36-A793402).

UPC: 659359748073. English.

The six CONCERTI ARMONICI was long thought to be the work of the violinist-impresario Carlo Ricciotti or composer Giovanni Battista Pergolesi, but more recent research has revealed the composer to be Unico Wilhelm van Wassenauer (1692-1766). Born into a wealthy Dutch family, the diplomat and composer founded a Collegium musicum in The Hague under the oversight of Ricciotti. Composed between 1725 and 1740, the six concertos have been falsely attributed to a variety of contemporaries, Ricciotti and Pergolesi amongst them, since its anonymous publication. Wassenauer's aristocratic background was the reason for his secretiveness. The sentiment of the time ordained that musicians belong to the lower classes. This edition of CONCERTINO No. 2 (also CONCERTO ARMONICO in G Major, CONCERTO IV, or just CONCERTINO in G), drawing from the CONCERTO ARMONICO in G Major, IUW 3, was edited by 20th century Baroque expert Fritz Rikko. Rikko spuriously attributes the work to Pergolesi. Despite Wassenauer's authorship having since been confirmed, Rikko's original editorial notes have been retained. Instrumentation: Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score

SKU: AP.36-A793401

Arranged by Unico Wilhelm Van wassenaer and ed./arr. by Fritz Rikko. String Orchestra. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A793401. Published by LudwigMasters Publications (AP.36-A793401).

ISBN 9798892704922. UPC: 659359746130. English.

The six CONCERTI ARMONICI was long thought to be the work of the violinist-impresario Carlo Ricciotti or composer Giovanni Battista Pergolesi, but more recent research has revealed the composer to be Unico Wilhelm van Wassenauer (1692-1766). Born into a wealthy Dutch family, the diplomat and composer founded a Collegium musicum in The Hague under the oversight of Ricciotti. Composed between 1725 and 1740, the six concertos have been falsely attributed to a variety of contemporaries, Ricciotti and Pergolesi amongst them, since its anonymous publication. Wassenauer's aristocratic background was the reason for his secretiveness. The sentiment of the time ordained that musicians belong to the lower classes. This edition of CONCERTINO No. 2 (also CONCERTO ARMONICO in G Major, CONCERTO IV, or just CONCERTINO in G), drawing from the CONCERTO ARMONICO in G Major, IUW 3, was edited by 20th century Baroque expert Fritz Rikko. Rikko spuriously attributes the work to Pergolesi. Despite Wassenauer's authorship having since been confirmed, Rikko's original editorial notes have been retained. Instrumentation: Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Choral Cello, Contrabass voice, Piano, Viola, Violin 1, Violin 2, Violin 3, SATB chorus

SKU: CF.CM9734

Composed by Basque Carol. Arranged by Christopher Thomas. 12 pages. Duration 2 minutes, 37 seconds. Carl Fischer Music #CM9734. Published by Carl Fischer Music (CF.CM9734).

ISBN 9781491161142. UPC: 680160919734. Key: A minor. English. Basque Carol.

A Basque Carol (also known as Gabriel's Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer's Canterbury Tales: Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .. Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song's lasting popularity. I would also attribute A Basque Carol's continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as his wings as drifted snow, his eyes as flame. I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I've added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino. I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you're a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!.
A Basque Carol (also known as Gabriel’s Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer’s Canterbury Tales:  “Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .”.Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song’s lasting popularity. I would also attribute A Basque Carol’s continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as “his wings as drifted snow, his eyes as flame.”I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I’ve added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino.I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you’re a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!

2-Part and Piano. By Giovanni Battista Pergolesi. Arranged by Doreen Rao. (2 part). CME INTERMEDIATE SERIES. Size 6.75x10.5 inches. 12 pages. Published by Boosey & Hawkes.

By Giovanni Battista Pergolesi. For trombone and piano (organ). Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 328) Level: 4+.

7 Trio-S0tze von J.S.Bach, Goldberg, Pergolesi, Telemann und G.J. Werner. Edited by Strauch, Alexander. For Violin 1/ Flute, Violin 2, Basso continuo. Nagels Musik-Archiv. Playing Score; Set of Parts. Published by Nagels Musik-Archiv (German import).

By Giovanni Battista Pergolesi. Edited by Bruno, Malcolm;Higginbottom, Edward;Ross, Robert. Piano Reduction/Vocal Score (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA7675 90)

Violin, strings and basso continuo (VA RIP)

SKU: HL.49027147

Composed by Giovanni Battista Pergolesi. Edited by Walter Lebermann. Sheet music. Edition Schott. Separate part, Viola rip. 7 pages. Schott Music #CON113-13. Published by Schott Music (HL.49027147).

Orchestra

SKU: HL.50499424

Composed by Giovanni Battista Pergolesi. Edited by Alessandro Monga and Davide Verga. CRITICAL EDITIONS. Classical, Opera. Hardcover. 160 pages. Ricordi #NR140739. Published by Ricordi (HL.50499424).

ISBN 9788875929299. UPC: 884088956509. 8x11 inches.

Includes a historical introduction, facsimiles of the music and libretto, and critical notes. Hardcover book packaged in a protective sleeve.

By Giovanni Battista Pergolesi. For Voice. Complete Score. Kalmus Edition. Masterwork. Score. 52 pages. Published by Alfred Publishing.

By Giovanni Battista Pergolesi. Edited by and trans. Westermann. For Orch. (SATB with SATB Soli). Choral Extended Work. Masterwork. 48 pages. Published by Alfred Publishing.

By Giovanni Battista Pergolesi (1710-1736). Edited by Malcolm Bruno. Arranged by Malcolm Bruno. For solo soprano/solo mezzo-soprano/solo alto/female choir: SmezA/2 violins/viola/basso continuo (violoncello/contrabass/o rgan). Stapled. Female Choir. Piano r

SATB Choir and Organ

SKU: HL.14025371

Composed by Giovanni Battista Pergolesi. Music Sales America. Classical. Choral Score. Music Sales #NOV400165. Published by Music Sales (HL.14025371).