The present
Urtext edition is based
on the known surviving
primary sources, and also
incorporates two further,
previously ignored
sources, including a copy
of the score made
presumably in Vienna
around 1820.The score
contains a summarizing
Critical Report in which
the annotations and
divergences from familiar
editions that seem to be
particularly important
are brought out through
bold print. In the
separately published
study Die Neubewertung
der Quellen von
Beethovens Funfter
Symphonie (Wiesbaden:
Breitkopf & Hartel,
1996), there is an
extensive discussion of
the source dependencies
as well as facts on the
origin and transmission
of the work.Words are not
enough to praise this
exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopfs
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethovens music. (Kurt
Masur)
The
conductor's score
contains only a shortened
version of the extensive
Critical Report that was
published separately in
book form: Brown: A New
Appraisal of the Sources
of Beethoven's Fifth
Symphony.
The present
Urtext edition is based
on the known surviving
primary sources, and also
incorporates two further,
previously ignored
sources, including a copy
of the score made
presumably in Vienna
around 1820.The score
contains a summarizing
Critical Report in which
the annotations and
divergences from familiar
editions that seem to be
particularly important
are brought out through
bold print. In the
separately published
study Die Neubewertung
der Quellen von
Beethovens Funfter
Symphonie (Wiesbaden:
Breitkopf & Hartel,
1996), there is an
extensive discussion of
the source dependencies
as well as facts on the
origin and transmission
of the work.Words are not
enough to praise this
exemplary edition,
resulting from many years
of systematic editorial
work on the sources.
Breitkopfs
source-critical,
practice-oriented edition
by Clive Brown and Peter
Hauschild will provide
valuable new impulses in
the interpretation of
Beethovens music. (Kurt
Masur)
The
conductor's score
contains only a shortened
version of the extensive
Critical Report that was
published separately in
book form: Brown: A New
Appraisal of the Sources
of Beethoven's Fifth
Symphony.
Lambacher
Sinfonie. Composed by
Wolfgang Amadeus Mozart.
Edited by Georg Roethke.
Sheet music. Concertino
(Chamber Orchestra).
Classical. Set of
supplemental string
parts. 50 pages. Duration
20'. Schott Music #CON
104-60. Published by
Schott Music
(HL.49001674).
ISBN
9790001023030.
9.0x12.0x0.128
inches.
Mozart
wrote this symphony in
1768 at the age of 12
dedicating it to the
Benedictine monastery of
Lambach. The structure of
this score follows the
rediscovered parts * the
autograph has
disappeared.
For solo piano. Format: piano solo book. Classical period and romantic period. S...(+)
For solo piano. Format:
piano solo book.
Classical period and
romantic period. Series:
The World's Great
Classical Music. 232
pages. 9x12 inches.
Published by Hal Leonard.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
Composed by Johann Sebastian Bach (1685-1750), edited by Georg Von Dadelsen. Col...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Georg Von Dadelsen.
Collection for solo piano
(or harpsichord). Urtext
of the New Bach Edition.
79 pages. Published by
Baerenreiter-Ausgaben
(German import).
Organ; Piano (Piano) SKU: HL.48016562 For Organ or Piano. Composed...(+)
Organ; Piano (Piano)
SKU: HL.48016562
For Organ or
Piano. Composed by
Various. Edited by Oliver
Janes. BH Piano. Baroque,
Classical, Collection.
Josef Weinberger
#M570051373. Published by
Josef Weinberger
(HL.48016562).
UPC:
073999656831.
8.5x11.0x0.234
inches.
Contents:
Andante from Symphony No.
104 (Haydn) * Larghetto
from Concerto Grosso No.
12 (Handel) * Adagio from
Symphony No. 3
(Mendelssohn) * Andante
from Symphony No. 5
(Schubert) * Largo from
New World Symphony
(Dvorak) * Songs My
Mother Taught Me (Dvorak)
* Andante from Symphony
No. 4 (Schubert) * Largo
from Symphony No. 88
(Haydn) * Silent Woods
(Dvorak) * Melody from
Violoncello Concerto
(Dvorak) * Andante from
Violin Concerto
(Mendelssohn) * Adagio
from Symphony No. 97
(Haydn) * Finale from
Symphony No. 5 (Dvorak) *
Andante Cantabile from
Symphony No. 5
(Tchaikovsky).
55 Selections from Symphonies, Ballets, Operas & Piano Literature for Piano Solo...(+)
55 Selections from
Symphonies, Ballets,
Operas & Piano Literature
for Piano Solo. Arranged
by Blake Neely, Richard
Walters. World's Greatest
Classical Music. Size
9x12 inches. 240 pages.
Published by Hal Leonard.
Orchestra SKU: BT.ALHE31721 Composed by Henri Dutilleux. Classical. Study...(+)
Orchestra
SKU:
BT.ALHE31721
Composed
by Henri Dutilleux.
Classical. Study Score.
96 pages. Heugel & Cie
#ALHE31721. Published by
Heugel & Cie
(BT.ALHE31721).
French.
2ème
Symphonie,
“Le Double”
is a symphonic piece for
Orchestra and chamber
orchestra composed by
Henri Dutilleux.
It was commissioned for
the 75th birthday of the
BostonSymphony Orchestra
in 1959.
The
piece features three
movements, which consists
in dialogues between the
Orchestra and the Chamber
Orchestra: I.
Animato, ma misterioso
II. Andantino
sostenuto
III.Allegro fuocoso
— Calmato
This is the
conductor's score which
also includes all parts.
Henri
Dutilleux was
internationally acclaimed
for his work winning
prizes such as the Gold
Medalofthe Royal
Philharmonic Society and
the UNESCO's
International Rostrum of
Composers, amongst many
others. His work also
includes a Piano sonata,
two symphonies, the Cello
concerto 'Tout un monde
lointain' (A whole
distant world),the Violin
concerto 'L'arbre des
songes' (The tree of
dreams) and the string
quartet 'Ainsi la nuit'
(Thus the night).
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature...(+)
Easy to Int. Solos 65
Works from Symphonies,
Operas, Concertos, Piano
Literature and Chamber
Music. World's Greatest
Classical Music. Size
9x12 inches. Published by
Hal Leonard.
Symphony No. 3.
Composed by Philip
Sparke. Elite Series.
Concert Piece. Set (Score
& Parts). Composed 2015.
Anglo Music Press #AMP
403-010. Published by
Anglo Music Press
(BT.AMP-403-010).
English-German-French-
Dutch.
Philip
Sparke’s third
symphony, A Colour
Symphony, was
commissioned by
“sinfonischen
blasorchester
wehdel†conducted
by Thomas Ratzek. In the
five movements (white,
yellow, blue, red and
green) the
composer creates links
betweenthe
instrumentation and
harmonic elements and the
actual colour of the
spectrum the movement
stands for. In order to
create the greatest
richness possible, Philip
Sparke used a very large
instrumentation including
low woodwinds, harp,
piano andcelli. A
Colour Symphony is an
impressive and iconic
addition to the standard
repertoire for large
symphonic
bands.
De derde
symfonie van Philip
Sparke, A Colour
Symphony, is
geschreven in opdracht
van het
‘sinfonischen
blasorchester
wehdel’, dat onder
leiding staat van
dirigent Thomas Ratzek.
In de vijf delen
(white, yellow, blue,
red andgreen)
legt de componist
verbanden tussen de
instrumentatie en
harmonische elementen en
de kleur waar het
betreffende deel voor
staat. Om een grote
klankrijkdom te
creëren heeft Sparke
een omvangrijk palet aan
instrumentatie
gebruikt,waaronder het
lage houtregister, een
harp, piano en
cello’s. A
Colour Symphony is
een indrukwekkende en
iconische aanvulling op
het standaardrepertoire
van het grote symfonische
blaasorkest.
Phili
p Sparkes dritte
Sinfonie, A Colour
Symphony, wurde vom
Sinfonischen
Blasorchester Wehdel, das
von Thomas Ratzek
geleitet wird, in Auftrag
gegeben. In den fünf
Sätzen (white,
yellow, blue, red and
green) stellt der
Komponisteine Verbindung
zwischen der
Instrumentierung und den
harmonischen Elementen
sowie der jeweiligen
Farbe, für die der
Satz steht, her. Um eine
möglichst große
Bandbreite zu erzeugen,
verwendete Philip Sparke
eine sehr umfangreiche
Instrumentierung
mittiefen Holzbläsern,
Harfe, Klavier und Celli.
A Colour Symphony
ist eine eindrucksvolle
und hervorragende
Ergänzung zum
Standardrepertoire für
sinfonisches
Blasorchester.
La terza sinfonia di
Philip Sparke, è stata
commissionata dalla
Sinfonischen
Blasorchester Wehdel di
Thomas Ratzek. Ciascuno
dei quattro movimenti
corrisponde a un colore
(bianco, giallo, blu e
rosso), in un
inarrestabile sinestetico
rincorrersi di suoni e
visioni.
L’orchestrazione
è di quelle imponenti:
legni, arpa, pianoforte e
violoncello svolgono una
parte fondamentale
nell’opera di
conferimento di ulteriore
rigoglio arrangiativo
alla sinfonia
sparkiana.
Orchestra SKU: HL.48187646 Composed by Robert Schumann. Heugel. Romantic....(+)
Orchestra
SKU:
HL.48187646
Composed
by Robert Schumann.
Heugel. Romantic.
Softcover. Heugel & Cie
#HE31440. Published by
Heugel & Cie
(HL.48187646).
UPC:
888680845186.
5.5x7.5x0.568
inches.
Interesting
ly, Schumann?s Third
Symphony was in fact his
last symphony, as the
fourth symphony was
actually composed after
the first. The Symphony
No.3 in E flat Op.97 was
written 1850 during the
composer?s tenure as
conductor at Dusseldorf
on the famous river
Rhine. Schumann claimed
that the history and
spirit surrounding the
noble river inspired him
when writing the
symphony, hence it being
called the ?Rhenish?
symphony. The symphony
was less successful at
its premiere in February
1851 (conducted by
Schumann himself) than
his previous two
symphonic premiers had
been.This symphony is in
five movements, with the
?extra? fourth movement,
originally subtitled ?In
the style of an
accompaniment to a solemn
ceremony?, was inspired
by a visit to Cologne
Cathedral.Available here
is a study score of
Schumann?s Symphony No.3
in E flat ?Rhenish? Op.97
, which is ideal for
study and perusal
usage..
Full
Score. Composed by
Per Norgard. Music Sales
America. 20Th Century,
Classical. Softcover. 188
pages. Edition Wilhelm
Hansen #KP00865.
Published by Edition
Wilhelm Hansen
(HL.14032192).
ISBN
9788759858394.
12.0x16.5x0.78 inches.
International (more than
one
language).
Symphony
No. 6 for orchestra,
1997-99. Preface /
Program Note:... with the
Lord a day is like a
thousand years, and a
thousand years is like a
day(New Testament, 2
Peter 3:8)My SYMPHONY NO.
6 was commissioned by the
Danish National Radio
Symphony Orchestra, the
Gteborg Symphony
Orchestra and the Oslo
Philharmonic Orchestra,
to be premiered at the
millenium 2000.The
subtitle AT THE END OF
THE DAY can be understood
literally or it can mean
when all is added up.
However, in my opinion,
nothing ever quite adds
up, there is always
something missing, any
ending will be
provisional ...This
symphony appears to end
only a few minutes into
the first movement, the
first passage, as the
music fades away to
almost-silence, after a
start of flying colours.
But then there is still
something, a small motive
(first heard in the
initial sound-waves)
which reappears,
hesitant, but persistent,
and this embryo is what
leads on the musical
progression. An agitated
section of many
instrumental voices comes
next, until all the
voices become obsessed
with the same phrase, a
see-saw motive based on
thirds. This section
evolves into almost
martial ferocity, when
broken off by a tutti
descent into an extreme
bass-world (a bass-world
which actually permeates
the whole symphony,
emplyoing instruments
that I have never used
before: double-bass tuba,
double-bass trombone,
double-bass clarinet, and
bass flute).The second
movement, the second
passage, apparently takes
off where the first
passage ended, but now
the events are more
ambiguous, and the same
music may be perceived as
fast-moving one moment
and slow-moving the next.
This section is a kind of
passacaglia, the
characteristic baroque
bass-variation.Without a
break follows the third
and last passage, in a
contrasting high
register. The music is
rhythmically knotty as
well as freely flowing.
As in the beginning of
the symphony, a
never-ending descent or
fall breaks off the
events, and at the very
end a delta of new
beginnings, of other
worlds, is revealed
....The symphony is
dedicated to Helle, my
wife. - Per Norgard.
