By Wolfgang Amadeus Mozart. Arranged by Don Brubaker. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 3.5 (grade 3.5). Conductor Score. 32 pages. Published by Alfred Publishing.

Concert band

SKU: GI.G-M523

Full Score with MP3s. Composed by James Froseth. This edition: Teacher's Resource edition for Book 2. Band Method. Do It! Music Education. Book. GIA Publications #M523. Published by GIA Publications (GI.G-M523).

ISBN 9781579992378. English.

This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet 4, Contrabassoon, Flute 1, Flute 2, Flute 3, Flute 4, Horn 1, Horn 2, Horn 3, Oboe 1, Oboe 2, Piccolo, Trumpet 1, Trumpet 2, Trumpet 3, alto Saxophone and more.

SKU: PR.115402050

For Wind Symphony and Piano. Composed by Carter Pann. Sws score. Wind Band Select. Contemporary. Set of Score and Parts. With Standard notation. Composed 2009. 4+4+4+4+4+4+4+4+4+4+4+4+4 +4+4+4+4+4+4+4+4+4+4+4+4+ 4+4+4+4+4+4+12+4+4+4+4+4+ 42 pages. Duration 10 minutes. Theodore Presser Company #115-40205. Published by Theodore Presser Company (PR.115402050).

ISBN 9781491102152. UPC: 680160594252. 9 x 12 inches. Key: Bb mixolydian.

RICHARD AND RENÉE (2009) is a two-part gift to the composer’s friends, conductor Richard Floyd and clarinetist Renée Kershaw. Movement I is “Renée’s Reply” to Erik Johnson’s marriage proposal when the two were visiting Pann in Positano, Italy. Movement II is “Floyd’s Fantastic Five-Alarm Foxy Frolic,” a joyous ragtime two-step featuring the inventive exuberance that has garnered great excitement for Pann’s music.

(For Wind Symphony). Composed by Carter Pann (1972-). For concert band (piccolo, 2 flute 1, 2 flute 2, 2 flute 3, 2 flute 4, 2 oboes, 3 Bb clarinet 1, 3 Bb clarinet 2, 3 Bb clarinet 3, 3 Bb clarinet 4, 2 Bb bass clarinet (with low C), 2 bassoons, 2 Bb soprano saxophone, 2 Eb alto saxophone, 2 Bb tenor saxophone, 2 Eb baritone). Contemporary. Score and parts. Standard Notation. 48+280 pages. Duration 12 minutes. Published by Theodore Presser Company

By James Froseth. Band Method. Instructional Sacred. Text language: English. 48 pages

By Richard Meyer. For String Orchestra. String Orchestra. String Explorer. Level: .5 (grade .5). Conductor Score and Parts. 156 pages. Published by Alfred Publishing.

By Antonin Dvorak (1841-1904). Arranged by David Marlatt. For Saxophone Quartet (AATB). Masterworks; Part(s); Quartet; Score; Woodwind - Saxophone Quartet. Eighth Note Publications. Masterwork Arrangement; Romantic. Score and set of parts. Duration 4:00. . Score and Parts. Masterwork Arrangement; Romantic.

By Johannes Brahms. Arranged by Richard Meyer. Music by Johannes Brahms / arr. Richard Meyer. For Full Orchestra. Full Orchestra. First Philharmonic. Level: 2 (grade 2). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: Medium Easy (grade III). Conductor Score, Parts & CD. Duration 4:29. Published by Alfred Publishing.

(Movement 2 from Symphony No.6). Composed by Vincent Persichetti (1915-1987). Concert Band. For Flute I, Flute II, Piccolo, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet (in Eb), Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet I. Classical. Score and Set of Parts. Standard notation. Opus 69. 8 pages. Duration 3 minutes. Theodore Presser Company #165-00093. Published by Theodore Presser Company

Fanfare Band - Grade 3

SKU: BT.1572-08-020-MS

Composed by Brian Wilson and Mike Love. Arranged by Don Campbell. DHP Pop, Film and Show. Set (Score and Parts). Composed 2009. Music Sales #1572-08-020 MS. Published by Music Sales (BT.1572-08-020-MS).

9x12 inches. English-German-French-Dut ch.

The pop song Good Vibrations, which appeared as a single in 1966, is one of the most celebrated hits of The Beach Boys. The piece, composed and produced by Brian Wilson, has been called a mini symphony. Various covers versions have been made, including a marvellous a cappella version by the Kingâ??s Singers. This arrangement by Don Campbell is just as delightful as the original.

De popsong Good Vibrations, die op single verscheen in 1966, is een van de bekendste hits van de beroemde Amerikaanse Beach Boys. Het door Brian Wilson gecomponeerde en geproduceerde nummer is wel eens een minisymfonie genoemd.De kenmerkende sound, met de bijzondere, gevarieerde instrumentatie en herkenbare vocals, doet het ook tegenwoordig nog goed. Er zijn diverse covers van de song gemaakt, onder andere een prachtige a-capellaversie van de BritseKingâ??s Singers. Dit arrangement voor harmonieorkest, van de hand van Don Campbell, is net zo pakkend als het origineel.

Dieser Hit der American Beach Boys, geschrieben und produziert von Brian Wilson, hat den Beinamen Mini Symphonieâ?? erhalten. Der typische Sound und die auÃ?ergewöhnliche und abwechslungsreiche Instrumentierung sind auch in der Bearbeitung von Don Campbell erhalten.

Les quatre premiers vers de cette célèbre chanson des Beach Boys résument merveille les différentes vibrations ou natures d'ondes qui existent autour de nous : lumineuses, mécaniques, chimiques, etc. Composée et produite par Brian Wilson, le génie musical du groupe, Good Vibrations (1966) connaît un succès fulgurant dans le climat psychédélique ambiant. Il se classe n°1 dans la plupart des pays du monde et devient un des hymnes du mouvement hippie naissant.

Orchestra

SKU: HL.49006356

Set of Wind Parts. Composed by Ludwig van Beethoven. Arranged by Herbert von Karajan. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Wind Band Parts. 34 pages. Duration 2' 15''. Schott Music #ED6488-10. Published by Schott Music (HL.49006356).

ISBN 9790001068871. 8.25x12.0x0.088 inches.

The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823.In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers - a vision Beethoven shared with him.In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions - for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for.In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity.The score of this offical anthem is exclusively available from the Schott publishing house.

Chamber Music flute, piano

SKU: CF.WF232

Composed by Antonin Dvorak. Edited by Robert Stallman. Arranged by Robert Stallman. Set of Score and Parts. With Standard notation. 28+16 pages. Carl Fischer Music #WF232. Published by Carl Fischer Music (CF.WF232).

ISBN 9781491153772. UPC: 680160911271.

Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
PrefaceConceiv ed originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.

Ausgabe fur Kammerbesetzung. By Haydn, Joseph;Salomon, Johann Peter. Edited by Hogwood, Christopher. For Flute, StrQu, Piano ad lib. Score; Set of Parts. Hob.I:104. Published by Baerenreiter-Ausgaben (German import). ISBN M006502899.

By William Boyce. Arranged by Brian Folus. Music by William Boyce / arr. Brian Folus. For string orchestra. String Orchestra. String Orchestra. Level: Grade 3. Conductor Score & Parts. Published by Alfred Publishing.

By Antonin Dvorak. Arranged by Chris Sharp. Beginning Band. FJH Beginning Band. Full set (score and parts). Score only also available: S. Concert Band. Level: Grade 1. Score and Set of Parts. Composed 2003. Published by The FJH Music Company Inc.

By Franz Joseph Haydn. Arranged by Jamin Hoffman. (Score and Parts). Music for String Orchestra. Published by Hal Leonard.

Orchestra (Study Score)

SKU: HL.50606858

In A Major, Op. 141. Composed by Dmitri Shostakovich. Study Score. Classical. Softcover. Sikorski #SIK2515. Published by Sikorski (HL.50606858).

UPC: 196288194552.

Weake ned by a series of chronic illnesses and aware of his impending death, Shostakovich looks back on his life in Symphony No.15 inA major, op.141. The work opens with cheerful reminiscences from his youth, featuring quotations from his early works and allusions to Rossini. But already by the second movement, a funeral march rich with self-quotation, the mood changes. In the cantabile movement which follows, one hears the murmuring ghosts of the past. With echoes of Richard Wagner, the eerie finale ultimately instructs the listener to remain fearful through its crumbling tonality. This volume is part of the revised and corrected new edition of all 15 symphonies by Dmitri Shostakovich published by Boosey & Hawkes and Sikorski as large format study scores for optimal legibility. All scores and the related orchestral parts have been newly computer typeset, and the orchestral parts are also compatible for performance use with scores in “The New Collected Works of DmitriShostakovich” .

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