Male Choir Volume 3,
Choral Score.
Composed by Gavin Bryars.
This edition: Saddle
stitching. Sheet music.
Choral. Classical.
Softcover. Composed
2009/2010. 22 pages.
Duration 8'. Schott Music
#ED13346-03. Published by
Schott Music
(HL.49019252).
ISBN
9790220133176. UPC:
884088953515.
8.25x11.75x0.085 inches.
English. Choral Music of
Our Time.
These two
sonnet settings, in much
simpler forms than here,
were originally part of
my piano concerto. The
presence of a male chorus
within the concerto
represents a kind of
homage to Busoni, a
composer whom I have
always admired and whose
piano concerto has a
men's chorus in the last
movement. I had used a
chorus of Russian bass
voices in my double bass
concerto, so there is
precedence within my own
work. My choice of the
poetry of the great
Scottish poet Edwin
Morgan alludes to my
other work with male
choirs, having already
set six of his Sonnets
from Scotland by this
time. The two sonnets are
heard in their entirety
in the concerto, and one
of them - The Solway
Canal - gives a subtitle
to the concerto, just as
Kukol'nik's Farewell to
St Petersburg gives a
subtitle to the double
bass concerto. Gavin
Bryars, 2012. Contents:
The Solway Canal * A
Place of Many Waters.
Composed by Bohuslav
Martinu. Edited by
Aleš Brezina. This
edition: complete
edition, urtext edition.
Linen. The Bohuslav
Martinu Complete Edition
VI/2/1. Complete edition,
Score. H 351. Duration 31
minutes, 30 seconds.
Baerenreiter Verlag
#BA10571_01. Published by
Baerenreiter Verlag
(BA.BA10571-01).
ISBN
9790260107632. 33.5 x
26.5 cm inches. Text
Language: English.
Preface: Brezina,
Aleš.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB divisi Choral;
Double Bass Part; Drum;
Piano Accompaniment
(SATB)
SKU:
HL.48024803
SATB
divisi with Piano.
Composed by Will Todd. BH
Secular Choral.
Classical, Jazz. Octavo.
56 pages. Duration 1440
seconds. Boosey & Hawkes
#M060129742. Published by
Boosey & Hawkes
(HL.48024803).
ISBN
9781784540654. UPC:
888680978297.
7.25x10.25x0.144
inches.
Written in
memory of the composer's
mother, Will Todd's Songs
of Peace is a
six-movement work about
love and loss. Two of the
movements are scored for
upper voices. Although it
is not a conventional
Requiem, it might be
appropriate in a memorial
context, butshould by no
means be confined to it:
in many ways it is a very
'life-affirming' work,
characterised by
ToddÂ’s recognisable
jazz-infused harmonic
language, memorable
melodies, and powerful
and personal texts. Songs
of Peace is designed as a
work which may be
performed complete, as
separate movements (two
of which are scored for
upper voices) or as a
selection. It can be
accompanied by piano
alone (as written,
embellished or
extemporised - chord
symbols are supplied
where appropriate) or
jazz trio (piano, bass
and drums - parts
available separately at
www.boosey.com/SongsOfPea
ce).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This handsome urtext
edition from Breitkopf is
edited by Henrik Wiese
and comprises the
complete suit of full
score, orchestral parts,
oboe copy and piano
accompaniment. (Double
Reed News). Solo
concerto; Classical.
Part. 8 pages. Duration
20'. Breitkopf and
Haertel #OB 5309-26.
Published by Breitkopf
and Haertel
(BR.OB-5309-26).
ISBN
9790004340103. 10 x 12.5
inches.
Mozart is
believed to have written
an oboe concerto for the
Salzburg virtuoso
Giuseppe Ferlendis in
1777. The work was
considered lost until
1920, when Bernhard
Paumgartner discovered a
copy of the parts that
must have been written
shortly before Mozart's
death. Nevertheless, this
copy proved to be much
more unreliable than the
copy of the parts of the
flute concerto. Every
source-critical edition
must take these parts
into consideration, as
there is otherwise no
extant source material
aside from a brief
autograph sketch. Henrik
Wiese's new edition
consistently
distinguishes between
what can be regarded as
Urtext and what the
informed player must
interpret himself. To
this end, the edition for
oboe and piano also
contains a study part in
which the solo parts for
flute and oboe are placed
synoptically opposite
each other.,,This
handsome urtext edition
from Breitkopf is edited
by Henrik Wiese and
comprises the complete
suit of full score,
orchestral parts, oboe
copy and piano
accompaniment. (Double
Reed News).
The Jason Max Ferdinand Choral Series. Composed by Woody Guthrie. Arranged b...(+)
The Jason Max Ferdinand
Choral
Series. Composed by Woody
Guthrie. Arranged by
Blake
Morgan. Gentry
Publications.
Americana, Folk,
Patriotic.
Octavo. Gentry
Publications
#JG2647. Published by
Gentry
Publications
Arranged by Carrie Lane Gruselle. Traditional. For String Orchestra. String Orch...(+)
Arranged by Carrie Lane
Gruselle. Traditional.
For String Orchestra.
String Orchestra.
Highland String
Orchestra. Level: 1
(grade 1). Conductor
Score and Parts. 33
pages. Published by
Alfred Publishing.
Solo voices,organ/piano (Tenor solo, Baritone solo (or Soprano solo, Mezzo-sopra...(+)
Solo voices,organ/piano
(Tenor solo, Baritone
solo (or Soprano solo,
Mezzo-soprano solo),
Organ or Piano) - Level 2
SKU: BA.BA25141
Motet for Tenor and
Baritone (or Soprano and
Mezzo-soprano) and Organ
or Piano. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Singing Score. Opus 47/2.
4 pages. Baerenreiter
Verlag #BA25141_00.
Published by Baerenreiter
Verlag (BA.BA25141).
ISBN 9790006575077.
29.7 x 21 cm inches. Text
Language:
French.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices, SATB chorus,piano/organ (Tenor solo (or Soprano solo), Baritone sol...(+)
Solo voices, SATB
chorus,piano/organ (Tenor
solo (or Soprano solo),
Baritone solo (or
Mezzo-soprano solo),
Mixed choir (SATB), Piano
[or Organ]) - Level 2
SKU: BA.BA25146
Motet for Tenor (or
Soprano) and Baritone (or
Mezzo-soprano), four-part
Mixed Choir and Piano [or
Organ]. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Choral score. N 125. 4
pages. Baerenreiter
Verlag #BA25146_00.
Published by Baerenreiter
Verlag (BA.BA25146).
ISBN 9790006575121.
29.5 x 21 cm inches. Text
Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Soprano voice solo,organ/piano (Soprano solo (2), Organ or Piano) - Level 2 S...(+)
Soprano voice
solo,organ/piano (Soprano
solo (2), Organ or Piano)
- Level 2
SKU:
BA.BA25150
Motet
for two Sopranos and
Organ or Piano.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Singing Score.
Opus 93. 7 pages.
Baerenreiter Verlag
#BA25150_00. Published by
Baerenreiter Verlag
(BA.BA25150).
ISBN
9790006575169. 29.5 x 21
cm inches. Text Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices, organ/piano (Soprano solo or Tenor solo, Organ or Piano) - Level 2 ...(+)
Solo voices, organ/piano
(Soprano solo or Tenor
solo, Organ or Piano) -
Level 2
SKU:
BA.BA25147
Motet
for Soprano or Tenor, and
Organ or Piano.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Singing Score.
Opus 67/1. 3 pages.
Baerenreiter Verlag
#BA25147_00. Published by
Baerenreiter Verlag
(BA.BA25147).
ISBN
9790006575138. 29.7 x 21
cm inches. Text Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices,organ/piano (Mezzo-soprano solo or Baritone solo, Organ or Piano) - ...(+)
Solo voices,organ/piano
(Mezzo-soprano solo or
Baritone solo, Organ or
Piano) - Level 1
SKU:
BA.BA25148
Motet
for Mezzo-soprano or
Baritone and Organ or
Piano. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Singing Score. Opus 67/2.
3 pages. Baerenreiter
Verlag #BA25148_00.
Published by Baerenreiter
Verlag (BA.BA25148).
ISBN 9790006575145.
29.7 x 21 cm inches. Text
Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
First choir stg,organ|piano (Choir (1voices), Organ or Piano) - Level 1 SKU: ...(+)
First choir
stg,organ|piano (Choir
(1voices), Organ or
Piano) - Level 1
SKU:
BA.BA25153
Christmas carol for
one-part Choir and Organ
or Piano. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Choral score. N 111. 3
pages. Baerenreiter
Verlag #BA25153_00.
Published by Baerenreiter
Verlag (BA.BA25153).
ISBN 9790006575190.
29.7 x 21 cm inches. Text
Language:
French.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices,piano,organ/Harmon ium ad lib (Tenor solo or Soprano solo, Piano, Or...(+)
Solo
voices,piano,organ/Harmon
ium ad lib (Tenor solo or
Soprano solo, Piano,
Organ or Harmonium ad
libitum) - Level 3
SKU: BA.BA25139
Cantique for solo
Tenor or Soprano, Piano
and optional Organ or
Harmonium. Composed
by Gabriel Faure. Edited
by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Singing Score.
Opus 43/1. 6 pages.
Baerenreiter Verlag
#BA25139_00. Published by
Baerenreiter Verlag
(BA.BA25139).
ISBN
9790006575053. 29.5 x 21
cm inches. Text Language:
French. Text: Wilder,
Victor.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Double bass (solo: vce -
2(picc).2(cor
ang).2.B-clar.2.dble bsn
- 4.1.2.0 - timp.perc -
hp - cel - str)
SKU:
BR.OB-5534-27
For
Voice and Orchestra -
Urtext. Composed by
Alban Berg. Edited by
Michael Kube. Voice;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Here you will find the
version for voice and
piano.
Awarded the
German Music Edition
Prize 2016. Song; Early
modern. Part. 4 pages.
Duration 16'. Breitkopf
and Haertel #OB 5534-27.
Published by Breitkopf
and Haertel
(BR.OB-5534-27).
ISBN
9790004341803. 10 x 12.5
inches.
Written
early, orchestrated
lateThe cycle Seven Early
Songs on texts by Lenau,
Rilke, Storm and other
poets was put together in
1928, more than 20 years
after the composition of
the individual songs.
From the large amount of
songs for voice and piano
that he had written in
his early years, Alban
Berg selected seven of
them which he then
orchestrated. After
serious consideration, he
laid down a definitive
sequence in which the
tempo constantly
alternates while the
orchestral instruments
symmetrically recede
before picking up again.
Once the piano and
orchestral editions were
printed, the Seven Early
Songs quickly conquered
concert halls in both
scorings. They are still
at home on the concert
stages of the world today
which is reason enough to
present this work by
Alban Berg in an Urtext
edition following the
Violin Concerto. The
orchestral material can
now be purchased for the
first
time.
Ensemble SKU: HL.14003796 Composed by Hans Abrahamsen and Johann Sebastia...(+)
Ensemble
SKU:
HL.14003796
Composed
by Hans Abrahamsen and
Johann Sebastian Bach.
Music Sales America.
Score Only. Edition
Wilhelm Hansen #KP01266.
Published by Edition
Wilhelm Hansen
(HL.14003796).
Danish.
A
Chorale arranged for 15
Instruments. Full Score
for
ensemble.
Bach
's Befichl du deine Wege
is a chorale setting (BWV
272), which Hans
Abrahamsen has arranged
for fifteen instruments.
In Hans Albrahamsen's
adaptation Bachs chorale
gradually ernerges from
two melodic fragments,
both borrowed from the
Danish composer Poul
Ruders' Four Dances in
One Movernent'. In fact
both fragments are taken
from the last three bars
of Ruders' composition.
One of Ruders' small
melodies is descending,
the other is ascending.
The metamorphosis from
Ruders to Bach can be
accomplished because both
of Ruders' melodic
fragments are in fact
'hidden' among the parts
of this Bach
choraleinasmuch as the
composer has transposed
it into B minor. In the
first verse we hear only
the descending Ruders
melody. In the secend
verse Ruders' second,
ascending and
chrornatically coloured
melody is added. In the
subsequent verses more
and more melodies are
added. Thus the piece
begins with Poul Ruders'
melodic fragment in the
foreground. In the course
of the next verse Ruders'
material gradually
recedes into the
background, and permits
Bachs face to ernerge
with increasing clarty in
the foreground. The piece
is dedicated to Poul
Ruders. &nb
sp; &nbs
p;
; - Thomas
Michelsen
Arrangement <
br>
1
Flute
1
Oboe
1 Clarinet
In Bb
1
Bassoon
1 Horn in
F
1 Trumpet in
Bb
1 Trombone
(Tenor)
1
Vibraphone (Motor
Off)
1
Harp
1
Piano
1 Violin
I
1 Violin
II
1
Viola
1
Cello
1 Double
Bass
A Chorale
arranged for 15
Instruments. Full Score
for
ensemble.
Bach
's Befichl du deine Wege
is a chorale setting (BWV
272), which Hans
Abrahamsen has arranged
for fifteen instruments.
In Hans Albrahamsen's
adaptation Bachs chorale
gradually ernerges from
two melodic fragments,
both borrowed from the
Danish composer Poul
Ruders' Four Dances in
One Movernent'. In fact
both fragments are taken
from the last three bars
of Ruders' composition.
One of Ruders' small
melodies is descending,
the other is ascending.
The metamorphosis from
Ruders to Bach can be
accomplished because both
of Ruders' melodic
fragments are in fact
'hidden' among the parts
of this Bach
choraleinasmuch as the
composer has transposed
it into B minor. In the
first verse we hear only
the descending Ruders
melody. In the secend
verse Ruders' second,
ascending and
chrornatically coloured
melody is added. In the
subsequent verses more
and more melodies are
added. Thus the piece
begins with Poul Ruders'
melodic fragment in the
foreground. In the course
of the next verse Ruders'
material gradually
recedes into the
background, and permits
Bachs face to ernerge
with increasing clarty in
the foreground. The piece
is dedicated to Poul
Ruders. &nb
sp; &nbs
p;
; - Thomas
Michelsen
Composed by Joseph M.
Martin. Piano
Accompaniment with
Optional Orchestra. Vocal
Solo Sheet Music Series.
Thanksgiving, General
Worship, Sacred. Set of
Instrumental Parts. Hope
Publishing Company
#C5614O. Published by
Hope Publishing Company
(HP.C5614O).
UPC:
763628256142. Joseph M.
Martin. Philippians
2:10-11, Isaiah 12:4,
Acts 18:9, Psalms
19:1-14, Psalms 107:1-7,
Luke
17:11-19.
Original
anthem From Joseph Martin
here is a gorgeous,
lyrical expression of
praise and thanksgiving.
The memorable melody and
personal text build to
the familiar quote, If
Christ is Lord of heaven
and earth, how can I keep
from singing? The
orchestration, by Stan
Pethel, heightens the
impact of this deeply
felt anthem of gratitude
useful for Thanksgiving
and general occasions.
This top-seller has been
newly re-voiced for SAB
voices. The Rhythm packet
contains parts for Drums
and Electric Bass. The
Orchestration includes a
Conductor's Score and
parts for: Electric Bass,
Drums, Flute 1 & 2, Oboe,
Clarinet 1 & 2, Bassoon,
French Horn 1 & 2,
Trumpets 1, 2 & 3,
Trombones 1 & 2, Bass
Trombone/Tuba, Timpani,
Percussion 1 & 2, Harp,
Violins 1 & 2, Viola,
Cello, and Double
Bass.
Bushwhacker Stomp Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
By Keith Sharp. For orchestra. FJH Developing Strings. Full set (score and parts...(+)
By Keith Sharp. For
orchestra. FJH Developing
Strings. Full set (score
and parts). Score only
also available: ST6075S.
Grade 2. Score and set of
parts. Composed 2005.
Published by The FJH
Music Company Inc
