Kings of Stone Orchestre à Cordes [Conducteur] - Débutant FJH
By Keith Sharp. Beginning String Orchestra. FJH Beginning Strings. Score only. F...(+)
By Keith Sharp. Beginning
String Orchestra. FJH
Beginning Strings. Score
only. Full set (score and
parts) also available:
ST6091. Orchestra. Level:
Grade 1.5. Score.
Composed 2005. Published
by The FJH Music Company
Inc.
Fortis Orchestre d'harmonie Excelcia Music Publishing
Concert Band - Grade 0.5 SKU: XC.PCB2305 March. Composed by Larry ...(+)
Concert Band - Grade 0.5
SKU: XC.PCB2305
March. Composed by
Larry Clark. Concert
Concert Band. Prelude
Grade .5. Set of parts.
Excelcia Music Publishing
#PCB2305. Published by
Excelcia Music Publishing
(XC.PCB2305).
This is a very
easy march using only the
first six notes students
learn in all band method
books. It is intended to
still teach students
about march form and
style even with limited
technical demands.
Composer Larry Clark
continues to find new
ways to create very easy
marches that are still
tuneful and fun.
Concert Band Concert Band - Grade 2 SKU: FJ.B1141S Score Only. Arr...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1141S
Score
Only. Arranged by
Craig Alberty. Concert
Band. FJH Young Band.
Christmas; Holiday Pops.
Score. Duration 2:30. The
FJH Music Company Inc
#98-B1141S. Published by
The FJH Music Company Inc
(FJ.B1141S).
English.
Perfect
for the holiday season,
Quietly Come and Whisper
is a beautiful and
sensitive setting of a
famous holiday carol.
Well within the range and
rhythmic abilities of
young bands, this piece
offers beautiful lyrical
lines and suspensions. A
key change from E-flat to
F leads to a soft
conclusion. (2:30).
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Everlasting Ensemble Jazz - Intermédiaire/avancé Alfred Publishing
(As performed by Gordon Goodwin's Big Phat Band). By Gordon Goodwin. Jazz Ensemb...(+)
(As performed by Gordon
Goodwin's Big Phat Band).
By Gordon Goodwin. Jazz
Ensemble. Jazz Ensemble;
Score; SmartMusic. Gordon
Goodwin Series. Jazz.
Grade 5. 24 pages.
Published by Alfred Music
First violin,second violin,viola,cello,Perc. adlib (1. Violin, 2. Violin, Viola,...(+)
First violin,second
violin,viola,cello,Perc.
adlib (1. Violin, 2.
Violin, Viola,
Violoncello, Drums ad
libitum) - Level 4
SKU: BA.BA11525
Composed by Pavel Haas.
Edited by Ondrej Pivoda.
This edition: urtext
edition. In a folder.
Barenreiter Urtext. With
percussion ad libitum.
Set of parts. Opus 7.
16/15/13/12/3 pages.
Baerenreiter Verlag
#BA11525_00. Published by
Baerenreiter Verlag
(BA.BA11525).
ISBN
9790260108868. 31 x 24.3
cm inches.
Pavel
Haas was one of Leoš
Janácek’s most
gifted students. His
String Quartet No. 2
“From the Monkey
Mountains†is
considered to be one of
the first high points of
his oeuvre.
In
this work, Haas combined
elements of
Janácek’s
compositional technique
with jazz, particularly
in the fourth
movement’s
instrumentation for
string quartet and
percussion ad libitum.
This version was
premiered in Brno in
1926; later, the work was
revised for string
quartet only. For this
edition Ondrej Pivoda has
reconstructed the
original version,
bringing to light
passages that were never
published until
now.
This is the
first critical edition of
the work. It is based on
all relevant sources,
taking sketches of the
final version of the
score and contemporary
performance material into
account. It includes an
extensive Foreword
(Cz/Eng/Ger) as well as a
Critical Commentary
(Eng).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano - Beginner SKU: AP.12-0571542271 The Fully Integrated String Ser...(+)
Piano - Beginner
SKU:
AP.12-0571542271
The Fully Integrated
String Series with Over
40 Fun Pieces Ideal for
Individual and Group
Teaching. Composed by
Mark Wilson and Paul
Wood. Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition: Stringtastic.
Book and Digital
Download. Faber Music
#12-0571542271. Published
by Faber Music
(AP.12-0571542271).
ISBN 9780571542277.
English.
Stringt
astic Beginners is a fun
new series designed to
teach through playing in
an engaging exploration
of musical styles. A
fully integrated series,
violin, viola, cello, and
double bass can all learn
and play together in any
combination. Each book
contains over 40
imaginative pieces to
steadily establish a
secure playing technique
and build confidence, one
step at a time, taking
the student from complete
beginner (open strings)
to playing the notes of
the D major scale. The
first 20 pieces consist
of two independent tunes
that can be played as
duets – one for
open strings and a more
advanced part using the
left-hand fingers, which
students can revisit as
they progress. Ideal for
individual and group
lessons as well as
flexible ensemble and
classroom settings. Every
piece is supported by an
exciting backing track
plus a piano-only track
for practice, all
available to
download.
This
Teacher’s
Accompaniment book
provides the complete
piano accompaniments
which work with any
combination of
instrumental
parts.
Concert Band - Grade 0.5 SKU: WJ.FBW2401 Composed by Larry Clark. First A...(+)
Concert Band - Grade 0.5
SKU: WJ.FBW2401
Composed by Larry Clark.
First Achievement Grade
.5. Contest/Festival. Set
of parts. Wingert-Jones
Publications #FBW2401.
Published by
Wingert-Jones
Publications
(WJ.FBW2401).
9 x 12
inches.
Subatomic
is written using only the
first six notes of the Bb
scale, with no more
difficult rhythm than two
repeated eighth notes.
Composer Larry Clark's
skill at writing for this
age group will be evident
from the onset, with even
the newest ensembles
sounding full and
impressive. We know this
one is a solid selection
for your first
concert!
Piano; Vocal SKU: HL.50506520 Critical Edition Score and Parts. By...(+)
Piano; Vocal
SKU:
HL.50506520
Critical Edition Score
and Parts. By F.
Degrada. By Antonio
Vivaldi. Edited by F.
Degrada. Vocal Solo.
Baroque, Cantata,
Classical. Score Only.
Composed 1985. Ricordi
#PR1265. Published by
Ricordi (HL.50506520).
Concert Band Concert Band - Grade 1 SKU: FJ.B1135S Score Only. Com...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1135S
Score
Only. Composed by
Lloyd Conley. Arranged by
Lloyd Conley. Concert
Band; Concert Band
Resources; Warm-Ups. FJH
Beginning Band. Score.
Duration 5:00. The FJH
Music Company Inc
#98-B1135S. Published by
The FJH Music Company Inc
(FJ.B1135S).
English.
This
collection of original
compositions and
arrangements provides
excellent warm-up and
tone-building materials
while making these
elements more appealing
to young minds. Five
percussion parts are
provided and may be used
in any way to involve all
the members of the
section. A great way to
enhance the sound and
intonation of your band.
(5:00).
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Set de Parties séparées] Hal Leonard
Arranged by Walter H. Barnes. For tuba. Format: performance part (tuba only). Wi...(+)
Arranged by Walter H.
Barnes. For tuba. Format:
performance part (tuba
only). With solo part
(quintet parts needed for
performance),
instructional text and
performance notes.
Baroque, classical period
and romantic period. 39
pages. Published by Hal
Leonard.
Harp SKU: CF.H77 Harp part only. Composed by Maurice Ravel. Edited...(+)
Harp
SKU: CF.H77
Harp part only.
Composed by Maurice
Ravel. Edited by Carl
Swanson. For Harp with
Accompaniment of String
Quartet. Flute, and
Clarinet. Part. With
Standard notation. 24
pages. Carl Fischer Music
#H77. Published by Carl
Fischer Music (CF.H77).
ISBN 9781491153840.
UPC: 680160911349. 9 x 12
inches.
This
critical edition of
Ravel's Introduction and
Allegro has been
carefully prepared by
Carl Swanson. The preface
includes historical and
performance information
on the piece, including a
comparison of the
separate parts of all
seven instruments to the
full score with a list of
corrections for each
instrument. It has been
published the way that it
is actually played,
making it clear to read
and consistent with
Ravel's music and musical
intent.
Cello; Orchestra (Study Score) SKU: HL.48025411 HPS 1576 Study Score(+)
Cello; Orchestra (Study
Score)
SKU:
HL.48025411
HPS
1576 Study Score.
Composed by Unsuk Chin.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. Duration 1800
seconds. Boosey & Hawkes
#M060130069. Published by
Boosey & Hawkes
(HL.48025411).
UPC:
196288202288.
The
composer states that her
Cello Concerto is
antithetical to her other
concertos. “While
in the concertos for
violin and piano, in the
Double Concerto, and in
my new sheng concerto I
was seeking to merge the
solo instrument and the
orchestra into a single
virtuoso
super-instrument, here
itÂ’s all about the
competitive tension
between the soloist and
the orchestra. The 'aura'
of the cello was the
initial nucleus and forms
the basis of the music,
so the whole structure of
the piece is thus
'carried' by the cello.
However, the orchestra
responds to it in an
antagonistic way. This
antagonism is much
stronger than in
traditional
Classical-Romantic
concertos; one could even
speak of a 'psychological
warfare' between soloist
and orchestra. In my
cello writing, I often
ask the soloist to
disguise the nature of
the instrument so the
perception can be
blurred. I try to explore
the boundaries of the
celloÂ’s expressivity
and to broaden the
definition of
'expression'. Therefore I
also use special playing
techniques and call for
unusual timbres,
including noises and
rasping sounds. For me,
this actually serves the
expressivity by
suggesting new meanings.
The unique artistry of
Alban Gerhardt inspired
me immensely. Not only
his solo part but also
the orchestral parts are
often characterized by
extreme virtuosity, by
the idea of the
instrumentalists being
pushed to the
edge.â€.
