Goldfinger will always call to mind Shirley Bassey 's assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry, Leslie Bricusse and Anthony Newley, it became the definitive in-your-face Bond song before the series' theme tunes became quieter and more pop-oriented. This version has been arranged for SAB choir with piano accompaniment by Thomas Lydon. / Choeur Mixte (SAB) Et Piano

Goldfinger will always call to mind Shirley Bassey 's assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry, Leslie Bricusse and Anthony Newley, it became the definitive in-your-face Bond song before the series' theme tunes became quieter and more pop-oriented. This version has been arranged for SSA choir with piano accompaniment by Thomas Lydon. / Choeur SSA Et Piano

A walking bass line, built on the blues scale, hints at jazz in the introduction of this fantastically fun arrangement of the traditional spiritual. Each of three verses develops further as the piece grows to its exciting final chords. An acoustic or electric bass part is included in the publication. / Choeur SSA

A walking bass line, built on the blues scale, hints at jazz in the introduction of this fantastically fun arrangement of the traditional spiritual. Each of three verses develops further as the piece grows to its exciting final chords. An acoustic or electric bass part is included in the publication. / Choeur SAB

As the name suggests, the 'Missa Popularis? has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie, where the violin plays amelody in the style of a Swedish folk tune above a bass ostinato. The musical charm of the Mass derives from the combination of choir [SSA(TB)] and string quartet.The choral parts enable performances by female choir or mixed choir. In the latter case the string quartet is reinforced by a double bass.The version for female choir was premièred in Poznan on 25 April 2015, with Alicja Szeluga conducting the Skowroniki Girls Choir.(Level of difficulty: moderate) / Choeur SSA Et Piano

You know this Christmas carol, but you've never heard it like this before! Alan Billingsley's contemporary interpretation brings the traditional tune up to date. The SATB voicing sounds great a cappella, while a funky accompaniment works well to support the SAB and SSA. Bass and drums on the optional SoundTrax CD pump up the R and B groove, or add your own vocal percussion. / Choeur SSA

Featuring five gems from cherished Rankin and Bass animated Christmas specials, this five-and-a-half-minute medley is holiday nostalgia at its best! Children one to one hundred will delight in this nifty novelty number with vintage appeal. / Choeur SAB

A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school, junior and community choirs, and a tuneful introduction to singing simple contrapuntal lines. The second soprano part repeats the tune at bar 33 and should dominate here - the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount importance throughout. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Craig McLeish began his musical life as a chorister at St Paul's Cathedral under Barry Rose. He began composing at the age of ten and his preces and responses for four trebles are still in the repertoire. After a degree at York University he returned to London to study at the Guildhall and sang again at St Paul's as a tenor. At the time he also arranged and copied music for West End shows such as Les Miserables and Miss Saigon, and played bass guitar for various groups. This led to a spell in the cult pop band 'Fat and Frantic', who shaved the top 100 twice with the whimsical anthem Last night my wife hoovered my head. He also worked as musical assistant for David Heneker (Half a Sixpence) and David Fanshawe (African Sanctus). In 1992 Craig became director of the Methodist Association of Youth Clubs Orchestra and Singers, performing concerts throughout the UK and becoming involved in a number of recordings and BBC broadcasts. During this time he arranged more than 250 orchestral scores ranging from Queen to Calamity Jane, Stravinsky and Stevie Wonder. Alongside this he began arranging and writing songs for children's collections (Big Blue Planet, Love Shone Down) and producing recordings and string arrangements for various artists (Sheila Walsh, Kim Hill, Matt Redman). He is also well known as a conductor and arranger for Songs of Praise. Recently Craig has collaborated with composer Tolga Kashif writing orchestrations for the RPO's Seo Taiji Symphony, the Classic FM chart-topping CD by saxophonist Tyler Rix, and the Genesis Suite which was premiered at the Barbican. He has been musical director of Young Voices UK for 13 years, bringing large school choirs together to play with a live band and solo artists, and currently conducts the Milton Keynes Community Choir, Hart and Soul Community Choir and the Milton Keynes Youth Choir. / Choeur SSA

Parfait pour un concert ou l'obtention de leur diplôme, cette nouvelle version de Josh Groban partage un message d'espoir et d'encouragement pour tous. Vous me soulever jusqu'alors I Can stand sur la montagne - vous m'élever jusqu'à marcher sur les mers déchaînées - et je suis forte lorsque je suis sur vos épaules - vous me lever jusqu'à plus je peux être. Source d'inspiration ! / Voix Basses

A terrific swinging classic by Joe Young, Ray Henderson and Sam Lewis. Arranged here for Men's Voice Choir (TBB) by Ruth Artman. / Voix Basses

C'est le favori Irving Berlin effectué Doo Wop-style par les Drifters, redécouvert dans le film HOME seul et avec le Père Noël et ses rennes sur le web. Effectuez maintenant la vivre avec votre groupe et cet arrangement facilement appris chorale! Disponible séparément: SATB, SSA, TTB, ShowTrax CD. Basse électrique partie comprise. Durée: env. 02:50. / Choeur (Unisson), Voix Hautes Et Voix Egales

Les pièces à trois voix mixtes sont proposées pour soprano, alto et basse, certaines d'entre elles peuvent être chantées par une voix de femme et deux voix d'homme. De même, la plupart des pièces à quatre voix mixtes (SATB) peuvent être exécutées par trois voix de femme et une voix d'homme. Contenu : 3 VOIX MIXTES: J'ay espéré (chanson de la Renaissance publiée par Pierre Attaingnant) - Hélas ! Que c'est ung grant remort (chanson de la Renaissance (publiée par Pierre Attaingnant) - 0 Felice nocchiero (Canzonette de Orazio Vecchi) - L'ultima volta ch'io (Canzonette de Orazio Vecchi - Lasso no é cor mio ( Villanella de Luca Marenzio) - Se il dolce sguardo (Villanella de Luca Marenzio) - Quando sperai (Canzonette de Claudio Monteverdi) - Son questi i crespi (Canzonette de Claudio Monteverdi) - Your shining eyes (Madrigal de Thomas Bateson) - 0 Felix anima (Motet de Giacomo Carissimi) - Due pupille (Nocturne de Wolfgang A. Mozart) - Psaumes 31 et 69 (Joseph Haydn) - Mich zieht es nach dem Dârfchen (Schumann) - Wesley's Challenge (Tom Johnson) - 4 VOIX MIXTES: 0 bone Jesu (Marco Antonio Ingenieri) - 0 Salutaris hostia (Giovanni Francesco Anerio) - Panis angelicus (Claudio Casciolini) - Ach, Gott, wie manches Herzelied (Choral de J.S. Bach) - Ach wie flüchtig, ach wie nichtig (Choral de J.S. Bach) - Erlaube mir, feins Mädchen (J. Brahms) - Somebody loves me (Gershwin) - Margie, Barber shop song (arrangement de Jacques Petit) - Every time I feel the Spirit (Spiritual arrangé par Marc Meyer) - Wesley 's Challenge (Tom Johnson) Compositeur/Auteur : CORNU Françoise
Discipline/Instrument : choeur Support : Partition
Style/Genre : méthode - études
Date de parution : sept.-03