Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Ed Lojes...(+)
Composed by George
Gershwin
(1898-1937) and Ira
Gershwin.
Arranged by Ed Lojeski.
Jazz
Chorals. Concert, Jazz,
Swing. Octavo. 12 pages.
Published by Hal Leonard
Stabat mater Chorale 3 parties SAB A Cappella Gehrmans Musikforlag
SAB choir (a cappella) SKU: GH.GE-11493 Composed by Erik Drake. Edited by...(+)
SAB choir (a cappella)
SKU: GH.GE-11493
Composed by Erik Drake.
Edited by Mattias
Lundberg. With Language:
Latin. Gehrmans
Musikforlag #GE 11493.
Published by Gehrmans
Musikforlag
(GH.GE-11493).
ISBN
979-0-070-11493-6. A4
inches. Text: from the
Ordinary mass.
For
SAB a cappella. This
work is a unique piece of
Swedish music history,
composed 1833. Erik Drake
was one of a generation
composers, fascinated by
old church music with its
simplicity. Edition:
Mattias Lundberg.
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
AboutÃ
‚ Jónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
A Choral Medley. Composed by Lin-Manuel Miranda (1980-). Arranged by Lisa DeSpai...(+)
A Choral Medley. Composed
by Lin-Manuel Miranda
(1980-). Arranged by Lisa
DeSpain. Choral Octavo.
Alfred Pop Series. Form:
Medley. Broadway;
Secular. 56 pages.
Published by Alfred Music
Composed by George Gershwin and Ira Gershwin. Arranged by Mark Hayes. Choir Secu...(+)
Composed by George
Gershwin and Ira
Gershwin. Arranged by
Mark Hayes. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Pop Choral.
Masterwork Arrangement;
Secular; Standard. 12
pages. Published by
Alfred Music
(Based on a Southern Folk Hymn). Arranged by Jay Althouse. Choir Secular. For SA...(+)
(Based on a Southern Folk
Hymn). Arranged by Jay
Althouse. Choir Secular.
For SAB choir and piano
accompaniment (3-Part
Mixed Choir (SAB)).
Choral Octavo. Choral
Octavo. Choral, Sacred
and Hymns. Octavo. 12
pages
Fragmente.
Composed by Wilfried
Hiller. Carus Novus;
Contemporary choral
music. German title:
Sappho. Secular choral
music. Full score.
Composed 1997. Duration
10 minutes. Carus Verlag
#CV 09.505/00. Published
by Carus Verlag
(CA.950500).
ISBN
9790007089665. Language:
German.
Sappho *
Fragments for women's
chorus, flute and cello
(1997) was commissioned
by the Arbeitskreis fur
Musik in der Jugend for
the project
KomponistInnen schreiben
fur Kinder und
Jugendchore. Thus the use
of flute and cello in
this work for women's
choir is intended to
assist intonation.
According to Hiller the
two instruments may also
represent the aulos and
lyre, the instruments
which in classical
antiquity accompanied the
declamation of poems. He
writes about the ancient
Greek poetess: With her
verses Sappho, who lived
on the Aegean island of
Lesbos, has for thousands
of years inspired poets,
visual artists and
composers to create new
works of art. In our
time, for example,
Aribert Reimann, Wilhelm
Killmayer, Iannis Xenakis
and Carl Orff have
composed monuments in
sound to her. The
fragments of her verses
which survive give rise
to speculation about what
is missing, to new
interpretations, and to
the idea of filling the
gaps with music. What
also fascinates me in
Sappho's texts are the
glowing eroticism, their
iridescent glitter, and
their constant high
tension. These poems must
be sung, especially by
women, to whom Sappho
dedicated most of these
beautiful lines.
By George Gershwin and Ira Gershwin. Arranged by Mark Hayes. Choir Secular. Wome...(+)
By George Gershwin and
Ira Gershwin. Arranged by
Mark Hayes. Choir
Secular. Women's Choir.
Choral Octavo. Pop
Choral. 12 pages.
Published by Alfred Music
I Got Rhythm * 'S Wonderful * They Can't Take That Away from Me * ...(+)
I Got Rhythm * 'S
Wonderful *
They Can't Take That
Away
from Me * I'll Build
a
Stairway to Paradise *
Love
Is Here to Stay *
Embraceable
You * Fascinating Rhythm.
Composed by George
Gershwin
(1898-1937) and Ira
Gershwin.
Arranged by Adam Podd and
Matt Podd. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Great
American Songbook;
Secular.
Choral Octavo. Alfred
Music
#00-47666. Published by
Alfred Music
By George Gershwin and Ira Gershwin. Arranged by Kirby Shaw. For Choir. (SAB). ...(+)
By George Gershwin and
Ira Gershwin. Arranged by
Kirby Shaw. For Choir.
(SAB). Choral Octavo. Pop
Choral Series. Level:
Moderate (grade III).
Choral Octavo. 12 pages.
Published by Alfred
Publishing.