Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810213 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810213
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music. Part. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/13. Published by
Carus Verlag
(CA.3810213).
ISBN
M-007-25260-1.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810219 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810219
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music. Set of
Orchestra Parts. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/19. Published by
Carus Verlag
(CA.3810219).
ISBN
M-007-24974-8.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810205 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810205
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music. Choral Score. Warb
E 22. Duration 12
minutes. Carus Verlag #CV
38.102/05. Published by
Carus Verlag
(CA.3810205).
ISBN
M-007-25252-6.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810214 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810214
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Violoncello.
Sacred vocal music.
Single Part, Cello. Warb
E 22. Duration 12
minutes. Carus Verlag #CV
38.102/14. Published by
Carus Verlag
(CA.3810214).
ISBN
M-007-25261-8.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810200 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810200
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music. Full Score. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/00. Published by
Carus Verlag
(CA.3810200).
ISBN
M-007-25076-8.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
SATBB choir, a cappella SKU: OU.9780193561335 Composed by Ben Parry. Voic...(+)
SATBB choir, a cappella
SKU:
OU.9780193561335
Composed by Ben Parry.
Voice Junction. Octavo.
16 pages. Duration 3'.
Oxford University Press
#9780193561335. Published
by Oxford University
Press (OU.9780193561335).
ISBN 9780193561335. 10
x 7 inches.
For
SATBB unaccompanied By
The Way, I Love You is a
fun a cappella number
that sets words by Garth
Bardsley in a big band
style. Swing and rhythmic
groove is vital to the
performance, with the
catchy melody held first
by the sopranos before
passing between the
voices, always over a bed
of lively scat
singing.
By Charles Francois Gounod (1818-1893). For SATB Choir, Organ. Full score availa...(+)
By Charles Francois
Gounod (1818-1893). For
SATB Choir, Organ. Full
score available
separately - see item
CA.4063700. Messen,
Latin; French Sacred
Music. Level 3. Choral
score. Language: Latin.
Composed 1890. 16 pages.
Duration 15 min
By Charles Francois Gounod (1818-1893). For SATB Choir, Organ. This edition: pap...(+)
By Charles Francois
Gounod (1818-1893). For
SATB Choir, Organ. This
edition: paperbound.
Masses, Latin; French
Sacred Music. Level 3.
Score. Language: Latin.
Composed 1890. 32 pages.
Duration 15 min
SATB Chorus, String Quartet & Piano SKU: SU.80504101 For SATB Chorus, ...(+)
SATB Chorus, String
Quartet & Piano
SKU:
SU.80504101
For
SATB Chorus, String
Quartet & Piano.
Composed by Ronald
Perera. Vocal/Choral,
Secular Choral. Choral
Octavo. Subito Music
Corporation #80504101.
Published by Subito Music
Corporation
(SU.80504101).
SATB Chorus,
String Quartet & Piano
Duration: 8’
Composed: 2018 Published
by: Pear Tree Press Also
available: Full Score
(Cat. # 80504103)Set of
Parts (Cat. #
80504102).
SATB Chorus, String Quartet & Piano SKU: SU.80504103 For SATB Chorus, ...(+)
SATB Chorus, String
Quartet & Piano
SKU:
SU.80504103
For
SATB Chorus, String
Quartet & Piano.
Composed by Ronald
Perera. Vocal/Choral,
Secular Choral. Full
Score. Subito Music
Corporation #80504103.
Published by Subito Music
Corporation
(SU.80504103).
SATB Chorus,
String Quartet & Piano
Duration: 8’
Composed: 2018 Published
by: Pear Tree Press Also
available: Set of Parts
(Cat. # 80504102) Chorus
score (Cat. #
80504101).
SATB Chorus, String Quartet & Piano SKU: SU.80504102 For SATB Chorus, ...(+)
SATB Chorus, String
Quartet & Piano
SKU:
SU.80504102
For
SATB Chorus, String
Quartet & Piano.
Composed by Ronald
Perera. Vocal/Choral,
Secular Choral. Set of
Parts. Subito Music
Corporation #80504102.
Published by Subito Music
Corporation
(SU.80504102).
SATB Chorus,
String Quartet & Piano
Duration: 8 ' Composed:
2018 Published by: Pear
Tree Press Also
available: Full Score
(Cat. # 80504103) Chorus
score (Cat. #
80504101).
Composed
by Johann Pachelbel.
Edited by Thomas
Röder. This edition:
Edition of selected
works, Urtext edition.
Linen. Johann Pachelbel.
Complete Vocal Works,
Volume 7. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA10557_00.
Published by Baerenreiter
Verlag (BA.BA10557).
ISBN 9790006553068. 33
x 25.8 cm inches.
Language:
German.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbelâ??s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbelâ??s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbelâ??s surviving
vocal works in the best
possible form. It is
edited by the Institut
für Musikwissenschaft
at the University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbelâ??s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Cat Stevens. By Cat Stevens. Arranged by Audrey Snyder. Pop Choral Series. Se...(+)
By Cat Stevens. By Cat
Stevens. Arranged by
Audrey Snyder. Pop Choral
Series. Seventies, Pop,
Classic Rock. Octavo. 8
pages. Published by Hal
Leonard (HL.152729).
(Traditional American). Arranged by David III Lantz. For SATB choir (keyboard ac...(+)
(Traditional American).
Arranged by David III
Lantz. For SATB choir
(keyboard accompaniment).
Main Key: F Minor.
Sacred. Difficulty:
Medium (Adult). Duration
3 minutes 60 seconds.
Published by Hinshaw
Music Inc.
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Mixed Choir (SATB) SKU: HL.48188648 Composed by Pierre Villette. Heugel. ...(+)
Mixed Choir (SATB)
SKU: HL.48188648
Composed by Pierre
Villette. Heugel. General
Worship, Sacred.
Softcover. 4 pages.
Heugel and Cie #HE33150.
Published by Heugel and
Cie (HL.48188648).
UPC: 888680880507.
8.5x11.0x0.008
inches.
This
edition of Salve Regina
by Pierre Villette is a
version of this Marian
hymn for SATB a cappella.
It's written with lyrics
in Latin and should be
sung at a slow tempo
(52). The lyrical piece
features a long
introduction followed by
the Soprano solo and a
finale. At the end of the
solo, the voices
alternate between the
initial tempo and some
slower parts to arrive to
the close and finish in
harmony. Pierre Villette
(1926-1998) was a French
composer of choral and
instrumental music.
Strongly influenced by
Catholicism, his musical
heritage ran from Faure
to Messiaen..
Hier
liegt vor deiner
Majestat. Composed by
Michael Haydn. Edited by
Armin Kircher. Arranged
by Ignaz Sauer. Deutsche
Messe Mh 560. Sacred
vocal music, Masses,
German. Set of Orchestra
Parts. Composed circa
1795. MH 560. Duration 18
minutes. Carus Verlag #CV
54.560/19. Published by
Carus Verlag
(CA.5456019).
ISBN
9790007226251. Language:
German. Text: von
Kohlbrenner, Franz
Seraph. Text: Franz
Seraph von
Kohlbrenner.
Althou
gh the music of the
younger Haydn brother was
highly regarded by his
contemporaries, his music
was forgotten in the 19th
century and still waits
to be rediscovered. One
of his more well-known
works is the central
piece on the present CD,
the German Mass Hier
liegt vor deiner Majestat
MH 560 (Here before thy
majesty), a work which is
musically the epitome of
south-German/Austrian
Catholicism and which to
this day is still a part
of church music practice
in this region. Score and
parts available
separately - see item
CA.5456000.
Composed
by Villette. Heugel.
Sacred. CD. 4 pages.
Heugel and Cie #HE33147.
Published by Heugel and
Cie (HL.48188645).
UPC: 888680880514.
7.5x10.75
inches.
?Composed
by Pierre Villette, Ave
Verum, Op. 3 is a
Eucharistic hymn for SATB
choral a cappella.
Dedicated to the Chapel
Master at Rouen
Cathedral, Sir Canon
Delestre, this piece is
highly lyrical and
melodious. Written in
Latin, its tempo is quite
slow (52) and it includes
numerous harmonies as
well as some short
exchanges between the
voices. The polytonal
aspects are probably the
most difficult part of
the singing and the
actual title means
??Hail, True Body??, the
main lyrics glorify
Jesus. Another music
setting of this hymn was
composed by Mozart.
Pierre Villette
(1926-1998) was a French
composer of choral and
instrumental music.
Strongly influenced by
Catholicism, his musical
heritage ran from Fauré
to Messiaen.andrdquo.
Hier
liegt vor deiner
Majestat. Composed by
Michael Haydn. Edited by
Armin Kircher. Arranged
by Ignaz Sauer. German
title: Deutsche Messe Mh
560. Sacred vocal music,
Masses, German. Choral
Score. Composed circa
1795. MH 560. Duration 18
minutes. Carus Verlag #CV
54.560/05. Published by
Carus Verlag
(CA.5456005).
ISBN
9790007111298. Language:
German. Text: von
Kohlbrenner, Franz
Seraph. Text: Franz
Seraph
Kohlbrenner.
Althou
gh the music of the
younger Haydn brother was
highly regarded by his
contemporaries, his music
was forgotten in the 19th
century and still waits
to be rediscovered. One
of his more well-known
works is the central
piece on the present CD,
the German Mass Hier
liegt vor deiner Majestat
MH 560 (Here before thy
majesty), a work which is
musically the epitome of
south-German/Austrian
Catholicism and which to
this day is still a part
of church music practice
in this region. Score
available separately -
see item CA.5456000.
Hier
liegt vor deiner
Majestat. Composed by
Michael Haydn. Edited by
Armin Kircher. Arranged
by Ignaz Sauer. German
title: Deutsche Messe Mh
560. Sacred vocal music,
Masses, German. Set of
Orchestra Parts. Composed
circa 1795. MH 560. 38
pages. Duration 18
minutes. Carus Verlag #CV
54.560/09. Published by
Carus Verlag
(CA.5456009).
ISBN
9790007226237. Language:
German. Text: von
Kohlbrenner, Franz
Seraph. Text: Franz
Seraph
Kohlbrenner.
Althou
gh the music of the
younger Haydn brother was
highly regarded by his
contemporaries, his music
was forgotten in the 19th
century and still waits
to be rediscovered. One
of his more well-known
works is the central
piece on the present CD,
the German Mass Hier
liegt vor deiner Majestat
MH 560 (Here before thy
majesty), a work which is
musically the epitome of
south-German/Austrian
Catholicism and which to
this day is still a part
of church music practice
in this region. Score and
parts available
separately - see item
CA.5456000.
Lyrics based on Traditional Spiritual, music by Greg Gilpin. For Choir. (SSATB)...(+)
Lyrics based on
Traditional Spiritual,
music by Greg Gilpin. For
Choir. (SSATB). Choral
Octavo. Choral Designs.
Spiritual. Choral Octavo.
16 pages. Published by
Alfred Publishing.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin 2. Warb E
14. 4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/12. Published by
Carus Verlag
(CA.3810412).
ISBN
9790007215088. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Choral
Score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/05.
Published by Carus Verlag
(CA.3810405).
ISBN
9790007215057. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Set of
Orchestra Parts. Warb E
14. Duration 5 minutes.
Carus Verlag #CV
38.104/19. Published by
Carus Verlag
(CA.3810419).
ISBN
9790007215118. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and parts available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext. 1x
38.104/21 oboe 1, 1x
38.104/22 oboe 2, 1x
38.104/31 horn 1, 1x
38.104/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Set of
Orchestra Parts. Warb E
14. Duration 5 minutes.
Carus Verlag #CV
38.104/09. Published by
Carus Verlag
(CA.3810409).
ISBN
9790007215064. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and parts available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin. Warb E 14.
4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/11. Published by
Carus Verlag
(CA.3810411).
ISBN
9790007215071. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Organ. Warb E 14. 4
pages. Duration 5
minutes. Carus Verlag #CV
38.104/49. Published by
Carus Verlag
(CA.3810449).
ISBN
9790007215125. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.