By Chuck Sher . For Bass. A complete method book, over 200 pages, filled with in...(+)
By Chuck Sher . For Bass.
A complete method book,
over 200 pages, filled
with information and
exercises on all aspects
of bass playing, for both
acoustic and electric
bass. Method. Published
by Sher Music Company.
Concert Pieces for Teaching Beginning Strings (Bass Book - Audio CD Included). B...(+)
Concert Pieces for
Teaching Beginning
Strings (Bass Book -
Audio CD Included). By
Doris Gazda; Henry
Purcell; James Pierpont.
Arranged by Doris Gazda.
For Double Bass I, Double
Bass II. Score and Audio
CD. 16 pages. Published
by Carl Fischer.
Bass. Composed by Jacquelyn Dillon, James Kjelland, and John O'Reilly. Method/In...(+)
Bass. Composed by
Jacquelyn Dillon, James
Kjelland, and John
O'Reilly.
Method/Instruction;
String Orchestra
Method/Supplement.
Strictly Strings. Book.
40 pages. Alfred Music
#00-5296. Published by
Alfred Music
Composed by James Froseth and Bret Smith. For double bass. Music Education - Met...(+)
Composed by James Froseth
and Bret Smith. For
double bass. Music
Education - Method. Book
and CD. Text language:
English. 48 pages.
Published by GIA
Publications
A Comprehensive Guide with Detailed Instruction for Acoustic and Electric Bass...(+)
A Comprehensive Guide
with
Detailed Instruction for
Acoustic and Electric
Bass.
Bass Instruction.
Instruction, Jazz
Instruction. Softcover
Audio
Online. 138 pages.
Published
by Hal Leonard
Double Bass SKU: BT.YE0030 Composed by F. Keyper. Exam Material. Book Onl...(+)
Double Bass
SKU:
BT.YE0030
Composed by
F. Keyper. Exam Material.
Book Only. Yorke Edition
#YE0030. Published by
Yorke Edition
(BT.YE0030).
An easy
virtuoso work published
here for the first time
and now much performed.
Recorded Slatford/Academy
of St
Martin-in-the-Fields
(EMI). AMEB (Australian
Syllabus) 2004.
Orchestral material on
hire from Yorke Edition
(notSpartan).
Pr
ogramme Note:
As
a young professional
player in the 1960s, my
work as a double bassist
with chamber ensembles
and small orchestras took
me all over the world.
This presented an
unparalleledopportunity
to scour libraries and
archives wherever I went.
Long before the advent of
the photocopier and
e-mail, research was far
more challenging than it
is today. Eastern Europe
was particularly
difficult to access,
withmanycollections kept
under lock and key for
all but a few hours a
week. One quickly found
colleagues who were keen
to share information
gleaned in passing, even
though they had no
specific interest in
one's own
particularspecialism (it
is so often the
peripheral topics that
fascinate as much as the
main subject under
investigation, and one
can quickly be
side-tracked into
political and social
issues that have only
slender bearing on the
job inhand!).
In
the early 1970s James
Brown, the then
sub-principal oboist of
the English Chamber
Orchestra with whom I was
working at the time,
stumbled across a small
collection of double bass
manuscripts at the
RoyalDanish State Library
in Copenhagen. They were
by Franz Anton Leopold
Keÿper (b. c.1756, d.
Copenhagen 7 June 1815),
a double bassist of Dutch
origin who worked as
principal of the Royal
Chapel Orchestra in
Copenhagen.Keÿper's son
was the bassoonist Franz
Jacob August Keÿper
(1792-1859). The
collection included a
number of concertos, some
chamber music, and
various naïve fragments.
Although hardly the work
of a Mozart or Haydn,the
style is characteristic
of the period. For an
instrument such as the
double bass, whose 18th
century solo repertoire
is largely written for
tunings that are no
longer in everyday use,
Keÿper's music is easily
approachablein its.
With CDs of Performances and Accompaniments. Edited by Catherine Elliott. Bo...(+)
With CDs of Performances
and
Accompaniments. Edited by
Catherine Elliott. Boosey
&
Hawkes Chamber Music.
Classical. Softcover with
CD.
60 pages. Boosey &
Hawkes
#M060132261. Published by
Boosey & Hawkes