Flute SKU: UT.XXS-84 Composed by Salvatore Di Stefano. Saddle stitching. ...(+)
Flute
SKU:
UT.XXS-84
Composed by
Salvatore Di Stefano.
Saddle stitching.
Contemporary Music.
Classical. Score and
Parts. 92 pages. Ut
Orpheus #XXS 84.
Published by Ut Orpheus
(UT.XXS-84).
ISBN
9790215320413. 9 x 12
inches.
Racconto
(Tale)/ Capri/ Cielo
sereno (Clear sky)/ Tano/
Napolitango/ Luci della
spiaggia (Beach lights)/
Fantasia mediterranea
(Mediterranean fantasy)/
Una lacrima ridente (A
smiling tear)/ Quartieri
spagnoli/ Marcia dei
pomodori (March of the
tomatos)
Being
interested in certain
aspects of popular music,
I became aware of several
similarities between
popular Neapolitan
melodies and the
Argentinean tango.
Napolitango is
based on an imaginary
journey to Naples and
Buenos Aires. In
retaining certain
characteristics of the
original music,
Napolitango
embodies an inspiration
and an almost
theatrically passionate
character which is common
to these two
genres. The piece has
been composed for the
Parisian Festival
Paris Banlieues
Tango 2001. (S. Di
Stefano).
Sweet Sunset Flûte traversière et Piano - Intermédiaire De Haske Publications
Flute and Piano - intermediate SKU: BT.DHP-1145588-401 For Flute and P...(+)
Flute and Piano -
intermediate
SKU:
BT.DHP-1145588-401
For Flute and
Piano. Composed by
Jan de Haan. De Haske
Flute Series. Book Only.
Composed 2014. 6 pages.
De Haske Publications
#DHP 1145588-401.
Published by De Haske
Publications
(BT.DHP-1145588-401).
ISBN 9789043136785.
International.
The
heat of the day ebbs away
as the sun slowly dips
from view over the
western horizon. A
dazzling display of warm
hues, vibrant yellows,
glowing oranges and
burning reds, lights up
the evening before
cooling to calm blues,
dark, cool purples
andfinally the black of
night. Such are the
unforgettable sunsets
that inspired Jan de Haan
to write this
piece.
De hitte
van overdag ebt weg
terwijl de zon in het
westen langzaam achter de
horizon verdwijnt. Een
schitterend schouwspel
van warme schakeringen -
levendig geel, gloedvol
oranje en vurig rood -
verlicht nog even de
avond, waarna koele
kleuren volgenmet serene
tinten blauw, donkere
nuances van paars en ten
slotte het zwart van de
nacht. Fraaie
zonsondergangen als deze
vormden voor Jan de Haan
de inspiratie tot het
schrijven van dit
sfeervolle werk voor
blaasinstrument en
piano.
Die Hitze
des Tages verebbt,
während die Sonne
langsam am westlichen
Horizont versinkt. Ein
schillernder Reigen
warmer Farben aus
pulsierendem Gelb,
glühendem Orange und
brennendem Rot erhellt
den Abendhimmel, bevor
ruhige Blautöne,
kühle
Lilaschattierungen und
schließlich die
Schwärze der Nacht
Abkühlung bringen.
Solcheunvergesslichen
Sonnenuntergänge
inspirieren Jan de Haan
zur Komposition dieses
Stückes für diverse
Blasinstrumente und
Klavierbegleitungen.
Il calore
del giorno si stempera
mentre il sole scompare
lentamente all`orizzonte.
Una brillante
combinazione di calde
tonalit di giallo
vibrante, arancio
luccicante e rosso
incandescente riscalda la
sera. Colori che lasciano
il passo a un blu
cherilassa, a
rinfrescanti tonalit del
viola, e infine al nero
della notte. Questi sono
i tramonti
indimenticabili che hanno
ispirato Jan de Haan nel
scirvere questo brano per
diversi strumenti a fiati
e pianoforte.
Flute and Piano (Score) SKU: HL.14008426 Strathclyde Concerto No. 6 (F...(+)
Flute and Piano (Score)
SKU: HL.14008426
Strathclyde Concerto
No. 6 (Flute Part).
Composed by Sir Peter
Maxwell Davies. Music
Sales America. Classical.
Book [Softcover].
Composed 1999. 60 pages.
Chester Music #CH61024.
Published by Chester
Music (HL.14008426).
ISBN
9780711942042.
The
solo flute here is kept
in high profile by the
absence from the
orchestra not only of
other flutes, but also of
violins and oboes; in
addition, the trumpets
are used sparingly (they
do not, for instance,
play in the slow
movement), so that for
much of the time the
flute is playing against
a mellow ensemble of
clarinets, horns,
bassoons and low strings.
If this is, nevertheless,
one of Davies's most
open-spirited pieces,
that comes partly from
the ready flights of the
soloist, partly from its
glockenspiel
accompaniments in the
outer movements (replaced
by ticking claves in the
Adagio), partly from the
dancing character of so
much of the music, and
partly from the harmonic
clarity, in a light
region not far from C
minor. Flute part with
piano reduction of the
orchestral score.