Compact Reference Library. Music Sales America. Tuning. Book Only. Composed 2003. 32 pages. Music Sales #MUSAM35858. Published by Music Sales

35 Easy To Intermediate Original Works For Guitar. Composed by Fernando Sor (1778-1839). Edited by Martin Hegel. Guitar. Softcover. 34 pages. Schott Music #ED22349. Published by Schott Music

(Guitar)

SKU: HL.14078003

Leduc. General Merchandise. Duration 240 seconds. Alphonse Leduc #AL28794. Published by Alphonse Leduc (HL.14078003).

Guitar

SKU: GI.G-4514G

Composed by Francis Patrick O'brien. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 2 pages. GIA Publications #4514G. Published by GIA Publications (GI.G-4514G).

English. Text Source: Inspired by Mark 8:34, 35.

Guitar (Guitar)

SKU: HL.48182392

Composed by Julian Arcas. Leduc. Classical. Softcover. 1 pages. Alphonse Leduc #AL23580. Published by Alphonse Leduc (HL.48182392).

UPC: 888680830571. 9.5x12.5x0.038 inches.

Julian Arcas: 2 Danzas espanolas (coll. Guitare No.34) (Guitar solo).

Guitar Solo

SKU: IS.G6761EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6761EM. Published by Metropolis Music Publishers (IS.G6761EM).

ISBN 9790365067619.

This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret.

Composed by Various. Guitar Solo. Softcover. 136 pages. Published by Hal Leonard

Guitar Solo

SKU: IS.G6763EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM).

ISBN 9790365067633.

This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Composed by de Belleville P.&. Robert King. Classical. Softcover. Alphonse Leduc #AL23598. Published by Alphonse Leduc

Composed by Johann Sebastian Bach (1685-1750). Arranged by Heather DeRome and Frank Koonce. Les Productions d'OZ #DZ 3435. Published by Les Productions d'OZ

Guitar Solo

SKU: IS.G6766EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6766EM. Published by Metropolis Music Publishers (IS.G6766EM).

ISBN 9790365067664.

This sonata (WeissSW No. 52, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXXIII is a unique copy. It comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXXIII is in the fifth volume. It belongs to a group of large and mature Sonatas of the late â??productiveâ?? period of Weissâ??s life, probably after 1740. The Sonata has six movements: Ouverture , Courante assai moderato, Bourée, Siciliana (a slow dance, but more cheerful than a Sarabande), Menuet, and it ends with a Presto. The Ouverture substitutes the traditional Allemande. It is more complex in structure, and includes a Largo, an Allegro (in the style of a Fugue), and a Vivace. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in C minor, a key appropriate for playing a Baroque lute tuned in the D minor chord. However it is rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to A minor. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar Solo

SKU: IS.G6760EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6760EM. Published by Metropolis Music Publishers (IS.G6760EM).

ISBN 9790365067602.

This sonata (WeissSW No. 50, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXVII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXVII is a large and mature piece, composed in Weissâ??s late period, around 1730. The Sonata has six movements: Introduzzione (an opening movement in Italian style with elements of an Allemande and Prelude), Courante, Bourrée, Sarabande, Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar

SKU: GI.G-7517G

Composed by Paul Melley. This edition: Guitar edition. Ordinary Time 22 A, Ordinary Time 23 C. Sacred. Guitar part. With guitar chord names. 3 pages. GIA Publications #7517G. Published by GIA Publications (GI.G-7517G).

English. Text Source: Based on Mark 8:34–38, adapt. PM and GD.

Guitar - Intermediate

SKU: MB.WBM75M

Saddle-stitched. Folk. Book and online audio. Mel Bay Publications, Inc #WBM75M. Published by Mel Bay Publications, Inc (MB.WBM75M).

ISBN 9781737795353. 8.75X11.75 inches.

This is a collection of 86 guitar solos in notation only from William Bayâ??s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment.  All 86 solos have been recorded and are available as online downloads with this book.

Guitar Solo

SKU: IS.G6765EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6765EM. Published by Metropolis Music Publishers (IS.G6765EM).

ISBN 9790365067657.

This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar

SKU: HL.48183260

Composed by Tony Aubin. Leduc. Classical. Softcover. Alphonse Leduc #AL25296. Published by Alphonse Leduc (HL.48183260).

UPC: 888680872434. 9.0x12.0x0.035 inches.

Tony Aubin: Hidalgoyas (Guitar solo).

Guitar

SKU: GI.G-9455G

Arranged by Tony Alonso S.J. This edition: Guitar edition. Children. Tune Name: Land Of Rest. Sacred. Guitar part. With guitar chord names. 2 pages. GIA Publications #9455G. Published by GIA Publications (GI.G-9455G).

UPC: 785147945574. English. Text Source: F.B.P., 16th c., alt. Scripture: Isaiah 35:10.

Guitar

SKU: GI.G-9495G

Composed by Chris De Silva. This edition: Guitar edition. Holy Thursday, Easter 5 C. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #9495G. Published by GIA Publications (GI.G-9495G).

UPC: 785147949572. English. Text Source: Ref. John 13:35, alt. Text by Chris de Silva.

Guitar - Level 2

SKU: HF.FH-6021

Composed by Fernando Sor. Edited by Peter. Sheet music. Friedrich Hofmeister Musikverlag #FH 6021. Published by Friedrich Hofmeister Musikverlag (HF.FH-6021).

ISBN 9790203460213. 9 x 12 inches.

Guitar - Level 3-4

SKU: HF.FH-6068

Composed by Franz Just. Sheet music. Friedrich Hofmeister Musikverlag #FH 6068. Published by Friedrich Hofmeister Musikverlag (HF.FH-6068).

ISBN 9790203460688. 8.3 x 11.7 inches.

By William Bay; performed by Ben Bolt. For Guitar (Classical). method. You Can Teach Yourself. Classic. Level: Beginning. Book CD DVD. Size 8.75x11.75. 112 pages. Published by Mel Bay Publications, Inc.

33 Original Works. Composed by Jens Franke. Edited by Jens Franke. This edition: Saddle stitching. Sheet music with CD. Guitar. Romantic Guitar Anthology Band 1 ist ein nach Schwierigkeitsgraden abgestuftes Repertoirebuch fur Schuler mit ca. 2-3 Jahren Spielerfahrung. Standardunterrichtsstucke von fuhrenden Komponisten finden sich hier ebenso wie seltene Werke. Classical. Edition with CD. 36 pages. Schott Music #ED 13110. Published by Schott Music

16 Guitar and Lute Pieces. Composed by Jens Franke. Edited by Stuart Willis. This edition: Saddle stitching. Sheet music with CD. Guitar. 16 Originalwerke von Komponisten des 17. und 18. Jahrhunderts. Neben Stucken von Weiss, de Visee, Hagen und Daube und anderen bietet der Band ein sorgfaltig ausgewahltes Spektrum von Werken. Baroque, Classical. Edition with CD. 36 pages. Schott Music #ED13446. Published by Schott Music

Guitar - Level 3

SKU: HF.FH-3335

Composed by Robert Schumann. Edited by Korbel. Arranged by Korbel. Sheet music. Friedrich Hofmeister Musikverlag #FH 3335. Published by Friedrich Hofmeister Musikverlag (HF.FH-3335).

ISBN 9790203433354. 9 x 12 inches.

1. Von fremden Landern und Menschen; 2. Kuriose Geschichte; 3. Hasche-Mann; 4. Bittendes Kind; 5. Gluckes genug; 6. Wichtige Begebenheit; 7. Traumerei; 8. Am Kamin; 9. Ritter vom Steckenpferd; 10. Fast zu ernst; 11. Furchtenmachen; 12. Kind im Einschlummern; 13. Der Dichter spricht.

Composed by Dusan Bogdanovic (1955-). Score. Les Editions Doberman-Yppan #DO 1349. Published by Les Editions Doberman-Yppan

Book 1 - Book with Online Audio Files. Guitar. Classical Instruction, Instruction. Softcover Audio Online. 64 pages. Published by Hal Leonard

By Jason Eckardt (1971-). For Guitar. Banquet Festival, Melbourne, Australia; performed by Geoffrey Morris. Duration 7 minutes, 30 seconds. Published by Carl Fischer

Composed by Varie. Arranged by Michel Kirschner. Score. Les Productions d'OZ #DZ 3440. Published by Les Productions d'OZ

Composed by Jean-Luc Gauthier. Score. Les Productions d'OZ #DZ 3532. Published by Les Productions d'OZ