By Bob Cerulli. By Bob Cerulli. For String Orchestra. String Orchestra. Belwin Very Beginning String Orchestra. Level: 1 (Yellow) (grade 1 Yellow). Conductor Score and Parts. Published by Alfred Publishing.

Composed by Richard Kountz. Arranged by James Kazik. G. Schirmer Band/Orchestra. Holiday, Christmas. Softcover. Published by G. Schirmer

(Full Score). By Frank Bridge (1879-1941). For Orchestra (Score). Orchestra. 30 pages. G. Schirmer #JC90700. Published by G. Schirmer

Composed by Franz Joseph Haydn (1732-1809). Edited by Sonja Gerlach and Sterling E. Murray. This edition: urtext edition. Stapled. Score. Hob. I:76. Baerenreiter Verlag #BA10987. Published by Baerenreiter Verlag

Arranged by Douglas E. Wagner. Traditional. For String Orchestra. String Orchestra. Belwin Beginning String Orchestra. Folk Song. Level: 1.5 (grade 1.5). Conductor Score and Parts. 284 pages. Published by Alfred Publishing.

Orchestra string orchestra - Grade 2.5

SKU: XC.ISO2206FS

Composed by Erica Donahoe. Contest. Intermezzo. Score. Excelcia Music Publishing #ISO2206FS. Published by Excelcia Music Publishing (XC.ISO2206FS).

12 x 9 inches.

Written in G minor and using primarily the pentatonic scale, students will love the dark and brooding sound of this piece. Cello and bass players are featured throughout with exciting bass lines that define the piece. The entire orchestra will have lots of opportunity to work on articulations and string crossings, in addition to the more complex finger patterns required by G minor.

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra String Orchestra - 2.5 (grade 2.5)

SKU: AP.29642S

Composed by Carol J. Johnson. String Orchestra. Belwin Beginning String Orchestra. Score. 12 pages. Duration 2:40. Belwin Music #00-29642S. Published by Belwin Music (AP.29642S).

UPC: 038081330112. English.

Rhythmic energy and exciting harmonies make this fun and spooky tune an instant favorite of young string students. Without using any of the more difficult or complicated finger patterns, this original piece serves as an excellent introduction to flat key signatures. The key of G minor allows for solid intonation to be maintained because the ensemble can rely on the open G and D strings as a pitch foundation. The melody gets shared by every section of the orchestra and can be taught to all sections simultaneously. (2:40).

By Alan Lee Silva. For string orchestra. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer

(for Piano and String Orchestra). Composed by Various. Arranged by Bud Caputo. For piano and string orchestra. Concert Work. Grade 3. Score and set of parts. Duration 8:46. Published by Wingert-Jones Publications

Orchestra String Orchestra - Grade 3

SKU: FJ.ST6346S

Score Only. Composed by Brian Balmages. Series; String Orchestra. FJH String Orchestra. Score. Duration 4:30. The FJH Music Company Inc #98-ST6346S. Published by The FJH Music Company Inc (FJ.ST6346S).

English.

Explori ng mature harmonies while a single note lingers throughout the entire work, this powerful piece will leave you breathless. Orchestrated for strings and piano, the music moves through a series of sections that become increasingly intense, all while the note G sounds nonstop from the first measure until the final chord. The haunting sound of voices (members of the ensemble) eventually fade into a soft hum before the music reaches is final chord and ultimate resolution. Simply stunning.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

By Johannes Brahms. (Study Score). Schott. Size 5.3x7.5 inches. 79 pages. Published by Eulenburg London (Schott).

(for Piano and String Orchestra). Composed by Various. Arranged by Bud Caputo. For piano and string orchestra. Concert Work. Grade 3. Conductor score. Duration 8:46. Published by Wingert- Jones Publications

Composed by Brian Balmages. For string orchestra. FJH String Orchestra. Grade 3. Score and parts. Duration 4 minutes, 30 seconds. Published by The FJH Music Company Inc

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS33

Composed by Sean O'Loughlin. SWS - FS. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 8+16+16+4+10+10+10+3 pages. Carl Fischer Music #YAS33. Published by Carl Fischer Music (CF.YAS33).

ISBN 9780825858468. UPC: 798408058463. 8.5 X 11 inches. Key: G major.

A walk through the park or a morning stroll through the forest is what this piece best calls to mind. With its pastoral setting and lush melodies, Velvet Morning will truly showcase your group's mastery of legato playing.
Velvet Morning is a warm and colorful work for string orchestra. Please play con sordino if available. The music is a reflection of my love for the orchestral music of Barber, Ravel, Debussy and Satie. It should have the same sense of passion and intensity that those masters employ in their music.The opening tempo is marked rubato, and should speed up then slow down based on the phrases. The main melody appears at m. 11 in the first violins and should have a flowing quality. The harmony does utilize some slight dissonances from time to time which should be emphasized. The violas and cellos take over the melody at m.19 with a counter line in the violins. The melody returns to the violin at m. 27 with a pianistic cello line punctuated by pizzicato in the bass. Some transitional material follows that builds up to a full presentation at m. 47. Let the ensemble open up here with an intense, full sound. This winds down to a return of the introduction at m. 60. The ending should be tender and deliberate all the way to the last plush chord.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS33F

Full Score. Composed by Sean O'Loughlin. Carl Fischer Young String Orchestra Series. Full score. With Standard notation. 8 pages. Carl Fischer Music #YAS33F. Published by Carl Fischer Music (CF.YAS33F).

ISBN 9780825858475. UPC: 798408058470. 8.5 X 11 inches. Key: G major.

A walk through the park or a morning stroll through the forest is what this piece best calls to mind. With its pastoral setting and lush melodies, Velvet Morning will truly showcase your group's mastery of legato playing.
Velvet Morning is a warm and colorful work for string orchestra. Please play con sordino if available. The music is a reflection of my love for the orchestral music of Barber, Ravel, Debussy and Satie. It should have the same sense of passion and intensity that those masters employ in their music.The opening tempo is marked rubato, and should speed up then slow down based on the phrases. The main melody appears at m. 11 in the first violins and should have a flowing quality. The harmony does utilize some slight dissonances from time to time which should be emphasized. The violas and cellos take over the melody at m.19 with a counter line in the violins. The melody returns to the violin at m. 27 with a pianistic cello line punctuated by pizzicato in the bass. Some transitional material follows that builds up to a full presentation at m. 47. Let the ensemble open up here with an intense, full sound. This winds down to a return of the introduction at m. 60. The ending should be tender and deliberate all the way to the last plush chord.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Composed by Vasilii Sergeevich Kalinnikov. For string orchestra (strings: 4-4-3-3-2). Orchestral music. Score and set of 16 parts. Published by Noten Roehr

Composed by John Bull (1562-1628). Arranged by Vernon Leidig. Orchestra. Score; SmartMusic; String Orchestra. Highland String Orchestra. Form: Rondo; Transcription. Baroque; Masterwork Arrangement; Renaissance. Grade 2.5. 12 pages. Published by Highland/Etling

Composed by Camille Saint-Saens (1835-1921). For string orchestra. Grade 1.5. Score and set of parts. Published by Neil A. Kjos Music Company

(Little). By Johann Sebastian Bach (1685-1750). Arranged by Bob Cerulli. Orchestra. Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Form: Fugue; Transcription. Baroque. Grade 4. 104 pages. Published by Alfred Music Publishing

By Gabriel Faure. Arranged by Doris Preucil. By G. Faure / arr. Doris Preucil. For String Orchestra and Solo Violin, Viola, or Cello. String Orchestra. Solo with Orchestra Series. Conductor Score and Parts. Published by Alfred Publishing.

By William Boyce. Arranged by Brian Folus. Music by William Boyce / arr. Brian Folus. For string orchestra. String Orchestra. String Orchestra. Level: Grade 3. Conductor Score & Parts. Published by Alfred Publishing.

By Samuel Barber. Arranged by John Moss. String Orchestra. Size 9x12 inches. Published by G. Schirmer, Inc.

By Arcangelo Corelli (1653-1713). Arranged by Bob Phillips. Orchestra. Masterworks; Score; String Orchestra. Sound Innovations for Strings. Form: March. Baroque; Masterwork Arrangement. Grade 1.5. 8 pages. Published by Alfred Music Publishing

By Antonin Dvorak (1841-1904). Arranged by Sandra Dackow. For String Orchestra. Grade 4. Score