By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 6. Conductor
Full Score. Duration
21:00. Published by
Manhattan Beach Music.
(Grade 4 - Score and Parts). By Philip Sparke (1951-). For Concert Band, Flute. ...(+)
(Grade 4 - Score and
Parts). By Philip Sparke
(1951-). For Concert
Band, Flute. Anglo Music
Concert Band. Grade 4.
Anglo Music Press
#AMP288010. Published by
Anglo Music Press
Tone Builders for Developing Bands (Grade 1 to 2.5 - Score and Parts). By James ...(+)
Tone Builders for
Developing Bands (Grade 1
to 2.5 - Score and
Parts). By James Curnow.
For Concert Band. Curnow
Music Concert Band. Grade
1-2. Curnow Music
#009496. Published by
Curnow Music
This collection provides a practical edition of 15 Sousa classics that can be us...(+)
This collection provides
a practical edition of 15
Sousa classics that can
be used for marching as
well as the concert hall.
All are arranged by
Philip Sparke for today's
bands, and the updated
engravings are a great
addition toany school or
community band library.
Includes: The Beau Ideal
· Black Horse Troop
· El Capitan · The
Fairest of the Fair ·
Hands Across the Sea ·
High School Cadets ·
The Invincible Eagle ·
King Cotton · The
Liberty Bell
·Manhattan Beach ·
Nobles of the Mystic
Shrine · Semper
Fidelis · Stars and
Stripes Forever · The
Thunderer · Washington
Post. Note: At 5.75 x 8
inches, the student books
are slightly larger than
traditional marching band
size.
Eine
praktische Sammlung mit
15 beliebten Märschen
von John Philip Sousa,
neu instrumentiert von
Philip Sparke. Die Idee,
die hinter dieser
Sammlung von Sousas
bekanntesten Märschen
steckt, ist, heutige
Blasorchester mit einer
praktischen Ausgabe, ganz
im Sinne von Sousas
eigener
Aufführungspraxis und
Instrumentierung,
auszustatten. Der
englische Komponist
Philip Sparke zeichnet
für diese
Neuinstrumentierung
verantwortlich. Als
Quelle dienten ihm Kopien
von Sousas
Originalpartituren und
historische Aufnahmen.Die
Partitur enthält viele
nützliche
Informationen. Philip
Sparke gibt in seinem
Vorwort wertvolle
Hinweise zu Besetzung und
Aufführungspraxis. Des
weiteren sind
eineausführliche
Biographie von John
Philip Sousa sowie zu
jedem Marsch eine
Werkbeschreibung
enthalten. Diese wurden
in fachkundiger Weise von
Werner Probst verfasst
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Cajun Folk Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:40.
Published by Manhattan
Beach Music.
Cajun Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:40. Published
by Manhattan Beach Music.
Composed by
George Lloyd. Band Music.
Score only. Duration
10:00. Published by G & M
Brand Music Publishers
(CN.S11042).
This symphonic
sketch for concert band
is packed full different
motives thrown around the
ensemble hinting at the
programmatic leitmotifs
of Wagner. Every section
of the ensemble gets a
workout in this
delightful 10-minute
work.
A Symphonic
Sketch for Concert Band.
The resurgence of
interest in George
Lloyd's music must give
us faith that such talent
will ultimately prevail
against sometimes unhappy
circumstances. Lloyd was
Cornish and showed
precocious gifts at an
early age - he had
completed his first
symphony by the age of
nineteen. During the
1930s he completed two
operas, one of which -
The Serf - was produced
at Covent Garden in 1938.
He was set for a
glittering career as a
composer. The Second
World War intervened and
he was invalidad out of
the Navy in a
shell-shocked state, and
having written very
little serious music
since 1937 went to
Switzerland to
recuperate, looked after
by his wife, Nancy.
Painfully, he began
writing again -
symphonies Nos. 4 and 5 -
and then returned to
England. He needed to
earn a living and he set
up a mushroom farm in
Dorset. But slowly he
began to compose again
and drafted more
symphonies in short
score. By this time he
was virtually unknown -
despite being considered
the equal of Walton,
Britten, and other young
stars of English music
some 30 years earlier.
Lloyd decided to embark
on a series of recordings
of his symphonies, and
slowly popular acclaim
enabled him to regain his
position. The Forest of
Arden was written in 1987
as a result of a
commission by the
Solihull Youth Wind Band.
Although Lloyd's music
feels instinctively
written one should not be
misled - it is carefully
crafted, but the craft
and structure are always
subordinated to create a
flow with a strongly
melodic content. Instead
of two or three themes,
The Forest of Arden
contains an abundance of
ideas which can be
described in two groups.
The first group contains
the opening rhythmic
motif, quickly developed
into a short rising
quaver passage in the
woodwinds, and later then
a chromatic ostinato bass
- only 8 bars at this
stage but later expanded.
The second group is broad
and expansive, initially
based on intervals of
rising fifths introduced
by euphonium, tubas, and
baritone saxophone,
immediately echoed by
horns. Low brass and
winds expand the theme
into rising sixths and
octaves. There is a hint
of development, bit this
is arrested as the music
moves to a piu tranquillo
section introduced by the
alto saxophone which
further develops the
rising sixth theme. There
follows a true
development of the
opening material,
starting with the
ostinato bass and
gradually passing through
different tonal centers
until the rising fifths
of the second theme group
are heralded - fortissimo
and poco piu largamente
shortly before the end.
The structure is almost
Wagnerian (albeit on a
much smaller scale), with
themes being used as
leitmotifs, but this is
music which, even within
the space of ten minutes
is conceived on a grand
design.
Composed by Mike Forbes. For concert band (piccolo, flute 1, flute 2, oboe, clar...(+)
Composed by Mike Forbes.
For concert band
(piccolo, flute 1, flute
2, oboe, clarinet 1 in
Bb, clarinet 2 in Bb,
clarinet 3 in Bb, bass
clarinet in Bb, bassoon,
alto saxophone 1 in Eb,
alto saxophone 2 in Eb,
tenor saxophone in Bb,
baritone saxophone in Eb,
trumpet 1 in Bb, trumpet
2 in Bb, trumpet).
Concert Performance
Series. Score and parts.
Duration 5 minutes, 55
seconds. Published by
Carl Fischer
Battle Quest Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Mike Forbes. For concert band (flute, oboe (opt. flute 2), clarinet ...(+)
Composed by Mike Forbes.
For concert band (flute,
oboe (opt. flute 2),
clarinet 1 in Bb,
clarinet 2 in Bb, bass
clarinet in Bb, alto
saxophone in Eb, tenor
saxophone in Bb, baritone
saxophone in Eb, trumpet
1 in Bb, trumpet 2 in Bb,
horn in F, trombone,
euphonium b.c., bassoon,
euphonium t.c. in B).
First Plus Performance
Series. Score and parts.
Duration 2 minutes, 17
seconds. Published by
Carl Fischer
200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531.
Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum.
A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
The Renaissance Fair Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school,...(+)
By Bob Margolis (After
Claude Gervaise). Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.
Amazing Grace Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:00.
Published by Manhattan
Beach Music.
Amazing Grace Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:00. Published
by Manhattan Beach Music.
Circles In A Square Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Ed Kiefer. For concert band (flute, oboe, clarinet 1 in Bb, clarinet...(+)
Composed by Ed Kiefer.
For concert band (flute,
oboe, clarinet 1 in Bb,
clarinet 2 in Bb,
clarinet 3 in Bb, bass
clarinet in Bb, bassoon,
alto saxophone 1 in Eb,
alto saxophone 2 in Eb,
tenor saxophone in Bb,
baritone saxophone in Eb,
trumpet 1 in Bb, trumpet
2 in Bb, trumpet 3 in Bb,
horn 1 in ). Concert
Performcnace Series.
Score and parts. Duration
4 minutes, 49 seconds.
Published by Carl Fischer
Portrait of a Clown Orchestre d'harmonie [Conducteur] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Level: Grade 2.
Conductor Full Score.
Duration 2:45. Published
by Manhattan Beach Music.
Portrait of a Clown Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Level: Grade 2.
Conductor score and set
of parts. Duration 2:45.
Published by Manhattan
Beach Music.
An American Elegy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 11:10. Published
by Manhattan Beach Music.
Innisfree Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Carl Strommen. For concert band (flute / piccolo, oboe, clarinet 1 i...(+)
Composed by Carl
Strommen. For concert
band (flute / piccolo,
oboe, clarinet 1 in Bb,
clarinet 2 in Bb,
clarinet 3 in Bb, bass
clarinet in Bb, bassoon,
alto saxophone 1 in Eb,
alto saxophone 2 in Eb,
tenor saxophone in Bb,
baritone saxophone in Eb,
trumpet 1 in Bb, trumpet
2 in Bb, trumpet 3 in Bb,
). Concert Performcnace
Series. Score and parts.
Duration 3 minutes, 17
seconds. Published by
Carl Fischer
An American Elegy Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor Full
Score. Duration 11:10.
Published by Manhattan
Beach Music.
Composed by Aaron Copland (1900-1990). Arranged by Robert Longfield. For Concert...(+)
Composed by Aaron Copland
(1900-1990). Arranged by
Robert Longfield. For
Concert Band (Score and
Parts). Boosey and Hawkes
Concert Band. Grade 4.
Published by Boosey and
Hawkes
Concert Band (piccolo/2 flutes, 2 oboes, 3 clarinets in Bb, 2 bassoons, 2 alto s...(+)
Concert Band (piccolo/2
flutes, 2 oboes, 3
clarinets in Bb, 2
bassoons, 2 alto
saxophones, tenor
saxophone, baritone
saxophone, 3 trumpets in
Bb, 4 horns in F, 2
trombones, bass trombone,
euphonium/baritone, tuba,
side drum, bass drum) -
Intermediate
SKU:
FT.FM271
Composed by
Ian Vlemmiks. Score and
Parts. Forton Music
#FM271. Published by
Forton Music (FT.FM271).
ISBN
9790570481705.
Conc
ert Band - Piccolo/2
Flutes, 2 Oboes, 3
Clarinets in Bb, 2
Bassoons, 2 Alto
Saxophones, Tenor
Saxophone, Baritone
Saxophone, 3 Trumpets in
Bb, 4 horns in F, 2
Trombones, Bass Trombone,
Euphonium/Baritone, Tuba,
Side Drum, Bass Drum. A
rousing opening section
with impressive
countermelodies lead to a
middle section in the
relative major. Here, the
tune is put into the bass
parts with some
interjections from the
upper parts. The final
section is a stately
chorale reminiscent of
Elgar at his finest!
Straightforward phrasing
and relatively
straightforward parts
make this accessible to
the majority of
bands.