Score Only Concert Band (Score) - Grade 5

SKU: HL.4004317

Composed by Jay Bocook. MusicWorks Grade 5. Festival. 36 pages. Duration 300 seconds. Published by Hal Leonard (HL.4004317).

UPC: 888680072766. 10.5x14.0x0.1 inches.

This masterful work by Jay Bocook was composed for fellow South Carolinian and highly regarded educator Scott Rush, known for his accomplishments with the nationally acclaimed Wando High School band program. Employing a minimalistic approach, this dynamic piece uses layers of constantly evolving textures and rhythmic devices, while propelled throughout by an energetic underlying pulse. Sprinkled with surprises and dramatic effects, and culminating with the full force of the entire ensemble, Head Rush is a dramatic and unique addition to the repertoire for mature ensembles. Dur: 5:00.

Score and Parts Concert Band (Score & Parts) - Grade 3

SKU: HL.48020691

Composed by Michael Oare. Windependence Apprentice Advanced. Classical. Softcover. Duration 270 seconds. Boosey & Hawkes #M051662517. Published by Boosey & Hawkes (HL.48020691).

UPC: 884088410278. 9.0x12.0x0.394 inches.

Composed as a memorial, To Dream in Brushstrokes is a sensitive and lyrical setting for band filled with emotion as well as beauty. Contrasting colors and textures contribute to the overall effectiveness of this work for young bands. Dur: 4:30 Recorded by the Virginia Wind Symphony – Dennis Zeisler, conductor.

Grade 5

SKU: CL.RWS-2109-00

Composed by Taylor. Concert Band. Score and set of parts. Composed 2021. RWS Music Company #RWS-2109-00. Published by RWS Music Company (CL.RWS-2109-00).

Beginning with a snare riff based on this audible football chant, the content of Five Mississippi Rush is inspired by its title. A five-Mississippi rush is often used in pickup football games where there is no offensive line and the defense has to count five Mississippis before rushing the quarterback. Cliff Taylor’s use of five-note motives and five-element phrases combine with the melodic and harmonic language of the blues that is rooted in the State of Mississippi. This engaging work will appeal to both performers and audiences. Exhilarating throughout!

Grade 5

SKU: AP.98-RWS210901

Composed by Taylor. Concert Band. Extra full score. Composed 2021. RWS Music Company #RWS-2109-01. Published by RWS Music Company (AP.98-RWS210901).

Beginning with a snare riff based on this audible football chant, the content of Five Mississippi Rush is inspired by its title. A five-Mississippi rush is often used in pickup football games where there is no offensive line and the defense has to count five Mississippis before rushing the quarterback. Cliff Taylor’s use of five-note motives and five-element phrases combine with the melodic and harmonic language of the blues that is rooted in the State of Mississippi. This engaging work will appeal to both performers and audiences. Exhilarating throughout!

Concert band - Grade 4

SKU: MH.1-59913-066-1

Composed by Stephen Kent Goodman. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 3:00. Published by Manhattan Beach Music (MH.1-59913-066-1).

ISBN 9781599130668.

The discovery of the yellow metal at Sutter's Mill in California's Sacramento Valley in 1849 was only the beginning of subsequent gold-rushes to occur in the state. Gold-Rush Rag was written to commemorate all of the California gold rushes from past to present -- not only for the precious metal, but for all the opportunities that California has offered. This work is dedicated to the Sacramento Valley Symphonic Band, conducted by Dr. Lester E. Lehr. Ensemble instrumentation: 1 Piccolo, 6 Flutes, 2 Oboe 1-2, 2 Bassoon 1-2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 4 Eb Alto Saxophone 1-2, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn in F 1-2, 2 Horn in F 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium BC, 2 Euphonium TC, 5 Tuba, 1 Bells, 2 Triangle/Tambourine, 3 Snare Drum/Bass Drum/Crash Cymbals.

Concert band - Grade 2

SKU: CL.024-4205-01

Composed by Grice. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR380). Extra full score. Composed 2013. Duration 2 minutes, 32 seconds. C.L. Barnhouse #024-4205-01. Published by C.L. Barnhouse (CL.024-4205-01).

In 1849 a gold rush took place in California that changed America forever. As the news spread, thousands of '49ers traveled with hopes of discovering great wealth that they never dreamed possible! This exciting work begins with a beautiful lyrical melody reminding us of simpler days and propels us forward with the excitement that the '49ers felt discovering gold. A perfect festival work for young bands!

Composed by Jay Bocook. For Concert Band (Score and Parts). MusicWorks Grade 5. Grade 5. Published by Hal Leonard

(The Great American Gold Rush). By David Shaffer. Concert band. Concert Band Series. Audio recording available separately (item CL.WFR364). Grade 3. Score and set of parts. Composed 2009. Duration 4 minutes, 58 seconds. Published by C.L. Barnhouse

Concert band - Grade 3

SKU: CL.012-4190-75

Composed by Robert W. Smith. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR378). Oversized, spiral-bound score. Composed 2013. Duration 4 minutes, 17 seconds. Opus III Wind Orchestra Publications #012-4190-75. Published by Opus III Wind Orchestra Publications (CL.012-4190-75).

A flurry of musical excitement and energy, Crush is a valued addition to the concert band repertoire by Robert W. Smith. Driving rhythmic interplay with soaring melodic lines merge in contemporary fashion creating a musically exciting experience for the band and audience. Suitable for concert and festival performance, Crush was written as a closing concert statement and premiered at the Michigan Music Educators Association convention. Rewarding both as a musical and educational work, your band will love to rehearse and perform Crush..

Concert Band - Grade 1.5

SKU: XC.HCB2302FS

Composed by Jorge Machain. Concert Concert Band. Harmony Grade 1.5. Score. Excelcia Music Publishing #HCB2302FS. Published by Excelcia Music Publishing (XC.HCB2302FS).

We are excited to publish music from new composer Jorge Machain. Rushing Dragons is a bold and forceful composition for developing students. The piece has nice contrasts between the exciting up-tempo music and the more lyrical middle section to help improve the musicianship of your young players.

By James Curnow. For Concert Band (Score and Parts). MusicWorks Grade 2. Grade 2. Softcover. Published by Hal Leonard

Concert Band - Grade 1.5

SKU: XC.HCB2302

Composed by Jorge Machain. Concert Concert Band. Harmony Grade 1.5. Set of parts. Excelcia Music Publishing #HCB2302. Published by Excelcia Music Publishing (XC.HCB2302).

We are excited to publish music from new composer Jorge Machain. Rushing Dragons is a bold and forceful composition for developing students. The piece has nice contrasts between the exciting up-tempo music and the more lyrical middle section to help improve the musicianship of your young players.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Trombone and more. - Grade 2

SKU: CF.YPS196F

Composed by Joseph Compello. Young Band (YPS). Full score. With Standard notation. 20 pages. Carl Fischer Music #YPS196F. Published by Carl Fischer Music (CF.YPS196F).

ISBN 9781491152843. UPC: 680160910342.

Aeolu s is the Greek mythological god of the winds. The title of this piece was chosen, in part, because of the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves are purely Aeolian. The compositional form bookends a broad and dramatic middle section with two sections in regal march style. Aeolus is sure to be a great teaching tool for young bands!.
Aeolus is the god of the winds in Greek mythology. The title was chosen to indicate the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves a purely Aeolian. The opening section of the music should be performed in a march-like manner at a brisk tempo deemed appropriate by the director for the ensemble. The countermelody first heard at m. 31 should soar above the ensemble. The transition to the middle section at m. 49 should be played broadly and dramatically with careful attention to the ritardando dimuendo, both of which should be performed smoothly and gradually. Do not rush the fermata in m. 51. A sudden shift in tempo and dynamics in the transition will detract from the entrance of the contrasting theme played soli by the clarinet section at m. 52. The counter lines found in the contrasting middle section beginning at m. 53 will require careful attention to balance. The second transition section beginning at m. 79 requires a flexible tempo and a smooth blending of the horn line into the clarinet line. An effective,  unrushed rallentando at m. 81 will make the sudden forte entrance of the brass fanfare at m. 83 all the more dramatic. At m. 109, the tempo may begin to quicken at the discretion of the director.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Trombone and more. - Grade 2

SKU: CF.YPS196

Composed by Joseph Compello. Young Band (YPS). Set of Score and Parts. With Standard notation. 16+4+8+8+4+4+10+4+4+8+8+8 +12+6+6+2+2+4+2+20+4 pages. Duration 3 minutes, 39 seconds. Carl Fischer Music #YPS196. Published by Carl Fischer Music (CF.YPS196).

ISBN 9781491152164. UPC: 680160909667. Key: C minor.

Aeolus is the Greek mythological god of the winds. The title of this piece was chosen, in part, because of the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves are purely Aeolian. The compositional form bookends a broad and dramatic middle section with two sections in regal march style. Aeolus is sure to be a great teaching tool for young bands!.
Aeolus is the god of the winds in Greek mythology. The title was chosen to indicate the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves a purely Aeolian. The opening section of the music should be performed in a march-like manner at a brisk tempo deemed appropriate by the director for the ensemble. The countermelody first heard at m. 31 should soar above the ensemble. The transition to the middle section at m. 49 should be played broadly and dramatically with careful attention to the ritardando dimuendo, both of which should be performed smoothly and gradually. Do not rush the fermata in m. 51. A sudden shift in tempo and dynamics in the transition will detract from the entrance of the contrasting theme played soli by the clarinet section at m. 52. The counter lines found in the contrasting middle section beginning at m. 53 will require careful attention to balance. The second transition section beginning at m. 79 requires a flexible tempo and a smooth blending of the horn line into the clarinet line. An effective,  unrushed rallentando at m. 81 will make the sudden forte entrance of the brass fanfare at m. 83 all the more dramatic. At m. 109, the tempo may begin to quicken at the discretion of the director.

Concert band 5-Part Ensemble & Rhythm Section & Strings + CD Play Back / Play Along - Grade 3

SKU: MA.EMR-28478

Composed by Gunter Noris. 5 - Part Ensemble & Rhythm Section & Strings (+ Play Back / Play Along CD optional). Score and parts. Duration 16'33. Editions Marc Reift #EMR 28478. Published by Editions Marc Reift (MA.EMR-28478).

Rock Your Blues Away / Romancing / Old Fashioned Romance / Rush Hour / Mountain Rock / Rumba Of LoveRock Your Blues Away / Romancing / Old Fashioned Romance / Rush Hour / Mountain Rock / Rumba Of Love.

Grade 3

SKU: CL.012-3806-01

The Great American Gold Rush. Composed by Shaffer. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR364). Extra full score. Composed 2009. Duration 4 minutes, 58 seconds. Opus III Wind Orchestra Publications #012-3806-01. Published by Opus III Wind Orchestra Publications (CL.012-3806-01).

The California Gold Rush began on January 24, 1848, when gold was discovered by James W. Marshall at Sutter's Mill, in Coloma, California. Using unique scoring techniques and multiple tambourines as pans, Eureka is David Shaffer’s musical depiction of the first miners attempts at panning gold from the American River and their perilous trip by horseback to San Francisco to stake their claim. Breathtaking musical excitement, simple but clever staging of the panners combined with the historical importance of that era will make this composition a must for your concert repertoire. Appropriate for festival, contest, and concert programs, this composition will make a rousing closer to any program.

Concert Band Concert Band - Grade 1

SKU: FJ.B1380S

Score Only. Composed by Timothy Loest. Concert Band. FJH Beginning Band. Light Concert; Novelty; Rock. Score. Duration 1:10. The FJH Music Company Inc #98-B1380S. Published by The FJH Music Company Inc (FJ.B1380S).

English.

Experie nce 'rush-hour rock' like you've never experienced before! This easy-grooving, well-crafted original derives its automotive charm from the various car horn effects played throughout. Various novelty percussion instruments such as the police whistle and bulb horn will car pool your audience from the concert hall to the expressway. A charming piece that will put a smile on everyone's face, even if they get stuck in traffic on the way home from the concert!

Traffic Jam represents my idea of rush hour rock. This work derives its automotive charm from the various car horn effects played throughout. The most important articulation in the work is the marcato accent. Whenever this articulation appears, a car horn is being honked. Each honk should be percussive and short. Although the honks are dissonant, their composite notes should be balanced. It is recommended that the various honks be isolated during rehearsal, so that just the right sound and feel is achieved. Other important sounds include the police whistle and bulb horn. These novelty instruments should be held high for the audience to see and hear. With over 4 million miles of roads in the United States, one is destined to experience automotive gridlock. So before giving into road rage, roll down the windows, turn on the radio, and enjoy a traffic jam!

Score only. Full set (score and parts) also available: B1380.

About FJH Beginning Band

Appro priate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.

Grade 3

SKU: CL.012-3806-75

The Great American Gold Rush. Composed by Shaffer. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR364). Oversized, spiral-bound score. Composed 2009. Duration 4 minutes, 58 seconds. Opus III Wind Orchestra Publications #012-3806-75. Published by Opus III Wind Orchestra Publications (CL.012-3806-75).

The California Gold Rush began on January 24, 1848, when gold was discovered by James W. Marshall at Sutter's Mill, in Coloma, California. Using unique scoring techniques and multiple tambourines as pans, Eureka is David Shaffer's musical depiction of the first miners attempts at panning gold from the American River and their perilous trip by horseback to San Francisco to stake their claim. Breathtaking musical excitement, simple but clever staging of the panners combined with the historical importance of that era will make this composition a must for your concert repertoire. Appropriate for festival, contest, and concert programs, this composition will make a rousing closer to any program.

Concert Band/Harmonie - Grade 3.5

SKU: BT.AMP-503-140

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2021. 40 pages. Anglo Music Press #AMP 503-140. Published by Anglo Music Press (BT.AMP-503-140).

English-German-French- Dutch.

A Little Klezmer Suite was commissioned by Rushton Park High School to celebrate the 50th anniversary of their band programme. They gave the premiere in a virtual online concert in October 2020. Klezmer music originated inthe ‘shtetl’ (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as ‘klezmorim’, had performed at celebrations, particularly weddings, since the early Middle Ages. 'Klezmer' is a Yiddish termcombining the Hebrew words ‘kley’ (instrument) and ‘zemer’ (song). The roots of the style are found in secular melodies, popular dances, Jewish ‘hazanut’ (cantorial music) and also the ‘nigunim’, the wordless melodies intoned bythe ‘Hasidim’ (orthodox Jews). The melodies used in the four movements of A Little Klezmer Suite have traditionally been used in Jewish wedding ceremonies and celebrations.

A Little Klezmer Suite werd geschreven in opdracht van de Rushton Park High School ter gelegenheid van het vijftigjarig bestaan van het blaasorkest van de school. De première vond in oktober 2020 plaats tijdens een virtueelonlineconcert. Klezmermuziek is ontstaan in de 'sjtetls' (dorpen) en getto’s van Oost-Europa, waar rondreizende Joodse troubadours, de zogeheten klezmorim, sinds de vroege middeleeuwen optraden bij feesten, met name bruiloften.Klezmer is een Jiddische term waarin de Hebreeuwse woorden 'kley' (instrument) en 'zemer' (lied) zijn gecombineerd. De oorsprong van de stijl is te vinden in wereldlijke melodieën, populaire dansen, de chazanoet muziek uit desynagoge met een voorzanger en de nigunim, de tekstloze melodieën die worden gezongen door de orthodoxe chassidische joden. De melodieën die in de vier delen van A Little Klezmer Suite zijn gebruikt, werden vanoorsprong ten gehore gebracht op Joodse bruiloftsplechtigheden en huwelijksfeesten.

A Little Klezmer Suite wurde von der Rushton Park High School in Auftrag gegeben, um den 50. Geburtstag ihres Blasorchesters zu feiern. Die Uraufführung fand im Rahmen eines virtuellen Online-Konzerts im Oktober 2020 statt.Die Klezmer-Musik entstand in den sogenannten Schtetl“ (Dörfern) und in den osteuropäischen Ghettos, in denen fahrende jüdische Troubadoure, bekannt als Klezmorim“, seit dem frühen Mittelalter bei Festen, insbesondere beiHochzeiten, aufgetreten sind. Klezmer“ ist ein jiddischer Begriff, der die hebräischen Wörter kley“ (Instrument) und zemer“ (Lied) miteinander kombiniert. Der Ursprung des Stils liegt in weltlichen Melodien, Volkstänzen,jüdisch er Hazanut“ (Kantorenmusik) und in den Nigunim“ Melodien ohne Text, die von den Chassidim (orthodoxen Juden) intoniert wurden. Die Melodien, die in den vier Sätzen von A Little Klezmer Suite vorkommen, wurdentraditionell bei jüdischen Hochzeitszeremonien und Feiern gespielt.

A Little Klezmer Suite est une commande de Rushton Park High School, en Angleterre, pour marquer le cinquantième anniversaire du programme de son harmonie. La pièce a été créée lors d’un concert virtuel en ligne en octobre2020. La musique klezmer est née dans les ‘shtetl’ (villages) et les ghettos d’Europe de l’Est, où les troubadours juifs itinérants, connus sous le nom de ‘klezmorim’, se produisaient lors de célébrations, en particulier lesmariages, depuis le début du Moyen ge. « Klezmer » est un terme yiddish qui combine les mots hébreux ‘kley’ (instrument) et ‘zemer’ (chanson). Les racines de ce style se trouvent dans les mélodies profanes, les danses populaires,le ‘hazanut’ juif (musique liturgique) ainsi que les ‘nigunim’, mélodies sans paroles entonnées par les ‘Hasidim’ (Juifs orthodoxes). Les mélodies traditionnelles employées dans les quatre mouvements de A Little KlezmerSuite ont toujours été populaires lors des cérémonies de mariage et autres fêtes juives.

Concert Band/Harmonie - Grade 3.5

SKU: BT.AMP-503-010

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score and Parts). Composed 2021. Anglo Music Press #AMP 503-010. Published by Anglo Music Press (BT.AMP-503-010).

English-German-French- Dutch.

A Little Klezmer Suite was commissioned by Rushton Park High School to celebrate the 50th anniversary of their band programme. They gave the premiere in a virtual online concert in October 2020. Klezmer music originated inthe ‘shtetlâ� �‚¬â„¢ (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as ‘klezmorimà ¢â‚¬â„¢, had performed at celebrations, particularly weddings, since the early Middle Ages. 'Klezmer' is a Yiddish termcombining the Hebrew words ‘kleyââ� �¬â„¢ (instrument) and ‘zemerâ⠂¬â„¢ (song). The roots of the style are found in secular melodies, popular dances, Jewish ‘hazanutâ €™ (cantorial music) and also the ‘nigunimâ €™, the wordless melodies intoned bythe ‘Hasidimâ €™ (orthodox Jews). The melodies used in the four movements of A Little Klezmer Suite have traditionally been used in Jewish wedding ceremonies and celebrations.

A Little Klezmer Suite werd geschreven in opdracht van de Rushton Park High School ter gelegenheid van het vijftigjarig bestaan van het blaasorkest van de school. De première vond in oktober 2020 plaats tijdens een virtueelonlineconcert. Klezmermuziek is ontstaan in de 'sjtetls' (dorpen) en getto’s van Oost-Europa, waar rondreizende Joodse troubadours, de zogeheten klezmorim, sinds de vroege middeleeuwen optraden bij feesten, met name bruiloften.Klezmer is een Jiddische term waarin de Hebreeuwse woorden 'kley' (instrument) en 'zemer' (lied) zijn gecombineerd. De oorsprong van de stijl is te vinden in wereldlijke melodieën, populaire dansen, de chazanoet muziek uit desynagoge met een voorzanger en de nigunim, de tekstloze melodieën die worden gezongen door de orthodoxe chassidische joden. De melodieën die in de vier delen van A Little Klezmer Suite zijn gebruikt, werden vanoorsprong ten gehore gebracht op Joodse bruiloftsplechtigheden en huwelijksfeesten.

A Little Klezmer Suite wurde von der Rushton Park High School in Auftrag gegeben, um den 50. Geburtstag ihres Blasorchesters zu feiern. Die Uraufführung fand im Rahmen eines virtuellen Online-Konzerts im Oktober 2020 statt.Die Klezmer-Musik entstand in den sogenannten Schtetl“ (Dörfern) und in den osteuropäischen Ghettos, in denen fahrende jüdische Troubadoure, bekannt als Klezmorim“, seit dem frühen Mittelalter bei Festen, insbesondere beiHochzeiten, aufgetreten sind. Klezmer“ ist ein jiddischer Begriff, der die hebräischen Wörter kley“ (Instrument) und zemer“ (Lied) miteinander kombiniert. Der Ursprung des Stils liegt in weltlichen Melodien, Volkstänzen,jÃ� �¼discher Hazanut“ (Kantorenmusik) und in den Nigunim“ Melodien ohne Text, die von den Chassidim (orthodoxen Juden) intoniert wurden. Die Melodien, die in den vier Sätzen von A Little Klezmer Suite vorkommen, wurdentraditionell bei jüdischen Hochzeitszeremonien und Feiern gespielt.

A Little Klezmer Suite est une commande de Rushton Park High School, en Angleterre, pour marquer le cinquantième anniversaire du programme de son harmonie. La pièce a été créée lors d’un concert virtuel en ligne en octobre2020. La musique klezmer est née dans les ‘shtetlâ� �‚¬â„¢ (villages) et les ghettos d’Europe de l’Est, où les troubadours juifs itinérants, connus sous le nom de ‘klezmorimà ¢â‚¬â„¢, se produisaient lors de célébration s, en particulier lesmariages, depuis le début du Moyen ge. « Klezmer » est un terme yiddish qui combine les mots hébreux ‘kleyââ� �¬â„¢ (instrument) et ‘zemerâ⠂¬â„¢ (chanson). Les racines de ce style se trouvent dans les mélodies profanes, les danses populaires,le ‘hazanutâ €™ juif (musique liturgique) ainsi que les ‘nigunimâ €™, mélodies sans paroles entonnées par les ‘Hasidimâ €™ (Juifs orthodoxes). Les mélodies traditionnelles employées dans les quatre mouvements de A Little KlezmerSuite ont toujours été populaires lors des cérémonies de mariage et autres fêtes juives.

Composed by Gerald Oswald. De Haske Concert Band. Concert. Softcover. Published by De Haske Publications

Grade 2

SKU: CL.011-4643-01

Shinkansen. Composed by Webb. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR396). Extra full score. Composed 2018. Duration 2 minutes, 32 seconds. C.L. Barnhouse #011-4643-01. Published by C.L. Barnhouse (CL.011-4643-01).

A dramatic, driving work guaranteed to motivate and excite your students, Bullet Train pays homage to the Japanese Shinkansen, a network of the busiest high-speed rail lines in the world, with a top speed of 200 miles per hour! Teaching opportunities abound, as tenutos, staccatos, minor scales, Japanese pentatonic scales, crescendos and decrescendos, are all presented. This piece will bring a unique multi-cultural flavor to any band concert, and will be an audience favorite as well. The biggest challenge? Not to rush, as even the Bullet Train will go off the rails if it goes too fast! Accelerated fun from start to finish!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

By Noris. Concert Band. Swiss import. Level: 4+. Score and parts. Published by Editions Marc Reift. (EMR 10103)

Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone and more. - Grade 2

SKU: CF.YPS197F

Composed by John Pasternak. Young Band (YPS). Full score. With Standard notation. 20 pages. Carl Fischer Music #YPS197F. Published by Carl Fischer Music (CF.YPS197F).

ISBN 9781491152850. UPC: 680160910359.

Chase the Horizon is a musical journey depicting a lonesome cowboy riding on his horse, chasing the horizon. Composer John Pasternak has delivered a strong and musically rewarding piece for the young band. It begins with a nice legato section before setting off on the journey with a tuneful theme. The piece develops through several contrasting sections finishing in a dramatic conclusion.
This piece is a story of new beginnings. While writing this piece I pictured a lonely cowboy riding on his horse, chasing the horizon. The beginning for this piece should have a very legato feel except for the Xylophone part, which should use a very abrupt, staccato articulation. Measure 9 should take on a staccato and light feel. The feeling should remain light except for the instruments with the melody, who should play their parts with a more legato feel. Dynamics throughout this first section are crucial. All parts at m. 22 should play with a legato style with focus on the dynamics. The trumpet interjection at m. 25 should be played very light. At m. 32 there should be contrast with all the different styles of articulation. Measure 42 should not slow down too quickly as the group should not ever get slower than the tempo marking at m. 49.The slow section at m. 49 should be played soft with a legato style growing gradually through m. 61. The articulation at m. 61 should be short and staccato, and be careful not to rush. The sections with the melody here should contrast the staccato of the ensemble with a legato style. When the ensemble arrives at m. 78 the piece should have a maestoso-style feel. The rit. at m. 88 should not become slower than the tempo at m. 92. At m. 92, let the horns and saxophones really shine through.

Concert Band Concert Band - Grade 1

SKU: FJ.B1780S

Score Only. Composed by Brian Balmages. Concert Band. FJH Beginning Band. Light Concert; Novelty. Score. Duration 2:15. The FJH Music Company Inc #98-B1780S. Published by The FJH Music Company Inc (FJ.B1780S).

English.

Fear, anxiety, adrenaline, and a sheer rush of excitement all take center stage in this musical depiction of a rollercoaster ride. After percussion simulate the sound of a lift hill, the ride is off in an action-packed series of drops, turns, and loops. Eventually the riders get their hands up in the air and revel in the unabashed joy of the moment before the ride comes to its end. Unique and powerful!

About FJH Beginning Band

Appro priate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.

By Detman / Mende / Rush. Arranged by Saurer. Concert Band. Swiss import. Level: 3+. Score and parts. Published by Editions Marc Reift. (EMR 10247)

Grade 3

SKU: CL.012-2020-01

Composed by Barker. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR196). Extra full score. Composed 1987. Duration 5 minutes, 35 seconds. Opus III Wind Orchestra Publications #012-2020-01. Published by Opus III Wind Orchestra Publications (CL.012-2020-01).

Composer/arrang er Warren Barker has developed a colorful and distinctive concert piece which conveys the spirit and magnificence of the American West, past and present...the majestic volcanoes and mountain ranges, the fertile and tranquil valleys, the building of the transcontinental railroad and the exciting days of the Gold Rush.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style