(12 Kompositionen aus dem 20. Jahrhundert von Wolfgang Fortner, Markus Gottsche, Harald Heilmann, Berthold Hummel, Ernst Pfiffner u.a.). Edited by Rudolf Walter. For Organ. Playing Score

(An Advent Suite for Organ). By Gilbert M. Martin (1941-). For organ: 3-staff. Sunday Suites Series. Sacred, Advent. Intermediate. Published by Lorenz Publishing Company

Organ

SKU: JU.JMG1407

Arranged by Howard Helvey. Extended Works. Score. Jubilate Music Group #JMG1407. Published by Jubilate Music Group (JU.JMG1407).

ISBN 9781959503217. UPC: 850055807808.

Howar d Helvey has created four exquisite settings of wonderful Advent selections for organ. Beautifully capturing the mystery and wonder of Advent, the book contains Intrada on Conditor alme siderum' (Creator of the Stars of Night); Prelude on Nun komm, der Heiden Heiland (Savior of the Nations, Come); Meditation on Es ist ein Ros'' (Lo, How a Rose E'er Blooming) and Flourish on an English Carol (Tomorrow Shall Be My Dancing Day). This will be a special treat for the player and all to experience during the holy season of Advent.

For Organ. 20th Century. Sheet Music. 28 pages. Published by Novello and Co Ltd.

Solo Organ

SKU: PR.513008810

Composed by Artur Gelbrun. Full score. With Standard notation. Duration 15 minutes. Israel Music Institute #513-00881. Published by Israel Music Institute (PR.513008810).

By Finzi. Arranged by Gower. For Organ Collection. Published by Oxford University Press.

Organ Solo. By Paul Patterson. (Organ). 16 pages. Published by Josef Weinberger.

By Kevin Hildebrand. For organ. Easter, General. Medium. Organ score. 16 pages. Published by MorningStar Music Publishers

By Various. Concert Band. For Organ. Swiss import. Sacred Music. Level: Grade 2+. Part. Published by Editions Marc Reift. (EMR 1101-45)

Organ

SKU: M7.DOHR-20262

Composed by Lothar Graap. Sheet music. Performance score. 12 pages. MDS (Music Distribution Services) #DOHR 20262. Published by MDS (Music Distribution Services) (M7.DOHR-20262).

ISBN 9790202042625.

By Dale Wood. Organ. Level: 3-staff. Sacred organ. Published by Sacred Music Press.

Composed by Thomas Daniel Schlee. For organ. Classical: 20th Century (Contemporary). Score. 21 pages. Published by Editions Henry Lemoine

By Peter Racine Fricker (1920-). For Organ. Masterworks; Organ Solo; Sheet; Solo. Faber Edition. 20th Century; Masterwork. Published by Faber Music

(Organ Solo). By Jean Sibelius (1865-1957). For Organ. Peermusic Classical. Softcover. 6 pages. Peermusic #60630-525. Published by Peermusic

Composed by Malcolm Archer. The Oxford Organ Library. 8 pages. Duration 3.5'. Oxford University Press #9780193552197. Published by Oxford University Press

Composed by Jeffrey Blersch. Sacred. Collection. Published by Concordia Publishing House (CR.97-7792).

Organ

SKU: BA.BA07795

Episoden/Phrasen. Composed by Jorge E. López. Stapled. Aus Strada degli eroi. Performance score. Composed 2000. 21 pages. Duration 6 minutes. Baerenreiter Verlag #BA07795_00. Published by Baerenreiter Verlag (BA.BA07795).

ISBN 9790006523610. 41.3 x 29.7 cm inches.

World Premiere 12/09/2002, Schwaz (Tirol).

Organ (Organ)

SKU: HL.14008416

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 32 pages. Chester Music #CH55477. Published by Chester Music (HL.14008416).

9.0x12.0x0.132 inches.

This essentially contemplative work in four movements is based on a plainsong fragment from the Lamentations of Jeremiah, traditionally sung on Maundy Thursday in the ceremonies spiralling down to the sacrifice of Christ on Good Friday. First performed in June 1982 by Richard Hughes, to whom the work is dedicated.

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Composed by Paul J. Sifler. Fredonia Press #FRD101. Published by Fredonia Press

Organ

SKU: HL.280395

Organ Solo. Composed by Bendt Fabricius. Music Sales America. Classical. Softcover. 57 pages. Edition Wilhelm Hansen #WH33092. Published by Edition Wilhelm Hansen (HL.280395).

Hymn preludes and choral arrangements by Bendt Fabricus (2018). Foreword: This small collection of preludes and choral arrangements is a selection of movements, created through more than 30 years of work as an organist in the Danish National Church. The collectionis first and foremost intended as a useful work tool for all my colleagues around the Danish organ benches. There are movements thatare suitable for the small one-manual organ in the village church and others that are intended for the concert organ in the large city church. Some movements are easy to follow, even with a simple and traditionally constructed structure, while others, both harmonious and rhythmic, offer greater complexity and degree of difficulty. Virtually all the kits composed for two manuals and pedal can also be realized on organs that have only one manual and pedal. As far as registration instructions are concerned, my statements are only intended as a guide to the sonorous expression in a given movement, as of course everyone is free to find exactly the registration that is deemed appropriate on the instrument in question. It is my wish that all organists can benefit fromthe collection and that it will prove to be a useful and beneficial supplement in the daily work. Bendt Fabricius.

Composed by Erland Von Koch (1910-). Musik av den siste representanten for den svenska lyriska tonsattartraditionen, for orgel. Published by Gehrmans Musikforlag (GH.GE-11374).