Organ - Medium SKU: JK.01885 Composed by Various. Arranged by Brent Jorge...(+)
Organ - Medium
SKU:
JK.01885
Composed by
Various. Arranged by
Brent Jorgensen. Organ
Chains, Organ Postludes,
Organ Preludes, Organ
Solos, Special Events
Funeral and Memorial,
Comfort, Eternal Life,
Funeral, Plan of
Salvation, Resurrection.
Christian, Inspirational.
Jackman Music Corporation
#01885. Published by
Jackman Music Corporation
(JK.01885).
UPC:
093285018853.
Ecclesiastes 3:1-2,
Matthew 5:4, 1 Peter
5:7.
Thirty-one
favorite funeral hymns
arranged in a continuous
medley for organ
prelude/postlude. You
can start anywhere in the
book and end
anywhere! Pedals are
included within the
staff. Songs included
in this book: Comfort
and Hope Be Still, My
Soul The Lord is My
Shepherd Nearer, My
God, To Thee Where
Can I Turn For Peace?
Come unto Jesus Lead,
Kindly Light Jesus
Christ I Know That
My Redeemer Lives
Beautiful Savior I
Believe in Christ I
Stand All Amazed He
Sent His Son How
Great Thou Art The
Love of God Our
Savior's Love Love
One Another My
Heavenly Father Loves
Me I Feel My Savior's
Love Where Love
Is Faith and Devotion
Come, Follow Me
I Need Thee Every
Hour Because I Have
Been Given Much
Amazing Grace In the
Garden Softly and
Tenderly Come, Thou
Fount of Every
Blessing Each Life
That Touches Ours For
Good Eternal Families
Families Can Be
Together Forever Love
at Home Oh, What
Songs of the Heart I
Am a Child of God O
My Father Closing
God Be With You Till
We Meet Again Abide
with Me! Abide with
Me, 'Tis Eventide
Anthems Goin'
home Consider the
Lilies Holy Art
Thou Jesu, Joy of
Man's Desiring
Composer: Various
Arranger: Brent
Jorgensen Difficulty:
Medium Reference:
Ecclesiastes 3:1-2,
Matthew 5:4, 1 Peter
5:7.
Volume 1. Composed by Various. Edited by Lyndell Leatherman. H.T. Fitzsim...(+)
Volume 1. Composed
by Various. Edited by
Lyndell Leatherman. H.T.
Fitzsimons Co.
Impressionist, French,
Classical. 24 pages. H.T.
FitzSimons Company
#F0665. Published by H.T.
FitzSimons Company
(HL.148461).
Chamber Music Solo Organ SKU: PR.113400450 Composed by Chen Yi. Edited by...(+)
Chamber Music Solo Organ
SKU: PR.113400450
Composed by Chen Yi.
Edited by James Higdon.
Sws. Performance Score. 8
pages. Duration 5
minutes. Theodore Presser
Company #113-40045.
Published by Theodore
Presser Company
(PR.113400450).
ISBN
9781491132326. UPC:
680160681679. 9x12
inches.
Chen Yi
describes her dramatic
study in the
organ’s
sonorities: “From
the bronze drum set on
topof the totem pole, I
imagine that our
ancestors played the
powerful low percussion
instrument,to unify the
rhythm in their group
dance; from the delicate
and magical decorations
carved onthe drum and the
pole, I imagine that the
beauty of the totem poles
is presented in
multilayerswith various
timbres from different
manuals (keyboards) and
pedals, and the ineffable
universe isharmonized in
the powerful and
brilliant grand chords
fully sounded from the
organ.†The
publicationincludes
registrations,
fingerings, and pedaling
provided by James Higdon.
TOTEM POLES
wascommissioned by the
American Guild of
Organists for its 2018
biennial national
convention. The
primitive power and the
spiritual mysteries of
the ancient totem poles
are permeated into the
rich palette, and brought
out from the sonic giant,
the solo organ.From the
bronze drum set on top of
the totem pole, I imagine
that our ancestors played
the powerful low
percussion instrument, to
unify the rhythm in their
group dance; from the
delicate and magical
decorations carved on the
drum and the pole, I
imagine that the beauty
of the totem poles is
presented in multilayers
with various timbres from
different manuals
(keyboards) and pedals,
and the ineffable
universe is harmonized in
the powerful and
brilliant grand chords
fully sounded from the
organ.
Organ - Level 3 SKU: BA.BA11264 Composed by Margaretha Christina de Jong....(+)
Organ - Level 3
SKU:
BA.BA11264
Composed
by Margaretha Christina
de Jong. Stapled.
Performance score. Opus
109. Baerenreiter Verlag
#BA11264_00. Published by
Baerenreiter Verlag
(BA.BA11264).
ISBN
9790006569724. 30 x 23 cm
inches. Preface: Clement,
Albert.
This
fantasia for organ was
composed in 2019. The
composition is based on a
melody attributed to the
French composer Louis
Bourgeois (approx.
1510–1560) which
is one of the most
well-known melodies in
the Christian musical
tradition. It has also
been sung to various
other texts, such as
Lutheran chorales. In
Bach’s work, the
melody appears in the
cantata “Lord God,
we praise Thee all of
us†BWV
130.
The composer
has retained the style of
French Romanticism. The
character of the work
corresponds to the
content of the text and
culminates in a festive
finale. This music is
suitable for many church
music occasions.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 1. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/14. Published by
Carus Verlag
(CA.2731114).
ISBN
9790007201562. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 1. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/12. Published by
Carus Verlag
(CA.2731112).
ISBN
9790007201548. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 2. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/15. Published by
Carus Verlag
(CA.2731115).
ISBN
9790007201579. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060419
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1766.
Hob. XXII:5. Duration 68
minutes. Carus Verlag #CV
40.604/19. Published by
Carus Verlag
(CA.4060419).
ISBN
9790007133214. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score and parts
available separately -
see item CA.4060400.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Double Bass. Composed
1901. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.311/16. Published
by Carus Verlag
(CA.2731116).
ISBN
9790007201586. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060403
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Vocal score.
Composed 1766. Hob.
XXII:5. Duration 68
minutes. Carus Verlag #CV
40.604/03. Published by
Carus Verlag
(CA.4060403).
ISBN
9790007092078. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score available
separately - see item
CA.4060400.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060409
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. 1x 40.604/21 oboe
1, 1x 40.604/22 oboe 2,
2x 40.604/23 2 bassoons,
1x 40.604/31 horn 1, 1x
40.604/32 horn 2, 1x
40.604/33 clarino 1, 1x
40.604/34 clarino 2, 1x
40.604/41 timpani.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. HAYDN:
GROssE MARIAZELLER-MESSE
IN C XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1766.
Hob. XXII:5. 72 pages.
Duration 68 minutes.
Carus Verlag #CV
40.604/09. Published by
Carus Verlag
(CA.4060409).
ISBN
9790007219383. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score and parts
available separately -
see item CA.4060400.
Organ - easy to intermediate SKU: HL.49044058 For Elke Mascha Blankenb...(+)
Organ - easy to
intermediate
SKU:
HL.49044058
For
Elke Mascha
Blankenburg. Composed
by Barbara Heller. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 2013.
8 pages. Duration 4'
30''. Schott Music
#ED21848. Published by
Schott Music
(HL.49044058).
ISBN
9790001197854.
Barb
ara Heller dedicated this
chorale to the memory of
Elke Mascha Blankenburg
(1943-2013). Talking
about her before the
first performance, the
composer said: 'She was
open-hearted with a
really tender soul, very
trusting. Her creativity
knew no limits; she was
also an almost fanatical
campaigner for music by
women. In the music you
will hear now I have
attempted to convey some
aspects of her
personality: charming,
loving, obstinate,
committed, volatile,
tragic, crazy, untamed,
tender and anguished.'
The various sections of
this chorale may be
performed in a
correspondingly
contrasting manner:
searching, hesitant,
visionary, focused,
volatile, accusatory,
hopeful, etc., with use
of rubato and powerful
contrasts in dynamic and
tone quality. The
registration for this
edition was devised in
the Church of the
Resurrection in Furth. It
is a model that may be
adapted freely for other
organs, perhaps
substituting new and
different sound
features.Also available
for clarinet and organ
(KLB 99).
Mixed Choir [SATB], Chamber Orchestra or Organ SKU: BT.PMC3367 For Cho...(+)
Mixed Choir [SATB],
Chamber Orchestra or
Organ
SKU:
BT.PMC3367
For
Chorus and Chamber
Orchestra or Organ- Organ
Score. Composed by
Morten Lauridsen. Vocal
Score. Composed 1997. 56
pages. Peermusic
Classical #PMC3367.
Published by Peermusic
Classical (BT.PMC3367).
Each of the
five connected movements
in this choral cycle
contains references to
'Light,' assembled from
various sacred Latin
texts. I composed Lux
Aeterna in response to my
mother's final illness
and found great personal
comfortand solace in
setting to music these
timeless and wondrous
words about Light, a
universal symbol of
illumination at all
levels - spiritual,
artistic and
intellectual. The work
opens and closes with the
beginning and ending of
theRequiem Mass, with the
central three movements
drawn respectively from
the Te Deum, O Nata Lux
and Veni, Sancte
Spiritus. The opening
Introitus introduces
several themes that recur
later in the work and
includes an extended
canonon et lux perpetua.
In Te, Domine, Speravi
contains, among other
musical elements, the
cantus firmus
Herzliebster Jesu (from
the Nuremburg Songbook,
1677) and a lengthy
inverted canon on fiat
misericordia. O Nata Lux
and Veni,Sancte Spiritus
are paired songs, the
former an a cappella
motet at the center of
the work and the latter a
spirited, jubilant
canticle. A quiet setting
of the Agnus Dei precedes
the final Lux Aeterna,
which reprises the
openingsection of the
Introitus and concludes
with a joyful celebratory
Alleluia. --Morten
Lauridsen.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060400
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
German title: HAYDN:
GROssE MARIAZELLER-MESSE
IN C XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Full score.
Composed 1766. Hob.
XXII:5. Duration 68
minutes. Carus Verlag #CV
40.604/00. Published by
Carus Verlag
(CA.4060400).
ISBN
9790007091385. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Choral Score.
Composed 1901. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.311/05. Published by
Carus Verlag
(CA.2731105).
ISBN
9790007132255. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score
available separately -
see item CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 2. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/13. Published by
Carus Verlag
(CA.2731113).
ISBN
9790007201555. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Organ SKU: HL.49047043 Chorale Arrangements and Free Works. Compos...(+)
Organ
SKU:
HL.49047043
Chorale Arrangements
and Free Works.
Composed by Various.
Edited by Peter
Reifenberg. Organ
Collection. Classical,
Romantic. Softcover.
Schott Music #ED23473.
Published by Schott Music
(HL.49047043).
UPC:
196288111023.
The
organ works by Gregor
Lehr (1906–1986),
cathedral organist and
master of music at the
cathedral in Worms, were
primarily intended for
use in church services:
these pieces were
performed by the composer
himself at church
services in Worms at the
cathedral of St Peter and
at the church of St Paul,
as well as in church
concerts. Until now these
musical scores were only
accessible to a few
former pupils of Lehr.
These pieces composed in
late Romantic style
consist mainly of chorale
preludes, along with some
variations, interludes or
postludes and chorale
fantasias.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Organ. Composed 1901. 20
pages. Duration 35
minutes. Carus Verlag #CV
27.311/49. Published by
Carus Verlag
(CA.2731149).
ISBN
9790007201593. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060449
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1766.
Hob. XXII:5. 48 pages.
Duration 68 minutes.
Carus Verlag #CV
40.604/49. Published by
Carus Verlag
(CA.4060449).
ISBN
9790007219437. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score and part
available separately -
see item CA.4060400.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515).
ISBN
9790007201739. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509).
ISBN
9790007201685. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513).
ISBN
9790007201715. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Organ (Organ) SKU: HL.50576968 Orgelmusik der Belle Epoque II. Com...(+)
Organ (Organ)
SKU:
HL.50576968
Orgelmusik der Belle
Epoque II. Composed
by Various Artists.
Ricordi Germany. Book
Only. Composed 2005.
Forberg Edition #F26002.
Published by Forberg
Edition (HL.50576968).
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Set of Orchestra
Parts. CG op. Posth.
Duration 35 minutes.
Carus Verlag #CV
27.315/19. Published by
Carus Verlag
(CA.2731519).
ISBN
9790007137366. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Organ SKU: CA.5016500 Composed by Josef Gabriel Rheinberger. Edited by Ma...(+)
Organ
SKU:
CA.5016500
Composed
by Josef Gabriel
Rheinberger. Edited by
Martin Weyer. This
edition: Paperbound. Free
organ music. German
title: Orgelsonate 14 In
C Op. 165. Free organ
music. Full score.
Composed 1890. Op. 165.
32 pages. Carus Verlag
#CV 50.165/00. Published
by Carus Verlag
(CA.5016500).
ISBN
9790007067946. Key: C
major. Language: all
languages.
The
Sonata No. 14 op. 165 is
an impressive example for
its combination of the
learned style, as
evidenced through various
stylistic layers and
compositional techniques,
together with a powerful,
brilliant virtuosity.
Organ (Organ) SKU: HL.50576903 Trois Antiennes pour le Magnificat....(+)
Organ (Organ)
SKU:
HL.50576903
Trois
Antiennes pour le
Magnificat. Composed
by Various Artists.
Ricordi Germany. Book
Only. Composed 2005.
Forberg Edition #F25037.
Published by Forberg
Edition (HL.50576903).