Le temps des cathédrales - Cocciante, Richard / Plamondon, Luc (Collection CrocK'MusiC) Arrangement Piano - 3 + feuillet pour paroles - niveau : Moyen / Piano

5 Liriche Musicate Su Parole Di A. Rubino. Par RESPIGHI OTTORINO. Italian/ Répertoire / Chant et Piano

The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano

The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano

Par LLOYD WEBBER ANDREW. Andrew Lloyd Webber brillante adaptation musicale classique beaucoup aimé du T.S.Eliot. Livre de pratique chats du Old Possum, a ravi le public partout dans le monde. Cet album vocal piano comprend toutes les pièces de l'émission aux côtés de classiques populaires mémoire, le vieux chat de Gumbie et Skimbleshanks. / TV, Film, Comédie musicale / Recueil / Chant

Vocal score based on the critical edition of the orchestral score edited by Paolo Fabbri, 2 volumes. Donizetti's Anna Bolena premiered at Milano's Teatro Carcano during Carnival season 1830-31 is considered the composer's first major success in serious opera, which brought him to the attention of all Europe. In terms of production, in Italy he was an anomaly, in that he remained actively involved in the evolution of his works and the performances of them, and went on making modifications to those works. Written expressly for the interpretative and vocal talents of great singers like Giuditta Pasta and Giovan Battista Rubini, the historically-based 'lyrical tragedy? by librettist Felice Romani is a classic of Lombard Romanticism. The present reduction for voice and piano derives from the critical edition of the score, recently published in this catalog: is based on the autograph score, (housed in the Ricordi Archives in Milan), on the libretto for the premiere, on the first vocal scores printed editions (Lucca and Ricordi in Milan and Marquerie Frères in Paris) and additional manuscript scores with autograph additional notes (housed in Naples and Rome). This edition presents for the first time all the music composed by Donizetti, in particular the sections crossed out or replaced either immediately before or after the first performances. There is also a synthetic reconstruction of the birth of Anna Bolena, with a description of sources and a selection of the Critical Notes from the full score edition. / Voix Et Piano

Vous êtes chanteur? Aucun doute cette partition vous satisfaira à 100%. Cataloguée sous la référence ME00070200, cette partition de Falla Manuel De a pour titre SIETE CANCIONES POPULARES ESPANOLAS POUR VOIX ET PIANO (VOIX MOYENNES) . A n'en pas douter, elle se classe logiquement dans la catégorie Classique. / Voix Et Piano / Partition

Voici une partition musicale pour Chant/Vocal/Choeur et plus spécialement pour Choeur A 2 Voix D'Enfants Et Piano que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est PETITE VIOLETTE a été composée par le célèbre compositeur Humblot . C'est l'éditeur Billaudot sous la référence CM168 qui a les droits pour éditer cette partition. / Choeur A 2 Voix D'Enfants Et Piano / Partition

The present reduction derives from the critical edition of the score, just published in this catalog. La Griselda, was composed and performed in Venice, in the spring of 1735, for the occasion of the Ascensiontide fair (Sensa). The task of adapting the libretto by Apostolo Zeno to the particular exigencies of the production was assigned to a young writer of comedies attached to the company led by Giuseppe Imer: Carlo Goldoni. The latter immortalized in his Mémoires his meeting with Vivaldi and the composer's inseparable prima donna, the contralto Anna Giraud, confessing to having been forced against his will to 'assassinate? Zeno's drama at the composer's whim. La Griselda was favourably received by the audience at the San Samuele theatre, remained the sole opera by Vivaldi to be staged at a theatre owned by the powerful Grimani family. The present edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. / Voix Et Piano