Voice and piano SKU: BR.EB-8871 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8871
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf.
Publication of
Vol. 1 is scheduled for
the first half of 2020,
Vol. 2 for the first half
of 2021.
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 132
pages. Breitkopf and
Haertel #EB 8871.
Published by Breitkopf
and Haertel (BR.EB-8871).
ISBN 9790004184615. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Voice and piano SKU: BR.EB-8872 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8872
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf. Aria; Opera;
Classical; Late-romantic.
Piano/Vocal Score. 152
pages. Breitkopf and
Haertel #EB 8872.
Published by Breitkopf
and Haertel (BR.EB-8872).
ISBN 9790004184622. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
By Edvard Grieg. Edited by Fog/Grinde. For voice, piano. Op. 58,59,60,61,67,69, ...(+)
By Edvard Grieg. Edited
by Fog/Grinde. For voice,
piano. Op.
58,59,60,61,67,69, and
70; EG 121-157, Edition
in original keys in
accordance with Edvard
Grieg: Complete Works
(volume 14), edited by
the Edvard Grieg
Committee, Oslo (urtext).
Published by C.F. Peters.
Piano, Voix [Partition] - Facile Alfred Publishing
Music by George Gershwin (1898-1937), Ira Gershwin, arranged by Tom Gerou. Songb...(+)
Music by George Gershwin
(1898-1937), Ira
Gershwin, arranged by Tom
Gerou. Songbook for easy
solo piano. Series:
Simply Gershiwn. 80
pages. Published by
Alfred Publishing.
For voice and keyboard. Hal Leonard E-Z Play Today. Country. Difficulty: easy. K...(+)
For voice and keyboard.
Hal Leonard E-Z Play
Today. Country.
Difficulty: easy.
Keyboard/vocal/chords
songbook (big note
notation). Chord names,
big note notation, lyrics
and registration guide.
152 pages. Published by
Hal Leonard
keyboard/vocal/chords
songbook (big note
notation) Country
(Thirty Years of Popular Hits Arranged for EASY PIANO). Arranged by Dan Coates. ...(+)
(Thirty Years of Popular
Hits Arranged for EASY
PIANO). Arranged by Dan
Coates. For Piano. Book;
Piano - Easy Piano
Collection; Piano
Supplemental; Sing-Along.
Decade by Decade.
Nostalgia; Pop. Easy
Piano. 144 pages.
Published by Alfred Music
Publishing
Composed by Marc Antoine Charpentier. Edited by Shirley Thompson. For four voice...(+)
Composed by Marc Antoine
Charpentier. Edited by
Shirley Thompson. For
four voices, two treble
instruments and continuo.
Full score. Published by
Edition HH Music
Publishers
(or The Lass That Loved a Sailor ) Lyrics by W.S. Gilbert, music by Arthur Sulli...(+)
(or The Lass That Loved a
Sailor ) Lyrics by W.S.
Gilbert, music by Arthur
Sullivan (1842-1900). For
mixed voice and piano.
Format: piano/vocal
score. With vocal score
and piano accompaniment.
Broadway and vocal
standards. 167 pages.
7.5x10.7 inches.
Published by G. Schirmer,
Inc..
Voice and piano (solo: S - 2.0.2.2. - 4.0.0.0. - str) SKU: BR.DLV-3471 (+)
Voice and piano (solo: S
- 2.0.2.2. - 4.0.0.0. -
str)
SKU:
BR.DLV-3471
Original and
Arrangement by the
Composer. Composed by
Jean Sibelius. Voice.
Deutscher-Lieder-Verlag.
Nearly all of the
orchestral arrangements
were made years after the
original compositions.
Yet even though the
arrangements were made in
a very short period of
time, Sibelius handled
the combination of solo
voice and orchestra with
equal mastery.
Song;
Early modern;
Late-romantic. Score. 8
pages. Duration 2'.
Breitkopf and Haertel
#DLV 3471. Published by
Breitkopf and Haertel
(BR.DLV-3471).
ISBN
9790004801512. 9 x 12
inches. Swedish /
German.
Sibelius
made most of the
orchestral versions of
his songs for the soprano
Ida Ekman (1875-1942),
the incomparable Sibelius
singer the composer
called her in a
dedication written in a
score. Ida Ekman gave the
first performance of the
orchestral version of
Soluppgang on March 30,
1914, in Turku. Idas
husband Karl conducted
the orchestra of the
Turku Musical
Society.Nearly all of the
orchestral arrangements
were made years after the
original compositions for
voice and piano. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery,
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet), sometimes
radiant, colorful
impressions (in
Soluppgang), or
light-colored,
transparent textures (in
Varen flyktar hastigt),
and always basing his
ideas on the poetic idea
of the song while
discovering refined ways
of supporting
it.
Nearly all of
the orchestral
arrangements were made
years after the original
compositions. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra with equal
mastery.
Voice & Piano SKU: ST.LS20 Composed by John Maynard. Edited by Anthony Ro...(+)
Voice & Piano
SKU:
ST.LS20
Composed by
John Maynard. Edited by
Anthony Rooley. Vocal
music. Edited by Anthony
Rooley. With Lute
Tablature. Vocal score.
Stainer & Bell Ltd.
#LS20. Published by
Stainer & Bell Ltd.
(ST.LS20).
ISBN
9790220210969.
CONT
ENTS First of all our
sexe, The (C - E
flat) How many things
(D - D) I marriage
would forsweare (C - E
flat) I onely am the
man (D - F) I studie
to uphold (A - F) Law
is my calling, The (F -
A) Long have I livde
in Court (F - G) My
calling is divine (D -
F) My dying husband
knew (D - A) My
occupation is the Noble
trade of Kings (G -
A) My trade doth
every thing (C sharp -
D) Though strange
outlandish spirits praise
(D - G).
Voice & Piano SKU: ST.LS4 Composed by John Dowland. Edited by Edmund H Fe...(+)
Voice & Piano
SKU:
ST.LS4
Composed by
John Dowland. Edited by
Edmund H Fellowes. Vocal
music. Edited by E H
Fellowes. Revised by
Thurston Dart. With Lute
Tablature and treble and
bass viol parts. Score
and parts. Stainer & Bell
Ltd. #LS4. Published by
Stainer & Bell Ltd.
(ST.LS4).
ISBN
9790220205729.
CONT
ENTS Cease these
false sports (solo and
5-part) Disdain me
still (E - E) Far
from triumphing court (D
- E) From silent
night (D - E)
Galliard to Lachrimae
(lute solo) Go
nightly cares (C - D)
If my complaints (C -
E) If that a sinner's
sighs (G - G) In
darkness let me dwell (C
- E) In this
trembling shadow cast (F
sharp - E flat) Lady
if you so spite me (G -
F) Lasso vita mia (D
- E) Love those beams
(F sharp - G) My
heart and tongue were
twins (A - A) Shall I
strive with words to move
(E - D) Stay time
awhile thy flying (E -
D) Sweet stay awhile
(E - E) Tell me true
love (D - D) Thou
mighty God (D - E) To
ask for all thy love (E -
G) Up merry mates
(solo voices and
4-part) Welcome black
night (solo voice and
5-part chorus) Were
every thought and eye (G
- G) When David's
life (E - E) When the
poor cripple (E - E)
Where sin sore wounding
(A - G).
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.
Music pedagogy. Score. 24
pages. Breitkopf and
Haertel #EB 8933.
Published by Breitkopf
and Haertel (BR.EB-8933).
ISBN 9790004186008.
8.5 x 11.5 inches.
German.
Discovering
the voice for the very
youngest children The
little Singing Frog was
conceived and brought to
life by the soprano
Stefanie Fersch from
years of experience
teaching many young
singing talents. Around
her theme character the
author devises stories
with concealed
vocal-training exercises
and songs of her own
composition. In the
process she is able in an
appealing way to train
holistically the singing
voices of children aged 4
to 8 with first body and
breathing exercises.
Available are an
illustrated storybook
with CD, a supporting
teacher's manual complete
with methodological
suggestions and piano
part, together with the
separate piano part.
Ideal for teaching voice
in kindergarten, music
school and primary
school, in choruses and
other groups, even for
pedagogues with no
background in teaching
children Ideal gift for a
child-friendly
introduction to
singing
The new
book for children's
vocal-training -
recommended by Diana
Damrau. For further
information and news
about the Singfrosch
please visit
www.kleiner-singfrosch.de
.