| Chaconne Piano seul Schott
Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by ...(+)
Transcription from
Partita
No. 1 in D Minor BWV1004
Piano Solo. Composed by
Martin Stadtfeld. Piano
Solo.
Classical. Softcover. 24
pages. Schott Music
#ED23299.
Published by Schott Music
$21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Variations on "America" Piano seul Theodore Presser Co.
Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged ...(+)
Chamber Music Piano
SKU: PR.110418370
Composed by Charles Ives.
Arranged by Danny Holt.
Performance Score. 20
pages. Duration 8
minutes. Theodore Presser
Company #110-41837.
Published by Theodore
Presser Company
(PR.110418370). ISBN
9781491135075. UPC:
680160686247. Compo
sed as an organ solo by
the 17-year-old Ives for
his own performance
purposes, the beloved
Variations on America is
a treat for any occasion,
whether a holiday
concert, a serious
recital, or other special
event. Danny
Holt’s
transcription for Piano,
Four Hands adds a
dazzling new option to
play at home or on stage,
taking best advantage of
Ives’ tremendous
contrasts in color,
dynamics, and
texture. Composed when
Charles Ives was a
teenager, Variations on
“America†is
both a convenient
introduction to
Ives’ body of
work, and an early
example of his
iconoclastic musical
voice and creative
genius. Just a few years
after composing this
piece, Ives would leave
home to study music at
Yale. But until then he
had been taught by his
father, George (who had
been a bandmaster in the
Civil War). George
subjected the young Ives
to experiments such as
singing a song in one key
while being accompanied
in another, or arranging
for two marching bands to
converge on a town
center, with the
resulting cacophony that
ensued.The Variations
exemplifies an early
period of experimentation
in Ives’ work,
spurred on by the unusual
pedagogy of his father.
The piece is particularly
notable for its use of
bitonality in the two
interludes, subtly
foreshadowing more
well-known examples by
Stravinsky, Bartók,
and others by
approximately two
decades.The bitonal
interludes were so ahead
of their time, in fact,
they were omitted from
the first copy that was
submitted to a publisher
in 1892. (Alas, the piece
was rejected even despite
these
“shockingâ€
elements having been left
out, and it wasn’t
published until more than
five decades later.)
There is some ambiguity
about when exactly Ives
added the interludes into
his manuscript copy,
though ample evidence
suggests he had performed
the piece with the
interludes around the
time he notated the piece
in 1891-92. In any case,
in light of this piece
and his other polytonal
explorations from the
last decade of the 19th
century, it seems fair to
give Ives credit for
being a pioneer in this
area!This arrangement for
Piano, Four Hands,
closely follows
Ives’ original
version for organ,
setting aside William
Schuman’s popular
adaptation for symphony
orchestra and William
Rhoads’ band
transcription of the
Schuman orchestration.
Pianists will find that
the piece translates well
to the instrument.
Ideally, the choreography
and logistics of
elbow-to-elbow four-hands
playing approximates the
wild joy one gets from
watching an organist play
the piece (e.g., the
elaborate pedal part in
the final variation).In
preparing this
publication, attention
was paid to details in
the dual Critical
Editions (Presser
443-41003) of both
Ives’ manuscript
edition and the 1949
publication edited by
organist E. Power Biggs
(who is credited with
discovering what had been
a long-lost, forgotten
work.) But as with much
of Ives’ output,
attempting to create a
true
‘urtext’
score is a futile
endeavor, and especially
with a piece such as this
one – in which
Ives incorporated
improvisation in live
performance –
seems unnecessary anyhow.
True die-hards are of
course encouraged to
consult the critical
editions and even find
inspiration in the
orchestrated version.
Generally, performers are
advised to be wild, have
fun, and not to be too
rigid in their
interpretive
choices.Dynamics in this
arrangement mostly follow
the organ score closely.
Pianists will use good
judgment about pedaling
throughout, which should
be straightforward and
intuitive. Courtesy
accidentals have been
provided frequently
– without
parentheses –
balancing the need for
extra clarity in the
context of Ives’
murky musical language,
and a desire to avoid
unnecessary clutter.A few
notes that might inform
interpretive
decisions:mm. 15-16:
There are inconsistencies
here between Ives’
original manuscript and
the 1949 Biggs edition,
regarding the top voice
in m. 15, beat 3 (C# vs.
Cn) and m. 16 (D Major
vs. D Minor).mm. 76-84 &
143-146: In both
Interludes, Ives
emphatically notates
extreme dynamic contrast,
in order to highlight the
bitonality. Although it
may seem counterintuitive
(or even a misprint, as
has apparently been
misconstrued by some),
performers are urged to
follow the
composer’s
marking!m. 109: Two-note
slurs have been added
here for clarity and
consistency with other
similar passages, though
they do not appear in
either the original
manuscript or Biggs.m.
112: The last two eighth
notes of Primo appear as
16ths in the original
manuscript.mm. 183-186:
The original manuscript
has a slightly different
bass line.mm. 184 & 186:
Primo gestures have been
re-written to be slightly
more idiomatic for Piano,
Four Hands.m. 186: The
breath mark at the end of
this bar does not appear
in either the manuscript
or Biggs, but is an
editorial suggestion
– aside from being
appropriately dramatic,
it will indeed be
necessary in a
reverberant hall!I would
like to thank Steven
Vanhauwaert, the other
half of my piano duo,
4handsLA, for his input
on early drafts of this
arrangement.—
Danny Holt, April
2022. $24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Vingt-quatre grande études paperback Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14499 And other works. Composed by Franz Liszt. ...(+)
Piano SKU:
BT.EMBZ14499 And
other works. Composed
by Franz Liszt. EMB Liszt
Works. Studies &
Exercises. Book Only.
Composed 2012. 220 pages.
Editio Musica Budapest
#EMBZ14499. Published by
Editio Musica Budapest
(BT.EMBZ14499).
English-German-Hungari
an. Of this series
of twenty-four études
planned by Liszt only
twelve were actually
written, but the
contemporary printed
editions of the completed
pieces (in the hope of a
continuation) appeared
with the series title '24
grandes études'. By
publishing these 12
concert studies it makes
the earlier and
technically more
difficult version of the
Transcendental Studies
available for the first
time since 1911 for study
by performers and those
engaged in music
research. Contrary to the
1911 edition among the
volumes of the first
complete Liszt edition,
NLE will publish also the
text variants of some
studies, an album leaf in
F sharp major in
facsimile and in
transcription considered
asthe 13th study planned
by Liszt for the series,
and the earlier versions
of so-called Mazeppa and
Ab irato studies. In the
volume will be published
the puzzling album leaf,
the so-called 'Prélude
omnitonique' and some
similar album leaves,
too.
Von den 24
Etüden dieser Serie,
die Liszt ursprünglich
geplant hatte, wurden
tatsächlich nur 12
fertig, die
zeitgenössischen
gedruckten Ausgaben
erschienen in der
Hoffnung auf eine
Fortsetzung dennoch unter
dem Serientitel ‚24
große Etüden'. Mit
der Veröffentlichung
dieser zwölf
Konzertetüden wird die
frühere und technisch
schwierigere Version der
Transzendenten Etüden
seit 1911 erstmalig
für die Interpreten
und Forscher
zugänglich. Im
Gegensatz zur 1911 als
Band der ersten
Liszt-Gesamtausgabe
erschienenen Ausgabe
werden in der NLA auch
die Textversionen mancher
Etüden publiziert,
ebenso wie das Fis-Dur
Albumblatt (als Faksimile
und moderne
Transkription), welches
auch alsSkizze der
geplanten dreizehnten
Etüde angesehen werden
kann, außerdem die
früheren Versionen der
sog. Mazeppa- und Ab
irato-Etüden. Auch das
geheimnisvolle
Albumblatt, das sog.
‚Prélude
omnitonique' wurde,
ebenso wie weitere
ähnliche
Albumblätter in diesen
Band aufgenommen.
Des 24 études
prévues initialement,
seules 12 furent
terminées, mais elles
furent toutefois
éditées sous le nom
initial de 24 Grandes
Études. Cette
édition contient
également des textes
et de nombreuses autres
pièces tels que des
esquisses, des études
de perfectionnement et
des versions
antérieures de la
Mazeppa. $48.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Annees de Pelerinage Deuxieme annees, Italie Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14711 Softcover, Works for Piano Solo, Supplementary...(+)
Piano SKU:
BT.EMBZ14711
Softcover, Works for
Piano Solo, Supplementary
vol. 13. By Adrienne
Kaczmarczyk. By Ferenc
Liszt. EMB Liszt Works.
Book Only. Composed 2010.
264 pages. Editio Musica
Budapest #EMBZ14711.
Published by Editio
Musica Budapest
(BT.EMBZ14711).
English-German-Hungari
an. The content of
this volume consists
partly of works that have
survived in the
composer's manuscript and
are now published for the
first time, and partly of
the original versions of
pieces that were
published during Liszt's
lifetime but later
reworked. Of the earlier
versions connected with
Years of Pilgrimage, 2nd
Year, Italy, the most
noteworthy are the two
completed versions of the
Dante sonata, which are
now appearing in print
for the first time.
Further important
compositions belonging to
the Italy cycle are the
Petrarch sonnets. The
first versions of these
that we are publishing
were actually published
by the composer, and he
also included them in his
concert
repertoire.Another
particularly significant
piece being published for
the first time is the
Freischütz fantasia, a
characteristic, fine
example of the type of
opera fantasia Liszt
developed at the
beginning of the 1840s.
Of the waltzes that
feature in this volume,
in addition to the first
version of the concert
pieces - the Grande valse
di bravura and the Valse
mélancolique - we have
also included three
complete, technically
less demanding little
pieces that Liszt
intended primarily as
mementos.
Der
Band beinhaltet
mehrheitlich die als
Autograph
erhaltengebliebenen
Werke, die hier erstmalig
publiziertwerden, und
andererseits
ursprüngliche
Versionen vonWerken
Liszts, die noch zu
Lebenszeit des Meisters
herausgegeben,aber
später überarbeitet
wurden.Von den
früheren, dem
Années de p lerinage,
2e année,Italie-Band
zugehörigen Versionen
verdienen vor allemdie
zwei vollendeten der
Dante-Sonate besondere
Aufmerksamkeit,die
erstmals
veröffentlicht werden.
Dieweiteren bedeutenden
Kompositionen des
Italien-Zyklussind die
Petrarca-Sonette. Die
erste Version dieser
Werkesind,wurde schon
damals von Liszt
publiziert und vonihm
selbst in sein Repertoire
aufgenommen.
UnterdenErstausgaben soll
auch auf die
Freischütz-Fantasie
besonderesAugenmerk
gelegt werden. Diese ist
ein typischerund
niveauvoller Vertreter
der Anfang der 1840er
Jahreerarbeiteten
Liszt’schen
Ausprägung der
Opernfantasie. $49.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Annees de Pelerinage Deuxieme annees, Italie Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14711A New Edition of the Complete Works, Supplement...(+)
Piano SKU:
BT.EMBZ14711A New
Edition of the Complete
Works, Supplementary vol.
13. By Adrienne
Kaczmarczyk. By Ferenc
Liszt. EMB New Listz
Edition. Book Hardcover.
Composed 2010. 280 pages.
Editio Musica Budapest
#EMBZ14711A. Published by
Editio Musica Budapest
(BT.EMBZ14711A).
English-German-Hungari
an. The content of
this volume consists
partly of works that have
survived in the
composer's manuscript and
are now published for the
first time, and partly of
the original versions of
pieces that were
published during Liszt's
lifetime but later
reworked. Of the earlier
versions connected with
Years of Pilgrimage, 2nd
Year, Italy, the most
noteworthy are the two
completed versions of the
Dante sonata, which are
now appearing in print
for the first time.
Further important
compositions belonging to
the Italy cycle are the
Petrarch sonnets. The
first versions of these
that we are publishing
were actually published
by the composer, and he
also included them in his
concert
repertoire.Another
particularly significant
piece being published for
the first time is the
Freischütz fantasia, a
characteristic, fine
example of the type of
opera fantasia Liszt
developed at the
beginning of the 1840s.
Of the waltzes that
feature in this volume,
in addition to the first
version of the concert
pieces - the Grande valse
di bravura and the Valse
mélancolique - we have
also included three
complete, technically
less demanding little
pieces that Liszt
intended primarily as
mementos.
Der
Band beinhaltet
mehrheitlich die als
Autograph
erhaltengebliebenen
Werke, die hier erstmalig
publiziertwerden, und
andererseits
ursprüngliche
Versionen vonWerken
Liszts, die noch zu
Lebenszeit des Meisters
herausgegeben,aber
später überarbeitet
wurden.Von den
früheren, dem
Années de p lerinage,
2e année,Italie-Band
zugehörigen Versionen
verdienen vor allemdie
zwei vollendeten der
Dante-Sonate besondere
Aufmerksamkeit,die
erstmals
veröffentlicht werden.
Dieweiteren bedeutenden
Kompositionen des
Italien-Zyklussind die
Petrarca-Sonette. Die
erste Version dieser
Werkesind,wurde schon
damals von Liszt
publiziert und vonihm
selbst in sein Repertoire
aufgenommen.
UnterdenErstausgaben soll
auch auf die
Freischütz-Fantasie
besonderesAugenmerk
gelegt werden. Diese ist
ein typischerund
niveauvoller Vertreter
der Anfang der 1840er
Jahreerarbeiteten
Liszt’schen
Ausprägung der
Opernfantasie. $117.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Vingt-quatre grande études hardcover Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14499A And other works. Composed by Franz Liszt....(+)
Piano SKU:
BT.EMBZ14499A And
other works. Composed
by Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2012.
236 pages. Editio Musica
Budapest #EMBZ14499A.
Published by Editio
Musica Budapest
(BT.EMBZ14499A).
English-German-Hungari
an. Of this series
of twenty-four études
planned by Liszt only
twelve were actually
written, but the
contemporary printed
editions of the completed
pieces (in the hope of a
continuation) appeared
with the series title 24
grandes études. By
publishing these 12
concert studies it makes
the earlier and
technically more
difficult version of the
Transcendental Studies
available for the first
time since 1911 for study
by performers and those
engaged in music
research. Contrary to the
1911 edition among the
volumes of the first
complete Liszt edition,
NLE will publish also the
text variants of some
studies, an album leaf in
F sharp major in
facsimile and in
transcription considered
asthe 13th study planned
by Liszt for the series,
and the earlier versions
of the so-called Mazeppa
and Ab irato studies. In
the volume will be
published the puzzling
album leaf, the so-called
''Prélude
omnitonique'' and some
similar album leaves,
too.
Von den 24
Etüden dieser Serie,
die Liszt ursprünglich
geplant hatte, wurden
tatsächlich nur 12
fertig, die
zeitgenössischen
gedruckten Ausgaben
erschienen in der
Hoffnung auf eine
Fortsetzung dennoch unter
dem Serientitel ‚24
große Etüden'. Mit
der Veröffentlichung
dieser zwölf
Konzertetüden wird die
frühere und technisch
schwierigere Version der
Transzendenten Etüden
seit 1911 erstmalig
für die Interpreten
und Forscher
zugänglich. Im
Gegensatz zur 1911 als
Band der ersten
Liszt-Gesamtausgabe
erschienenen Ausgabe
werden in der NLA auch
die Textversionen mancher
Etüden publiziert,
ebenso wie das Fis-Dur
Albumblatt (als Faksimile
und moderne
Transkription), welches
auch alsSkizze der
geplanten dreizehnten
Etüde angesehen werden
kann, außerdem die
früheren Versionen der
sog. Mazeppa- und Ab
irato-Etüden. Auch das
geheimnisvolle
Albumblatt, das sog.
‚Prélude
omnitonique' wurde,
ebenso wie weitere
ähnliche
Albumblätter in diesen
Band aufgenommen. $117.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sarabande Piano seul - Avancé De Haske Publications
Piano - advanced SKU: BT.DHP-1165709-401 Piano Reduction. By Paul ...(+)
Piano - advanced SKU:
BT.DHP-1165709-401
Piano Reduction.
By Paul Mann. By Jon
Lord. Piano Reduction.
Composed 2016. 80 pages.
De Haske Publications
#DHP 1165709-401.
Published by De Haske
Publications
(BT.DHP-1165709-401).
ISBN
9789043150231. Jon
Lord’s
Sarabande was
composed during 1975 and
released as a solo album
the following year. This
new revised edition of
the composer’s
2010 concert version
represents the first
appearance of the work in
print in anyform. Lord
intended it for his own
use in live performance,
as a companion to his
celebrated Concerto
for Group and
Orchestra. It is a
brilliant showpiece for
the combined forces of
rock band and orchestra,
takinginspiration from
the keyboard suites of
J.S. Bach. This new full
score is edited by Jon
Lord’s long-time
musical collaborator, the
conductor Paul Mann, and
makes use of many
previously unavailable
sources including
themanuscriptscores of
the original version and
a copy of the score
corrected in consultation
with the composer
following the 2010
premiere. It can
therefore be said to
represent as closely as
possible Jon
Lord’s final
thoughts onthe work.
Jon Lords
Sarabande werd
gecomponeerd in 1975 en
het jaar daarop
uitgebracht als
soloalbum. Deze nieuwe,
herziene uitgave van de
concertversie die de
componist zelf in 2010
vervaardigde, is de
eerste editie op papier
dieooit van het werk is
verschenen. Lord
gebruikte de basisversie
zelf bij live optredens,
wanneer hij het werk
uitvoerde naast zijn
gevierde Concerto for
Group and Orchestra.
Het is een geweldig stuk
voor een combinatie
vanrockband en orkest, ge
nspireerd op de
klavecimbelsuites van
Johann Sebastian Bach.
Deze nieuwe partituur is
bewerkt door dirigent
Paul Mann, met wie de
componist op muzikaal
gebied al jaren
samenwerkt. Er zijn
veelvoorheenontoegankelij
ke bronnen voor gebruikt,
waaronder de
handgeschreven partituren
van de originele versie
en een partituur die na
de première in 2010 is
verbeterd in overleg met
de componist. Daarom kan
worden gesteld datdeze
bewerking de laatste
gedachten van Jon Lord
over dit werk zo
nauwkeurig mogelijk
weergeeft.
Partitur und
Klavierauszug der
Sarabande können
käuflich erworben
werden. Das
Einzelstimmen-Set ist
ausschließlich
Leihmaterial. Auskunft
über Leih-Bedingungen
und Preise erhalten Sie
auf Nachfrage. Bitte
kontaktierenSie:
HalLeonard Europe BV -
Rental
department E-Mail: rental@hall
eonardeurope.nl Jon Lords
Sarabande entstand
1975 und wurde im
darauffolgenden Jahr
alsSoloalbum
veröffentlicht. Die
überarbeitete Ausgabe
der Konzertversion des
Komponisten aus dem Jahr
2010 erscheint hiermit
zum ersten Mal in
gedruckter Form. Lord
hattediese Version für
seine eigenen
Live-Auftritte gedacht,
alseine Art Ergänzung
zu seinem berühmten
Concerto for Group and
Orchestra. Das Werk
ist ein brillantes
Paradebeispiel für die
vereinte Kraft von
Rockband und Orchester
und wurde von denSuiten
J. S. Bachs inspiriert.
Dieseneue Ausgabe der
Partitur wurde von Paul
Mann, Jon Lords
langjährigem
musikalischem Freund,
herausgegeben. Sie
basiert auf zahlreichen
bisher nicht
zugänglichen Quellen
wie dem Manuskript der
Originalversion undeiner
Kopie der inAbsprache mit
dem Komponisten
korrigierten Partitur
nach der Aufführung im
Jahr 2010. Es werden
somit Jon Lords letzte
Gedanken zu diesem Werk
so genau wie möglich
dargestellt.
Sarabande
de Jon Lord fut
composé en 1975 et
sorti comme disque solo
l’année
d’après. Cette
nouvelle édition
révisée, basée
sur la version de concert
du compositeur de 2010,
est la toute première
version publiée de
l’œuvre.Lord
l’avait conçue
pour accompagner son
Concerto for Group and
Orchestra lors
d’interprétatio
ns en direct. Un morceau
virtuose qui combine les
forces de groupe de rock
et d’orchestre,
inspiré par les suites
pour clavier
deJean-Sébastien Bach.
Cette nouvelle édition
complète est
éditée par le chef
d’orchestre Paul
Mann, collaborateur
musical de Jon Lord
depuis longtemps. Elle se
repose sur de nombreuses
sources qui étaient
indisponiblesauparavant,c
omme le manuscrit de la
version originale, ainsi
qu’une copie de la
partition corrigée en
consultation avec le
compositeur après la
première de 2010. Par
conséquent, cette
édition est sans doute
une
représentationaussi
précise que possible
des dernières
réflexions de Jon Lord
sur cette Å“uvre. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Slavic Minatures - Slawische Miniaturen Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14762 By Ãgnes Lakos. EMB Musical Expeditions. Educa...(+)
Piano SKU:
BT.EMBZ14762 By
Ãgnes Lakos. EMB
Musical Expeditions.
Educational Tool. Book
Only. Composed 2011. 56
pages. Editio Musica
Budapest #EMBZ14762.
Published by Editio
Musica Budapest
(BT.EMBZ14762).
The latest
volume in this highly
successful series offers
romantic character pieces
by Polish, Czech and
Russian composers,
including Moszkowski,
Smetana, Fibich and
Glinka, for enterprising
young pianists and their
teachers to discover. The
less well-known composers
are also noteworthy. For
instance, Maria
Szymanowska, who toured
the whole of Europe as
one of the most famous
virtuoso concert pianists
of her time, and was
awarded the title of
first pianist to the
Tsar's court in St
Petesburg.
Der
neueste Band der
erfolgreichen Serie
bietet den jungen
entdeckungsfreudigen
Pianisten und deren
Lehrern polnische,
tschechische und
russische, romantische
Charakterstücke unter
anderem von Moszkowski,
Smetana, Fibich und
Glinka. Aufmerksamkeit
verdienen aber auch die
weniger bekannten
Komponisten wie z. B.
Maria Szymanowska, die
als eine der
berühmtesten
Klaviervirtuosen ihrer
Zeit ganz Europa bereiste
und in St. Petersburg zur
‚Ersten Pianistin'
des Hofes ernannt
wurde. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Four Rags Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14601 Composed by Ittzes Tamas. Contemporary Music. Boo...(+)
Piano SKU:
BT.EMBZ14601 Composed
by Ittzes Tamas.
Contemporary Music. Book
Only. Composed 2007. 16
pages. Editio Musica
Budapest #EMBZ14601.
Published by Editio
Musica Budapest
(BT.EMBZ14601).
The activities
of Ittzés (b. 1967) as
performer and composer in
the field of ragtime have
resulted in many
successful concerts both
in Hungary and abroad and
numerous CD recordings,
and have earned him
several international
awards both as a composer
and as a performer. The
present volume,
containing Teke Rag,
(Roaming Rag), Kakadu Rag
(Cockatoo Rag), Tom
Turpin s Rag and Ed s
Running Rag, is
recommended for
intermediate level
pianists.
Die
künstlerischen
Tätigkeiten des 1967
geborenen Komponisten im
Bereich des Ragtimes
hatten mehrere in- und
ausländische Konzerte,
zahlreiche CD-Aufnahmen
und einige internationale
Komponisten- und
Interpretenpreise zur
Folge. Den jetzt
ausgegebenen Band, der
die Stücke (Teke-Rag,
Kakadu Rag, Tom
Turpin’s Rag,
Ed’s Running Rag)
beinhaltet, empfehlen wir
unseren mäßig
fortgeschrittenen
Klavierspielern. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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