Soloists, Mixed choir
(SATB), Orchestra
(Soprano solo, Alto solo
(2), Tenor solo (2), Bass
solo (2), Mixed choir
(SATB), Orchestra)
SKU: BA.BA11311
Composed by George
Frideric Handel. Edited
by Felix Schroeder. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. HWV 48.
Baerenreiter Verlag
#BA11311_00. Published by
Baerenreiter Verlag
(BA.BA11311).
ISBN
9790006574650. 31 x 24.3
cm inches. Language:
German. Preface:
Schütz, Gudula. Text:
Barthold Heinrich
Brockes.
Handel
composed his only
oratorio in German
between 1716 and 1717
basing it on the then
popular Passion text by
Barthold Heinrich Brockes
entitled “Der
für die Sünde der
Welt gemarterte und
sterbende Jesusâ€
(“The Story of
Jesus, Suffering and
Dying for the Sins of the
Worldâ€).
Handel’s affinity
to opera is evident in
the musical realisation
of the emphatic text as
he creates a synthesis
between traditional
Protestant church music
and the depiction of
human passion in the
manner of opera
seria.
This
edition is based on the
corresponding volume of
the “Halle Handel
Edition†(BA 4021).
The full score, parts and
vocal score have been
newly engraved. The piano
reduction has been
simplified and brought up
to today’s
standards, thus making it
much more manageable to
play.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by George
Frideric Handel. Edited
by Felix Schroeder.
Arranged by Andreas Kohs
and Walter Heinz
Bernstein. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Vocal Score. HWV
48. Baerenreiter Verlag
#BA11311_90. Published by
Baerenreiter Verlag
(BA.BA11311-90).
ISBN
9790006574469. 27 x 19 cm
inches. Language: German.
Preface: Schütz,
Gudula. Text: Barthold
Heinrich
Brockes.
Handel
composed his only
oratorio in German
between 1716 and 1717
basing it on the then
popular Passion text by
Barthold Heinrich Brockes
entitledDer fur die Sunde
der Welt gemarterte und
sterbende Jesus(The Story
of Jesus, Suffering and
Dying for the Sins of the
World). Handel's affinity
to opera is evident in
the musical realisation
of the emphatic text as
he creates a synthesis
between traditional
Protestant church music
and the depiction of
human passion in the
manner of opera
seria.
This
edition is based on the
corresponding volume of
theHalle Handel
Edition(BA 4021). The
full score, parts and
vocal score have been
newly engraved. The piano
reduction has been
simplified and brought up
to today's standards,
thus making it much more
manageable to
play.
(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edit...(+)
(nach der Abschrift von
J. S. Bach). By George
Frideric Handel
(1685-1759). Edited by
Traub, Andreas. For STB
soli, SATB choir, 2
oboes, taille, 2 bassoon,
2 violins, viola and
basso continuo. This
edition: paperbound. HWV
48. Full score available
separately - see item
CA.5504800. Oratorios,
Passions; Stuttgart
Urtext editions; Use
during church year: Lent
and Passiontide, Holy
Week. Piano/Vocal score.
Language: German. 152
pages. Duration 150 min
(after the copy from J. S. Bach). By George Frideric Handel (1685-1759). Edited ...(+)
(after the copy from J.
S. Bach). By George
Frideric Handel
(1685-1759). Edited by
Andreas Traub. For STB
vocal soli, solo vocal
quintet, SATB choir, 2
oboes, taille (english
horn), 2 violins, viola,
basso continuo. This
edition: Paperbound.
Stuttgart Urtext
editions. Oratorios,
Passions, Lent and
Passiontide, Holy Week.
Full score. Language:
German. HWV 48. 176
pages. Duration 150 min.
Published by Carus Verlag
Urtext der Neuen Bach-Ausgabe. Kritischer Bericht siehe BA 5078 41. By Johann Se...(+)
Urtext der Neuen
Bach-Ausgabe. Kritischer
Bericht siehe BA 5078 41.
By Johann Sebastian Bach.
Edited by Christoph
Wolff. For Soli, Mixed
Choir, Orchestra. Neue
Bach-Ausgabe. Serie I.
Band 8/2. Kantaten,
Barock (Cantatas,
Baroque). Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter-Ausgaben
(German import). (BA5079
01)
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214).
ISBN
9790007213459. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Single Part,
Organ. Composed circa
1747. 64 pages. Duration
90 minutes. Carus Verlag
#CV 35.502/49. Published
by Carus Verlag
(CA.3550249).
ISBN
9790007141202. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 1.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/13. Published by
Carus Verlag
(CA.3550213).
ISBN
9790007213442. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
circa 1747. 16 pages.
Duration 90 minutes.
Carus Verlag #CV
35.502/05. Published by
Carus Verlag
(CA.3550205).
ISBN
9790007213411. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score available
separately - see item
CA.3550200.
St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed circa 1747.
Duration 90 minutes.
Carus Verlag #CV
35.502/19. Published by
Carus Verlag
(CA.3550219).
ISBN
9790007139629. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and parts
available separately -
see item CA.3550200.