Timpani

SKU: TL.TCL616029

Composed by Trinity College London. Educational. Sheet music. Trinity College London #TCL 616029. Published by Trinity College London (TL.TCL616029).

A collection of material for Timpani, some of which features in the Trinity College London Percussion exam syllabus. Included are a selection of graded excercises (Grades 1–5) and studies, together with pieces by Keith Bartlett and David Hext. Pieces which are included on the current Percussion syllabus are: Nimble Stix (Grade 3), Galop (Grade 4), Sweet Sixteenths (Grade 4), Mischievous March (Grade 6), Trinity Variations (Grade 7) and Dialogues (Grade 8).

(Chorales and Exercises to Emphasize the Art of Legato Playing for the Middle-Level Band). By Larry Clark and Sean O'Loughlin. Arranged by Larry Clark and Sean O'Loughlin. Concert Band. For Timpani. This edition: Timpani part. Carl Fischer Band Books Series. Classical. Part. Standard notation. 16 pages. Published by Carl Fischer

Timpani

SKU: AY.PC3087PM

Composed by Miquel Pardo. Percussion. Sheet music. Duration 12'. Periferia Publishing #PC3087PM. Published by Periferia Publishing (AY.PC3087PM).

ISBN 9790543575639.

I spent more time on the creation of the Study in three movements than on other orchestral works that were longer. This usually surprises people who don't write. However, the more instrumental limitations, the more difficult it is to elaborate a wide and coherent musical discourse. That is what I tried to do in this work: to wake up the sleeping giant and let the drums sing reinforcing their tectonic character, their caustic rhythms and their ancestral accents. I kept the purpose of the technique, even if it looked sophisticated and using fresh ideas that are direct and instinctive. Miquel Pardo.

Timpani

SKU: ST.H427

Composed by Lcm. Percussion music. Syllabus. Stainer & Bell Ltd. #H427. Published by Stainer & Bell Ltd. (ST.H427).

ISBN 9790220219993.

This is the first of two books covering the timpani grades for the popular London College of Music and Media percussion exams. Two pieces and a study are included for each grade, and there are examples of sight-reading tests and sample viva voce questions. The LCM requirements, unlike those for other examinations syllabuses, replace scales and rudiments with tuning tests, and marks are awarded for musicianship as well as for technical ability from the earliest stages.