Set of 2 Performance Scores SKU: HL.233501 For Violin and Cello Set of...(+)
Set of 2 Performance
Scores
SKU:
HL.233501
For
Violin and Cello Set of 2
Performance Scores.
Composed by Nina Young.
Peermusic Classical.
Softcover. Peermusic
Classical #70152-753.
Published by Peermusic
Classical (HL.233501).
SKU: HL.1075991 For Solo Violin. Composed by Nina Young. Peermusic...(+)
SKU: HL.1075991
For Solo Violin.
Composed by Nina Young.
Peermusic Classical.
Softcover. 4 pages.
Peermusic Classical
#70350-601. Published by
Peermusic Classical
(HL.1075991).
ISBN
9781705175903. UPC:
196288098959.
9.0x12.0x0.066
inches.
Violin - easy to intermediate SKU: HL.49001794 Set of Parts. Compo...(+)
Violin - easy to
intermediate
SKU:
HL.49001794
Set of
Parts. Composed by
Istvá, n
Szelé, and nyi.
Sheet music. Concertino
(Chamber Orchestra).
Classical. Set of choral
parts. 50 pages. Duration
9'. Schott Music #CON
148-70. Published by
Schott Music
(HL.49001794).
ISBN
9790001117388.
Beca
use of its scoring, this
uncomplicated little
six-movement suite in a
folkloric style is, above
all, suitable for the
first ensemble playing in
violin lessons. As
vigorous effective music,
it suits, in particular,
the needs of young
players.
Chamber Music Violin SKU: CF.BF115 Composed by Johann Sebastian Bach. Edi...(+)
Chamber Music Violin
SKU: CF.BF115
Composed by Johann
Sebastian Bach. Edited by
Rachel Barton Pine. SWS.
Collection. With Standard
notation. 80 pages. Carl
Fischer Music #BF115.
Published by Carl Fischer
Music (CF.BF115).
ISBN
9781491150993. UPC:
680160908493. 9x12
inches.
Johann
Sebastian Bach’s
(1685—1750)
SixSonatas and Partitas
have captivated
violinistsfor centuries.
Rachel Barton
Pine—havingspent
decades studying the
music of Bach,his
contemporaries, and his
predecessors—now
offers this unparalleled
edition completewith
detailed historical
notes,
performancesuggestions,
and downloadable study
materialsincluding a new
Urtext edition and a
speciallyprepared
manuscript. Pine’s
interpretationis informed
by thorough historical
study, which has been
polished byyears of
performance insight, but
also encourages those
studying
Bach’srepertoire
to craft their own unique
interpretation of these
timelessmasterpieces.
This edition closely
follows Pine’s
critically acclaimed
2016recording
“Testament:
Complete Sonatas and
Partitas for Solo Violin
byJ.S. Bach†(Avie
2360) making it an
invaluable resource for
any student,teacher, or
performer enthralled with
J.S. Bach’s long
standing legacy.Ms. Pine
holds the distinction of
being the only American
and youngestperson to win
the gold medal at the
J.S. Bach International
ViolinCompetition in
Leipzig, Germany,
1992. here is no one
right way to play Bach.
More thanalmost any
repertoire, each
individual’s
interpretation isas
unique as their
personality. Though I
have spent
decadesstudying
Bach’s music as
well as that of his
contemporariesand
predecessors, my final
rationale for
artisticdecisions is
often taste and instinct.
Every violinist
whoundertakes a
lifetime’s journey
with this incredible
repertoireis continually
discovering new ideas.
Thus, theopinions on the
following pages may
evolve over time.However,
everything in the sheet
music closely follows
my2016 recording
“Testament:
Complete Sonatas and
Partitasfor Solo Violin
by J.S. Bach†(Avie
2360), which I trulyfeel
represents the
culmination of my
exploration intothese
extraordinary works.In
choosing to present this
edition, my hope is
thatyou will find useful
solutions to challenges
of fingering,bowing, and
polyphony, and helpful
information
aboutphrasing. I have
also included additional
dynamic suggestionswith
the hope that trying
these ideas will help
inspireyou to discover
your own. All of these
markings aredesigned to
work with a baroque
violin and baroque bow,a
modern violin and baroque
bow, or a modern
violinand modern bow.
While the information in
this editionis unusually
dense, there is much that
I did not include,such as
lifts, breaths,
articulations, whether to
play on oroff the string,
metronome markings,
details of timing,and
emphases other than
hemiolas.I offer this
book to you in the spirit
of Bach: “SoliDeo
Gloria.â€.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
Violin - Beginning SKU: MB.99292FM Composed by Craig Duncan. Saddle-stitc...(+)
Violin - Beginning
SKU: MB.99292FM
Composed by Craig Duncan.
Saddle-stitched,
Classical, French
Language, Children and
Young Beginner, Method,
Folk. First Lessons.
Style. Book and online
audio. 32 pages. Mel Bay
Publications, Inc
#99292FM. Published by
Mel Bay Publications, Inc
(MB.99292FM).
Composed by
Nigel Goldberg. String
music. Clifton Edition
#C545. Published by
Clifton Edition
(ST.C545).
ISBN
9790570815456.
Combines and replaces the
two original publications
of Sounds of a
Rainbow Book 1 from
Spartan Press (SP950-1),
into this volume that
includes both duets and
violin and piano versions
in one
volume.
Whether a
student or a great
artist, the desire to
make a beautiful sound is
a constant in the life of
any musician. Sound is
the musician’s voice,
the means of
communicating an artistic
vision to the audience
and it should be the aim
for children of any age
or standard to be engaged
in good tone
production.
The
inspiration for writing
the pieces for this book
came to me from the wish
to give the young
children I teach music
which would develop their
ear for both good
intonation and beautiful
tone production. All the
pieces have a strongly
implied harmonic
structure allowing them
to be played without
accompaniment. The
purpose of the second
violin part is therefore
to enable the teacher to
underline the harmony as
well as to influence the
student’s tone
production and intonation
through his own sound, as
much can be taught by
good example. The violin
student also has the
option to play with
piano. The accompaniments
included within this book
are written by Heidi
Rolfe.
The choice
of keys in this book
covers most of the
requirements for scales
in the Associated Board
syllabus Grade
1.
Finally I think
that children enjoy the
challenge of expressing
different moods and
emotions musically, and I
hope that the range of
ideas implied by the keys
and the titles of these
pieces will fire their
imagination.
Nigel
Goldberg
Grade
1 Former Spartan Press
Cat. No.: SP950 and
SP951.
Composed by
Nigel Goldberg. String
music. Clifton Edition
#C546. Published by
Clifton Edition
(ST.C546).
ISBN
9790570815463.
Whether a student or a
great artist, the desire
to make a beautiful sound
is a constant in the life
of any musician. Sound is
the musician’s voice,
the means of
communicating an artistic
vision to the audience
and it should be the aim
for children of any age
or standard to be engaged
in good tone
production.
The
inspiration for writing
the pieces for this book
came to me from the wish
to give the young
children I teach music
which would develop their
ear for both good
intonation and beautiful
tone production. All the
pieces have a strongly
implied harmonic
structure allowing them
to be played without
accompaniment. The
purpose of the second
violin part is therefore
to enable the teacher to
underline the harmony as
well as to influence the
student’s tone
production and intonation
through his own sound, as
much can be taught by
good example. The violin
student also has the
option to play with
piano. The accompaniments
included within this book
are written by Heidi
Rolfe.
The choice
of keys in this book
covers most of the
requirements for scales
in the Associated Board
syllabus Grade
1.
Finally I think
that children enjoy the
challenge of expressing
different moods and
emotions musically, and I
hope that the range of
ideas implied by the keys
and the titles of these
pieces will fire their
imagination.
Nigel
Goldberg
Grade
2 Former Spartan Press
Cat. No.: SP952 and
SP953.
Composed by
Nigel Goldberg. String
music. Clifton Edition
#C547. Published by
Clifton Edition
(ST.C547).
ISBN
9790570815470.
Whether a student or a
great artist, the desire
to make a beautiful sound
is a constant in the life
of any musician. Sound is
the musician’s voice,
the means of
communicating an artistic
vision to the audience
and it should be the aim
for children of any age
or standard to be engaged
in good tone
production.
The
inspiration for writing
the pieces for this book
came to me from the wish
to give the young
children I teach music
which would develop their
ear for both good
intonation and beautiful
tone production. All the
pieces have a strongly
implied harmonic
structure allowing them
to be played without
accompaniment. The
purpose of the second
violin part is therefore
to enable the teacher to
underline the harmony as
well as to influence the
student’s tone
production and intonation
through his own sound, as
much can be taught by
good example. The violin
student also has the
option to play with
piano. The accompaniments
included within this book
are written by Heidi
Rolfe.
The choice
of keys in this book
covers most of the
requirements for scales
in the Associated Board
syllabus Grade
1.
Finally I think
that children enjoy the
challenge of expressing
different moods and
emotions musically, and I
hope that the range of
ideas implied by the keys
and the titles of these
pieces will fire their
imagination.
Nigel
Goldberg
Grades
3–4 Former Spartan
Press Cat. No.: SP954 and
SP955.
Composed by Jonathan Leshnoff. For violin solo. Contemporary. Standard Notation....(+)
Composed by Jonathan
Leshnoff. For violin
solo. Contemporary.
Standard Notation.
Duration 3 minutes.
Theodore Presser Company
#494-03007. Published by
Theodore Presser Company
Composed by William Bay. Saddle-stitched. Lively Tunes. Celtic / Irish. Book...(+)
Composed by William Bay.
Saddle-stitched. Lively
Tunes. Celtic / Irish.
Book.
32 pages. Mel Bay
Publications, Inc #WBM38.
Published by Mel Bay
Publications, Inc