(Newly Composed Fiddle Tunes). Edited by Paul Stewart Cranford. For Fiddle and V...(+)
(Newly Composed Fiddle
Tunes). Edited by Paul
Stewart Cranford. For
Fiddle and Violin.
Transcribed Solos.
Cranford Publications.
Fiddle Tunes.
Intermediate. Book/CD
Set. 112 pages
String Thang Violon - Intermédiaire Alfred Publishing
Violin - Grade 3 SKU: AP.50642 Composed by Mark Wood. Sheet; Solo. Mark W...(+)
Violin - Grade 3
SKU:
AP.50642
Composed by
Mark Wood. Sheet; Solo.
Mark Wood Series. Rock.
Score. 6 pages. Alfred
Music #00-50642.
Published by Alfred Music
(AP.50642).
ISBN
9781470652517. UPC:
038081574967.
English.
String
Thang by Mark Wood is
based on the twelve-bar
blues. The blues has deep
roots in American
history, developed out of
the work songs and chants
of African-American
slaves. The Great
Migration of the first
half of the 20th century
saw freed slaves and
their descendants move to
northern and eastern
parts of the U.S., taking
their music with them.
The blues took on
different forms; in turn
it helped to create rock,
jazz, hip-hop, and other
popular genres. A
twelve-bar blues uses a
repeating chord
progression which allows
musicians to express
themselves creatively
with each recurrence. If
anything defines the
blues, it is the use of
blue notes---pitches that
don't usually belong in a
given key---and elements
of improvisation.
30 Songs in Authentic
Styles with Accompaniment
Tracks. Composed by
Mark Contreras Gómez.
Solo/Ensemble collection.
Kendor Music Inc #SB2305.
Published by Kendor Music
Inc (KN.SB2305).
12 x
9 inches.
The Latin
American String
Collection is an
authentic resource for
the modern string room.
As a Latin American
Composer, Mark Contreras
Gómez brings a wealth
of experience to this
collection –
making it a trusted
choice for your students.
Explore Latin American
styles and learn about
their unique histories
with information included
by the composer on each
and every solo. The
accompanying tracks have
been carefully curated
and performed by the
composer, and include
click count-offs,
performance versions, and
performance demos for use
while practicing each
distinctive style. The
book itself, is laid out
with a strong focus on
pedagogic sequencing,
introducing new styles
and dances as the
musician progresses. The
book is divided into
sections: Open Strings,
First Finger, Second
Finger, Third Finger,
Fourth Finger and
Chromatic Changes.
Perfect for fun,
performance, or festival
adjudication –
this new collection is a
must-have for your string
solo library.
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin
SKU: PR.144407530
Composed by Lauren
Bernofsky. 12 pages.
Duration 10 minutes, 30
seconds. Merion Music
#144-40753. Published by
Merion Music
(PR.144407530).
ISBN
9781491136614. UPC:
680160687992.
A
violinist herself, Lauren
Bernofsky has described
SONATA FOR SOLO VIOLIN as
drawn from
autobiographical
inspiration, including
gestures from Bachâ??s
beloved Partita in E
Major. Bernofsky opens
with a Preludio movement
whose references to Bach
may be disguised, but
they are surely lurking.
The second movement is
lusciously contrapuntal
with the idiomatic
finesse of a violinist
composing for her own
instrument, while
musically journaling the
emotional pain of living
through 2020. The third
and final movement is
aptly marked
â??white-hot,â? and
the music certainly
is. My SONATA FOR SOLO
VIOLIN was commissioned
by violinist Megan Healy
as part of The Maud
Powell Project, which
celebrated the 100th
anniversary of the
ratification of the 19th
Amendment. The project
included the creation of
five new works for solo
violin inspired by and
dedicated to the memory
of pioneering American
violinist Maud Powell
(1867-1920). Healy
premiered the sonata on
May 8, 2021 at PianoForte
Studios in Chicago.Among
the works Powell most
frequently performed in
her recitals was the
â??Preludioâ?
movement from Bachâ??s E
major Partita, and I
decided to refer to that
music in my own first
movement, also titled
â??Preludio.â? The
beginning subtly reflects
Bachâ??s opening
three-note motive,
wherein the music dips
down a semitone and then
comes back up. This
melodic material returns
throughout the movement
in various forms. I also
refer to Bachâ??s
sixteenth-note dominated
texture, and the gesture
in the third measure,
which outlines a perfect
fifth and then fills it
in with notes that
alternate between a scale
and a pedal tone. The
corresponding passage in
my piece occurs in the
same place, measure 3.
Apart from these
references to Bach, my
sonata is much more
modern sounding,
especially in its
chromatic character.I was
still thinking of
Bachâ??s solo violin
writing while composing
the second movement,
particularly the
polyphonic nature of the
slow movements, where the
melodic interest moves
around between the
voices. Emotionally, I
wanted my movement to
reflect the acute sadness
I had been experiencing
over the political and
social situation in the
United States as I wrote
the piece. I realized
that this is a
historically noteworthy
time in U.S. history,
marked not only by
political unrest, but
also by a challenge to
the very values that I
consider essential to
what makes a person
fundamentally human. I
wanted to create a record
of that pain in my
music.The final movement
is marked
â??White-hot.â? It is
imbued with a relentless,
passionate intensity.
Wanting again to reflect
aspects of our own time,
I included glissandi that
refer to rock music,
specifically the
â??fall-offsâ? I
frequently hear played by
electric guitarists. I
borrowed from another
(completely different)
musical tradition as
well, one that is
near-and-dear to my
heart: Klezmer. Klezmer
(Eastern European Jewish
folk music) is
characterized in part by
scales colored by
augmented seconds, and is
often performed by solo
instrumentalists who
improvise embellishments
like quick grace notes.
The second, more lyrical
theme in this movement is
my nod to Klezmer
style.While this piece is
an homage to Maud Powell,
I also think of it as my
own musical
autobiography, as it
combines some of my
favorite aspects of
music, and is played on
my own instrument.
Violin Solo. Composed by Charles Dancla (1817-1907). Edited by Wolfgang Birt...(+)
Violin Solo. Composed by
Charles Dancla
(1817-1907).
Edited by Wolfgang
Birtel.
Arranged by Ulrike
Dierick.
String. Softcover. 72
pages.
Schott Music #ED22313.
Published by Schott Music
Violin Solo Op. 37. Composed by Jakob Dont. Edited by Dominik Rahmer. Henle Mu...(+)
Violin Solo Op. 37.
Composed
by Jakob Dont. Edited by
Dominik Rahmer. Henle
Music
Folios. Classical.
Softcover. G. Henle
#HN1176.
Published by G. Henle
Violin SKU: FH.S50 Composed by The Royal Conservatory. Syllabus. Violin S...(+)
Violin
SKU: FH.S50
Composed by The Royal
Conservatory. Syllabus.
Violin Series. Book. The
Frederick Harris Music
Company #S50. Published
by The Frederick Harris
Music Company (FH.S50).
ISBN
9781554409150.
T
he Official Syllabi of
The Royal Conservatory
are essential for
teachers preparing
students for
examinations. Students
and their parents will
also benefit from the
information presented in
these helpful resource
books. The syllabi
include information about
application procedures
and marking systems for
RCM Examinations,
technical requirements
and listings of a wide
range of repertoire for
each level of study, and
comprehensive
bibliographies of music
texts and reference
books. This resource
outlines the Violin
requirements for the
Preparatory to ARCT
levels of The Royal
Conservatory
Examinations. The Violin
Syllabus includes an
extensive listing of
repertoire organized by
musical style, historical
era, or
genre.