For Cello and Piano Schott Student Edition Repertoire. Composed by Hugo Schlemueller. Edited by Martin Mueller-Runte. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 12. 32 pages. Schott Music #SE1005. Published by Schott Music (HL.49045443).

Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 40/1. 36 pages. Schott Music #SE1006. Published by Schott Music (HL.49045503).

Chamber Music Cello, Piano

SKU: PR.114418630

Composed by Stacy Garrop. Set of Score and Parts. With Standard notation. 24+8 pages. Duration 13 minutes. Theodore Presser Company #114-41863. Published by Theodore Presser Company (PR.114418630).

ISBN 9781491114063. UPC: 680160642724. 9 x 12 inches.

The film noir genre of 1940s cinema typically includes a strong but flawed male lead (often a detective), a beautiful woman who coerces the male into committing murder or is a killer herself (a “femme fatale”), and a twisting plot line that involves one or more homicides. These movies typically are shot in black and white, with emphasis on shadows and light, alcohol and cigarettes, trench coats and fedoras. Most of the story lines do not have happy endings. Inspired by this genre, NOIR VIGNETTES consists of four movements, each depicting an aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.
In the mid-1940s, film critics in France noticed a trend emerging in movies from the United States, which they coined film noir (which translates to “black film”). These movies were dark, moody, and pessimistic, reflecting the agitation and anxiety present in society following World War II. Several characteristics are commonly found in many of these movies, including a strong but flawed male lead (often a detective), a beautiful woman who either coerces the male lead into committing murder for her or is a killer herself (a “femme fatale”), and a twisting, turning plot line that involves one or more homicides. Additionally, there are several visual elements that these movies share: many are shot in black and white, with great emphasis on the use of shadows and light; alcohol and cigarettes are heavily consumed by men and women alike; and men typically wear trench coats and fedoras. Most of the story lines do not have happy endings. Examples of film noir include Orson Welles’ The Lady from Shanghai, Billy Wilder’s Double Indemnity, and John Huston’s The Maltese Falcon.NOIR VIGNETTES consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.This piece was commissioned by the University of Illinois Research Board on behalf of double bassist Michael Cameron; and it also published for Double Bass and Piano (114-41811). The cello version is transcribed by the composer.-- Stacy Garrop.

Cello and piano

SKU: M7.DUX-957

12 Tangos For Cello & Piano. Composed by Chris Gall. Sheet music. Score and part. 68 pages. Edition Dux Verlag #DUX 957. Published by Edition Dux Verlag (M7.DUX-957).

ISBN 9783868492972.

TANG O - das ist das Album des World Music Ensembles Quadro Nuevo, das nach einer 'Buenos-Aires-Expedition' zusammen mit dem Pianisten Chris Gall veröffentlicht wurde. TANGO FOR TWO - das ist die daraus entstandene Sammlung von 12 Tangos für die spannende 'Duo-Besetzung'. Neben Eigenkompositionen wurden unter anderem Stücke von Ángel Villoldo (El Choclo), Carlos Gardel (Por una cabeza, El día que me quieras) und Astor Piazzolla (Libertango, Oblivion) für das Duospiel arrangiert. Die Reihe ist erhältlich für Tenorsaxophon, Altsaxophon, Klarinette, Trompete, Flöte, Violine und Violoncello, wahlweise in der Besetzung Solo + Piano oder Solo mit CD. Die CD beinhaltet alle 12 Titel als Play-along- und Duo-Versionen. Die Arrangements von Mulo Francel und Chris Gall liegen im mittleren Schwierigkeitsgrad. Der Ausgabe liegt ein 36-seitiger Einleger mit der Violoncellostimme bei.

(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello and Co Ltd. #NOV958089. Published by Novello and Co Ltd.

(10 Solo Pieces from Pablo Casals' Repertoire for Cello and Piano Accompanim). By Pablo Casals Ernest Bloch. Edited by Marion Feldman, Pablo Casals. Arranged by Theodore Moses-Tobani. For Cello, Piano. 76 pages. Published by Carl Fischer

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 50 pages. G. Henle #HN1475. Published by G. Henle

(Cello and Piano). By Francisco Tarrega (1852-1909). Arranged by Wolfgang Birtel. String. Softcover. 12 pages

Accompanies Second Edition. Composed by David Blackwell and Kathy Blackwell. Cello Time. Oxford University Press #9780193563315. Published by Oxford University Press

Cello with Piano Reduction. Composed by Peter Ilyich Tchaikovsky (1840-1893). Instrumental. Ballet, Christmas, Classical. Softcover Audio Online. 64 pages. Published by Hal Leonard

Chamber Music Cello, Piano

SKU: PR.114422760

Composed by Ricky Ian Gordon. Set of Score and Parts. 8+4 pages. Duration 5 minutes. Theodore Presser Company #114-42276. Published by Theodore Presser Company (PR.114422760).

ISBN 9781491135785. UPC: 680160687855.

A heartfelt memorial to the composer’s sister, SAMBA FOR SUSAN bears a tempo marking of “Sensual,” and this 5-minute elegy is set as a slow bossa nova, full of the jazz flavor and syncopations of samba tradition. In the hands of this celebrated opera and theater composer, Gordon’s samba is a drama cast in a dance feel. Themes alternate, always returning transformed into fresh textures at each recurrence, creating a work that is catchy on first hearing, and reveals its depth upon repeated hearings.

By George Frideric Handel (1685-1759). Edited by Lindner. For Cello and piano. Cello and piano. Published by International Music Company