By Franz Danzi. For cello, piano. This edition: paperback. Edition Breitkopf. 24 pages. Published by Breitkopf and Haertel (German import).

Cello (Cello Part And Piano Score)

SKU: HL.48025038

Book 1. Composed by Ailbhe McDonagh. Boosey & Hawkes Chamber Music. Classical, Instruction. Softcover Audio Online. 48 pages. Boosey & Hawkes #M060137990. Published by Boosey & Hawkes (HL.48025038).

ISBN 9781784546342. UPC: 196288021025. 9.0x12.0x0.153 inches.

Composed by arr. Halferty and Various. String Bass Solo. Kendor Music Inc #14138. Published by Kendor Music Inc

Composed by arr. Halferty and Various. Cello Solo. Kendor Music Inc #14104. Published by Kendor Music Inc

Cello and Piano. Composed by Kevin Volans. Music Sales America. Classical. Softcover. Chester Music #CH86372. Published by Chester Music

By Kathy Blackwell; David Blackwell. For Piano Accompaniment. Cello Time. 44 pages. Published by Oxford University Press

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Composed by Jean Brizard/Henri Classens. For cello and piano. Classical. Score. 29 16 pages. Published by Editions Combre

By Janice Tucker Rhoda. For Cello, Cello and Piano. CD contains piano accompaniments as audio and printable PDF; Also includes complete performances. Instructional. Instructional book and CD. Published by Carl Fischer

Easy Solo Cello and Piano. Arranged by Bruce Healey. (Cello). Instrumental Folio. 44 pages. Published by Hal Leonard.

By The Piano Guys. For Cello, Piano/Keyboard. Personality. Softcover. 120 pages. Published by Hal Leonard

Cello and Piano. Composed by Georges Boulanger (1893- 1958). Boosey & Hawkes Chamber Music. Classical. Softcover. 12 pages. Boosey & Hawkes #M202535264. Published by Boosey & Hawkes

Cello and Piano - advanced

SKU: ST.R2178

Composed by Ludwig van Beethoven. String music. The Donald Tovey edition with recent minor revisions. Score and part. Stainer & Bell Ltd. #R2178. Published by Stainer & Bell Ltd. (ST.R2178).

ISBN 9790220201059.

The Donald Tovey edition with recent minor revisions.. Advanced.

Chamber Music Cello, Piano

SKU: PR.114422760

Composed by Ricky Ian Gordon. Set of Score and Parts. 8+4 pages. Duration 5 minutes. Theodore Presser Company #114-42276. Published by Theodore Presser Company (PR.114422760).

ISBN 9781491135785. UPC: 680160687855.

A heartfelt memorial to the composer’s sister, SAMBA FOR SUSAN bears a tempo marking of “Sensual,” and this 5-minute elegy is set as a slow bossa nova, full of the jazz flavor and syncopations of samba tradition. In the hands of this celebrated opera and theater composer, Gordon’s samba is a drama cast in a dance feel. Themes alternate, always returning transformed into fresh textures at each recurrence, creating a work that is catchy on first hearing, and reveals its depth upon repeated hearings.

Composed by Don Banks. This edition: Folding. Sheet music. Edition Schott. Classical. Composed 1955. 20 pages. Duration 7'. Schott Music #ED 10421. Published by Schott Music

Cello, piano

SKU: VD.ED12656

Composed by Alfred Baum. Edited by Lehel Donáth. Classical. Score, solo part. 22 S. Part. + 7 S. Stimme pages. Verlag Dohr #ED12656. Published by Verlag Dohr (VD.ED12656).

ISBN 9790202026564. 12 x 9 inches.

Violoncello & Piano or CD Play Back / Play Along - Grade 1

SKU: MA.EMR-44961

Melodies pour Debutants / Melodien fur Anfanger. Composed by Bertrand Moren. Violoncello & CD Playback (Play Along). Score and parts. Duration 21'08. Editions Marc Reift #EMR 44961. Published by Editions Marc Reift (MA.EMR-44961).

The Partridge / Merrily We Roll Along / Little Mozart / Le Bon Roi Dagobert / Jingle Bells / How To Slur / How To Play Staccato / J'ai du Bon Tabac / Serenade / Slurring Is Fun / Flea Jumps / Ode To Joy / Ah vous dirais-je Maman / Old Mac Donald ...

(Cello and Piano Meditations). Composed by Elisabeth Boyle. String ensemble. For instrumental. Recordings. Listening CD. SoundForth #278887. Published by SoundForth

For Violoncello and Piano. By Lowell Liebermann. For Cello Solo, Piano. First Performance: Steven Isserlis, violoncello; Stephen Hough, piano, September 19, 1998, Wigmore Hall, London, UK. Classical. Solo part with piano reduction. Composed 1998. Opus 61. 40 pages. Duration 15:00. Published by Theodore Presser Company.

Cello and Piano. By Edward Huws Jones. (Cello). Boosey and Hawkes Chamber Music. Size 9x12 inches. 40 pages. Published by Boosey and Hawkes.

Cello and piano

SKU: BR.EB-8298

Composed by Felix Bartholdy Mendelssohn. Solo instruments; stapled. Edition Breitkopf. Violoncello part arranged by Michael Denhoff. Sonata; Romantic. Score. 52 pages. Breitkopf and Haertel #EB 8298. Published by Breitkopf and Haertel (BR.EB-8298).

ISBN 9790004176139. 9 x 12 inches.

The cello sonata stands between a conservative return to classical forms and the full development of Mendelssohnian characteristics in the late work, which ultimately led to the abandonment of the sonata form. Violoncello part arranged by Michael Denhoff.