A Heritage of Song - High Voice The Vocal Library. Arranged by Carol Kimball. (...(+)
A Heritage of Song - High
Voice The Vocal Library.
Arranged by Carol
Kimball. (High Voice).
Vocal Collection.
Softcover. Size 9x12
inches. 216 pages.
Published by Hal Leonard.
High Voice and Piano Piano Accompaniment; Vocal (High Voice) SKU: HL.50602069...(+)
High Voice and Piano
Piano Accompaniment;
Vocal (High Voice)
SKU: HL.50602069
Easy Songs from Four
Centuries in Six
Languages for High Voice
and Piano. By Hegedus
Gonczy. By Various.
Edited by Dr. Katalin
Hegedus Gonczy. Arranged
by Dr. Katalin
Hegedü, nczy, and s
Gö. EMB. 1/a. 20Th
Century, Baroque,
Classical, English,
Hungarian. Softcover. 96
pages. Editio Musica
Budapest #Z20006.
Published by Editio
Musica Budapest
(HL.50602069).
ISBN
9781540060297. UPC:
888680956271.
8.0x11.25x0.32 inches.
English-French-German-Hun
garian-Russian-Spanish.
Katalin Gonczy
Hegedus.
A Panorama
of Songs fills a want
that has been felt for
decades. A selection of
songs in six European
languages from the 16th
to the mid-20th century
encompassing every
musical period, it seeks
to help beginner-level
students of voice
teachers and repetiteurs,
and foremost the singers
themselves. The series
brings a breath of fresh
air and new works to the
conventional Lied
repertoire, truly
offering a new panorama.
Using the means of modern
technology it also
provides immense help in
learning and performing
the songs. The three
volumes of the series are
arranged by level of
difficulty, and all of
them are available for
high and low voices (a
volumes for high voices,
b volumes for low
voices). Each volume is a
complete unit in itself,
including all six
languages (English,
French, German, Italian,
Russian, and Spanish) and
presenting a
cross-section of styles
from the early Baroque to
the 20th century.
Interpretation of the
songs is facilitated by
literal English and
Hungarian translations of
their texts, and the
reading of the Cyrillic
script is assisted by
transliteration (again in
English and Hungarian).
Ornamentation suggestions
for the performance of
the Baroque works are
also included. The
printed music is
accompanied by additional
useful material to help
the learning process,
available online at
www.emb.hu/downloads. The
website contains the
piano accompaniments of
all of the songs, as well
as all the original texts
recited by native
speakers.
A selection of best-known arias from opera's greatest masterpieces for high voic...(+)
A selection of best-known
arias from opera's
greatest masterpieces for
high voice and piano
accompaniment. All pieces
are featured on the CD of
the same name. Includes
music by Mozart, Puccini
and Verdi
Voice-High,Piano (High voice, Piano) SKU: BA.BA09119 Composed by Franz Sc...(+)
Voice-High,Piano (High
voice, Piano)
SKU:
BA.BA09119
Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Compilation:
Christine Martin. Singing
Score, anthology.
Baerenreiter Verlag
#BA09119_00. Published by
Baerenreiter Verlag
(BA.BA09119).
ISBN
9790006566679. 30 x 23 cm
inches. Language: German.
Preface: Christine
Martin.
Do you know
our performing edition of
Schubert Lieder? 13
volumes containing the
complete Lieder for solo
voice and piano in
editions for high, medium
and low voice are
planned. Nine of these
volumes have already been
published and provide the
basis for this special
sampler at a very special
price. “A Taste of
Schubert†presents
one to three pieces from
each volume to create a
cross-section of
Schubert’s
complete lieder uvre.
Lieder from his famous
cycles are included as
well as
“Sehnsuchtâ€,
of which he wrote several
settings.
Contrast
ing genres have also been
taken into consideration,
beginning with simple
strophic songs, via the
ballad “Der
König von Thuleâ€
through to his long
Ossian Lied
“Cronnanâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: HL.386012 For High Voice and Piano. Composed by Isabelle Abou...(+)
SKU: HL.386012
For High Voice and
Piano. Composed by
Isabelle Aboulker. Vocal.
Softcover. 20 pages.
Alphonse Leduc #AL30881.
Published by Alphonse
Leduc (HL.386012).
ISBN 9781705155417.
UPC: 196288023111.
9.0x12.0
inches.
Isabelle
Aboulker composed Lettre
a ma soeur tant aimee
(Letter to My Beloved
Sister) for the Nadia et
Lili Boulanger
International Voice-Piano
Competition 2021. The
text is based on a
recently discovered
letter from Nadia
Boulanger to her sister
Lili that contains
emotions of a rare
intensity. The letter was
written on February 7,
1917, during a period
when Lili, isolated by
the war and sickness, was
spending a difficult
period at Arcachon to
recover her health.
By Karol Szymanowski (1882-1937). Arranged by Oramo Sakari. For High Voice, Pian...(+)
By Karol Szymanowski
(1882-1937). Arranged by
Oramo Sakari. For High
Voice, Piano. Piano
reduction/vocal score.
Op.31. 29 pages.
Published by Universal
Edition
Sing Me a Song Voix haute, Piano [Partition + CD] Alfred Publishing
13 Poetic Songs for Solo Singers for Recitals, Concerts, and Contests. Edited by...(+)
13 Poetic Songs for Solo
Singers for Recitals,
Concerts, and Contests.
Edited by Sally K.
Albrecht. For Voice.
(Medium High Voice). This
edition: Book and
Acc./Performance CD.
Vocal Collection. Book
and CD. Published by
Alfred Publishing.
Soprano/Alto High Voice; Vocal SKU: HL.383303 Soprano/Alto Edition...(+)
Soprano/Alto High Voice;
Vocal
SKU:
HL.383303
Soprano/Alto
Edition. By Various.
Vocal Collection. Pop,
Pop/Rock, Rock.
Softcover. Published by
Hal Leonard (HL.383303).
ISBN 9781705154137.
UPC: 196288021421.
9.0x12.0x0.666
inches.
Do you need
a perfect contemporary
song for a vocal audition
or performance? The
Singer's Anthology of
Pop/Rock Ballads gives
you over 30 pop/rock
classics to choose
fromââall
transposed into
appropriate keys and
based on the original
recorded hits. These
songs fall into the new
wave of standards that
you are hearing more
often at cabaret,
concerts, and special
occasions. These songs
are most often identified
with singer-songwriters,
so this collection
features the work of
Billy Joel, Carole King,
Adele, and others. These
arrangements were custom
made for this collection
as authentic performing
editions, friendly to
both the singer and
accompanist. Keys were
carefully chosen, either
preserving the original
recorded key or
transposing as near the
original as possible to
increase accessibility.
This volume is presented
in separate editions for
Soprano/Alto and
Tenor/Baritone, with some
songs shared between the
two, and others specific
to the voice type. The
Soprano/Alto edition
features 31 songs,
including: All by Myself
⢠At Last â¢
Don't Know Why â¢
Hallelujah ⢠Hello
⢠I Can't Make You
Love Me ⢠I Will
Always Love You â¢
Killing Me Softly with
His Song ⢠Landslide
⢠Million Reasons
⢠(You Make Me Feel
Like) A Natural Woman
⢠New York State of
Mind ⢠She Used to
Be Mine ⢠Someone
like You ⢠A
Thousand Years â¢
Time After Time â¢
When We Were Young â¢
Will You Love Me Tomorrow
(Will You Still Love Me
Tomorrow) ⢠and
more.
22 art songs for diploma- level performance. Composed by Various. Edited by L...(+)
22 art songs for
diploma-
level performance.
Composed
by Various. Edited by
Luise
Horrocks. Classical.
Collection / Songbook.
Trinity College London
#TCL019974. Published by
Trinity College London
5 Songs and a Duet for High Voice(s) and Piano. By Henry Purcell. Arranged by Wa...(+)
5 Songs and a Duet for
High Voice(s) and Piano.
By Henry Purcell.
Arranged by Walter
Bergmann, Michael
Tippett. Schott. Size
9x12 inches. 32 pages.
Published by Schott.
High Voice and Piano - Intermediate SKU: FP.FQR02 Composed by Roger Quilt...(+)
High Voice and Piano -
Intermediate
SKU:
FP.FQR02
Composed by
Roger Quilter. Sheet
Music and Books. Roger
Quilter's ever popular
sea songs, arranged for
high voice. Classical.
Vocal Collection.
Forsyths Publications
#FQR02. Published by
Forsyths Publications
(FP.FQR02).
ISBN
9790570503933.
Four
sea scenes, both wistful
and profound. Quilter's
long, soaring vocal lines
provide a compelling
counterpoint to the
intricacy of the piano
accompaniment.
High voice and piano SKU: HL.49002702 Composed by John Ireland. This edit...(+)
High voice and piano
SKU: HL.49002702
Composed by John Ireland.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 18 pages.
Schott Music #ED 11202.
Published by Schott Music
(HL.49002702).
ISBN
9790220108761.
9.0x12.0x0.095 inches.
English.
The Advent
No sudden thing of glory
and fear * Hymne for a
child Flocking to the
Temple * My Fair My Fair,
no beauty of thine * The
Salley Gardens Down by
the Salley gardens * The
soldier's return Jump
through the hedge, lass!
* The scapegoat See the
scapegoat, happy
beast.
(High Voice). By Franz Schubert (1797-1828). Edited by Walther Durr. For high vo...(+)
(High Voice). By Franz
Schubert (1797-1828).
Edited by Walther Durr.
For high voice/Piano.
This edition: Stapled,
Urtext edition. Vocal
score, Anthology.
Language: German, Text
Language: German/English.
58 pages. Published by
Baerenreiter Verlag
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.